The Gurdjieff Ensemble & Levon Eskenian - Zartir
Жанр: Classical, Contemporary, Folk
Страна-производитель диска: Германия
Год издания диска: 2023
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 2788
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:55:25
Источник (релизер): AlexOC
Наличие сканов в содержимом раздачи: pdf
Треклист:
01. Pythia (3:35)
02. No.10 (3:18)
03. Sayyid Chant and Dance No.41 (3:16)
04. Introduction and Funeral Ceremony (5:20)
05. Oriental Dance (1:56)
06. Kankaravor Enker (Friend of Talents) (4:16)
07. Dard Mi Ani (Do Not Fret) (3:55)
08. Thirty Gestures (1:16)
09. Prayer and Despair (4:42)
10. Sayyid Chant and Dance No.42 (3:40)
11. Ashkharhes Me Panjara e (The World Is a Window) (4:17)
12. Trembling Dervish (4:24)
13. Zartir (Wake Up) (4:19)
14. The Great Prayer (7:11)
Лог создания рипа
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 14. February 2024, 21:37
Levon Eskenian, The Gurdjieff Ensemble / Zartir
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Null samples used in CRC calculations : Yes
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Gap handling : Appended to previous track
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TOC of the extracted CD
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---------------------------------------------------------
1 | 0:00.00 | 3:35.08 | 0 | 16132
2 | 3:35.08 | 3:17.67 | 16133 | 30974
3 | 6:53.00 | 3:15.49 | 30975 | 45648
4 | 10:08.49 | 5:19.47 | 45649 | 69620
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8 | 25:35.60 | 1:15.39 | 115185 | 120848
9 | 26:51.24 | 4:42.31 | 120849 | 142029
10 | 31:33.55 | 3:39.67 | 142030 | 158521
11 | 35:13.47 | 4:16.48 | 158522 | 177769
12 | 39:30.20 | 4:24.25 | 177770 | 197594
13 | 43:54.45 | 4:19.15 | 197595 | 217034
14 | 48:13.60 | 7:11.10 | 217035 | 249369
Track 1
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
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Track 8
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Track 9
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Track 10
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Track 11
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Track 12
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Track 13
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Track 14
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All tracks accurately ripped
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Содержание индексной карты (.CUE)
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Об альбоме (сборнике)
With his inspired arrangements for folk instrumentation, Levon Eskenian has brought about a re-evaluation of the music of G.I. Gurdjieff (ca. 1877- 1949) and given us many new insights into the sources that inspired the Armenian-born esoteric teacher, philosopher and composer.
Zartir, the third album from Eskenian’s award-winning Gurdjieff Ensemble, is its most adventurous to date, and it opens several new channels of discovery. In several pieces with a focus on the voice, it situates Gurdjieff in a tradition of Armenian ashughs, bards and troubadours including Ashugh Jivani, Baghdasar Tbir and the legendary Sayat-Nova. Gurdjieff’s father, an ashugh who performed under the name Adash, was part of this tradition, and his wide-ranging repertoire would have exposed his son, at an early age, to music and verse from many places. The texts of these songs also resonate with Gurdjieff’s central messages, especially title piece “Zartir” by Baghdasar Tbir (1683-1768). “Zartir” means “Wake up!”, and its lyrics seem to anticipate Gurdjieff’s contention that Mankind is asleep and needs to be roused from its torpor.
Elsewhere, Eskenian emphasizes pieces written for sacred dance, reaching a high point with The Great Prayer, an entrancing collaboration between the Gurdjieff Ensemble and the National Chamber Choir of Armenia, which draws upon ritual music of multiple faiths. Arranger Eskenian says, “I believe The Great Prayer is more than a mere ‘composition’. It is one of the most profound and transformative pieces I have encountered in Gurdjieff’s work.”
References for Eskenian’s work on Zartir have included the piano transcriptions and symphonic scorings of Gurdjieff’s gifted amanuensis, the Ukraine-born composer Thomas de Hartmann. As with the ensemble’s 2011 debut album, however (Music of Georges I. Gurdjieff), Eskenian’s arrangements for folk instruments radically transform the material, and give the listener the experience of hearing Gurdjieff’s music in full, radiant colour, flowering in its natural context.
Georges Gurdjieff composed and dictated volumes of piano music. Levon Eskenian’s Gurdjieff Ensemble reclaims these pieces from the salons of Paris and takes them back to their roots in the Caucasus. They reveal their origins and themselves.” David Honigmann, Financial Times
With his inspired arrangements for folk instrumentation, Levon Eskenian has brought about a re-evaluation of the music of G.I. Gurdjieff (ca. 1877- 1949) and given us many new insights into the sources that inspired the Armenian-born esoteric teacher, philosopher and composer.
Zartir, the third album from Eskenian’s award-winning Gurdjieff Ensemble, is its most adventurous to date, and it opens several new channels of discovery. In several pieces with a focus on the voice, it situates Gurdjieff in a tradition of Armenian ashughs, bards and troubadours including Ashugh Jivani, Baghdasar Tbir and the legendary Sayat-Nova. Gurdjieff’s father, an ashugh who performed under the name Adash, was part of this tradition, and his wide-ranging repertoire would have exposed his son, at an early age, to music and verse from many places. The texts of these songs also resonate with Gurdjieff’s central messages, especially title piece “Zartir” by Baghdasar Tbir (1683-1768). “Zartir” means “Wake up!”, and its lyrics seem to anticipate Gurdjieff’s contention that Mankind is asleep and needs to be roused from its torpor.
Elsewhere, Eskenian emphasizes pieces written for sacred dance, reaching a high point with The Great Prayer, an entrancing collaboration between the Gurdjieff Ensemble and the National Chamber Choir of Armenia, which draws upon ritual music of multiple faiths. Arranger Eskenian says, “I believe The Great Prayer is more than a mere ‘composition’. It is one of the most profound and transformative pieces I have encountered in Gurdjieff’s work.”
References for Eskenian’s work on Zartir have included the piano transcriptions and symphonic scorings of Gurdjieff’s gifted amanuensis, the Ukraine-born composer Thomas de Hartmann. As with the ensemble’s 2011 debut album, however (Music of Georges I. Gurdjieff), Eskenian’s arrangements for folk instruments radically transform the material, and give the listener the experience of hearing Gurdjieff’s music in full, radiant colour, flowering in its natural context.
Состав
The Gurdjieff Ensemble
Levon Eskenian - musical director
Robert Mlkeyan - director
Recorded at Radio Recording Studio Yerevan in December 2021.
