Badeny · 14-Фев-20 11:02(5 лет 9 месяцев назад, ред. 17-Авг-25 09:30)
Clarence "Gatemouth" Brown / Collection, 8 Albums (1975 - 2008)Жанр: Texas Blues Носитель: CD Страна-производитель диска (релиза): US Год издания: 1975 - 2008 Страна исполнителя (группы): US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 06:39:13 Источник: собственный рип и иностранные трекеры Наличие сканов в содержимом раздачи: да, кое где с сети Описание:Clarence "Gatemouth" Brown (April 18, 1924 - September 10, 2005) - американский музыкант из Луизианы и Техаса, известный своей работой как блюзового, так и других музыкальных стилей. Он провел свою карьеру, борясь с пуризмом, синтезируя старый блюз, кантри, джаз, музыку Cajun и стили R & B. Его работа также включает в себя рок-н-ролл, рок-музыку, фолк-музыку, электрический блюз и техасский блюз. Он был признанным мультиинструменталистом, который играл на множестве музыкальных инструментов, включая гитару, скрипку, мандолину, альт, губную гармонику и барабаны. Выиграл премию Grammy Best Traditional Blues Album в 1982 году за свой альбом "Alright Again!". Он считается одним из самых влиятельных представителей блюзовой скрипки. Clarence Brown не тот, кому не хватает стиля, он свой собственный стиль. Сам он не раз утверждал, что исполняет не блюз, а “американскую” музыку. Brown - эклектичный музыкальный мастер, чьи интересы охватывают все возможные корни жанра. Один из самых виртуозных и оригинальных музыкантов ритм-энд-блюза, Brown одинаково свободно владел гитарой, скрипкой, гармоникой, мандолиной, ударными. Он терпеть не мог, когда его называли блюзменом. Тем не менее, большая часть творческого наследия Clarence "Gatemouth" Brown связана с ритм-блюзом - начиная от записей 50-х годов в формате 'биг-бэнд', заканчивая музыкой Луизианы, к которой он обращался в 90-е.Треклист:
1975 - Gate's On The Heat (1993 EU Verve 519 730-2)
Источник: catfish27 Трeклист: 01.Gate's on the Heat (Instrumental)(5:12) 02.Man and His Environment(3:01) 03.Funky Mama(4:56) 04.Please Mr. Nixon(4:58) 05.St. Louis Blues(2:49) 06.Jelly, Jelly (Jelly)(4:54) 07.The Drifter(7:28) 08.One Mint Julep (Instrumental)(3:24) 09.Dollar Got the Blues(5:24) 10.River's Invitation(4:43) 11.Never Ending Love for You(3:41) 12.Louisiana Breakdown (Instrumental)(3:08)
TITLE "Gate's on the Heat" PERFORMER "Clarence "Gatemouth" Brown" REM GENRE "Blues" REM DATE "1993" REM DISCID 890C920C REM REPLAYGAIN_ALBUM_GAIN -0.25 dB REM REPLAYGAIN_ALBUM_PEAK 0.999969 FILE "01 Gate's on the Heat (Instrumental).flac" WAVE TRACK 01 AUDIO TITLE "Gate's on the Heat (Instrumental)" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300890 REM REPLAYGAIN_TRACK_GAIN -0.40 dB REM REPLAYGAIN_TRACK_PEAK 0.877136 PREGAP 00:00:33 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Man and His Environment" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300900 REM REPLAYGAIN_TRACK_GAIN 0.80 dB REM REPLAYGAIN_TRACK_PEAK 0.904327 INDEX 00 05:08:60 FILE "02 Man and His Environment.flac" WAVE INDEX 01 00:00:00 FILE "03 Funky Mama.flac" WAVE TRACK 03 AUDIO TITLE "Funky Mama" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300910 REM REPLAYGAIN_TRACK_GAIN -0.04 dB REM REPLAYGAIN_TRACK_PEAK 0.975922 INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Please Mr. Nixon" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300920 REM REPLAYGAIN_TRACK_GAIN 0.60 dB REM REPLAYGAIN_TRACK_PEAK 0.899231 INDEX 00 04:55:10 FILE "04 Please Mr. Nixon.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "St. Louis Blues" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300930 REM REPLAYGAIN_TRACK_GAIN -1.42 dB REM REPLAYGAIN_TRACK_PEAK 0.970337 INDEX 00 04:57:10 FILE "05 St. Louis Blues.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Jelly, Jelly (Jelly)" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300940 REM REPLAYGAIN_TRACK_GAIN 1.18 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:47:23 FILE "06 Jelly, Jelly (Jelly).flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "The Drifter" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300950 REM REPLAYGAIN_TRACK_GAIN -1.14 dB REM REPLAYGAIN_TRACK_PEAK 0.987610 INDEX 00 04:53:27 FILE "07 The Drifter.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "One Mint Julep (Instrumental)" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300960 REM REPLAYGAIN_TRACK_GAIN 1.12 dB REM REPLAYGAIN_TRACK_PEAK 0.772461 INDEX 00 07:26:30 FILE "08 One Mint Julep (Instrumental).flac" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Dollar Got the Blues" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300970 REM REPLAYGAIN_TRACK_GAIN -1.49 dB REM REPLAYGAIN_TRACK_PEAK 0.823914 INDEX 00 03:23:30 FILE "09 Dollar Got the Blues.flac" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "River's Invitation" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300980 REM REPLAYGAIN_TRACK_GAIN 0.43 dB REM REPLAYGAIN_TRACK_PEAK 0.820679 INDEX 00 05:22:60 FILE "10 River's Invitation.flac" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Never Ending Love for You" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017300990 REM REPLAYGAIN_TRACK_GAIN 0.24 dB REM REPLAYGAIN_TRACK_PEAK 0.828918 INDEX 00 04:41:70 FILE "11 Never Ending Love for You.flac" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Louisiana Breakdown (Instrumental)" PERFORMER "Clarence "Gatemouth" Brown" ISRC FRZ017301000 REM REPLAYGAIN_TRACK_GAIN -0.86 dB REM REPLAYGAIN_TRACK_PEAK 0.902863 INDEX 00 03:40:30 FILE "12 Louisiana Breakdown (Instrumental).flac" WAVE INDEX 01 00:00:00
Лог проверки качества
----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 12 Louisiana Breakdown (Instrumental).flac Size: 17084915 Hash: 94E15282847154D75504446E15BB419A Accuracy: -m0 Conclusion: CDDA 100% Signature: 47C33478A21E4F102E64AAA9CE45C6A2C9D66C95 FILE: 11 Never Ending Love for You.flac Size: 21317918 Hash: F8020282D3E1C1D78893B4F2DAFB0248 Accuracy: -m0 Conclusion: CDDA 100% Signature: 03DECC6095FD0BA0BE5FDB45BB81BC8131B3634C FILE: 10 River's Invitation.flac Size: 24338143 Hash: A5A2674AADA3F0925556FB08016BA1F1 Accuracy: -m0 Conclusion: CDDA 100% Signature: 5467C0F3E279FC4E400BDFC4678969B99C0F5681 FILE: 09 Dollar Got the Blues.flac Size: 30019193 Hash: B1D27D01820804A5756420B505B344B9 Accuracy: -m0 Conclusion: CDDA 100% Signature: DF02C95C55FB33C365B9C09C5869F9B84C92E9D8 FILE: 08 One Mint Julep (Instrumental).flac Size: 18507250 Hash: 034E2548178427492FBF8F0DE479BE61 Accuracy: -m0 Conclusion: CDDA 100% Signature: C738C6F350C27A9899ADC916A91A47BDBB8B36FE FILE: 07 The Drifter.flac Size: 41521990 Hash: DDAFF953CD1FC0913505F6D6F554A0B7 Accuracy: -m0 Conclusion: CDDA 99% Signature: 1D6599CB8A5AEDAE23ACA777058D1A93867469FF FILE: 06 Jelly, Jelly (Jelly).flac Size: 24581122 Hash: 6C8F57EEA5E92608A70C7FCD277E66EE Accuracy: -m0 Conclusion: CDDA 100% Signature: 876D85EF397198B12F87311EC29DB2EFC3D8E620 FILE: 05 St. Louis Blues.flac Size: 16179375 Hash: 6E20F83E61CCD227A9576172A80DAB8A Accuracy: -m0 Conclusion: CDDA 100% Signature: 74E1A0017F25242906E49CBCDCC7957603B5C00F FILE: 04 Please Mr. Nixon.flac Size: 26515771 Hash: 807026E78EF32F02DD4893243C8972AE Accuracy: -m0 Conclusion: CDDA 99% Signature: E95A5795520FC0E679C1B4D9FB937DD037FC0FBE FILE: 03 Funky Mama.flac Size: 27316562 Hash: 046E8CA9D8B11AB559AD688F6122EEC6 Accuracy: -m0 Conclusion: CDDA 100% Signature: 8C76A9A69E24708835EF0DFD8CDF36E01BBDA92E FILE: 02 Man and His Environment.flac Size: 17079514 Hash: 3E0F5CBB28BA1D2B28D2EA9BD3A67280 Accuracy: -m0 Conclusion: CDDA 100% Signature: FAE39A1D44F2D31624B922471EACE307634B73D0 FILE: 01 Gate's on the Heat (Instrumental).flac Size: 32103207 Hash: A024707FC33DE516807279CB836CCB91 Accuracy: -m0 Conclusion: CDDA 99% Signature: 790A87E8997833F13D7662DF4EB03487BB2E9B57
Об альбоме (сборнике)
https://www.discogs.com/release/6031569-Clarence-Gatemouth-Brown-Gates-On-The-Heat
Verve Records - 519 730-2 Format: CD, Album, Reissue Country: Europe Released: 1993 https://music.yandex.ru/album/85986 https://music.apple.com/us/album/gatess-on-the-heat/214066605 https://www.youtube.com/watch?v=ZNoFBQtxmIk https://www.youtube.com/watch?v=IRowoJ7KSnk https://www.youtube.com/watch?v=HITlzzj0Pkk https://www.youtube.com/watch?v=cMXykICA21o https://www.youtube.com/watch?v=V85V5aDEeSk https://www.youtube.com/watch?v=ESbFwSzwCfQ https://www.youtube.com/playlist?list=OLAK5uy_nldQg4-nlHH5LOwKKXn6dg_jHGfag1Y9c Vocals, Guitar, Violin – Clarence "Gatemouth" Brown
Baritone Saxophone – James Mitchell (tracks: 1 to 11)
Bass [Fender Bass] – Joe Turner (4) (tracks: 12), Michel Herve (tracks: 2, 3, 4, 5, 6, 7, 8, 10, 11), Richard Hite (tracks: 1, 9)
Drums – Calep Emphrey Jr. (tracks: 12), Christian Devaux (tracks: 2, 3, 4, 5, 6, 7, 8, 10, 11), Adolfo "Fito" de la Parra (tracks: 1, 9)
Guitar – Henry Vestine (tracks: 1, 9), James Shane (tracks: 1, 9), Jerome Hayes (tracks: 12), Joe Wright (tracks: 2, 3, 4, 5, 6, 7, 8, 10, 11)
Keyboards – Ed Beyer (tracks: 1, 9)
Organ, Piano – Andre Herve (tracks: 2, 3, 4, 5, 6, 7, 8, 10, 11)
Strings – The London Strings Orchestra (tracks: 1, 9)
Tenor Saxophone – Andrew Love (tracks: 1 to 11), Ed Logan (tracks: 1 to 11)
Trumpet – Wayne Jackson (tracks: 1 to 11)
Liner Notes – Mike Leadbitter
Other [Prepared for release] – Helene Lifar
Photography By [Cover and Liner] – Christian Rose
Photography By [Cover] – Valerie Justome
Art Direction – bleu Elastique
Mastered By – Didier Marc
Producer – Philippe Rault Возможно, это не тот альбом для знакомства с Gate - он, похоже, создан для того, чтобы нажиться на его успешном выступлении на джазовом фестивале в Монтрё в 1973 году. Он содержит выступления как минимум с двух разных сессий с разными группами, которые позже были перезаписаны, с Memphis Horns и London Strings Orchestra. "Canned Heat", упомянутые в названии, - это некоторые участники Canned Heat, которые играли с Brown в Монтрё, а также появляются на некоторых треках здесь. Они не добавляют заметного качества песням. Многие мелодии имеют свободный сессионный характер, который не усиливается наложением духовых и струнных.
Немотивированные аплодисменты студийной толпы на некоторых треках - еще один показатель безвкусицы французского продюсера.
Хотя некоторые треки работают, альбом представляет собой смешанный и малоизвестный релиз. Roxanne Walsh, allmusic amazon.com
This is the Gatemouth Brown cd I've been looking for/for a couple years. GATE's ON THE HEAT is the 'FIRST' album "Gatemouth" recorded after not seeing the inside of the studio for Six(!) years. It was after a 1972 trip through Europe that included an appearance at the Montreux Jazz Festival that this Clarence Gatemouth Brown recording came to fruition.
The recording process that followed was a little unusual, so bear with me. I feel it is very telling how hard the 'producers' of this Gatemouth album were trying to get him (re)noticed. By the way GATE's ON THE HEAT is damn good (had to make that clear).
But, the first 9 songs were recorded in Herouville, France (1972) and consisted of Gate on guitar, violin, and vocals with Joe Wright assisting on guitar alongside organ-piano, bass, and a drummer Andre and Michel Herve and Christian Devaux, respectively.
Stateside, The Memphis Horns (I never noticed '4' Memphis Horns b4 and I don't believe they were ever better than here - Ed Logan, James Mitchell new to me) were recording (in Memphis, imagine that..) with their work being 'overdubbed' for GATE's ON THE HEAT.
With the album not complete by 1973 two more songs were then recorded in Memphis with musicians from the famed blues-roots band Canned Heat that included Henry Vestine on guitar, Richard Hite on bass, and Adolfo "Fito" De La Parra on drums. James Shane and Ed Beyer also played guitar and keyboards, respectively, on these 2 songs "Dollar Got the Blues" and the groovin', rhythm Title song.
Then, the London Strings Orchestra was overdubbed in '73 (for these 2 songs) as were the Memphis Horns, again.
When GATE's ON THE HEAT was released in '73 the songs "Jelly, Jelly" and "Never Ending Love for You" were left off giving the listener 41 minutes of music that resembles blues and rock boogie (the xtra guitar play of Vestine and Joe Wright offering a different (from Gate) good, catchy rock-n-roll beat - kind of reminded me of Hot Tuna with Papa John Creach at Tuna's best; and of course Canned Heat).
For the 1993 re-release "Never Ending Love for You" (I would guess was originally left off for the very obvious country sound complete with pretty female background vocals -- singer names left off liner notes, kind of rude) is back; and "Jelly, Jelly" is also back; as is an added Live Instrumental from the 1973 Montreux Jazz Festival, and an all new set of musicians (no strings or horns). "Louisiana Breakdown" is a nice 3 minute 8 second "Live" touch with Gate thanking the crowd when he's finished.
GATE's ON THE HEAT is worthy of all the praise and all the flashy adjectives I can muster. I'll add I have not listened to the same album over and over for 3 days straight since "Gate's" Live in Austin, TX (1996 with dvd). Maybe, Luther Allison has gotten my attention (Live in Chicago album) as much. My two favorite performers these days.
The 2 songs that I heard Gatemouth play before - "Dollar Got the Blues" (Brown wrote himself), and "St. Louis Blues" - are done in such variation that I almost did not recognize "Dollar Got Blues" because of parade-band-sound of "and the monkey wrapped his tail around the flag pole" music (no lyrics) that Gate and Canned Heat slowly turn into "Dollar Got the Blues". Damn fun, it is.
"Funky Mama" kind of speaks for itself musically, and "The Drifter" is the obvious instrumentation, tour d' force led by Gate's peerless violin work. "Drifter" is one of those 7 plus minute demonstrations of pure professional sensation that you don't want to end (with great "the devil in (me) lyrics" by Gatemouth too).
One last strange thing about the re-release of this album is the EXACT same album released with same name (Gate's On The Heat) with different cover design (Gatemouth caricature painting). The first 10 songs are the same (as the one I have) in name and general length (give or take 2 seconds). The difference is the last two songs (11 and 12) are NOT "Never Ending Love For You" (country) and "Louisiana Breakdown" (Live from Montreux song). I did not pay for the 2 different songs that actually run a full 15 minutes in length. This/that version cost 18 bucks for the xtra 8 minutes of music. I spent $7.77 for my version of Gate's ON THE HEAT. 53 and a half minutes of a great blues-rock, boogie, Texas 2 step and a shuffle slowed temporarily by "Please, Mr. Nixon" blues ... 'Don't stop the welfare line...' very politically correct for 1972.
Post script on July 31, 2022:
Gates On The Heat is not a perfect recording and the more I listened the more I realize you can argue it was over produced (see overdubbing).
Прoдолжительность: 00:53:38
1979 - Clarence "Gatemouth" Brown & Roy Clark - Makin' Music (1994 US MCA Special Products MCAD-2125)
Источник: catfish27 Трeклист: 01.Short Stuff(3:12) 02.Justice Blues(6:23) 03.Caldonia(3:28) 04.Take the "A" Train(3:30) 05.Talk About a Party(3:48) 06.Four O'Clock in the Morning(4:18) 07.Tabasco Road(3:01) 08.Busted(3:04) 09.The Drifter(6:56) 10.J.H. Boogie(2:53)
Лог создания рипа
X Lossless Decoder version 20161007 (149.3) XLD extraction logfile from 2017-04-25 14:57:52 -0700 Roy Clark & Gatemouth Brown / Makin' Music Used drive : TSSTcorp BDDVDW SE-506BB (revision TS00) Media type : Pressed CD Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 6 Max retry count : 100 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:37 | 03:11:53 | 37 | 14414 2 | 03:12:15 | 06:23:22 | 14415 | 43161 3 | 09:35:37 | 03:27:60 | 43162 | 58746 4 | 13:03:22 | 03:30:00 | 58747 | 74496 5 | 16:33:22 | 03:47:55 | 74497 | 91576 6 | 20:21:02 | 04:18:10 | 91577 | 110936 7 | 24:39:12 | 03:01:23 | 110937 | 124534 8 | 27:40:35 | 03:03:47 | 124535 | 138306 9 | 30:44:07 | 06:55:43 | 138307 | 169474 10 | 37:39:50 | 02:53:00 | 169475 | 182449 AccurateRip Summary (DiscID: 000f620b-007a991e-9109800a) Track 01 : OK (v2, confidence 2/2) Track 02 : OK (v2, confidence 2/2) Track 03 : OK (v2, confidence 2/2) Track 04 : OK (v2, confidence 2/2) Track 05 : OK (v2, confidence 2/2) Track 06 : OK (v2, confidence 2/2) Track 07 : OK (v2, confidence 2/2) Track 08 : OK (v2, confidence 2/2) Track 09 : OK (v2, confidence 2/2) Track 10 : OK (v2, confidence 2/2) ->All tracks accurately ripped. 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Boogie.flac Pre-gap length : 00:01:00 Track gain : -1.50 dB Peak : 0.915619 CRC32 hash (test run) : DBBF1B9C CRC32 hash : DBBF1B9C CRC32 hash (skip zero) : 354E06B3 AccurateRip v1 signature : C5ABEB83 AccurateRip v2 signature : FAFD01B7 ->Accurately ripped (v2, confidence 2/2) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report -----BEGIN XLD SIGNATURE----- 02ncnx6D3ip9tfzPBEJWeAGmwrDAK3lIbkS09usRZvPwEA9tzzSYx4VMxPqpappHH_Nsvf2O0q0icUEcXveoc5O2Kq97thCLNjZtjJC -----END XLD SIGNATURE-----
Содержание индексной карты (.CUE)
TITLE "Makin' Music" PERFORMER "Roy Clark & Gatemouth Brown" REM GENRE "Blues" REM DATE "1979" REM DISCID 9109800A REM REPLAYGAIN_ALBUM_GAIN -1.84 dB REM REPLAYGAIN_ALBUM_PEAK 0.988281 FILE "01 Short Stuff.wav" WAVE TRACK 01 AUDIO TITLE "Short Stuff" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Unknown" REM REPLAYGAIN_TRACK_GAIN -3.43 dB REM REPLAYGAIN_TRACK_PEAK 0.877930 PREGAP 00:00:37 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Justice Blues" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Unknown" REM REPLAYGAIN_TRACK_GAIN -2.70 dB REM REPLAYGAIN_TRACK_PEAK 0.988281 INDEX 00 03:09:58 FILE "02 Justice Blues.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Caldonia" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Fleecie Moore" REM REPLAYGAIN_TRACK_GAIN -1.80 dB REM REPLAYGAIN_TRACK_PEAK 0.691162 INDEX 00 06:19:27 FILE "03 Caldonia.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Take the "A" Train" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Billy Strayhorn" REM REPLAYGAIN_TRACK_GAIN -1.86 dB REM REPLAYGAIN_TRACK_PEAK 0.799957 INDEX 00 03:22:73 FILE "04 Take the _A_ Train.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Talk About a Party" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "K. Hari" REM REPLAYGAIN_TRACK_GAIN -0.14 dB REM REPLAYGAIN_TRACK_PEAK 0.812073 INDEX 00 03:26:73 FILE "05 Talk About a Party.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Four O'Clock in the Morning" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Unknown" REM REPLAYGAIN_TRACK_GAIN -1.48 dB REM REPLAYGAIN_TRACK_PEAK 0.741516 INDEX 00 03:45:28 FILE "06 Four O'Clock in the Morning.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Tabasco Road" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Unknown" REM REPLAYGAIN_TRACK_GAIN -1.58 dB REM REPLAYGAIN_TRACK_PEAK 0.675018 INDEX 00 04:17:48 FILE "07 Tabasco Road.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Busted" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Harlan Howard" REM REPLAYGAIN_TRACK_GAIN -1.38 dB REM REPLAYGAIN_TRACK_PEAK 0.801666 INDEX 00 02:57:71 FILE "08 Busted.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "The Drifter" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Robert Smith/Clarence Brown" REM REPLAYGAIN_TRACK_GAIN 0.11 dB REM REPLAYGAIN_TRACK_PEAK 0.785431 INDEX 00 03:00:42 FILE "09 The Drifter.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "J.H. Boogie" PERFORMER "Roy Clark & Gatemouth Brown" SONGWRITER "Unknown" REM REPLAYGAIN_TRACK_GAIN -1.50 dB REM REPLAYGAIN_TRACK_PEAK 0.915619 INDEX 00 06:54:43 FILE "10 J.H. Boogie.wav" WAVE INDEX 01 00:00:00
https://www.discogs.com/Roy-Clark-And-Gatemouth-Brown-Makin-Music/release/11973829
MCA Special Products - MCAD-2125 Format: CD, Album Country: US Released: 1994 https://www.iomoio.com/album/140376_clarencegatemouthbrownmakinmusicmp3download.html https://myzuka.club/Album/348134/Makin-Music-1979 https://www.youtube.com/watch?v=cujAMa8_2HA https://www.youtube.com/watch?v=ML0PSN6pKrE https://www.youtube.com/watch?v=dY8LC3rGeXI https://www.youtube.com/watch?v=vpgMhvG3zPY https://www.youtube.com/watch?v=IocJ-CDDpGE https://www.youtube.com/watch?v=URTbMQZfsRI весь Roy Clark: Guitar
Clarence Gatemouth Brown: Guitar, Fiddle, Mouth Harp
Steve Ripley: Guitar
Airto Moreira: Percussion
Tony Gamier: Acoustic & Electric Bass
Jim Keltner: Drums Garland Keyboards
Producer: Steve Ripley Предоставьте студию на пару часов двум самым универсальным мастерам гитары с группой помощников мирового класса и что вы получаете? Эта неотразимая сессия джема Gate и Roy Clark изобилует весельем, пара выплескивает с шутками-прибаутками "Caldonia", "Take the 'A' Train", "The Drifter", "Justice Blues" ... Азартный альбом, мне пришелся полностью по душе! Allmusic Review by Bill Dahl Эта запись явно является брендом американской музыки Gatemouth, звуком, на котором он сосредоточился на протяжении десятилетий, оставив грустный дельта-блюз для других людей и сосредоточившись на хорошем звуке, но Roy также является большой частью этого пикника. В то время, как некоторые могут увидеть, что Roy делает что-то новое, на самом деле он возвращается к своим корням.
На протяжении всего сета пара неудержима, как команда поддержки на ринге, с девушками и Мемфисскими рожками, помогающими нанести удар, группа только замедляет его, чтобы позволить поту капать на несколько ударов, в основном придерживаясь раскачивания и катясь через Gatemouth и Roy Clark. Под руководством продюсера Steve Ripley музыканты воспроизводят оригиналы и несколько вариантов старых стандартов: "Busted" Ray Charles (и Johnny Cash) 1963 года (Harlan Howard), "Take the A Train" Ellington 1941 года (Strayhorn) и "Caledonia" Louis Jordan 1945 года.
Jordan снова записал "Caledonia" в 1956 году с Микки Mickey Baker на гитаре и, вероятно, именно эта версия послужила источником вдохновения для версии этого альбома. (Когда Erskine Hawkins выпустил "Caledonia" в 1945 году, Billboard назвал эту песню рок-н-роллом, вероятно, впервые это словосочетание использовалось для описания музыки). goodshitreviews.wordpress
Прoдолжительность: 00:40:32
1986 - Real Life (1987 US Rounder CD 20540) Live
Источник: Badeny Трeклист: 01.Real Life(3:53) 02.Okie Dokie Stomp(4:09) 03.Frankie And Johnny(3:14) 04.Next Time You See Me(3:40) 05.Take The A Train(4:09) 06.Please Send Me Someone To Love(6:58) 07.Catfish(4:39) 08.St. Louis Blues(4:39) 09.What A Shame, What A Shame(7:29)
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015 EAC extraction logfile from 7. August 2019, 10:21 Clarence "Gatemouth" Brown / Real Life Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:52.52 | 0 | 17451 2 | 3:52.52 | 4:09.00 | 17452 | 36126 3 | 8:01.52 | 3:13.74 | 36127 | 50675 4 | 11:15.51 | 3:40.19 | 50676 | 67194 5 | 14:55.70 | 4:09.15 | 67195 | 85884 6 | 19:05.10 | 6:58.27 | 85885 | 117261 7 | 26:03.37 | 4:38.72 | 117262 | 138183 8 | 30:42.34 | 4:39.02 | 138184 | 159110 9 | 35:21.36 | 7:29.07 | 159111 | 192792 Track 1 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\01 Real Life.wav Pre-gap length 0:00:02.00 Peak level 64.7 % Extraction speed 1.7 X Track quality 100.0 % Test CRC FC4AB2B5 Copy CRC FC4AB2B5 Accurately ripped (confidence 1) [827204C8] (AR v2) Copy OK Track 2 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\02 Okie Dokie Stomp.wav Peak level 77.6 % Extraction speed 1.7 X Track quality 99.9 % Test CRC E337FDFE Copy CRC E337FDFE Accurately ripped (confidence 1) [876FA646] (AR v2) Copy OK Track 3 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\03 Frankie And Johnny.wav Peak level 63.7 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 4E5FB4D1 Copy CRC 4E5FB4D1 Accurately ripped (confidence 1) [794B50EE] (AR v2) Copy OK Track 4 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\04 Next Time You See Me.wav Peak level 64.1 % Extraction speed 2.1 X Track quality 100.0 % Test CRC 3CE26C79 Copy CRC 3CE26C79 Accurately ripped (confidence 1) [DA9E72E0] (AR v2) Copy OK Track 5 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\05 Take The A Train.wav Peak level 79.3 % Extraction speed 2.3 X Track quality 100.0 % Test CRC 511813FD Copy CRC 511813FD Accurately ripped (confidence 1) [08D8D152] (AR v2) Copy OK Track 6 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\06 Please Send Me Someone To Love.wav Pre-gap length 0:00:01.28 Peak level 85.7 % Extraction speed 2.6 X Track quality 100.0 % Test CRC FCFD8C59 Copy CRC FCFD8C59 Accurately ripped (confidence 1) [166223EF] (AR v2) Copy OK Track 7 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\07 Catfish.wav Peak level 77.1 % Extraction speed 2.6 X Track quality 100.0 % Test CRC CFC30BC0 Copy CRC CFC30BC0 Accurately ripped (confidence 1) [5DA61B61] (AR v2) Copy OK Track 8 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\08 St. Louis Blues.wav Peak level 75.0 % Extraction speed 2.8 X Track quality 100.0 % Test CRC DA7FDE64 Copy CRC DA7FDE64 Accurately ripped (confidence 1) [21529F87] (AR v2) Copy OK Track 9 Filename E:\alexbras\1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)\09 What A Shame, What A Shame.wav Peak level 82.1 % Extraction speed 3.1 X Track quality 100.0 % Test CRC A049B441 Copy CRC A049B441 Accurately ripped (confidence 1) [EC495414] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum EC92670C3EE8D4C420DDAEE90F2EF31DFE6E51AEDA71C6E35BD58BB122F83E2F ====
Содержание индексной карты (.CUE)
REM GENRE Blues REM DATE 1986 REM DISCID 7D0A0A09 REM COMMENT "ExactAudioCopy v1.1" PERFORMER "Clarence 'Gatemouth' Brown" TITLE "Real Life" FILE "01 Real Life.wav" WAVE TRACK 01 AUDIO TITLE "Real Life" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 FILE "02 Okie Dokie Stomp.wav" WAVE TRACK 02 AUDIO TITLE "Okie Dokie Stomp" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 FILE "03 Frankie And Johnny.wav" WAVE TRACK 03 AUDIO TITLE "Frankie And Johnny" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 FILE "04 Next Time You See Me.wav" WAVE TRACK 04 AUDIO TITLE "Next Time You See Me" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 FILE "05 Take The A Train.wav" WAVE TRACK 05 AUDIO TITLE "Take The A Train" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Please Send Me Someone To Love" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 00 04:07:62 FILE "06 Please Send Me Someone To Love.wav" WAVE INDEX 01 00:00:00 FILE "07 Catfish.wav" WAVE TRACK 07 AUDIO TITLE "Catfish" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 FILE "08 St. Louis Blues.wav" WAVE TRACK 08 AUDIO TITLE "St. Louis Blues" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00 FILE "09 What A Shame, What A Shame.wav" WAVE TRACK 09 AUDIO TITLE "What A Shame, What A Shame" PERFORMER "Clarence 'Gatemouth' Brown" FLAGS DCP INDEX 01 00:00:00
1992 - San Antonio Ballbuster (1996 Brazil Altaya BB017)
Источник: Nina2005 Трeклист: 01.May The Bird Of Paradise Fly Up Your Nose(3:08) 02.Cross My Heart(3:10) 03.Don't Start Me Talking(2:02) 04.Gate's Salty Blues(2:02) 05.My Time Is Expensive(2:52) 06.Ninety Nine(2:07) 07.Goin' Down Slow(5:09) 08.Long Way Home(3:01) 09.Tippin In(1:25) 10.For Now So Long(4:09) 11.May The Bird Of Paradise Fly Up Your Nose(3:00)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 4. August 2013, 19:25 Clarence 'Gatemouth' Brown / San Antonio Ballbuster Used drive : HL-DT-STBD-RE WH12LS39 Adapter: 4 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\FLAC\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:07.47 | 0 | 14071 2 | 3:07.47 | 3:10.08 | 14072 | 28329 3 | 6:17.55 | 2:02.32 | 28330 | 37511 4 | 8:20.12 | 2:02.18 | 37512 | 46679 5 | 10:22.30 | 2:51.70 | 46680 | 59574 6 | 13:14.25 | 2:07.35 | 59575 | 69134 7 | 15:21.60 | 5:09.12 | 69135 | 92321 8 | 20:30.72 | 3:01.20 | 92322 | 105916 9 | 23:32.17 | 1:24.55 | 105917 | 112271 10 | 24:56.72 | 4:09.00 | 112272 | 130946 11 | 29:05.72 | 3:00.05 | 130947 | 144451 Track 1 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\01 - May The Bird Of Paradise Fly Up Your Nose.wav Pre-gap length 0:00:02.00 Peak level 69.2 % Extraction speed 1.2 X Track quality 100.0 % Test CRC 0DA4DADA Copy CRC 0DA4DADA Accurately ripped (confidence 3) [D624A40C] (AR v2) Copy OK Track 2 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\02 - Cross My Heart.wav Pre-gap length 0:00:00.74 Peak level 70.7 % Extraction speed 1.3 X Track quality 100.0 % Test CRC CC154EF4 Copy CRC CC154EF4 Accurately ripped (confidence 3) [8A1DC522] (AR v2) Copy OK Track 3 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\03 - Don't Start Me Talking.wav Pre-gap length 0:00:00.01 Peak level 69.6 % Extraction speed 1.2 X Track quality 100.0 % Test CRC 13CFFBE5 Copy CRC 13CFFBE5 Accurately ripped (confidence 3) [817DA8A9] (AR v2) Copy OK Track 4 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\04 - Gate's Salty Blues.wav Pre-gap length 0:00:00.69 Peak level 70.3 % Extraction speed 1.3 X Track quality 100.0 % Test CRC A27D47B7 Copy CRC A27D47B7 Accurately ripped (confidence 3) [7BE09457] (AR v2) Copy OK Track 5 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\05 - My Time Is Expensive.wav Pre-gap length 0:00:00.32 Peak level 70.0 % Extraction speed 1.5 X Track quality 100.0 % Test CRC 76FFD983 Copy CRC 76FFD983 Accurately ripped (confidence 3) [67D093B2] (AR v2) Copy OK Track 6 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\06 - Ninety Nine.wav Pre-gap length 0:00:01.62 Peak level 71.7 % Extraction speed 1.2 X Track quality 99.9 % Test CRC 474FA84E Copy CRC 474FA84E Accurately ripped (confidence 3) [BDBEEC5C] (AR v2) Copy OK Track 7 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\07 - Goin' Down Slow.wav Pre-gap length 0:00:00.55 Peak level 71.6 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 792E8AFA Copy CRC 792E8AFA Accurately ripped (confidence 3) [CBC13733] (AR v2) Copy OK Track 8 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\08 - Long Way Home.wav Pre-gap length 0:00:00.67 Peak level 67.1 % Extraction speed 1.5 X Track quality 99.9 % Test CRC 11909E63 Copy CRC 11909E63 Accurately ripped (confidence 3) [E4D7FFB6] (AR v2) Copy OK Track 9 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\09 - Tippin In.wav Pre-gap length 0:00:00.14 Peak level 65.8 % Extraction speed 1.5 X Track quality 100.0 % Test CRC 3613E2CA Copy CRC 3613E2CA Accurately ripped (confidence 3) [B4A173A5] (AR v2) Copy OK Track 10 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\10 - For Now So Long.wav Pre-gap length 0:00:00.62 Peak level 72.4 % Extraction speed 1.7 X Track quality 99.9 % Test CRC 274A8594 Copy CRC 274A8594 Accurately ripped (confidence 3) [F4FF448D] (AR v2) Copy OK Track 11 Filename G:\FLAC_EAC\Clarence 'Gatemouth' Brown - San Antonio Ballbuster (1992) [FLAC]\11 - May The Bird Of Paradise Fly Up Your Nose.wav Pre-gap length 0:00:01.35 Peak level 63.9 % Extraction speed 1.9 X Track quality 100.0 % Test CRC F8986198 Copy CRC F8986198 Accurately ripped (confidence 3) [A524150C] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.3 [CTDB TOCID: U7HoHycQc1FMOMCwwLDRCb3HNgc-] found, Submit result: U7HoHycQc1FMOMCwwLDRCb3HNgc- has been confirmed [f336371b] (4/4) Accurately ripped ==== Log checksum 3FF91B43A088EFE7F1EEE2208FAF46A3EFF355BA393AC06540A4A0119F2C1B89 ====
Содержание индексной карты (.CUE)
REM GENRE Blues REM DATE 1992 REM DISCID 9907860B REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Clarence 'Gatemouth' Brown" TITLE "San Antonio Ballbuster" FILE "01 - May The Bird Of Paradise Fly Up Your Nose.wav" WAVE TRACK 01 AUDIO TITLE "May The Bird Of Paradise Fly Up Your Nose" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Cross My Heart" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 03:06:48 FILE "02 - Cross My Heart.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Don't Start Me Talking" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 03:10:07 FILE "03 - Don't Start Me Talking.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Gate's Salty Blues" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 02:01:38 FILE "04 - Gate's Salty Blues.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "My Time Is Expensive" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 02:01:61 FILE "05 - My Time Is Expensive.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Ninety Nine" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 02:50:08 FILE "06 - Ninety Nine.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Goin' Down Slow" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 02:06:55 FILE "07 - Goin' Down Slow.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Long Way Home" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 05:08:20 FILE "08 - Long Way Home.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Tippin In" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 03:01:06 FILE "09 - Tippin In.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "For Now So Long" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 01:23:68 FILE "10 - For Now So Long.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "May The Bird Of Paradise Fly Up Your Nose" PERFORMER "Clarence 'Gatemouth' Brown" INDEX 00 04:07:40 FILE "11 - May The Bird Of Paradise Fly Up Your Nose.wav" WAVE INDEX 01 00:00:00
Лог проверки качества
----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 11 - May The Bird Of Paradise Fly Up Your Nose.flac Size: 16177243 Hash: 91378C8D1598C7D3ACDE7C7C604BF946 Accuracy: -m0 Conclusion: CDDA 100% Signature: 7782BB1A7A31D017F540A0478683AD909E091045 FILE: 10 - For Now So Long.flac Size: 22439975 Hash: 5B647235A6A4537D0F25878A96EAC8FF Accuracy: -m0 Conclusion: CDDA 99% Signature: 0BBEB88540179C39A1D5E4E79BB9AAF1F2C28F4F FILE: 09 - Tippin In.flac Size: 8157880 Hash: E3CDE5D358CD3A047B6B5974028294C4 Accuracy: -m0 Conclusion: CDDA 100% Signature: 97964812FA84E4EC2098AAE99BD7C30F55B7079E FILE: 08 - Long Way Home.flac Size: 14993014 Hash: C20234BAB01F4DDC8417DF27365323D0 Accuracy: -m0 Conclusion: CDDA 100% Signature: 5DD548A9202124D6FD613D237339A07105D84479 FILE: 07 - Goin' Down Slow.flac Size: 27738276 Hash: 43CA48A6567BA95634BCFF04D2428B54 Accuracy: -m0 Conclusion: CDDA 100% Signature: 132DCE45A08775E8FE0D95C9E107FA590E7704DA FILE: 06 - Ninety Nine.flac Size: 11339335 Hash: A9F726A015CA9A4C22235BC3A405017E Accuracy: -m0 Conclusion: CDDA 100% Signature: 13B8ADE9B47FAF49AF2FF892E3BF22BCDDE03139 FILE: 05 - My Time Is Expensive.flac Size: 14272302 Hash: 2EFB4AC733FC992897F498D2DB712D8E Accuracy: -m0 Conclusion: CDDA 100% Signature: A2E4DC9F65F268EABA4A1DD1D7F40721ABF378BC FILE: 04 - Gate's Salty Blues.flac Size: 10856755 Hash: D69A18F2AC188F37E90CFD0A82895B45 Accuracy: -m0 Conclusion: CDDA 100% Signature: 5A28CD56934F92CB65A53F43270955A56E19BEB3 FILE: 03 - Don't Start Me Talking.flac Size: 10933362 Hash: 696B54FB47A3FEFC16CA28E07CDF86E9 Accuracy: -m0 Conclusion: CDDA 100% Signature: 998AF210A08F939F99680F76D687CA4D39946DA6 FILE: 02 - Cross My Heart.flac Size: 16190021 Hash: 19BE84911ECBBAF741D51A6D51AC82EB Accuracy: -m0 Conclusion: CDDA 100% Signature: 91CD0E6BCB5BB8256D8F917F36404A414829CFE6 FILE: 01 - May The Bird Of Paradise Fly Up Your Nose.flac Size: 16845535 Hash: F0D8BB0660503333C14B81DFEA468083 Accuracy: -m0 Conclusion: CDDA 100% Signature: 4205A36AB3D5A081FBCB841261264F9C2C865BCF
Об альбоме (сборнике)
https://www.discogs.com/release/9561038-Clarence-Gatemouth-Brown-San-Antonio-Ballbuster
Altaya - BB017, Charly R&B - BB017 Series: Mestres Do Blues – N° 17 Format: CD, Compilation Country: Brazil Released: 1996 https://www.iomoio.com/album/303034_clarencegatemouthbrownsanantonioballbustermp3download.html https://musify.club/release/clarence-gatemouth-brown-san-antonio-ballbuster-1965-336826 https://www.youtube.com/watch?v=3PyqhPe33pI https://www.youtube.com/watch?v=xG_kvG3mCvE https://www.youtube.com/watch?v=ZMvPUHWm52g Guitar – Clarence "Gatemouth" Brown (tracks: 1 to 3, 5 to 7, 9 to 11)
Vocals – Clarence "Gatemouth" Brown
Violin – Clarence "Gatemouth" Brown (tracks: 4, 8)
Liner Notes – John Collis
Written-By – Brown (tracks: 4, 5, 8 to 10)
Recorded Nashville 1965 with unknown sax, piano, bass and drums. Нэшвилльские записи Гейта, датированные 1965-м годом. Диск начинается с песни May The Bird Of Paradise Fly Up Your Nose, ей же и заканчивается (тут два разных тэйка этого хита кантри-исполнителя Литтл Джимми Дикенса). В промежутке - три вещи Сонни Боя Уильямсона, блюзовый стандарт Goin' Down Slow, композиции самого Брауна. Вся музыка довольно легкая и с определенным джазовым оттенком, Кларенс играет в основном на гитаре, но немного и на скрипке. Альбом выбускался под разными названиями: 1974 San Antonio Ballbuster (Red Lightnin') или The Nashville Session - 1965. Данный диск выпущен в серии Mestres Do Blues – N° 17 (есть еще вариант Charly Blues Masterworks) и длится всего 32 минуты. Не самый интересный альбом Гейта, но тут есть что послушать. Александр Панин,blues.ru Clarence Gatemouth Brown был опытным артистом, у которого, вероятно, больше записей, потерянных со временем, чем ему когда-либо приписывали. Этот родившийся в Луизиане мастер всех инструментов, которые он брал в руки, прославился в Техасе, где вырос. Я бы хотел выбрать один альбом и сказать: "Это определяющая запись", но, как и у многих из этих старых музыкантов, записи не обязательно отражают одно усилие или даже один период в их карьере.
Мне трудно точно определить высоту его карьеры или его навыков. Он мастерски играет с первой до последней записи. Что отличает Gatemouth от его собратьев-блюзменов, так это его готовность привнести влияние тяжелого джаза и кантри. Я не могу вспомнить ни одного другого исполнителя блюза, который бы регулярно использовал джазовую флейту. Он помог создать рок-музыку, какой мы ее знаем, он мог выть на гитаре, как дьявол и при этом играть каждую ноту так же чисто, как любой гитарист, которого я когда-либо слышал.
Brown редко играл одну и ту же песню дважды одинаково, предпочитая продолжать исследовать внутренний потенциал. Альбомы Clarence Gatemouth Brown, которые я считаю обязательными, начинаются с San Antonio Ballbuster, сборника влиятельных песен, которые варьируются от предшествующих рок-н-роллу до гитарного джайва начала 60-х. Остроумие Brown сияет на протяжении всего этого альбома. mojolists.com/gatemouth
1995 - The Best Of Clarence 'Gatemouth' Brown, A Blues Legend (France Verve 527 435-2)
Источник: mika98 Трeклист: 01.Bogalusa Boogie Man(4:39) 02.The Drifter(7:27) 03.Loup Garou(3:25) 04.Jelly Jelly(4:55) 05.Gate's On The Heat(5:10) 06.Please Mr. Nixon(4:59) 07.Goto My Mojo Working(4:32) 08.Cajun Blues(3:34) 09.'1:49 of Gate showing how not to start a take on time....'(1:49) 10.Gate's Express(3:54) 11.Breaux Bridge Rag(2:59) 12.Louisian'(3:02) 13.Rosalie(2:31) 14.Birmingham(2:38) 15.After The Band Is Gone(1:53)
Лог создания рипа
Exact Audio Copy V1.6 from 23. October 2020 EAC extraction logfile from 26. February 2023, 13:23 Clarence “Gatemouth” Brown / The Best Of Clarence "Gatemouth" Brown, A Blues Legend Used drive : PLDS DVD-RW DH16ACSH Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.32 | 4:38.73 | 32 | 20954 2 | 4:39.30 | 7:27.20 | 20955 | 54499 3 | 12:06.50 | 3:25.27 | 54500 | 69901 4 | 15:32.02 | 4:54.63 | 69902 | 92014 5 | 20:26.65 | 5:10.22 | 92015 | 115286 6 | 25:37.12 | 4:59.03 | 115287 | 137714 7 | 30:36.15 | 4:32.35 | 137715 | 158149 8 | 35:08.50 | 3:34.32 | 158150 | 174231 9 | 38:43.07 | 1:48.68 | 174232 | 182399 10 | 40:32.00 | 3:54.05 | 182400 | 199954 11 | 44:26.05 | 2:59.27 | 199955 | 213406 12 | 47:25.32 | 3:02.10 | 213407 | 227066 13 | 50:27.42 | 2:30.50 | 227067 | 238366 14 | 52:58.17 | 2:37.43 | 238367 | 250184 15 | 55:35.60 | 1:53.32 | 250185 | 258691 Track 1 Filename C:\Users\lore\Desktop\eac\01 - Bogalusa Boogie Man.wav Pre-gap length 0:00:02.42 Peak level 100.0 % Extraction speed 3.5 X Track quality 100.0 % Test CRC 36A7B560 Copy CRC 36A7B560 Accurately ripped (confidence 7) [E33DFF15] (AR v2) Copy OK Track 2 Filename C:\Users\lore\Desktop\eac\02 - The Drifter.wav Pre-gap length 0:00:01.04 Peak level 100.0 % Extraction speed 4.3 X Track quality 100.0 % Test CRC 0EB157A7 Copy CRC 0EB157A7 Accurately ripped (confidence 7) [950910D4] (AR v2) Copy OK Track 3 Filename C:\Users\lore\Desktop\eac\03 - Loup Garou.wav Pre-gap length 0:00:00.97 Peak level 85.9 % Extraction speed 4.3 X Track quality 100.0 % Test CRC A17DAE47 Copy CRC A17DAE47 Accurately ripped (confidence 7) [3CB365AA] (AR v2) Copy OK Track 4 Filename C:\Users\lore\Desktop\eac\04 - Jelly Jelly.wav Pre-gap length 0:00:02.06 Peak level 99.9 % Extraction speed 4.8 X Track quality 100.0 % Test CRC A223FF1A Copy CRC A223FF1A Accurately ripped (confidence 7) [91D40DD6] (AR v2) Copy OK Track 5 Filename C:\Users\lore\Desktop\eac\05 - Gate's On The Heat.wav Pre-gap length 0:00:01.33 Peak level 100.0 % Extraction speed 5.3 X Track quality 100.0 % Test CRC C75C90AF Copy CRC C75C90AF Accurately ripped (confidence 8) [CD32629E] (AR v2) Copy OK Track 6 Filename C:\Users\lore\Desktop\eac\06 - Please Mr. Nixon.wav Pre-gap length 0:00:01.82 Peak level 100.0 % Extraction speed 5.6 X Track quality 100.0 % Test CRC C2501001 Copy CRC C2501001 Accurately ripped (confidence 7) [C0A1A69B] (AR v2) Copy OK Track 7 Filename C:\Users\lore\Desktop\eac\07 - Goto My Mojo Working.wav Pre-gap length 0:00:02.33 Peak level 100.0 % Extraction speed 5.8 X Track quality 100.0 % Test CRC A52D7D1C Copy CRC A52D7D1C Accurately ripped (confidence 7) [D52AC02A] (AR v2) Copy OK Track 8 Filename C:\Users\lore\Desktop\eac\08 - Cajun Blues.wav Pre-gap length 0:00:00.80 Peak level 99.9 % Extraction speed 4.5 X Track quality 99.9 % Test CRC 90A3585F Copy CRC 90A3585F Accurately ripped (confidence 7) [63D3FF1A] (AR v2) Copy OK Track 9 Filename C:\Users\lore\Desktop\eac\09 - ''1-49 of Gate showing how not to start a take on time....''.wav Pre-gap length 0:00:02.33 Peak level 95.4 % Extraction speed 3.5 X Track quality 99.9 % Test CRC E99FF103 Copy CRC E99FF103 Accurately ripped (confidence 7) [75A8B75F] (AR v2) Copy OK Track 10 Filename C:\Users\lore\Desktop\eac\10 - Gate's Express.wav Peak level 100.0 % Extraction speed 4.9 X Track quality 99.9 % Test CRC 4AC871D0 Copy CRC 4AC871D0 Accurately ripped (confidence 7) [C9B7D1E3] (AR v2) Copy OK Track 11 Filename C:\Users\lore\Desktop\eac\11 - Breaux Bridge Rag.wav Pre-gap length 0:00:01.29 Peak level 100.0 % Extraction speed 6.1 X Track quality 100.0 % Test CRC 4D9F1A95 Copy CRC 4D9F1A95 Accurately ripped (confidence 7) [21C59481] (AR v2) Copy OK Track 12 Filename C:\Users\lore\Desktop\eac\12 - Louisian'.wav Peak level 99.9 % Extraction speed 6.3 X Track quality 100.0 % Test CRC 34F4C32F Copy CRC 34F4C32F Accurately ripped (confidence 7) [5CD09681] (AR v2) Copy OK Track 13 Filename C:\Users\lore\Desktop\eac\13 - 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Содержание индексной карты (.CUE)
REM DATE 1995 REM DISCID D30D790F REM COMMENT "ExactAudioCopy v1.6" CATALOG 0000000000000 PERFORMER "Clarence УGatemouthФ Brown" TITLE "The Best Of Clarence 'Gatemouth' Brown, A Blues Legend" REM COMPOSER "" FILE "01 - Bogalusa Boogie Man.wav" WAVE TRACK 01 AUDIO TITLE "Bogalusa Boogie Man" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" PREGAP 00:00:32 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "The Drifter" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" ISRC FRZ017300950 INDEX 00 04:37:70 FILE "02 - The Drifter.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Loup Garou" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 00 07:26:22 FILE "03 - Loup Garou.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Jelly Jelly" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" ISRC FRZ017300940 INDEX 00 03:23:22 FILE "04 - Jelly Jelly.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Gate's On The Heat" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" ISRC FRZ017300890 INDEX 00 04:53:38 FILE "05 - Gate's On The Heat.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Please Mr. Nixon" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" ISRC FRZ017300920 INDEX 00 05:08:35 FILE "06 - Please Mr. Nixon.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Goto My Mojo Working" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" ISRC FRZ017301190 INDEX 00 04:56:53 FILE "07 - Goto My Mojo Working.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Cajun Blues" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" ISRC FRZ017301140 INDEX 00 04:31:50 FILE "08 - Cajun Blues.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "'1:49 of Gate showing how not to start a take on time....'" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 00 03:32:07 FILE "09 - ''1-49 of Gate showing how not to start a take on time....''.wav" WAVE INDEX 01 00:00:00 FILE "10 - Gate's Express.wav" WAVE TRACK 10 AUDIO TITLE "Gate's Express" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Breaux Bridge Rag" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 00 03:52:58 FILE "11 - Breaux Bridge Rag.wav" WAVE INDEX 01 00:00:00 FILE "12 - Louisian'.wav" WAVE TRACK 12 AUDIO TITLE "Louisian'" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 01 00:00:00 TRACK 13 AUDIO TITLE "Rosalie" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 00 03:01:08 FILE "13 - Rosalie.wav" WAVE INDEX 01 00:00:00 TRACK 14 AUDIO TITLE "Birmingham" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 00 02:29:45 FILE "14 - Birmingham.wav" WAVE INDEX 01 00:00:00 TRACK 15 AUDIO TITLE "After The Band Is Gone" PERFORMER "Clarence УGatemouthФ Brown" REM COMPOSER "" INDEX 00 02:37:30 FILE "15 - After The Band Is Gone.wav" WAVE INDEX 01 00:00:00
TITLE "Okie Dokie Stomp" PERFORMER "Clarence "Gatemouth" Brown" REM GENRE "Blues" REM DATE "1999" REM DISCID 960D060C REM REPLAYGAIN_ALBUM_GAIN -2.85 dB REM REPLAYGAIN_ALBUM_PEAK 0.999969 FILE "01 Stranded.flac" WAVE TRACK 01 AUDIO TITLE "Stranded" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28303403 REM REPLAYGAIN_TRACK_GAIN -2.42 dB REM REPLAYGAIN_TRACK_PEAK 0.922485 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Frosty" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28102801 REM REPLAYGAIN_TRACK_GAIN -2.55 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 03:54:12 FILE "02 Frosty.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "I Feel Alright Again" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28102806 REM REPLAYGAIN_TRACK_GAIN -2.46 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 03:48:12 FILE "03 I Feel Alright Again.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Sunrise Cajun Style" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28303404 REM REPLAYGAIN_TRACK_GAIN -2.72 dB REM REPLAYGAIN_TRACK_PEAK 0.895111 INDEX 00 02:33:37 FILE "04 Sunrise Cajun Style.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Sometimes I Slip" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28102805 REM REPLAYGAIN_TRACK_GAIN -2.04 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 03:54:45 FILE "05 Sometimes I Slip.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "One More Mile" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28303407 REM REPLAYGAIN_TRACK_GAIN -2.65 dB REM REPLAYGAIN_TRACK_PEAK 0.989075 INDEX 00 06:35:22 FILE "06 One More Mile.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "The Drifter" PERFORMER "Clarence "Gatemouth" Brown" REM REPLAYGAIN_TRACK_GAIN -2.13 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 04:15:20 FILE "07 The Drifter.flac" WAVE INDEX 01 00:00:00 FILE "08 Real Life.flac" WAVE TRACK 08 AUDIO TITLE "Real Life" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28720541 REM REPLAYGAIN_TRACK_GAIN -2.16 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 00:00:00 FILE "09 Okie Dokie Stomp.flac" WAVE TRACK 09 AUDIO TITLE "Okie Dokie Stomp" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28720542 REM REPLAYGAIN_TRACK_GAIN -2.77 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Information Blues" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28303401 REM REPLAYGAIN_TRACK_GAIN -4.75 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 04:10:18 FILE "10 Information Blues.flac" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Gate Walks to Board" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28102810 REM REPLAYGAIN_TRACK_GAIN -3.01 dB REM REPLAYGAIN_TRACK_PEAK 0.968231 INDEX 00 03:23:22 FILE "11 Gate Walks to Board.flac" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Dollar Got the Blues" PERFORMER "Clarence "Gatemouth" Brown" ISRC USRO28102808 REM REPLAYGAIN_TRACK_GAIN -4.25 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 04:02:17 FILE "12 Dollar Got the Blues.flac" WAVE INDEX 01 00:00:00
https://www.discogs.com/release/2392323-Clarence-Gatemouth-Brown-Okie-Dokie-Stomp
Rounder Records - BBB 11661-9622-2 Series: Bullseye Blues Basics Format: CD, Album, Compilation Country: US Released: 1999 https://music.apple.com/us/album/okie-dokie-stomp/1533735820 https://musify.club/release/clarence-gatemouth-brown-okie-dokie-stomp-1982-348133...mtgzeary23145672
01. Stranded (3:55) https://www.youtube.com/watch?v=-86SRCgRFCY
02. Frosty (3:49) https://www.youtube.com/watch?v=iLRAYGRkAY0
06. One More Mile (4:17) https://www.youtube.com/watch?v=PNOdG5WuRkY
09. Okie Dokie Stomp (4:13) https://www.youtube.com/watch?v=v2Xrxqt3ovE
12. Dollar Got the Blues (4:48) https://www.youtube.com/watch?v=V85V5aDEeSk Vocals, Guitar, Fiddle – Clarence Gatemouth Brown
Guitar – Luther Wamble (tracks 8, 9)
Pedal Steel Guitar – Tommy Morgan (tracks 4)
Bass – Miles Kevin Wright (tracks 1, 4, 6, 10), Myron Dove (tracks 2, 3, 5, 7, 11, 12), Harold Floyd (tracks 8, 9)
Drums – Robert Shipley (tracks 1, 4, 6, 10), Lloyd Herrman (tracks 2, 3, 5, 7, 8, 9, 11, 12)
Piano – Craig Wroten (tracks 1, 4, 6, 10), Larry Sieberth (tracks 2, 3, 5, 7, 8, 9, 11, 12)
Organ [Hammond] – David "Fingers" Fender (tracks 2, 3, 5, 7, 8, 9, 11, 12)
Keyboards – Dan Matrazzo (tracks 8, 9)
Arranged By [Horns] – Bill Samuel (tracks 1, 3, 4, 5, 8, 9, 10, 12), Joe Sunseri (tracks 2, 5, 11, 12), Red Tyler (tracks 5)
Alto Saxophone, Baritone Saxophone – Bill "Foots" Samuel
Baritone Saxophone – Joe "Champagnski" Sunseri (tracks 2, 3, 5, 11, 12)
Tenor Saxophone, Arranged By [Horns] – Homer Brown (tracks 1, 4, 6, 10)
Tenor Saxophone – Alvin "Red" Tyler (tracks 2, 3, 5, 11, 12), Dennis Taylor (tracks 8, 9)
Trombone – Ernie Gautreau (tracks 1, 4, 6, 10), Jim McMillen (tracks 2, 3, 11, 12)
Valve Trombone – Ernie Gautreau (tracks 8, 9)
Trumpet – Bobby Campo (tracks 1, 4, 6, 10), Stanton Davis, Jr. (tracks 2, 3, 7, 11), Mark Wells (tracks 8), Terry Tullos (tracks 8)
Trumpet, Arranged By [Horns] – Mark Wells (tracks 9) Compiled By – John Cain
Design – Nancy Given
Liner Notes – Frank-John Hadley
Mastered By – Laurie B. Flannery
Photography By – Jack Vartoogian
Producer – Clarence Brown (tracks: 1, 4, 6, 8, 9, 10), Jim Bateman, Scott Billington (tracks: 1, 2, 3, 4, 5, 6, 10, 11, 12)
Recorded By – David Farrell (tracks: 8, 9)
Recorded By, Mixed By – Peter Pfister (tracks: 7)
Reissue Producer – Scott Billington
Tracks 1, 4, 6, 10 originally released on Rounder 2034, One More Mile.
Tracks 2, 3, 5, 11, 12 originally released on Rounder 2028, Alright Again!
Tracks 8, 9 originally released on Rounder 2054, Real Life.
Track 7 originally issued on Blues For The Homeless (Justice). Okie Dokie Stomp - альбом-компиляция Clarence Gatemouth Brown, выпущенный в 1999 году лейблом Bullseye Blues & Jazz. В сборник вошли песни с трех альбомов Brown, записанных для Rounder Records в период с 1981 по 1986 год. В частности, это "Alright Again" (1981, "Rounder 2028", пять песен), "One More Mile" (1983, "Rounder 2034", четыре песни) и "Real Life" (1986, "Rounder 2054", две песни). Кроме того, альбом содержит 10-минутную версию песни The Drifter, впервые выпущенную в 1973 году на альбоме The Drifter Rides Again. Концертная версия была записана в 1982 году на Международном джазовом фестивале в Берне. wiki Clarence Gatemouth Brown - американский музыкант, мультиинструменталист, который использует блюзовые, кантри, джазовые и каджунские мотивы для создания своего фирменного звучания в стиле "Texas Swingг". В этой блюзовой подборке собраны лучшие из двух студийных альбомов Gate, получивший "Грэмми" Alright Again! и "One More Mile", номинированный на "Грэмми", а также концертные треки. Особым бонусом стало включение в альбом труднодоступной концертной записи его фирменного "The Drifter", 10-минутного выступления, в котором Гейт играет не только на гитаре, но и на губной гармошке.
Они изменили привычный уклад после того, как в 1924 году в мире появился Clarence Gatemouth Brown. Такого, как он, больше нет. Никогда не было и никогда не будет. Обычно одетый в черное, от ковбойской шляпы до сапог, с трубкой во рту или в руке, техасец прокладывает свой собственный путь. Есть правильный путь, есть неправильный и есть "Врата". Этот человек - настоящий герой, он подолгу говорит о soul food или представляет свою группу как "him, him, him и him". Спросите Гейта о многочисленных наградах, которые он получил за более чем пять десятилетий работы гитаристом мирового класса, и он раздраженно ответит: "Я не знаю.меня это не волнует." Послушайте, что сказал Гейт, когда исполнил номер Стиви Рэя Вона в тесте на даун-бит с завязанными глазами: "Воган - точная копия Би Би Кинга. Он не смог быть самим собой". Ну, ладно. Он рассказывает так, как будто видит и слышит это сам. Гейту очень, очень неудобно, что его называют блюзовым игроком: "Я создаю свой собственный стиль, и музыка исходит от меня самого!" Говорят, что он описывает свой дико эклектичный репертуар из свинг-джаза, r & b, шаффл-блюза, блюграсса, кантри, зайдеко, калипсо, поп-частушек и многого другого как "американскую и мировую музыку в техасском стиле" или, более кратко, "техасский свинг". О да, почти все, что есть на свете, достойно воплощения смелой индивидуальности Gate, от "Take the a Train" до "Spanish Eyes", "Old MacDonald Had a Farm", "Orange Blossom Special", "Frankie and Johnny", "Big Mamou", "Let the Good Times Roll" и "Got My Mojo Working". Сварливый, открытый, непредсказуемый, остроумный и мудрый, Гейт - настоящий американский классик. Он также живая легенда. Черт возьми, само начало его музыкальной карьеры заставляет задуматься. После того, как техасскому блюзовому гитаристу Ти-Боуну Уолкеру стало плохо во время выступления на сцене в хьюстонском баре, молодой Браун вскочил, схватил упавшую гитару и начал исполнять свой собственный буги-блюз, а толпа сошла с ума и осыпала его деньгами. И Гейт прошел полный круг в своей карьере звукозаписывания: в 1947 году он начал работать в студии с большим коллективом за плечами, а более чем полвека спустя он уже записывает известные альбомы для биг-бэндов. Игра Гейта на гитаре, когда он большим и указательным пальцами перебирает струны, издавая резкие восклицательные фразы, на которые он отвечает головокружительными движениями левой руки по грифу, - это настоящая сила природы. Лонни Брукс, Альберт Коллинз, Джонни Коупленд и Фрэнк Заппа - одни из тех гитаристов высшей лиги, которые в первые годы своего становления обратили пристальное внимание на его тремоло-аккорды. В 50-х годах чернокожие завсегдатаи клубов Юга и покупатели пластинок сделали региональной звездой r&b Гейтмута Брауна, который в то время работал на лейбле Дона Роби Peacock в Хьюстоне. В 70-е годы европейцы восприняли его как одного из своих самых любимых континентальных музыкантов, записывающихся и гастролирующих. Но так было до тех пор, пока в начале 80-х Gate не подписали контракт с Rounder и не дебютировали с Alright Again! этот альбом Gate стал известен большинству поклонников блюза в Штатах. В 1982 году альбом был удостоен премии "Грэмми", что дало большой толчок карьере Gate в штате. Пять треков с альбома Alright Again! представлены в настоящей подборке материалов Gate 80-х годов прошлого века. Гейтовская трактовка песни Альберта Коллинза "Frosty" взлетает до небес: гитарист властно расхаживает по залу, в то время как духовая секция из пяти частей внимаьельно следит за настойчивой бас-гитарой. Его хриплый, проникновенный вокал и вкрадчивая соло-гитара заставляют "Sometimes I Slip" раскачиваться в размеренном темпе и напоминают красноречивое соло покойного великого новоорлеанского джазового тенора Рэда Тайлера. Во время прослушивания песни Дона Роби "I Feel Alright Again" Гейт уверенно подпевает зажигательному ритму, в то время как аранжированные Биллом Сэмюэлем духовые играют мощные рифы или устраивают какое-нибудь необычное веселье. В инструментальной композиции "Gate Walks to Board", исполненной в стиле свинг-джаз, ловкость и скорость исполнения Gate с хитрыми акцентами дополняются спринтерским бэндом, чьи духовые инструменты великолепно перекликаются с главным музыкантом. "Dollar Got the Blues" дает слушателю представление об остром чувстве удовольствия и боли, сочетающихся в его пении, и о всегда удивительной гитарной игре, а также о катарсических взрывах трубы в исполнении приглашенного джазового солиста Стэнтона Дэвиса. One More Mile, записанный в конце 1982 года и выпущенный вскоре после этого, снова последовал за Alright! В "Stranded" Гейт использует все возможности своих голосовых связок и гитары, чтобы выразить боль от того, что он находится в сотнях миль от "своей маленькой девочки". Заглавный трек - еще одно яркое проявление эмоциональной незащищенности из-за разлуки. Гейт играет на скрипке и кантри-гитаре в "Sunrise Cajun Style", в своем взгляде на франко-американскую народную музыку в штате Луизиана, где он родился. Вернувшись к игре на гитаре, пропитанной блюзом, Гейт ставит свою неповторимую подпись на "Information Blues" Роя Милтона, который размахивает флагом r& b. Здесь, как и на других номерах, взятых из "One More Mile", саксофонисты группы Гомер Браун и Билл Сэмюэл создают свои аранжировки в духе блистательных хит-парадов Джо Скотта времен золотой эры Дьюка и Пикока. "Real Life", концертный" альбом, записанный в Форт-Уэрте. Гейт, возглавляющий свою гастролирующую группу из 8 человек, привносит свое безошибочное чувство драматизма в тексты и мелодию sassy blues, которые дали название альбому. 61-летний гитарист также демонстрирует свою истинную выдержку, играя плавные однострунные партии в своей фирменной песне "Okie Dokie Stomp", музыкальном произведении с джазовым уклоном, увенчанном мощным теноровым соло Dennis Taylor (в наши дни участника Duke Robillard band). И, что не менее важно, в этот сборник включен ранее утраченный "живой" медленный блюз, который носит одно из прозвищ Gate - "The Drifter", а также партии губной гармошки и гитары в исполнении опытного мультиинструменталиста, которые переполняют его умеренным энтузиазмом.
После ухода из Rounder Гейт продолжил записывать альбомы для нескольких лейблов, в первую очередь для Verve в 90-х. Однако его работа на кембриджском инди-лейбле считается одной из лучших за всю его карьеру. Это аутентичная, первоклассная, как вы уже догадались, американская музыка в техасском стиле. Из буклета
Прoдолжительность 00:55:34
2002 - The Chronological "Gatemouth" Brown 1947-1951 (France Classics 5030)
Источник: raspy Трeклист: 01.Gatemouth Boogie (08-21-47)(2:31) 02.Guitar In My Hand (08-21-47)(2:42) 03.After Sunset (08-21-47)(2:33) 04.Without Me Baby (08-21-47)(2:29) 05.Didn'T Reach My Goal (01-?-49)(2:50) 06.Atomic Energy (01-?-49)(2:28) 07.Mercy On Me (01-?-49)(2:26) 08.My Time's Expensive(2:46) 09.Mary Is Fine(2:43) 10.I Live My Life (Late 49)(2:42) 11.2 O'Clock In The Morning (Late 49)(2:46) 12.Boogie Rambler (Late 49)(2:51) 13.I'Ve Been Mistreated (Late 49)(2:53) 14.It Can Never Be That Way (Late 49)(2:48) 15.Justice Blues (Late 49)(2:51) 16.Just Got Lucky (Late 49)(2:57) 17.She Walk Right In (1951)(2:51) 18.Win With My Baby (1951)(3:01) 19.Too Late Baby (1951)(2:39) 20.Taking My Chances (1951)(2:50)
TITLE "The Chronological "Gatemouth" Brown 1947-1951" PERFORMER "Clarence "Gatemouth" Brown" REM GENRE "Blues" REM DATE "2002" REM DISCID 0D0CCE14 REM REPLAYGAIN_ALBUM_GAIN -5.92 dB REM REPLAYGAIN_ALBUM_PEAK 0.999969 FILE "01 Gatemouth Boogie (08-21-47).flac" WAVE TRACK 01 AUDIO TITLE "Gatemouth Boogie (08-21-47)" REM REPLAYGAIN_TRACK_GAIN -5.41 dB REM REPLAYGAIN_TRACK_PEAK 0.932861 PREGAP 00:00:32 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Guitar In My Hand (08-21-47)" REM REPLAYGAIN_TRACK_GAIN -4.35 dB REM REPLAYGAIN_TRACK_PEAK 0.977325 INDEX 00 02:29:20 FILE "02 Guitar In My Hand (08-21-47).flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "After Sunset (08-21-47)" REM REPLAYGAIN_TRACK_GAIN -6.08 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:40:42 FILE "03 After Sunset (08-21-47).flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Without Me Baby (08-21-47)" REM REPLAYGAIN_TRACK_GAIN -5.52 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:31:62 FILE "04 Without Me Baby (08-21-47).flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Didn'T Reach My Goal (01-?-49)" REM REPLAYGAIN_TRACK_GAIN -3.80 dB REM REPLAYGAIN_TRACK_PEAK 0.986633 INDEX 00 02:27:45 FILE "05 Didn'T Reach My Goal (01--49).flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Atomic Energy (01-?-49)" REM REPLAYGAIN_TRACK_GAIN -3.88 dB REM REPLAYGAIN_TRACK_PEAK 0.980438 INDEX 00 02:48:07 FILE "06 Atomic Energy (01--49).flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Mercy On Me (01-?-49)" REM REPLAYGAIN_TRACK_GAIN -4.68 dB REM REPLAYGAIN_TRACK_PEAK 0.996796 INDEX 00 02:26:20 FILE "07 Mercy On Me (01--49).flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "My Time's Expensive" REM REPLAYGAIN_TRACK_GAIN -5.16 dB REM REPLAYGAIN_TRACK_PEAK 0.812256 INDEX 00 02:24:61 FILE "08 My Time's Expensive.flac" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Mary Is Fine" REM REPLAYGAIN_TRACK_GAIN -5.16 dB REM REPLAYGAIN_TRACK_PEAK 0.787384 INDEX 00 02:44:50 FILE "09 Mary Is Fine.flac" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "I Live My Life (Late 49)" REM REPLAYGAIN_TRACK_GAIN -6.21 dB REM REPLAYGAIN_TRACK_PEAK 0.994751 INDEX 00 02:41:28 FILE "10 I Live My Life (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "2 O'Clock In The Morning (Late 49)" REM REPLAYGAIN_TRACK_GAIN -3.89 dB REM REPLAYGAIN_TRACK_PEAK 0.812836 INDEX 00 02:40:52 FILE "11 2 O'Clock In The Morning (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "Boogie Rambler (Late 49)" REM REPLAYGAIN_TRACK_GAIN -7.30 dB REM REPLAYGAIN_TRACK_PEAK 0.994446 INDEX 00 02:44:28 FILE "12 Boogie Rambler (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 13 AUDIO TITLE "I'Ve Been Mistreated (Late 49)" REM REPLAYGAIN_TRACK_GAIN -5.34 dB REM REPLAYGAIN_TRACK_PEAK 0.851074 INDEX 00 02:49:35 FILE "13 I'Ve Been Mistreated (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 14 AUDIO TITLE "It Can Never Be That Way (Late 49)" REM REPLAYGAIN_TRACK_GAIN -6.97 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:51:00 FILE "14 It Can Never Be That Way (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 15 AUDIO TITLE "Justice Blues (Late 49)" REM REPLAYGAIN_TRACK_GAIN -6.94 dB REM REPLAYGAIN_TRACK_PEAK 0.997803 INDEX 00 02:46:66 FILE "15 Justice Blues (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 16 AUDIO TITLE "Just Got Lucky (Late 49)" REM REPLAYGAIN_TRACK_GAIN -6.72 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:49:08 FILE "16 Just Got Lucky (Late 49).flac" WAVE INDEX 01 00:00:00 TRACK 17 AUDIO TITLE "She Walk Right In (1951)" REM REPLAYGAIN_TRACK_GAIN -7.35 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:55:33 FILE "17 She Walk Right In (1951).flac" WAVE INDEX 01 00:00:00 TRACK 18 AUDIO TITLE "Win With My Baby (1951)" REM REPLAYGAIN_TRACK_GAIN -6.71 dB REM REPLAYGAIN_TRACK_PEAK 0.999969 INDEX 00 02:49:08 FILE "18 Win With My Baby (1951).flac" WAVE INDEX 01 00:00:00 TRACK 19 AUDIO TITLE "Too Late Baby (1951)" REM REPLAYGAIN_TRACK_GAIN -6.57 dB REM REPLAYGAIN_TRACK_PEAK 0.962341 INDEX 00 02:59:56 FILE "19 Too Late Baby (1951).flac" WAVE INDEX 01 00:00:00 TRACK 20 AUDIO TITLE "Taking My Chances (1951)" REM REPLAYGAIN_TRACK_GAIN -6.16 dB REM REPLAYGAIN_TRACK_PEAK 0.981079 INDEX 00 02:37:41 FILE "20 Taking My Chances (1951).flac" WAVE INDEX 01 00:00:00
Лог проверки качества
----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 20 Taking My Chances (1951).flac Size: 7868213 Hash: C7D21042F900795B4EC14E3F4C92047A Accuracy: -m0 Conclusion: CDDA 100% Signature: D843AB2A06F8D8D16B2B107232F642276257D565 FILE: 19 Too Late Baby (1951).flac Size: 7420880 Hash: 90C0B73918900AE241788FDD1F3EC4DF Accuracy: -m0 Conclusion: CDDA 100% Signature: A420ED1F3F69E92CB87FFB489231C6A09538B139 FILE: 18 Win With My Baby (1951).flac Size: 8761749 Hash: 8279448B0CFB43A95ED0F340A84ED818 Accuracy: -m0 Conclusion: CDDA 100% Signature: F57613BB36B5840FD794E1CCEE340A2BEA8E216D FILE: 17 She Walk Right In (1951).flac Size: 8838899 Hash: CD4321999B9714C0D809856B1E860722 Accuracy: -m0 Conclusion: CDDA 100% Signature: 561A68E01E03062D2F90F920B0F770F425237C3A FILE: 16 Just Got Lucky (Late 49).flac Size: 7525461 Hash: C8B097D12F6748750DD0C143190A199B Accuracy: -m0 Conclusion: CDDA 100% Signature: 0D4B7DF62244415086E3BD6E68522545017C4CF7 FILE: 15 Justice Blues (Late 49).flac Size: 7550476 Hash: 2170709825CD3A5822171AB005B9D07C Accuracy: -m0 Conclusion: CDDA 100% Signature: CC35BC770E450C783574E15AAD4F0C1955A38B43 FILE: 14 It Can Never Be That Way (Late 49).flac Size: 7563234 Hash: 797E0D18620781E7FB977F35DFF45C39 Accuracy: -m0 Conclusion: CDDA 100% Signature: C39D2838C344F3CF2C6B86E8E5A27E9282271590 FILE: 13 I'Ve Been Mistreated (Late 49).flac Size: 7455489 Hash: 25909F738508F4580CDBD4BF8CA9A504 Accuracy: -m0 Conclusion: CDDA 100% Signature: 7C60075B76F1DB91AEBEDDE7E4768229402F96A6 FILE: 12 Boogie Rambler (Late 49).flac Size: 8489108 Hash: 97F1ED2E28C9544EE5694A0B097AB22A Accuracy: -m0 Conclusion: CDDA 100% Signature: 2660E19A2BCA01CF61233E71F6DDA035F02EAB77 FILE: 11 2 O'Clock In The Morning (Late 49).flac Size: 7452738 Hash: 32CD773F9BEA311BABFC2793D194D045 Accuracy: -m0 Conclusion: CDDA 100% Signature: 078AF01E414D273D7024DC1572202ACF977EE200 FILE: 10 I Live My Life (Late 49).flac Size: 7572327 Hash: 59D9EF6D80635DB3D79C8EE9034261BC Accuracy: -m0 Conclusion: CDDA 99% Signature: 306F2540688B3F8AF26F79C4666B471FA94242E3 FILE: 09 Mary Is Fine.flac Size: 6488162 Hash: D6D40491EFD29246AABEE2B4C05B1AD2 Accuracy: -m0 Conclusion: CDDA 100% Signature: 42D711494E0ABB122E1F2951F97AFDBA16B37441 FILE: 08 My Time's Expensive.flac Size: 6097027 Hash: 6D409C022E1508DD560FE498BE51E678 Accuracy: -m0 Conclusion: CDDA 92% Signature: 4474A5949A7418450BC2D84C5035F0892345E952 FILE: 07 Mercy On Me (01--49).flac Size: 5316148 Hash: 054DACD83AD25030348A8B9E41A69696 Accuracy: -m0 Conclusion: CDDA 86% Signature: 3C162879FDBB1A05AAE08648B03D2D7D938E492F FILE: 06 Atomic Energy (01--49).flac Size: 5248183 Hash: B2A6C1507F7738FA71E87CEE3E7D8CA2 Accuracy: -m0 Conclusion: CDDA 100% Signature: 8E31608E25047EFD04AB2628DDE7053754E60B62 FILE: 05 Didn'T Reach My Goal (01--49).flac Size: 6276880 Hash: 228B45689D3C903964834980276E995E Accuracy: -m0 Conclusion: CDDA 100% Signature: DD31233A56204B0DFB6311DED90750AA2D88AFF8 FILE: 04 Without Me Baby (08-21-47).flac Size: 5820940 Hash: FD829A059009687891ECE7F501102097 Accuracy: -m0 Conclusion: CDDA 86% Signature: ECF41E2BC5E195778D20A4A33B81BE674BC509FD FILE: 03 After Sunset (08-21-47).flac Size: 6324327 Hash: F07A0868A44CBEF5132DA1A3489F1BC7 Accuracy: -m0 Conclusion: CDDA 100% Signature: F3C23550B2932E37585FA045E3E83FA81DC2EBF6 FILE: 02 Guitar In My Hand (08-21-47).flac Size: 5939397 Hash: 32222A5024795B4A0D0367AAE3A0D7D1 Accuracy: -m0 Conclusion: MPEG 90% Signature: B5B84318C3A43FADFEE4AAB5327FF8BDA6B9335A FILE: 01 Gatemouth Boogie (08-21-47).flac Size: 6040947 Hash: C3845F03CBE67A95F15187BE92E71257 Accuracy: -m0 Conclusion: CDDA 100% Signature: BBEF7E6721D9ED18D34D9D9F2E1D5E7D81A18098
Spectrogram:
Об альбоме (сборнике)
https://www.discogs.com/release/9804891-Gatemouth-Brown-The-Chronological-Gatemouth-Brown-1947-1951
Classics - CLASSICS 5030 Series: Blues & Rhythm Series – 5030 Format: CD, Compilation Country: France Released: 2002 https://music.apple.com/ru/album/1947-1951/286161826 Acoustic Bass – Johnny Parker (tracks: 17 to 20)
Alto Saxophone – Jack McVea (tracks: 5 to 9), Wilmer Shakesliner (tracks: 10 to 16)
Baritone Saxophone – Fred Ford (tracks: 17 to 20)
Drum – Harold Easton (tracks: 10 to 16)
Orchestra – Maxwell Davis And Orchestra (tracks: 1 to 4)
Piano – Clarence Green (tracks: 10 to 16)
Tenor Saxophone – Bill Harvey (tracks: 17 to 20), Maxwell Davis (tracks: 1 to 4)
Trumpet – George Alexander (6) (tracks: 10 to 16), Nathan Irvine (tracks: 17-20) Review by Steve Leggett https://www.allmusic.com/album/1947-1951-mw0000225552
Clarence "Gatemouth" Brown was a versatile and crowd-pleasing entertainer throughout his long career, but it's easy to overlook just how explosive a guitarist he was in the early days, a situation this first volume in Classic Records' chronological survey of Brown's complete recorded output helps remedy. Collecting both sides of his first two singles for Aladdin Records, released in 1947, and his earliest sides for Don Robey's Peacock Records drawn from sessions dating between 1947 and 1951, this intriguing set spotlights mostly up-tempo jump blues pieces, and features small horn bands (Maxwell Davis' band for the Aladdin tracks and Jack McVea's band for several of the Peacock tracks). Brown wasn't yet playing his trademark fiddle in the studio (the fiddle would make its debut later in Brown's stay at Peacock) and his singing was far smoother than the rustic approach he adopted late in his career, but his guitar playing was never more biting, energetic and gutbucket (and ultimately influential) than it was on these sides. Из буклета
"GATEMOUTH" BROWN 1947-1951
anguishing for much of his career under the label of "T-Bone Walker disciple", over the last two decades, Clarence "Gatemouth" Brown has shown his detractors that he is not just if he ever was a T-Bone copyist, nor even simply a blues musician, but an instrumental wizard steeped in all aspects of American roots music and jazz. Brown was born on 18th April 1924 in Vinton, Louisiana, near Lake Charles, but his family moved to Orange, Texas, when he was just a few weeks old and he has always considered himself a Texan. His father was a fiddler of local renown who played rural country, cajun and polka styles and his elder brother, James "Widemouth" Brown was a proficient guitarist who later recorded blues in Houston in 1951 after his younger brother success; in this diverse musical environment, young Clarence absorbed all the influences that were offered, including the hillbilly and big band jazz and western swing music he listened to avidly on the family radio. As a teenager he began to favour the wry comedy and jump blues of Louis Jordan and the smoky vocals and distinctive guitar style of T-Bone Walker, and these two joint mentors have remained strong influences to this day. Clarence is best known as a blues guitarist, but, just as he easily straddles musical genres, he can as easily display his musical virtuosity on a variety of instruments, including fiddle, viola, harmonica, mandolin and drums. In his late teens he drummed with several local territory bands, but increasingly favoured the electric guitar and, after successfully standing in for his ailing idol T-Bone Walker at Don Robey' Bronze Peacock nightclub in Houston in 1947, he was signed to a contract by Robey who secured his first recording session with Aladdin in Los Angeles. Within eighteen months, Robey had launched his own label - Peacock Records - and Gatemouth continued his recording career on Peacock from 1949 until 1961, scoring a Billboard r&b chart hit just once in November 1949 when both sides of Peacock 1504 ("Mary Is Fine" and "My Time Is Expensive") entered the Top 10. He then recorded for small independents like Cue, Cinderella and Hit Sound and had a minor country hit with "May The Bird Of Paradise Fly Up Your Nose" in 1965 for Hermitage, subsequently purchased by Chess and released on LP. The following year found Brown leading the house band on a Dallas TV musical show. In the 1970s Gate began making a name by appearing in various jazz and blues festivals, as well as recording duets with country guitarist Roy Clark and recording for European labels like Black & Blue and Barclay. The last two decades have witnessed Gatemouth consolidating his position as an international ambassador of American music and recording prolifically in all styles for Rounder, Alligator, Verve, Bullseye Blues and Blue Thumb; he was nominated for a Grammy Award for many of these LPs after winning a Grammy in 1982 for his first Rounder release, and has since been inducted into the Blues Foundation Hall Of Fame and received the Pioneer Award from the Rhythm & Blues Foundation.
This CD explores Gate's first four years as a recording artist. His first session in California with Maxwell Davis' big band displays his debts to T-Bone Walker and Louis Jordan, but also shows a highly original approach to his singing and playing which would itself become influential in the repertoire of younger acolytes like Guitar Slim and Goree Carter. The accompaniment by Jack McVea's smaller band on the inaugural session for Peacock is much funkier and Gate's first international, "Atomic Energy" is breathtaking. By the next Peacock sessions, recorded with local musicians, Brown's playing and singing is showing a swaggering confidence which emerges mostly on exciting birth-of-rock'n'roll blasters like "I Live My Life", "Boogie Rambler", "It Can Never Be That Way" and "She Walk Right In". CLASSICS 5030, Dave Penny January 2002.
Прoдолжительность: 00:54:39
2008 - Live From Austin, TX (2012 US New West NW6223)
Источник: Toyful Трeклист: 01.Ain't That Dandy(6:11) 02.Born in Louisiana(4:33) 03.Honky Tonk(6:15) 04.Dark End of the Hallway(4:56) 05.Bits & Pieces(6:37) 06.Leftover Blues(11:26) 07.There You Are(5:57) 08.Early in the Mornin(5:15) 09.Things Ain't What They Used to Be(6:00) 10.Up Jumped the Devil(5:15)
Лог создания рипа
Exact Audio Copy V1.8 from 15. July 2024 EAC extraction logfile from 1. 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Содержание индексной карты (.CUE)
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Лог проверки качества:
----------------------- DON'T MODIFY THIS FILE ----------------------- PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1 Copyright (c) 2008-2010 y-soft. All rights reserved http://y-soft.org ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. FILE: 10 - Up Jumped the Devil.flac Size: 35920305 Hash: 8CB2240837DE6A33A51968711271E302 Accuracy: -m0 Conclusion: CDDA 100% Signature: 9CF378400ED636D340D9AF6C133A907E1C9B38A8 FILE: 09 - Things Ain't What They Used to Be.flac Size: 33164067 Hash: DCB5F6D46B233B2B6E6A447C6F947267 Accuracy: -m0 Conclusion: CDDA 100% Signature: 2E9A07BE7E4D0CF52D971A467EB1DC1F3F18B6E1 FILE: 08 - Early in the Mornin.flac Size: 34119275 Hash: 8C1974F9F8730905DB122EAA49A0C46E Accuracy: -m0 Conclusion: CDDA 99% Signature: 02E3D9733A4A0B77B36DCA97AE5A8D8C1096E3E0 FILE: 07 - There You Are.flac Size: 33886183 Hash: B9ECBE3296539700231A721017AED32A Accuracy: -m0 Conclusion: CDDA 100% Signature: D18B12E6CA962F3B104C89015D3B02FA7BBC0C1A FILE: 06 - Leftover Blues.flac Size: 66347564 Hash: BEDE336B6ED765791727A831A25DDF14 Accuracy: -m0 Conclusion: CDDA 100% Signature: 516FCAEB70A1E2E8E7414967A24E2E39FF20A2B9 FILE: 05 - Bits & Pieces.flac Size: 41223152 Hash: 452E2110FD77EB857E01C12DC7A81B78 Accuracy: -m0 Conclusion: CDDA 99% Signature: ADB5252B76A7029A821ADE4DF9BFE0B34EFD3FB2 FILE: 04 - Dark End of the Hallway.flac Size: 27485341 Hash: 5960D135E782574D5DF0BEB40A460875 Accuracy: -m0 Conclusion: CDDA 100% Signature: A85CDA1E10F8315EAF78BBE9E371C87F53FCF00B FILE: 03 - Honky Tonk.flac Size: 38900726 Hash: 6FF010D87464A0CBF1622402C91674E6 Accuracy: -m0 Conclusion: CDDA 100% Signature: 3C383D7E398F46867052D48A8C8020181C602ACC FILE: 02 - Born in Louisiana.flac Size: 28175266 Hash: 3413FE09E841738CBF9B5F1C46D2223E Accuracy: -m0 Conclusion: CDDA 99% Signature: 472D13FDAA01FDFBF0DB718A582A8E7865724496 FILE: 01 - Ain't That Dandy.flac Size: 40155870 Hash: ADA2D8CDC02080AC89845139A2532497 Accuracy: -m0 Conclusion: CDDA 100% Signature: 5C4F03A8D8E08C5E955A2ADA6B88ABD6F8CCABEE
Об альбоме (сборнике)
https://www.discogs.com/release/7239682-Clarence-Gatemouth-Brown-Live-From-Austin-TX
New West Records - NW6223 Format: DVD, DVD-Video CD, Album Country: US Released: 2012 https://music.apple.com/us/album/live-from-austin-tx/1436913003 https://music.mts.ru/album/6216802?ysclid=meb00cbq9x631621045 https://livefromaustintx.bandcamp.com/album/live-from-austin-tx-4 https://www.youtube.com/playlist?list=OLAK5uy_lZrPCS3V2w8-lrwNra3HquZJXX6V7S1a0 https://rutr.life/forum/viewtopic.php?t=1098328 DVD
04. Dark End of the Hallway (4:56) https://www.youtube.com/watch?v=DKnI2NGkaak
06. Leftover Blues (11:26) https://www.youtube.com/watch?v=TXAb56g0mRM
08. Early in the Mornin (5:15) https://www.youtube.com/watch?v=Lzf7w40FSf4 Vocals, Guitar, Fiddle, Viola – Clarence "Gatemouth" Brown
Bass – Harold Floyd
Drums – David Peters
Keyboards, Organ [B-3] – Joe Krown
Alto Saxophone, Tenor Saxophone – Eric Demmer
Baritone Saxophone – Bill "Foots" Samuel
Tenor Saxophone – Dennis Taylor
Trombone – Chris Belleau
Trumpet – Terry Townson
Artwork [EQ Finish Artist, New West Records CD & DVD Production] – Jim Reed
Authoring [DVD, New West Records CD & DVD Production] – Lucas Martell
Design [Menu, New West Records CD & DVD Production] – Jeff Orgill
Design [New West Intro, New West Records CD & DVD Production] – Victoria De La Paz
Design [Package, New West Records CD & DVD Production] – Paul Moore
Liner Notes, Producer – Terry Lickona
Mastered By [Audio Mastering, New West Records CD & DVD Production] – Jerry Tubb
Mixed By [New West Records CD & DVD Production] – Chet Hines, Gary Briggs
Photography By [Austin City Limits Production] – Scott Newton
Edited By [New West Records CD & DVD Production] – Justin Barclay
Engineer [Audio, Austin City Limits Production] – Billy Lee Myers, Jr., David Hough
Engineer [New West Records CD & DVD Production] – Mark Tullos
Executive-Producer – Bill Arhos
Executive-Producer [Austin City Limits Production] – Bill Arhos
Executive-Producer [New West Records CD & DVD Production] – Cameron Strang
Film Director [Austin City Limits Production] – Gary Menotti
Post Production [New West Records CD & DVD Production] – Donnie Knutson, George O'Dwyer, Stuart Mydlow
Producer [Associate, Austin City Limits Production] – Jeff Peterson, Susan Caldwell
Producer [Austin City Limits Production] – Terry Lickona
Producer [New West Records CD & DVD Production] – Cameron Strang, Gary Briggs
Recorded February 6, 1996 Точно можно сказать, что во всей музыке был только один Clarence "Gatemouth" Brown. Музыка Техаса всегда была сплавом многих стилей, жанров, культурных и этнических влияний, но Gatemouth был единым котлом звуковой интенсивности и оригинальности, которому не было равных ни до, ни после. Живые выступления Гейтмута Брауна всегда были музыкальными американскими горками, плавно перескакивающими от песни к песне и от инструмента к инструменту, а его неуемные шутки иногда соперничали с музыкой. Его подход был очень личным, и он был личностью больше, чем жизнь, что он демонстрирует в этом выступлении 6 февраля 1996 года, последнем из своих четырех появлений на Austin City Limits. Следуя традициям шоу-бизнеса, он "зажигал до упаду", поддерживая плотный гастрольный график вплоть до своей смерти в 2005 году в возрасте 81 года. - Terry Lickona (продюсер Austin City Limits) Clarence "Gatemouth" Brown был разносторонним и приятным публике артистом на протяжении всей своей долгой карьеры, но легко не заметить, насколько взрывным гитаристом он был, и его стиль сочетал в себе элегантный, джазовый тон с грубым деревенским нотками, и то же самое можно сказать о его игре на скрипке или на любых других инструментах, на которых он играл, от мандолины до губной гармоники и фортепиано. Браун в значительной степени изобрел свой собственный стиль техасского свинга с оттенком джаза, и если он и был сосредоточен на блюзе, то не всегда. Браун был музыкантом-индивидуалистом, с характером рассказчика и талантом зажигать, независимо от того, играл ли он блюз, джаз, хонки-тонк, каджун, R & B, фанк или свои собственные дикие брейк-дансы на скрипке, и он продолжал заниматься этим вплоть до своей смерти в 2005 году в возрасте из 81. Не было никого, кто был бы похож на него. На этом CD/DVD-диске представлено живое выступление Брауна для телепрограммы "Austin City Limits" в 1996 году, последнее из его четырех выступлений на шоу, и оно является как прекрасным прощанием, так и хорошо записанным введением в жизнь этого единственного в своем роде музыканта. Браун покоряет сцену своей индивидуальностью и энергией, привнося фанк-колорит в "Born in Louisiana", биг-бэнд-джаз в "Bits and Pieces" и великолепную скрипку в "Up Jumped the Devil", а его фирменные гитарные партии разбросаны повсюду. Конечно, Брауна немного сдержан из-за различных ограничений телевидения, но это все равно документирует американское сокровище, делающее то, что он всегда делал, представляя шоу, не похожее ни на что другое, буквальный тур по американской музыке удивительно уникального самородка. Allmusic Review by Steve Leggett
Прoдолжительность 01:02:25
19.06.2023
Было: 1986 Clarence Gatemouth Brown - Real Life (1987 US Rounder CD 20540)
Стало: Clarence Gatemouth Brown - Collection, 6 Albums (1975 - 2002) 1975 Clarence Gatemouth Brown - Gate's On The Heat (1993 EU Verve 519 730-2), у squirr (2007 Sunnyside SSC 3052) TOC и Пиковый уровень другие https://rutr.life/forum/viewtopic.php?t=4860624
1979 Clarence Gatemouth Brown & Roy Clark - Makin' Music (1994 MCAD-2125) https://rutr.life/forum/viewtopic.php?t=5850676 моя тема, поглотить
1992 Clarence Gatemouth Brown - San Antonio Ballbuster (1996 Brazil Altaya BB017) на https://rutr.life/ нет
1995 Clarence Gatemouth Brown - The Best Of A Blues Legend (Verve 527 435-2) на https://rutr.life/ нет
2002 Clarence Gatemouth Brown - The Chronological Gatemouth Brown 1947-1951 (CLASSICS 5030) на https://rutr.life/ нет
17.08.2025
Добавил:
1999 Clarence Gatemouth Brown - Okie Dokie Stomp (US Rounder BBB 11661-9622-2) на https://rutr.life/ нет
2008 Clarence Gatemouth Brown - Live From Austin, TX (2012 US New West NW6223) https://rutr.life/forum/viewtopic.php?t=4271118 точно, сомнительно, сканы взял
