(Post-Bop) [CD] Charles Mingus - Presents Charles Mingus - 1960 (2022), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 7. October 2022, 16:12
Charles Mingus / Charles Mingus Presents Charles Mingus
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==== Log checksum EDBEFED05220980BBA27DDBA2277E1FD3F43F8AFA3A0D4F628358BC85FF3316C ====

REM GENRE Jazz
REM DATE 1960
REM DISCID 230AC804
REM COMMENT "ExactAudioCopy v1.6"
PERFORMER "Charles Mingus"
TITLE "Presents Charles Mingus"
FILE "01 - Folk Forms No.1.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Folk Forms No.1"
    PERFORMER "Charles Mingus"
    ISRC QZR8K2124000
    INDEX 01 00:00:00
FILE "02 - Original Faubus Fables.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Original Faubus Fables"
    PERFORMER "Charles Mingus"
    ISRC QZR8K2124001
    INDEX 01 00:00:00
FILE "03 - What Love.wav" WAVE
  TRACK 03 AUDIO
    TITLE "What Love"
    PERFORMER "Charles Mingus"
    ISRC QZR8K2124002
    INDEX 01 00:00:00
FILE "04 - All the Things You Could Be by Now If Sigmund Freud's Wife Was Your Mother.wav" WAVE
  TRACK 04 AUDIO
    TITLE "All the Things You Could Be by Now If Sigmund Freud's Wife Was Your Mother"
    PERFORMER "Charles Mingus"
    ISRC QZR8K2124003
    INDEX 01 00:00:00

The combo here, referred to by Mingus as The Jazz Workshop, had been in residence at the Showplace on W. 4th St. in Greenwich Village for nearly a year when they entered the studio to record what became the album Charles Mingus Presents Charles Mingus in October of 1961.
Saxophone and bass clarinet Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond had been performing the material on this album for weeks.
Mingus decided to set a mood that might resemble a night at the club, in hopes to capture the fierceness the musicians had been exploring on stage. “I finally realized that a lot of jazz records don’t make it because the guys almost unsoundly cage their approach in a studio from what they do every night” Mingus said. “I finally wanted to make an album the way we are on the job.”
To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, giving off the illusion of a live album. The charade paid off.
Produced by Candid co-founder, famed music critic and social activist, Nat Hentoff, the album accomplishes what the best of Mingus’s work accomplishes; the perfect tension between jazz played as an ensemble and jazz played as totally free.