Mozart - Piano Concertos Nos. 24 KV 491 & 17 KV 453
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2022
Жанр: Classical
Издатель (лейбл): Alpha Classics
Продолжительность: 00:59:09
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
Источник (релизер):
highresaudio.com
Треклист
Piano Concerto No. 24 in C Minor, K.491
1. I. Allegro (Cadenza by Gabriel Fauré) (13:57)
2. II. Larghetto (06:13)
3. III. Allegretto (08:53)
Piano Concerto No. 17 in G Major, K.453
4. I. Allegro (11:59)
5. II. Andante (10:07)
6. III. Allegretto (08:02)
Éric Le Sage, piano
Gävle Symfoniorkester
François Leleux, conductor
Лог проверки качества
foobar2000 1.6.6 / Dynamic Range Meter 1.1.1
log date: 2022-07-01 19:02:12
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Analyzed: Éric Le Sage, Gävle Symfoniorkester & François Leleux / Mozart: Piano Concertos Nos. 24 KV 491 & 17 KV 453
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DR Peak RMS Duration Track
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DR14 -0.40 dB -20.16 dB 13:57 01-Piano Concerto No. 24 in C Minor, K.491: I. Allegro (Cadenza by Gabriel Fauré)
DR13 -8.02 dB -26.08 dB 6:13 02-Piano Concerto No. 24 in C Minor, K.491: II. Larghetto
DR15 -0.20 dB -21.52 dB 8:53 03-Piano Concerto No. 24 in C Minor, K.491: III. Allegretto
DR14 -2.45 dB -21.67 dB 11:59 04-Piano Concerto No. 17 in G Major, K.453: I. Allegro
DR15 -2.59 dB -24.43 dB 10:07 05-Piano Concerto No. 17 in G Major, K.453: II. Andante
DR15 -0.99 dB -21.33 dB 8:02 06-Piano Concerto No. 17 in G Major, K.453: III. Allegretto
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Number of tracks: 6
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2375 kbps
Codec: FLAC
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Об альбоме (сборнике)
Mozart’s piano concertos form a set that is not just exceptional but absolutely unique in the history of music: from No. 9 to No. 27, all are definitive masterpieces. According to H.C. Robbins Landon, an eminent specialist in the composer’s life and work, ‘It is above all their immense stylistic diversity that places Mozart’s piano concertos above and beyond those of his contemporaries’. What these scores also share is their position at a crossroads for strongly impacting influences: that of the symphony, encouraging Mozart to make lavish use of the orchestra; the wind bands of the Imperial court, shaping his enhanced role for the woodwinds; and the influence of the opera, whose styles he worked into these concertos, often treating the dialogue between piano and orchestra as if they were stage characters. In this new recording, Eric Le Sage is joined by the Gävle Symfoniorkester to perform the 17th and 24th concertos for piano and orchestra by the Salzburg composer.
