avgraff · 07-Авг-23 15:00(2 года 4 месяца назад, ред. 07-Авг-23 16:08)
Ezio Bosso / The 12th Room Жанр: classical, neoclassical, piano solo Страна-производитель диска: Italy Год издания диска: 2017 Издатель (лейбл): Sony Music Номер по каталогу: 88985452642 Страна: Italy Аудиокодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:41:46 (2 CDs) Источник: CD (скачано из сети, благодарности – delPotro) Наличие сканов в содержимом раздачи: front, back, cd Треклист:
CD1 [01:00:57]
01 Ezio Bosso – Following, a Bird (Unconditioned) (Out of the Room) 6:52
02 Frédéric Chopin – Prelude Op. 28 No. 6 (The Burned Room) 3:06
03 Johann Sebastian Bach – A. Siloti: Prelude BWV 855a (The Children's Room) 2:54
04 Frédéric Chopin – Prelude Op. 28 No. 20 (The Darkest Room) 2:06
05 Johann Sebastian Bach – E. Bosso : Invention No. 2 BWV 773 (The Breakfast Room) 3:20
06 Frédéric Chopin– Prelude Op. 28 No. 4 (The Pain Room) 2:14
07 Johann Sebastian Bach – The Well-tempered Clavier Bwv 846, Prelude No. 1 (The Building Room) 1:43
08 Ezio Bosso – Split, Postcards From Far Away (the Tea Room) (Piano Solo And Magnetic Tape) 7:50
09 Christoph Willibald Gluck, Giovanni Sgambati – Melody From The Opera "Orfeo" (The Therapy Room) 4:01
10 John Cage – In A Landscape (The Smallest Room) 6:04
Ezio Bosso
11 Missing A Part (The Waiting Room G) 8:00
12 Emily's Room (Sweet And Bitter) 4:47
13 Split, Postcards From Far Away (Piano Solo Version) 7:55
Лог создания рипа CD1
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 11. April 2020, 8:40 Ezio Bosso / The 12th Room Used drive : HL-DT-STDVDRAM GT70N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 103 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:52.40 | 0 | 30939 2 | 6:52.40 | 3:06.35 | 30940 | 44924 3 | 9:59.00 | 2:54.08 | 44925 | 57982 4 | 12:53.08 | 2:06.20 | 57983 | 67452 5 | 14:59.28 | 3:20.03 | 67453 | 82455 6 | 18:19.31 | 2:14.26 | 82456 | 92531 7 | 20:33.57 | 1:43.11 | 92532 | 100267 8 | 22:16.68 | 7:50.67 | 100268 | 135584 9 | 30:07.60 | 4:01.04 | 135585 | 153663 10 | 34:08.64 | 6:04.66 | 153664 | 181029 11 | 40:13.55 | 8:00.40 | 181030 | 217069 12 | 48:14.20 | 4:47.29 | 217070 | 238623 13 | 53:01.49 | 7:55.24 | 238624 | 274272 Track 1 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\01. Following a Bird (Unconditioned) (Out of the Room).wav Pre-gap length 0:00:02.00 Peak level 99.0 % Extraction speed 2.5 X Track quality 100.0 % Test CRC 11BF1DAF Copy CRC 11BF1DAF Accurately ripped (confidence 2) [A4A8C915] (AR v2) Copy OK Track 2 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\02. Prelude Op. 28 No. 6 (The Burned Room).wav Peak level 69.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 4027C76A Copy CRC 4027C76A Accurately ripped (confidence 2) [ECFEF268] (AR v2) Copy OK Track 3 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\03. Prelude BWV 855a (The Children's Room).wav Peak level 98.9 % Extraction speed 2.4 X Track quality 100.0 % Test CRC C78FA190 Copy CRC C78FA190 Accurately ripped (confidence 2) [30A041DB] (AR v2) Copy OK Track 4 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\04. Preludio No. 8 Op. 28 No. 20 (The Darkest Room).wav Peak level 97.4 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 66B8BA7A Copy CRC 66B8BA7A Accurately ripped (confidence 2) [A0B28B4E] (AR v2) Copy OK Track 5 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\05. Invention No. 2 BWV 773 (The Breakfast Room).wav Peak level 99.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 4B6E776F Copy CRC 4B6E776F Accurately ripped (confidence 2) [C7C99976] (AR v2) Copy OK Track 6 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\06. Preludio Op. 28 No. 4 (The Pain Room).wav Peak level 96.2 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 633235B8 Copy CRC 633235B8 Accurately ripped (confidence 2) [1129897D] (AR v2) Copy OK Track 7 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\07. The Well-Tempered Clavier BWV 846, Prelude No. 1 (The Building Room).wav Peak level 98.8 % Extraction speed 2.2 X Track quality 100.0 % Test CRC E8B32AC7 Copy CRC E8B32AC7 Accurately ripped (confidence 2) [72CA1BCF] (AR v2) Copy OK Track 8 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\08. Split, Postcards from Far Away (The Tea Room) (Piano Solo and Magnetic Tape).wav Peak level 98.9 % Extraction speed 2.8 X Track quality 100.0 % Test CRC 5A643B84 Copy CRC 5A643B84 Accurately ripped (confidence 2) [6221C377] (AR v2) Copy OK Track 9 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\09. Melody, from The Opera ''Orfeo'' (The Therapy Room).wav Peak level 73.3 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 5F4414C1 Copy CRC 5F4414C1 Accurately ripped (confidence 2) [D3728711] (AR v2) Copy OK Track 10 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\10. In a Landscape (The Smallest Room).wav Peak level 100.0 % Extraction speed 2.9 X Track quality 99.9 % Test CRC 85396186 Copy CRC 85396186 Accurately ripped (confidence 2) [2592E9D4] (AR v2) Copy OK Track 11 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\11. Missing a Part (The Waiting Room G).wav Peak level 99.0 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 4B116D81 Copy CRC 4B116D81 Accurately ripped (confidence 2) [B17629E1] (AR v2) Copy OK Track 12 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\12. Emily's Room (Sweet and Bitter).wav Peak level 98.9 % Extraction speed 3.1 X Track quality 100.0 % Test CRC 3BE8ECFC Copy CRC 3BE8ECFC Accurately ripped (confidence 2) [9B45A197] (AR v2) Copy OK Track 13 Filename E:\Ezio Bosso - The 12th Room (2017)\CD1\13. Split, Postcards from Far Away (Piano Solo Version).wav Peak level 99.7 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 09517F92 Copy CRC 09517F92 Accurately ripped (confidence 2) [D4FC1A82] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: an_Lb3ca4c08sqUcgjuH26zGGs0-] found Submit result: an_Lb3ca4c08sqUcgjuH26zGGs0- has been confirmed Track | CTDB Status 1 | (11/11) Accurately ripped 2 | (11/11) Accurately ripped 3 | (11/11) Accurately ripped 4 | (11/11) Accurately ripped 5 | (11/11) Accurately ripped 6 | (11/11) Accurately ripped 7 | (11/11) Accurately ripped 8 | (11/11) Accurately ripped 9 | (11/11) Accurately ripped 10 | (11/11) Accurately ripped 11 | (11/11) Accurately ripped 12 | (11/11) Accurately ripped 13 | (11/11) Accurately ripped ==== Log checksum 2D3E9FFD4C3579E2087B442FAEAE60CF81E25D7B10014B7F68296184EBC347F7 ====
Содержание индексной карты (.CUE) CD1
REM GENRE Baroque REM DATE 2017 REM DISCID 990E480D REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Ezio Bosso" TITLE "The 12th Room" REM COMPOSER "" FILE "01. Following a Bird (Unconditioned) (Out of the Room).wav" WAVE TRACK 01 AUDIO TITLE "Following a Bird (Unconditioned) (Out of the Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "02. Prelude Op. 28 No. 6 (The Burned Room).wav" WAVE TRACK 02 AUDIO TITLE "Prelude Op. 28 No. 6 (The Burned Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "03. Prelude BWV 855a (The Children's Room).wav" WAVE TRACK 03 AUDIO TITLE "Prelude BWV 855a (The Children's Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "04. Preludio No. 8 Op. 28 No. 20 (The Darkest Room).wav" WAVE TRACK 04 AUDIO TITLE "Preludio No. 8 Op. 28 No. 20 (The Darkest Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "05. Invention No. 2 BWV 773 (The Breakfast Room).wav" WAVE TRACK 05 AUDIO TITLE "Invention No. 2 BWV 773 (The Breakfast Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "06. Preludio Op. 28 No. 4 (The Pain Room).wav" WAVE TRACK 06 AUDIO TITLE "Preludio Op. 28 No. 4 (The Pain Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "07. The Well-Tempered Clavier BWV 846, Prelude No. 1 (The Building Room).wav" WAVE TRACK 07 AUDIO TITLE "The Well-Tempered Clavier BWV 846, Prelude No. 1 (The Building Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "08. Split, Postcards from Far Away (The Tea Room) (Piano Solo and Magnetic Tape).wav" WAVE TRACK 08 AUDIO TITLE "Split, Postcards from Far Away (The Tea Room) (Piano Solo and Magnetic Tape)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "09. Melody, from The Opera ''Orfeo'' (The Therapy Room).wav" WAVE TRACK 09 AUDIO TITLE "Melody, from The Opera 'Orfeo' (The Therapy Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "10. In a Landscape (The Smallest Room).wav" WAVE TRACK 10 AUDIO TITLE "In a Landscape (The Smallest Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "11. Missing a Part (The Waiting Room G).wav" WAVE TRACK 11 AUDIO TITLE "Missing a Part (The Waiting Room G)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "12. Emily's Room (Sweet and Bitter).wav" WAVE TRACK 12 AUDIO TITLE "Emily's Room (Sweet and Bitter)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "13. Split, Postcards from Far Away (Piano Solo Version).wav" WAVE TRACK 13 AUDIO TITLE "Split, Postcards from Far Away (Piano Solo Version)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00
CD2 [00:40:49]
Ezio Bosso - Sonata No.1
01 Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo (Entering The Rooms) 9:48
02 Sospeso - Dolcemente - Con Moto - Agitato (Dressing The Rooms, Imaginary Room Mates) 7:54
03 Finale - Allegro Molto - Calmo - Presto, Come Una Danza (The 12th Room) 23:04
Лог создания рипа CD2
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 11. April 2020, 9:23 Ezio Bosso / The 12th Room Used drive : HL-DT-STDVDRAM GT70N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 103 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:49.09 | 0 | 44183 2 | 9:49.09 | 7:55.00 | 44184 | 79808 3 | 17:44.09 | 23:04.57 | 79809 | 183665 Track 1 Filename E:\Ezio Bosso - The 12th Room (2017)\CD2\01. I. Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo. (Entering the Rooms).wav Pre-gap length 0:00:02.00 Peak level 97.7 % Extraction speed 2.5 X Track quality 100.0 % Test CRC D3A6B5C7 Copy CRC D3A6B5C7 Accurately ripped (confidence 3) [D23E24AB] (AR v2) Copy OK Track 2 Filename E:\Ezio Bosso - The 12th Room (2017)\CD2\02. II. Trio- Sospeso - Dolcemente - Con Moto - Agitato. (Dressing the Rooms, Imaginary Room Mates).wav Peak level 98.3 % Extraction speed 2.6 X Track quality 100.0 % Test CRC C603D2B5 Copy CRC C603D2B5 Accurately ripped (confidence 3) [D768B198] (AR v2) Copy OK Track 3 Filename E:\Ezio Bosso - The 12th Room (2017)\CD2\03. III. Finale - Allegro Molto - Calmo - Presto, Come Una Danza. (The 12th Room).wav Peak level 98.1 % Extraction speed 3.0 X Track quality 99.9 % Test CRC B4EA0D51 Copy CRC B4EA0D51 Accurately ripped (confidence 3) [E0B69EF4] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: 4Ia8TPeNSL_qW_4eC4l9cjAfEI4-] found Submit result: 4Ia8TPeNSL_qW_4eC4l9cjAfEI4- has been confirmed Track | CTDB Status 1 | (13/13) Accurately ripped 2 | (13/13) Accurately ripped 3 | (13/13) Accurately ripped ==== Log checksum E7DA3C68FE15F05E8EDFFDAC48E205C38072402F832A6B0C844D57A58721D959 ====
Содержание индексной карты (.CUE) CD2
REM GENRE Baroque REM DATE 2017 REM DISCID 1E099003 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Ezio Bosso" TITLE "The 12th Room" REM COMPOSER "" FILE "01. I. Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo. (Entering the Rooms).wav" WAVE TRACK 01 AUDIO TITLE "I. Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo. (Entering t..." PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "02. II. Trio- Sospeso - Dolcemente - Con Moto - Agitato. (Dressing the Rooms, Imaginary Room Mates).wav" WAVE TRACK 02 AUDIO TITLE "II. Trio: Sospeso - Dolcemente - Con Moto - Agitato. (Dressing the Rooms, Ima..." PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00 FILE "03. III. Finale - Allegro Molto - Calmo - Presto, Come Una Danza. (The 12th Room).wav" WAVE TRACK 03 AUDIO TITLE "III. Finale - Allegro Molto - Calmo - Presto, Come Una Danza. (The 12th Room)" PERFORMER "Ezio Bosso" REM COMPOSER "" INDEX 01 00:00:00
Эцио Боссо: субтильный воин Источник: арт-дайджест «Солонеба»«Я понял, что музыка – это часть меня, но она не является мною. Это я нахожусь в услужении у неё…» Эцио БоссоОн познакомился с нотной грамотой раньше, чем с букварём, начав музицировать уже в четыре года. А в шестнадцать лет – дебютировал в Париже как солист, позже выступая с такими именитыми коллективами, как Венский камерный оркестр и Камерный оркестр Европы. Его концертные программы проходили на крупнейших сценах мира – лондонский Королевский фестивальный зал, Сиднейский оперный театр, Дворец изящных искусств в Мехико, Оперный театр «Колон» в Буэнос-Айресе, Карнеги-холл в Нью-Йорке, Королевский театр в Турине, Концертный комплекс «Парк Музыки» в Риме. Итальянский пианист, композитор и дирижер Эцио Боссо был плодотворен и знаменит. И ему, как никому другому,удавалось отразить в музыке бренную хрупкость мира, потому что его собственный мир был изменчив и субтилен. Эцио Боссо (род. в 1971 г. в Турине, Италия – † 15 мая 2020 года в Болонье, Италия) получил образование в Вене, где изучал дирижирование под руководством маэстро Людвига Штрайхера. Первый успех пришёл к Эцио в 1989 году, после того как он начал сочинять музыку к фильмам. С тех пор он написал множество звуковых дорожек к картинам таких режиссёров, как Габриэле Сальваторес, Джанлука Мария Таварелли, Винченцо Террачиано, Кристиано Бортоне, Андреа Порпорати и др. В Италии Боссо многие даже воспринимали как композитора саундтреков, однако этот факт маэстро не расстраивает, поскольку его музыкальный багаж наполнен доверху – оперы, симфонии, сонаты, музыка к балетным и театральным постановкам. В этом плане особо хотелось бы отметить, что благодаря своим талантам Эцио Боссо посчастливилось сотрудничать с ведущими хореографами мира, среди которых Кристофер Уилдон, Эдвард Льянг, Рафаэль Боначела, а на театральных подмостках его музыка звучит в фантасмагорических действах ведущего представителя «нового цирка» Джеймса Тьерре. Однако, несмотря на успешную карьеру, в личную жизнь музыканта прокралась драма. В 2011 году ему поставили страшный диагноз – боковой амиотрофический склероз – редкое заболевание, которое приводит к поражению двигательных нейронов, параличу и дистрофии мышц (самый известный пациент с этим заболеванием – физик Стивен Хокинг). После чего Эцио Боссо перенёс сложную операцию на мозг, пережив по его словам «тёмную историю» своей жизни. После операции ему пришлось заново учиться говорить и играть: «Клавиши моего любимого фортепиано были заменены более лёгкими, так как в моих пальцах всё меньше сил. Но я не переживаю по этому поводу, ведь таким образом я ласкаю его». Очень медленно, «благодаря помощи друзей и собственной зрелости», Боссо добился «координации между телом и мозгом, необходимой для того, чтобы вернуться за фортепиано». Так что болезни не удалось сломать характер субтильного героя – в 2013 году Эцио (с подачи известного скрипача и дирижёра Гидона Кремера) встретился с виолончелистом Марио Брунелло и их встреча на уровне дуэта «рояль-виолончель» переросла в сотрудничество, а позже – в глубокую дружбу. К 2015 году Боссо эмоционально окреп и отважился на сольный проект, выпустив двойной фортепианный альбом «12 комнат». Название своего альбома пианист придумал на основании теории о том, что в жизни каждого из нас есть двенадцать комнат, значение и смысл которых мы сможем осознать лишь тогда, когда доберемся до последней: «Мы, люди, склонны считать красивые вещи чем-то самим собой разумеющимися… Но когда-нибудь все оказываются в маленькой и тёмной комнате. У нас 12 комнат, в последней из них мы вспоминаем первую; когда мы рождаемся, мы не можем её вспомнить, потому что не видим, но в последней мы её видим, потому что готовы начать всё с начала». Стиль Боссо как композитора был достаточно необычен. Со слов музыканта, он основывался на исследовании синестезии (нейрологический феномен, при котором раздражение в одной сенсорной или когнитивной системе ведет к автоматическому отклику в другой сенсорной системе), уникальной работе со струнными инструментами, использовании агогики (небольшие отклонения от темпа ради художественной выразительности), а также на его концепции эмпатической музыки: «Для меня каждый звук переводится в изображение или цвет. И таким же образом изображения порождают для меня звуки…» То есть для Эцио в музыке, как и в кино, образ становился клеткой, которая развиваясь, приносила другие образы, становясь последовательностью, которая, в свою очередь, превращалась в композицию: «Музыка заставляет нас выйти за собственные пределы и двигаться дальше. Она лечит, и никто не знаетэтого лучше, чем я». https://www.last.fm/ru/music/Ezio+Bosso/+wiki
Об исполнителе (англ.) | About artist (en)
Ezio Bosso Conductor, composer, double bass player and ‘pianist when necessary’ as he loved to refer to himself, Ezio Bosso was born in Turin on September 13, 1971, into a working-class family. Right from the start he showed the desire and ability to overcome limitations that went on to define his long career. He made his debut as a soloist aged 16 in Lyon, France. He then studied double bass, composition and conducting at the Vienna Academy, performing with several European orchestras including Chamber Orchestra of Europe, Festival Strings Lüzern, Deutsche Kammer-Virtuosen. Eclecticism, versatility and generosity are the hallmarks of his artistic career. Indeed, the list of collaborations with prestigious musical institutions and concert seasons where he featured as composer, performer, conductor or member of chamber ensembles is testament to this: Royal Festival Hall of London, Sydney Opera House, Palacio de Bellas Artes di Mexico City, Teatro Colón di Buenos Aires, Carnegie Hall NYC, Teatro Regio of Torino, Houston Symphony, Auditorium Parco della Musica of Roma, Teatro Comunale of Bologna, Perelada Festival, Teatro La fenice of Venezia, Teatro Carlo Felice di Genova, Lac Lugano, KKL Lüzern. Winner of significant awards, such as Green Room Award in Australia (so far he is the only non-Australian to receive the accolade) or Syracuse New York Award in the USA, Boss’s music has been commissioned and indeed is still in use by the most important world opera institutions such as Wiener Stadtoper, Royal Opera House, Sidney Dance Company, New York City Ballet, Theatre du Chatelet, San Francisco Ballet o Bolsoj Theater, by prestigious choreographers such as Christopher Wheeldon, Edwaard Lliang and Rafael Bonchela, and by famous theatre directors such as James Thierrée or film directors such as Gabriele Salvatores, for whom he composed the soundtracks of “I’m not scared” (2003), “Quo Vadis Baby?” (2005) and “The Invisible Boy” (2014). In 2005, an accident to his left hand pushed him to focus mainly on conducting and composition. In the same year he founded Buxusconsort with musicians from the Quartetto D’Archi di Torino, the former Borciani Quartet and young European musicians, the Buxusconsort. Also in 2005, whilst in New York for the recording of his quartet for saxophones and the soundtrack of the film “Quo Vadis Baby?” he met Philip Glass who invited him to his studios to collaborate with world-renowned producers and technicians. In the following years, his desire to explore different forms of musical and artistic expression, as well as his well-known obsession with understanding the various modes of expression peculiar to the human being, led him to collaborate with a wide range of musicians and artists. These include: Pino Daniele, Billy Corgan (Smashing Pumpkins), Gustavo Beytelmann (Gotan Project), the “guru” of Club Culture Alessio Bertallot and the painter Jean Michelle Folon. Social commitment becomes a constant feature of his work and over the years he composed for associations such Libera, Unicef and Progetto Sorriso nel Mondo. Together with the Neapolitan rapper Lucariello and Roberto Saviano he created “Cappotto di Legno”, a world first in music, fusing rap in dialect and “classical” composition systems, which later became a video clip financed and produced by MTV Italia, as part of the “No Mafie” project. Ezio and his Buxusconsort opened the l’MTV day 2008 in Genova, in front of an audience of 50,000 people, with millions more watching from home. In 2009, he was commissioned by the Festival Suoni delle Dolomiti to produce his second symphony, entitled “Under The Tree’s Voices”, dedicated to the resonant firs of Val di Fiemme. After its first performance at the Suoni delle Dolimiti Festival in July 2010, the local community dedicated a tree in the Musical Forest to him, an honour reserved for leading musicians on the world scene. In 2010, for the closing of the symphonic season at the Teatro Regio in Turin, he conducted the world premiere of his First Symphony “Oceans”: a huge success with a full house, standing ovation and fifteen minutes of applause. Also in 2010, he conducted the Italian premiere of “Icarus on The Edge of time”, an event organised by Philip Glass and Bryan Green at Teatro Carlo Felice in Genova. The orchestra was the Filarmonica ‘900, for which he acted as “consultant for special projects”, a particular affection and esteem linking the two. In March 2011, he was appointed Principal Conductor and Artistic Director of the English Orchestra The London Strings. In 2015, he was chosen by the Alma Mater University of Bologna to write and conduct his Fourth Symphony, dedicated to the Magna Carta of European Universities and constituting the first official anthem of this prestigious institution. By 2016, Bosso was one of the most active and most successful artists in Italy. His first solo piano album, “The 12th Room”, was awarded the Gold Record in Italy selling over 50.000 copies and attracting over 100,000 spectators when toured. Moreover, it received unanimous acclaim from critics and consistently warm enthusiasm including as part of cultural programmes designed specifically to involve the viewer in a cognitive and emotional journey through the height of musical expression. Chopin, Bach and John Cage were experienced by the public – including many for whom these concerts represented their first such listening experience – with a spontaneous interest. The audience was captivated by the virtuosity, poetic and ironic narration that characterises his performances. A clear vocation to spread his love of music permeates the ethical and intellectual foundations of Bosso the man; a history which is also marked by his friendship with one of the absolute masters of twentieth-century interpretation, Claudio Abbado, Claudio Abbado, to whom he was linked by a profound mutual esteem and affection. His strong cultural but also social commitment finds its expression in his work for Palazzo Barolo, one of the great baroque residences of Turin, which is today a lively centre for cultural dissemination and seat of the Opera Pia Giulia di Barolo. This latter is also very active in combatting social and physical inequalities together with the 14 association, for which Ezio was a testimonial. Indeed, Mozart14 is one of Abbado’s social legacies, carried forward with rare commitment by his daughter Alessandra Abbado. In October 2016, following a 6-year absence from the podium, Ezio Bosso returned to one of the cornerstones of his musical vision, conducting, with a sensational and highly anticipated debut at the Teatro La Fenice in Venezia. The demanding programme featured Bach’s third Brandenburg concert, the Mendelssohn’s “Italian” symphony no. 4 and Bosso’s own virtuosic and fascinating violin concerto, “Esoconcerto” with Sergej Krylov as tightrope-walking soloist. A recording of this triumphal concert was released by Sony Classical (The Venice Concert, 2017) who subsequently re-released Bosso’s 2004-2011 discography and for whom he also recorded “Stradivari Chamber Orchestra” (2018) and “Roots” (2018). Professionally, Bosso appeared over the last few years on the podiums of many of the most important orchestras in Europe: notably, for the Orchestra del Teatro Comunale di Bologna, where he was Principal Guest Conductor, triumphantly conducting both in the city’s concert hall and in Piazza Maggiore in front of over 10,000 people for the G7 Environment Opening Act concert named by the Live Award in Lisbon as the best European musical event of the year; for the Georgian State Opera and Ballet where he conducted an operatic gala alongside singing divas Nino Surguladze and Carmen Giannatasio, which saw over seven standing ovations and was followed online by more than 4 million people from all over the world; and also for London Symphony Orchestra, Orchestra del Teatro Regio in Turin, Filarmonica ‘900, the Orchestra of the National Academy of Santa Cecilia, the Orchestra of the San Carlo Theatre, the Sicilian Symphony Orchestra, the Mantua Chamber Orchestra, the thuanian Chamber Orchestra with the soloist Sergej Krylov, the Toscanini Philharmonic Orchestra of Parma, the Philharmonic Orchestra of the Verdi Theater of Salerno in the Archaeological Park of Paestum with over 8,600 spectators and the Italian Youth Orchestra of Fiesole with Anna Tifu for the 2018 edition of the national music festival. On 20 January 2019, he conducted the Mozart14 Association event“Grazie Claudio!”, in Bologna, released in 2020 by Sony Classical as a tribute to Claudio Abbado five years after his death. This project brought together an orchestra of 50 musicians from the very best European ensembles who had all worked alongside Abbado, among whom are found names such as Keith Pascoe, Etienne Abelin, Robert Kendall, Jorg Winkler and Luca Franzetti. Also in 2019, two Rai3 event nights took place, under the title “Che Storia è la Musica”, which saw him take on the triple role of composer, conductor and leader of the orchestra. These quite literally revolutionised the history of musical TV broadcast, with average ratings of over a million, definitively confirming his central role in the classical panorama. As if that wasn’t enough, this position was further confirmed by the sensational sell-out of over 14.000 tickets for his debut in Arena di Verona on 11 August 2019, with Carmina Burana. On 24 giugno 2019 he he officially received an honorary citizenship of Rome, “in recognition of artistic excellence as an internationally renowned Italian composer and conductor, for his commitment to the city of Rome, and for having affirmed worldwide the universal value of music as an expression of the highest constitutionally recognized principles of equality and social dignity”. This recognition joins further honorary citizenships previously bestowed on him by the municipalities of Gualtieri (RE), Acireale (CT) e Busseto (PR). Ezio Bosso died at the age of 48 in his home in Bologna, on May 14, 2020. https://www.eziobosso.com/en/biography/
Об альбоме (англ.) | About Album (en)
Recorded almost entirely live in September 2015, during the concerts at the Teatro Sociale of Gualtieri (Reggio Emilia), is a concept album consisting of two CDs: a first disc with four new songs and seven songs by the piano repertoire, each of which wants to represent metaphorically the stages that we cross in the life, and a second disc containing the Sonata No. 1 in Sol Minore symbolizing the twelfth room. Ezio Bosso's first solo piano album, “The 12th Room”, was awarded the Gold Record in Italy selling over 50.000 copies.
avgraff
Заголовок темы исправьте, пожалуйста, в соответствии с требованием:
Цитата:
Для сборников, составленных по принципу одного исполнителя, заголовок топика (темы), помимо пунктов, вписываемых в заголовок автоматически, должен содержать в порядке перечисления: оригинальное название сборника (если есть), фамилии композиторов, названия произведений (по возможности) и в круглых скобках фамилию или название исполнителя
Также необходимо поправить треклист:
Цитата:
При раздаче дисков с музыкальными произведениями, каждое из которых занимает несколько треков, фамилию композитора, название произведения и фамилии исполнителей следует указывать один раз для всего произведения, в виде подзаголовка.
avgraff писал(а):
85041210Источник: CD
Это ваш собственный CD-rip или скачанный из сети? Следует указать.
avgraff
Да, всё так.
Только по треклисту один момент остался неисправленным:
Цитата:
Ezio Bosso
01 Sonata No. 1 In G Minor "the 12th Room" For Solo Piano Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo (entering The Rooms) 9:48
02 Sonata No.1 In G Minor "the 12th Room" For Solo Piano Trio: Sospeso - Dolcemente - Con Moto - Agitato (dressing The Rooms, Imaginary Room Mates) 7:54
03 Finale - Allegro Molto - Calmo - Presto, Come Una Danza (the 12th Room) 23:04
Нужно привести к виду:
Цитата:
Ezio Bosso - Sonata No.1
01 Adagio Doloroso - Verso Il Brio - Con Furore - Al Tempo Primo (entering The Rooms) 9:48
02 Sospeso - Dolcemente - Con Moto - Agitato (dressing The Rooms, Imaginary Room Mates) 7:54
03 Finale - Allegro Molto - Calmo - Presto, Come Una Danza (the 12th Room) 23:04
