bookloid · 09-Янв-23 07:08(2 года 10 месяцев назад, ред. 30-Май-25 11:27)
Luisa Imorde / Bach & Kapustin: Moon Rainbow Формат записи/Источник записи: [TR24][OF] Наличие водяных знаков: Нет Год издания/переиздания диска: 2020 Жанр: Classical • Piano Издатель (лейбл): Berlin Classics Продолжительность: 01:19:11 Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист
Johann Sebastian Bach (1685 - 1750):
01. Concerto in D Minor, BWV 974 after Marcello: I. Andante
Nikolai Kapustin (b. 1937):
02. 24 Jazz Preludes, Op. 53: IV. Allegretto
Johann Sebastian Bach:
03. Concerto in D Minor, BWV 974 after Marcello: II. Adagio
Nikolai Kapustin:
04. 24 Jazz Preludes, Op. 53: V. Largo
Johann Sebastian Bach:
05. Concerto in D Minor, BWV 974 after Marcello: III. Presto
Nikolai Kapustin:
06. 8 Concert Studies, Op. 40: VI. Pastoral. Allegro moderato
Johann Sebastian Bach:
07. Pastorale in F Major, BWV 590: III. Andante cantabile (Arr. for Piano)
Nikolai Kapustin:
08. 8 Concert Studies, Op. 40: III. Toccatina. Allegro
Johann Sebastian Bach:
09. Toccata in E Minor, BWV 914
Nikolai Kapustin:
10. 24 Jazz Preludes, Op. 53: IX. Lento
Johann Sebastian Bach:
11. Prelude and Fugue in C-Sharp Major, BWV 872
Nikolai Kapustin:
12. 24 Preludes and Fugues in B-Flat Minor, Op. 82: XXII. Allegretto. Grave
Johann Sebastian Bach:
13. Prelude and Fugue in B Major, BWV 892
Nikolai Kapustin:
14. 10 Inventions, Op. 73: IX. Lento
Johann Sebastian Bach:
15. Invention No. 6 in E Major, BWV 777
Nikolai Kapustin:
16. Sonatina, Op. 100
Johann Sebastian Bach:
17. Concerto in D Major, BWV 972 after Vivaldi: I. Allegro
Nikolai Kapustin:
18. Moon Rainbow, Op. 161
Johann Sebastian Bach:
19. Concerto in D Major, BWV 972 after Vivaldi: II. Larghetto
Nikolai Kapustin:
20. Contemplation, Op. 47
Johann Sebastian Bach:
21. Concerto in D Major, BWV 972 after Vivaldi: III. Allegro
Nikolai Kapustin:
22. 24 Jazz Preludes, Op. 53: XXIII. Moderato
Контейнер: FLAC (*.flac) Тип рипа: tracks Разрядность: 24/96 Формат: PCM Количество каналов: 2.0
Лог проверки качества
foobar2000 1.6.13 / Dynamic Range Meter 1.1.1 log date: 2023-01-06 20:23:33 -------------------------------------------------------------------------------- Analyzed: Luisa Imorde / Bach & Kapustin: Moon Rainbow -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 -0.82 dB -15.81 dB 2:44 01-Concerto in D Minor, BWV 974 after Marcello: I. Andante DR12 -1.32 dB -17.63 dB 1:30 02-24 Jazz Preludes, Op. 53: IV. Allegretto DR11 -5.38 dB -21.25 dB 3:29 03-Concerto in D Minor, BWV 974 after Marcello: II. Adagio DR13 -2.63 dB -21.90 dB 2:06 04-24 Jazz Preludes, Op. 53: V. Largo DR11 -1.70 dB -15.46 dB 4:15 05-Concerto in D Minor, BWV 974 after Marcello: III. Presto DR13 -0.79 dB -18.56 dB 2:38 06-8 Concert Studies, Op. 40: VI. Pastoral. Allegro moderato DR11 -5.41 dB -22.03 dB 3:30 07-Pastorale in F Major, BWV 590: III. Andante cantabile (Arr. for Piano) DR12 -0.72 dB -15.66 dB 2:21 08-8 Concert Studies, Op. 40: III. Toccatina. Allegro DR12 -1.66 dB -17.94 dB 8:09 09-Toccata in E Minor, BWV 914 DR12 -0.64 dB -19.53 dB 3:10 10-24 Jazz Preludes, Op. 53: IX. Lento DR12 -2.12 dB -18.31 dB 3:44 11-Prelude and Fugue in C-Sharp Major, BWV 872 DR13 -0.60 dB -19.72 dB 3:16 12-24 Preludes and Fugues in B-Flat Minor, Op. 82: XXII. Allegretto. Grave DR12 -2.77 dB -18.10 dB 5:32 13-Prelude and Fugue in B Major, BWV 892 DR14 -1.91 dB -25.23 dB 3:02 14-10 Inventions, Op. 73: IX. Lento DR12 -6.18 dB -21.06 dB 4:10 15-Invention No. 6 in E Major, BWV 777 DR14 -0.64 dB -17.40 dB 3:56 16-Sonatina, Op. 100 DR10 -0.67 dB -15.39 dB 2:02 17-Concerto in D Major, BWV 972 after Vivaldi: I. Allegro DR13 -1.90 dB -19.56 dB 5:47 18-Moon Rainbow, Op. 161 DR10 -5.28 dB -20.75 dB 2:47 19-Concerto in D Major, BWV 972 after Vivaldi: II. Larghetto DR12 -1.80 dB -20.50 dB 6:21 20-Contemplation, Op. 47 DR11 -0.79 dB -16.05 dB 2:27 21-Concerto in D Major, BWV 972 after Vivaldi: III. Allegro DR12 -0.70 dB -17.10 dB 2:24 22-24 Jazz Preludes, Op. 53: XXIII. Moderato -------------------------------------------------------------------------------- Number of tracks: 22 Official DR value: DR12 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 2100 kbps Codec: FLAC ================================================================================
Pianist Luisa Imorde loves innovative combinations: following on from circus dances by Schumann and Widmann and the affair of honour between Woelfl and Beethoven, she now prepares to cast light on Johann Sebastian Bach and Nikolai Kapustin. This is an album whose spectrum ranges from Baroque counterpoint through to polyrhythmic jazz sounds.
They could hardly be further apart: Bach and Kapustin lived 250 years apart and on two different continents. One is the indisputable supremo of European classical music, the other a Ukrainian composer known only to a few aficionados in central Europe, someone who transforms musical jazz sequences into formal, classical structures. On Moon Rainbow they alternate. “There is no established listening convention for this. The result is a foundation of literally unheard sounds, which makes it possible to hear anew – so to speak – a familiar old piece by Bach in this new context,” explains Imorde. Nikolai Kapustin is hardly a household name, even in Europe. Born in 1937 in Horlivka in what was then the Ukrainian Soviet Socialist Republic, the composer and pianist began pouring improvisatory ideas into forms that were well known in the Baroque era. What he wrote sounded like virtuoso jazz, yet every single note, every accent and all the dynamics are clearly defined. Preludes, Fugues, Inventions – even at this level, everything ultimately leads to Bach. And what Luisa Imorde says of Kapustin can also be related to Bach: “I can’t remember when I played music that was more intelligently and humorously constructed. It is incredibly interlocked and so rhythmically multi-layered that I sometimes feel as if I need to split my head from my hands in order to follow every line, every voice.”