Lisel
Patterns for Auto-Tuned Voices and Delay
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2023
• Жанр: Art Pop | Experimental
• Лейбл: Ba Da Bing!
• Продолжительность: 00:34:56
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
✧ 01 - INTRO Liturgy (00:00:46)
✧ 02 - One at a Time (00:03:02)
✧ 03 - Stalactite (00:03:59)
✧ 04 - Wingspan (00:03:32)
✧ 05 - Immature (00:03:31)
✧ 06 - Blades of Grass (00:03:17)
✧ 07 - Plainsong (00:03:46)
✧ 08 - Polyphony for Voices (00:04:11)
✧ 09 - At the Fair (00:03:34)
✧ 10 - Rising Mist (00:03:28)
✧ 11 - Whirlpool (00:01:46)
• • Лог DRM • •
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2023-02-20 08:43:37
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Analyzed: Lisel / Patterns for Auto-Tuned Voices and Delay
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DR Peak RMS Duration Track
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DR7 -2.76 dB -15.15 dB 0:46 01-INTRO: Liturgy
DR9 -0.32 dB -11.51 dB 3:02 02-One at a Time
DR8 -0.32 dB -10.85 dB 3:59 03-Stalactite
DR9 -0.36 dB -14.15 dB 3:33 04-Wingspan
DR7 -0.32 dB -10.91 dB 3:31 05-Immature
DR6 -0.32 dB -9.66 dB 3:17 06-Blades of Grass
DR8 -0.32 dB -10.72 dB 3:46 07-Plainsong
DR9 -0.32 dB -14.01 dB 4:11 08-Polyphony for Voices
DR8 -0.32 dB -11.98 dB 3:35 09-At the Fair
DR8 -0.32 dB -12.60 dB 3:28 10-Rising Mist
DR9 -5.06 dB -18.37 dB 1:47 11-Whirlpool
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Number of tracks: 11
Official DR value: DR8
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2842 kbps
Codec: FLAC
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• Lisel •
Eliza Bagg leads a complex musical life: working as a classical opera singer, she has soloed with the New York Philharmonic, performed in Meredith Monk's opera at the Los Angeles Philharmonic, and toured Europe with the legendary John Zorn. While making her own music under the guise of art-pop solo act Lisel, she's also collaborated as a vocalist with some of the most renowned experimental artists, including Ben Frost, Julianna Barwick, Daniel Wohl, and many others, all while playing indie rock venues and lovably dingy basements. One day, it's Lincoln Center or The Kitchen, the next it's an outdoor LA ambient series. She was always torn between her two worlds, and it wasn't until she began work on Patterns For Auto-tuned Voices And Delay that she discovered a way to merge them together.Patterns comes out of Bagg's experience as a vocalist singing Renaissance and Baroque music along with the work of modern-day minimalists like Steve Reich and Philip Glass. "I developed a vocal processing system that allowed me to change the idea of what my instrument is," Bagg says of the album's genesis, a system that combines her virtuosic singing with autotune and delay effects to create a melding of human and machine. Sure, she'll admit it. "I'm a sci-fi nerd," she says, with a laugh. "I'm a Blade Runner and Battlestar person. I love things that explore how society interacts with machines." While making Patterns, she dove first into Renaissance polyphony and chant. The music of Hildegard von Bingen, Thomas Tallis, and Carlo Gesualdo is a familiar world to her. Starting with Renaissance and Medieval singing styles and idioms, she added processing and electronic world-building to bring out new, expressive qualities of those styles. From there, she improvised in these styles, fed the performances into Ableton, and incorporated modern day hyperpop (like SOPHIE) and ambient electric sounds and aesthetics. From Philip Glass to Charli XCX, Carl Stone to Grimes, Patterns makes radical connections.Yet, it was important for Bagg to maintain the spiritual origins of these vocal techniques. Patterns For Auto-tuned Voices And Delay stands within those traditions, using voices to transcend the cerebral and overwhelm
