Alejandro A. Téllez Vargas
Latin American Piano Music
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2023
• Жанр: Classical
• Лейбл: Alejandro A. Téllez Vargas
• Продолжительность: 00:54:08
• Источник:
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks
• Разрядность: 24/44,1 • Количество каналов: 2.0 • Формат: PCM
• Наличие сканов: front + booklet
• Треклист •
✧ 01 - Adios in A Major- Farewell (00:03:40)
✧ 02 - Prelude in A Minor, op. 15, no. 2- Barcarolle (00:02:25)
✧ 03 - A la Antigua in D-flat Major- Old-Fashioned (00:02:07)
✧ 04 - Danzas Tropicales -Tropical Dances, Vivo (00:02:05)
✧ 05 - Danzas Tropicales -Tropical Dances, Vivo - languido, lento (00:02:29)
✧ 06 - Danzas Tropicales -Tropical Dances- Lento (00:02:19)
✧ 07 - Danzas Nocturnas- Nocturne Dances (00:06:45)
✧ 08 - Polonaise in G-sharp Minor, op. 11 (00:07:55)
✧ 09 - Ante el Escorial in E-flat Minor- In Front of the Escorial Monastery (00:04:50)
✧ 10 - Scherzino Mexicano in D Major (00:01:48)
✧ 11 - La Comparsa in F-sharp Major- Carnival Procession (00:01:49)
✧ 12 - Intermezzo in E Minor (00:02:34)
✧ 13 - Prelude for piano or harp in E Major (00:03:27)
✧ 14 - Gitanerias in D Minor- Gipsy Trickeries (00:01:50)
✧ 15 - Caprice-Valse in E Major, op. 1 (00:07:58)
• Лог DRM •
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2023-06-20 14:18:19
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Analyzed: Alejandro A. TГ©llez / Latin American Piano Music
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DR Peak RMS Duration Track
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DR5 0.00 dB -11.56 dB 3:40 01-AdiГіs in A Major- "Farewell"
DR15 -5.33 dB -27.25 dB 2:25 02-Prelude in A Minor, op. 15, no. 2- Barcarolle
DR12 -8.11 dB -26.21 dB 2:08 03-A la Antigua in D-flat Major- Old-Fashioned
DR14 -3.66 dB -22.64 dB 2:06 04-Danzas Tropicales -Tropical Dances, Vivo
DR13 -8.42 dB -27.85 dB 2:29 05-Danzas Tropicales -Tropical Dances, Vivo - languido, lento
DR13 -8.13 dB -25.01 dB 2:19 06-Danzas Tropicales -Tropical Dances- Lento
DR16 -4.82 dB -25.89 dB 6:46 07-Danzas Nocturnas- Nocturne Dances
DR16 -0.87 dB -22.29 dB 7:55 08-Polonaise in G-sharp Minor, op. 11
DR13 -3.51 dB -23.74 dB 4:51 09-Ante el Escorial in E-flat Minor- In Front of the Escorial Monastery
DR14 -5.73 dB -26.44 dB 1:49 10-Scherzino Mexicano in D Major
DR13 -5.71 dB -24.65 dB 1:50 11-La Comparsa in F-sharp Major- Carnival Procession
DR11 -11.60 dB -30.09 dB 2:35 12-Intermezzo in E Minor
DR14 -5.16 dB -25.76 dB 3:27 13-Prelude for piano or harp in E Major
DR13 -3.47 dB -21.83 dB 1:50 14-GitanerГas in D Minor- Gipsy Trickeries
DR16 -0.31 dB -22.74 dB 7:59 15-Caprice-Valse in E Major, op. 1
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Number of tracks: 15
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1008 kbps
Codec: FLAC
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• Alejandro A. Téllez Vargas •
Alejandro A. Téllez Vargas performs a diverse selection of Latin American piano music, encompassing both well-known compositions and overlooked pieces.
By carefully curating works from Mexican and Cuban composers, Téllez presents pieces that have gained recognition within Mexico but remain unfamiliar to the English-speaking world. The elusive nature of this repertoire can be attributed to its limited exposure outside Latin American countries, where the composers and their music are primarily known, including pieces that Téllez has personally learned from unpublished manuscripts.
Within this captivating collection of 15 pieces, listeners will easily recognise the historical influences of European composition, intertwined with the vibrant rhythms of Mexico and Cuba. Some of the chosen works, originally performed alongside premieres of European compositions, create a harmonious juxtaposition that originally allowed audiences to experience the likes of Castro and Schumann in a single concert setting. Although some contemporary pianists have gradually incorporated a few of these pieces into their repertoire, the majority of these musical compositions remain largely unknown. Fortunately, the accompanying CD booklet provides a thorough and enlightening history of the repertoire.
Téllez deserves recognition not only for his performances of these works but also for his remarkable effort in introducing these rich musical pieces to audiences beyond the borders of Latin American countries.
