Smetana – Quartets Nos. 1 and 2
Smetana String Quartet
Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2007
Жанр: Classical/Chamber/Strings
Издатель (лейбл): Supraphon / Columbia
Продолжительность: 00:46:20
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
Bedřich Smetana
String Quartet No. 1 in E minor “From My Life”
1. Allegro vivo appassionato
2. Allegro moderato a la Polka
3. Largo sostenuto
4. Vivace
String Quartet No. 2 in D minor
5. Allegro
6. Allegro moderato – Andante cantabile
7. Allegro non più moderato, ma agitato e con fuoco
8. Finale. Presto
Musicians:
Smetana String Quartet
Jiří Novák, violin
Lubomir Kostecký, violin
Milan Škampa, viola
Antonín Kohout, cello
Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1, 2.0
Доп. информация: Supraphon COGQ-254
Recorded in Prague, 12 to 16 February, 1976
SACD rip via OPPO BDP-103 to iso (3.34GB)
Источник (релизер): KolyaFokhin (PS³SACD)
http://www.sa-cd.net/showtitle/4494
Лог DR
foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2021-03-16 21:51:13
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Анализ: Smetana Quartet / Smetana: Two String Quartets
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DR Пики RMS Продолжительность трека
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DR9 -5.93 дБ -26.30 дБ 7:43 01-String Quartet No.1 "From My Life" 1-Allegro vivo appassionato
DR9 -4.56 дБ -25.73 дБ 5:34 02-String Quartet No.1 "From My Life" 2-Allegro moderato a la Polka
DR9 -5.67 дБ -26.34 дБ 8:32 03-String Quartet No.1 "From My Life" 3-Largo sostenuto
DR9 -4.54 дБ -25.75 дБ 6:04 04-String Quartet No.1 "From My Life" 4-Vivace
DR9 -4.33 дБ -25.74 дБ 5:29 05-String Quartet No.2 1-Allegro
DR9 -5.48 дБ -26.22 дБ 5:33 06-String Quartet No.2 2-Allegro moderato - Andante cantabile
DR9 -3.06 дБ -25.61 дБ 4:32 07-String Quartet No.2 3-Allegro piu moderato, ma agitato e con fuoco
DR9 -5.71 дБ -25.26 дБ 2:52 08-String Quartet No.2 4-Finale:Presto
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Количество треков: 8
Реальные значения DR: DR9
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 6
Разрядность: 24
Битрейт: 16934 кбит/с
Кодек: DST64
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Анализ: Smetana Quartet / Smetana: Two String Quartets
--------------------------------------------------------------------------------
DR Пики RMS Продолжительность трека
--------------------------------------------------------------------------------
DR14 -4.41 дБ -22.76 дБ 7:43 01-String Quartet No.1 "From My Life" 1-Allegro vivo appassionato
DR15 -4.04 дБ -22.01 дБ 5:34 02-String Quartet No.1 "From My Life" 2-Allegro moderato a la Polka
DR14 -5.42 дБ -22.75 дБ 8:32 03-String Quartet No.1 "From My Life" 3-Largo sostenuto
DR14 -4.79 дБ -22.09 дБ 6:04 04-String Quartet No.1 "From My Life" 4-Vivace
DR13 -4.60 дБ -22.06 дБ 5:29 05-String Quartet No.2 1-Allegro
DR14 -5.76 дБ -22.66 дБ 5:33 06-String Quartet No.2 2-Allegro moderato - Andante cantabile
DR14 -3.37 дБ -21.87 дБ 4:32 07-String Quartet No.2 3-Allegro piu moderato, ma agitato e con fuoco
DR14 -5.02 дБ -21.48 дБ 2:52 08-String Quartet No.2 4-Finale:Presto
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Количество треков: 8
Реальные значения DR: DR14
Частота: 2822400 Гц / Частота PCM: 352800 Гц
Каналов: 2
Разрядность: 24
Битрейт: 5645 кбит/с
Кодек: DSD64
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Об альбоме (сборнике)
The Smetana String Quartet began playing together in 1943 and became formally known as the Smetana Quartet in 1945. They continued playing together until 1989 with only two changes in membership. Jiří Novák replaced violinist (turned conductor) Václav Neumann in 1947 and violist Milan Škampa joined in 1956. Over the years they recorded the first Smetana Quartet 5 times and the second 6 times. The recordings here are their third recording of each one.
“I note that the critical opening chord*** of Smetana’s ‘From My Life’ can be interpreted as a hammer-blow (Lindsay/ASV), cry of angst (Talich/Collins) or deep sigh (Smetanovo/Denon). The interpretation of Smetanovo is similar to that of the Talich, emotional but well behaved – the Lindsays are gut-wrenchingly manic/depressive. In tempi, the Smetanovo are the slowest drivers on the road, but the music does pick up and dance the Polka at times. The emotions are there, but you won’t need a hanky to wipe your eyes.
“It was interesting to cue up this SACD reissue against its CD original, since any audible difference is presumably the technology. The original PCM disc has been described by others as ‘dry’ and I agree: lots of treble but thin bass. What happens when this is subjected to the intensity of SACD? The new technology enriches the treble with fine detail but the bass is still attenuated. Tellingly, I had to reduce the volume from my initial setting because the highs occasionally inflicted pain on the hearing. Nonetheless, the SACD version is a (modest) improvement on the CD.
“In summary, this disc is worth acquiring for the music’s sake.”
Beagle at sacd.net
