[TR24][OF] Eleonor Bindman, Susan Sobolewski - J.S. Bach: Orchestral Suites, BWV 1066-1069: Transcribed for piano duet by Eleonor Bindman - 2022 (Classical • Piano)

foobar2000 1.6.13 / Dynamic Range Meter 1.1.1
log date: 2022-11-28 18:37:42
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Analyzed: Susan Sobolewski / J.S. Bach: Orchestral Suites - Transcribed for Piano Duet by Eleonor Bindman
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DR         Peak         RMS     Duration Track
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DR12      -0.89 dB   -15.47 dB      6:39 01-Orchestral Suite No. 3 in D Major, BWV 1068 (Transcr. E. Bindman for Piano Duet): I. Ouverture
DR12      -6.34 dB   -22.79 dB      4:50 02-Orchestral Suite No. 3 in D Major, BWV 1068 (Transcr. E. Bindman for Piano Duet): II. Air
DR11      -0.97 dB   -15.57 dB      4:02 03-Orchestral Suite No. 3 in D Major, BWV 1068 (Transcr. E. Bindman for Piano Duet): III. Gavotte I & II
DR10      -0.97 dB   -14.02 dB      1:30 04-Orchestral Suite No. 3 in D Major, BWV 1068 (Transcr. E. Bindman for Piano Duet): IV. Bourrée
DR10      -0.44 dB   -12.79 dB      2:54 05-Orchestral Suite No. 3 in D Major, BWV 1068 (Transcr. E. Bindman for Piano Duet): V. Gigue
DR13      -1.20 dB   -17.27 dB      7:20 06-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): I. Ouverture
DR13      -1.18 dB   -18.96 dB      1:43 07-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): II. Rondeau
DR13      -6.52 dB   -23.53 dB      3:09 08-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): III. Sarabande
DR12      -0.97 dB   -15.23 dB      2:01 09-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): IV. Bourrée I & II
DR14      -1.61 dB   -20.55 dB      3:23 10-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): V. Polonaise & Double
DR13      -4.43 dB   -20.48 dB      1:24 11-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): VI. Menuett
DR11      -0.97 dB   -16.58 dB      1:34 12-Orchestral Suite No. 2 in B Minor, BWV 1067 (Transcr. E. Bindman for Piano Duet): VII. Badinerie
DR13      -2.01 dB   -19.13 dB      7:08 13-Orchestral Suite No. 4 in D Major, BWV 1069 (Transcr. E. Bindman for Piano Duet): I. Ouverture
DR12      -1.37 dB   -19.32 dB      3:04 14-Orchestral Suite No. 4 in D Major, BWV 1069 (Transcr. E. Bindman for Piano Duet): II. Bourrée I & II
DR13      -3.84 dB   -21.00 dB      2:18 15-Orchestral Suite No. 4 in D Major, BWV 1069 (Transcr. E. Bindman for Piano Duet): III. Gavotte
DR14      -5.04 dB   -22.87 dB      4:01 16-Orchestral Suite No. 4 in D Major, BWV 1069 (Transcr. E. Bindman for Piano Duet): IV. Menuett I & II
DR12      -0.97 dB   -16.01 dB      2:37 17-Orchestral Suite No. 4 in D Major, BWV 1069 (Transcr. E. Bindman for Piano Duet): V. Réjouissance
DR13      -1.01 dB   -18.34 dB      5:57 18-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): I. Ouverture
DR11      -3.81 dB   -20.60 dB      2:17 19-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): II. Courante
DR13      -1.13 dB   -18.36 dB      2:58 20-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): III. Gavotte I & II
DR13      -4.97 dB   -22.19 dB      1:46 21-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): IV. Forlane
DR12      -4.80 dB   -23.01 dB      2:56 22-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): V. Menuett I & II
DR13      -2.39 dB   -19.53 dB      3:05 23-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): VI. Bourrée I & II
DR13      -1.09 dB   -18.03 dB      2:53 24-Orchestral Suite No. 1 in C Major, BWV 1066 (Transcr. E. Bindman for Piano Duet): VII. Passepied I & II
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Number of tracks:  24
Official DR value: DR12
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2224 kbps
Codec:             FLAC
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Eleonor Bindman
Pianist, arranger and teacher Eleonor Bindman is known worldwide for ‘Bach playing of the highest order’ (Pianodao), and combines her passions of teaching and performing to bring new repertoire to light through her original transcriptions, scores and recordings.
Pianist Magazine declared the 2018 recording of her piano four-hands arrangement of J.S. Bach’s complete Brandenburg Concertos ‘breathtaking in its sheer precision and vitality’. The success of this album led to Stepping Stones to Bach, a set of 48 easy/ intermediate piano arrangements, followed by the unprecedented Cello Suites for Solo Piano (GP847-48) and, most recently, Bach’s complete keyboard Partitas (Delos). Bindman’s discography also includes Tchaikovsky’s The Seasons (MSR Classics) and an album of works by Mussorgsky, both featuring her own transcriptions. As Duo Vivace, she and Susan Sobolewski released Out of the Blue, featuring works by Holst, Bernstein and Gershwin.
A native of Riga, Latvia, Bindman received a BA in music from NYU and completed her MA in piano pedagogy at SUNY, New Paltz.
She is a prizewinner of the New Orleans, Ferruccio Busoni and Jose Iturbi international piano competitions and has appeared in solo recitals and with orchestras in the United States, at venues such as Carnegie Hall, The 92nd Street Y, Merkin Hall and Alice Tully Hall, as well as abroad. Concerto appearances have included engagements with the National Music Week Orchestra, the Staten Island Symphony, the Hudson Valley Philharmonic, the New York Youth Symphony, and the Moscow Radio and Television Symphony Orchestra.
An active recording artist, performer and teacher, she is currently based in New York City.
For more information, visit www.eleonorbindman.com.
Susan Sobolewski
Susan Sobolewski has had a performing career spanning three continents, including several tours as an artistic ambassador in India. She has also performed as a recitalist in the UK, Denmark, Canada, the Caribbean and across the United States, with New York performances including solo, chamber and orchestral concerts at Carnegie Hall, Weill Recital Hall, Merkin Hall, Alice Tully Hall, Steinway Hall and the Abrons Art Center.
She has appeared as a soloist with the Rochester Philharmonic, Warren Symphony, Hudson Valley Philharmonic and Syracuse Symphony Orchestras under David Zinman, JoAnn Falletta and David Robertson. Additionally, she has performed with the Orchestra of St. Luke’s, the Virtuosi Quintet, members of the St. Luke’s Chamber Ensemble, the Metropolitan Opera, and is a featured pianist with the Finger Lakes Chamber Ensemble.
During the COVID-19 pandemic Sobolewski created, curated and performed a Music Meditations series: 38 weekly editions of solo performances, essays and photographs delivered to a subscriber list across five continents. She has also performed in two world premières with the Alison Cook Beatty Dance Company in New York City. Her discography includes two solo recordings of American music, in addition to Out of the Blue with Eleonor Bindman.
She holds degrees from the Oberlin Conservatory of Music and the Eastman School of Music, where she also earned the Performer’s Certificate. Sobolewski is professor of music and director of chamber ensembles at SUNY/Nassau.
For more information, visit www.susansobolewski.com.

Eleonor Bindman’s new arrangement of BACH’s Orchestral Suites for piano duet follows her widely admired recording of the six Brandenburg Concertos (GP777-78). Once again, the transcription reimagines Bach’s writing using the modern piano, in this case a Bösendorfer. Bindman and her Duo Vivace partner, Susan Sobolewski, draw upon the suite’s dance movements to suggest how Bach might have distributed the material, ordering them for maximum contrast, and succeeding in conveying the music’s vitality and beauty in a new medium.