Caterina Sforza · 19-Ноя-19 19:18(5 лет 11 месяцев назад, ред. 20-Ноя-19 17:25)
Vivaldi - Le retour des anges Жанр: Classical sacred / concerto Страна-производитель диска: Made in Canada Год издания диска: 2011 Издатель (лейбл): Analekta Номер по каталогу: AN 2 9995 Дата записи: 2011 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 57:46 Источник: релизер сайт-источник/ник/другое: basso profundo, подарок; Caterina Sforza - тяжелейшая работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да Треклист: Antonio Vivaldi (1678-1741)
Oratorio Juditha triumphans, RV 644 (extraits / excerpts)
1. Coro : Arma, caedes, vindictae 3:27
2. Coro : O quam vaga (soprano : Shannon Mercer) 1:20
3. Aria : Armatae, face (soprano : Shannon Mercer) 3:09
4. Coro: Mundi rector (sopranos : Gabriele Hierdeis, Shannon Mercer) 2:53
5. Coro : Plena nectare non mero 1:57
6. Aria : Si fulgida (alto : Laura Pudwell) 2:26
7. Coro : Salve, invicta Juditha 1:05 Concerto en ré mineur pour 2 flûtes à bec, 2 hautbois, 2 violons,
cordes et basse continue / in D Minor for 2 Recorders, 2 Oboes, 2 Violins,
Strings and Continuo, RV 566
8. Allegro assai 2:22
9. Largo 2:48
10. Allegro 2:52
Solistes / soloists:
Matthias Maute & Sophie Larivière, flûte à bec / recorder
Matthew Jennejohn & Kathryn Montoya, hautbois baroque / baroque oboe
Olivier Brault & Lucie Ringuette, violon baroque / baroque violin 11. Laudate Dominum (Psaume / Psalm 116) pour chœur et orchestre 1:34
/ for choir and orchestra, RV 606 Jan Dismas Zelenka (1679-1745)
Oratorio Gesù al calvario, ZWV 62 (extraits / excerpts)
12. Recitativo : O figlie di Sionne (soprano : Shannon Mercer) 1:08
13. Coro : Misera Madre (soprano : Shannon Mercer ; alto : Laura Pudwell) 5:08 Antonio Vivaldi
14. In exitu Israel (Psaume / Psalm 113) pour chœur et orchestre 3:14
/ for choir and orchestra, RV 604 Motet O qui coeli terraeque serenitas pour soprano,
cordes et basse continue / for Soprano, Strings and Continuo, RV 631
15. Aria: O qui coeli terraeque serenitas (Allegro) 3:29
16. Recitativo Fac ut sordescat tellus 0:37
17. Aria: Rosa quae moritur (Largo) 5 :22
18. Alleluia (Allegro) 1:36
Soprano: Gabriele Hierdeis Concerto en ré majeur pour trompette, hautbois, cordes et basse continue
/ in D Major for Trumpet, Oboe, Strings and Continuo, RV 563
19. Allegro 2:24
20. Grave 1:48
21. Allegro 1:45
Solistes / soloist:
Alexis Basque, trompette / trumpet
Matthew Jennejohn, hautbois baroque / baroque oboe Gloria, RV 588 (extrait / excerpt)
22. Coro: Et in terra pax 4:32
Исполнители
The Return of the Angels / Le retour des anges Antonio Vivaldi (1678-1741) Juditha triumphans, RV 644 (excerpts) Concerto in D minor, RV 566 Laudate Dominum, RV 606 In exitu Israel, RV 604 O qui coeli terraeque serenitas, RV 631 Concerto in D major, RV 563 Et in terra pax (excerpt from RV, 588) Jan Dismas Zelenka (1679-1745) Gesù al calvario, ZWV62 (excerpts) Gabriele Hierdeis (soprano) Shannon Mercer (soprano) Laura Pudwell (mezzo-soprano) Ensemble Caprice Matthias Maute (flûte à bec solo & chef d’orchestre) Solistes in 08-10: Matthias Maute & Sophie Larivière (flûte à bec) Matthew Jennejohn & Kathryn Montoya (hautbois baroque) Olivier Brault & Lucie Ringuette (violon baroque) Solistes in 19-21: Alexis Basque (trompette) Matthew Jennejohn (hautbois baroque) Recording Date: July 21, 2011 - July 23, 2011 Recording Location: Multi-Media Room, Schulich School of Music, Mcgill University, Montreal, Quebec, Canada Release Date: November 8, 2011
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 13. June 2019, 12:21 Ensemble Caprice / Vivaldi - The Return of the Angels Used drive : HL-DT-STDVDRAM GP65NW60 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:30.18 | 0 | 15767 2 | 3:30.18 | 1:21.69 | 15768 | 21911 3 | 4:52.12 | 3:12.04 | 21912 | 36315 4 | 8:04.16 | 2:54.09 | 36316 | 49374 5 | 10:58.25 | 1:57.00 | 49375 | 58149 6 | 12:55.25 | 2:28.66 | 58150 | 69315 7 | 15:24.16 | 1:12.74 | 69316 | 74789 8 | 16:37.15 | 2:22.61 | 74790 | 85500 9 | 19:00.01 | 2:48.66 | 85501 | 98166 10 | 21:48.67 | 2:55.57 | 98167 | 111348 11 | 24:44.49 | 1:36.55 | 111349 | 118603 12 | 26:21.29 | 1:08.61 | 118604 | 123764 13 | 27:30.15 | 5:09.73 | 123765 | 147012 14 | 32:40.13 | 3:17.06 | 147013 | 161793 15 | 35:57.19 | 3:29.37 | 161794 | 177505 16 | 39:26.56 | 0:35.33 | 177506 | 180163 17 | 40:02.14 | 5:23.30 | 180164 | 204418 18 | 45:25.44 | 1:42.30 | 204419 | 212098 19 | 47:07.74 | 2:24.73 | 212099 | 222971 20 | 49:32.72 | 1:48.51 | 222972 | 231122 21 | 51:21.48 | 1:52.56 | 231123 | 239578 22 | 53:14.29 | 4:32.35 | 239579 | 260013 Range status and errors Selected range Filename C:\Users\Grant\Desktop\Ensemble Caprice - Vivaldi - The Return of the Angels.wav Peak level 99.9 % Extraction speed 1.9 X Range quality 100.0 % Test CRC 3A980917 Copy CRC 3A980917 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 3) [45DCA8E4] (AR v2) Track 2 accurately ripped (confidence 3) [A94E988E] (AR v2) Track 3 accurately ripped (confidence 3) [7224D853] (AR v2) Track 4 accurately ripped (confidence 3) [872913E1] (AR v2) Track 5 accurately ripped (confidence 3) [FC64B62A] (AR v2) Track 6 accurately ripped (confidence 3) [BCB10F02] (AR v2) Track 7 accurately ripped (confidence 3) [B362F44A] (AR v2) Track 8 accurately ripped (confidence 3) [8B4EB145] (AR v2) Track 9 accurately ripped (confidence 3) [111A6E33] (AR v2) Track 10 accurately ripped (confidence 3) [AA397EFE] (AR v2) Track 11 accurately ripped (confidence 3) [E248E68B] (AR v2) Track 12 accurately ripped (confidence 3) [26DC0A22] (AR v2) Track 13 accurately ripped (confidence 3) [9A91A02C] (AR v2) Track 14 accurately ripped (confidence 3) [23248B65] (AR v2) Track 15 accurately ripped (confidence 3) [0F5D356B] (AR v2) Track 16 accurately ripped (confidence 3) [25D275E6] (AR v2) Track 17 accurately ripped (confidence 3) [7257F2FB] (AR v2) Track 18 accurately ripped (confidence 3) [E61B03A9] (AR v2) Track 19 accurately ripped (confidence 3) [E5F0D40B] (AR v2) Track 20 accurately ripped (confidence 3) [699C226D] (AR v2) Track 21 accurately ripped (confidence 3) [8CBCB12B] (AR v2) Track 22 accurately ripped (confidence 3) [AA0CEF35] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: 8NrogLuBWxl8bmXCDVsXUshs90Q-] found Submit result: 8NrogLuBWxl8bmXCDVsXUshs90Q- has been confirmed Track | CTDB Status 1 | (4/4) Accurately ripped 2 | (4/4) Accurately ripped 3 | (4/4) Accurately ripped 4 | (4/4) Accurately ripped 5 | (4/4) Accurately ripped 6 | (4/4) Accurately ripped 7 | (4/4) Accurately ripped 8 | (4/4) Accurately ripped 9 | (4/4) Accurately ripped 10 | (4/4) Accurately ripped 11 | (4/4) Accurately ripped 12 | (4/4) Accurately ripped 13 | (4/4) Accurately ripped 14 | (4/4) Accurately ripped 15 | (4/4) Accurately ripped 16 | (4/4) Accurately ripped 17 | (4/4) Accurately ripped 18 | (4/4) Accurately ripped 19 | (4/4) Accurately ripped 20 | (4/4) Accurately ripped 21 | (4/4) Accurately ripped 22 | (4/4) Accurately ripped ==== Log checksum D37679186BE609F764C731A018226BE8EAA3D3B523A54130513157D69E22CF5E ====
Содержание индексной карты (.CUE)
REM GENRE Baroque REM DATE 2011 REM DISCID 530D8A16 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Ensemble Caprice, Matthias Maute (flûte à bec solo & chef d’orchestre); Solistes in 08-10: Matthias Maute & Sophie Larivière (flûte à bec), Matthew Jennejohn & Kathryn Montoya (hautbois baroque), Olivier Brault & Lucie Ringuette (violon baroque); Solistes in 19-21: Alexis Basque (trompette), Matthew Jennejohn (hautbois baroque) / Gabriele Hierdeis (soprano), Shannon Mercer (soprano), Laura Pudwell (mezzo-soprano)" TITLE "Vivaldi - Le retour des anges / The Return of the Angels" REM COMPOSER "Antonio Vivaldi (1678-1741), Jan Dismas Zelenka (1679-1745)" FILE "Ensemble Caprice - Vivaldi - The Return of the Angels.flac" WAVE TRACK 01 AUDIO TITLE "Oratorio “Juditha triumphans”, RV 644 (extraits) - I. Coro: Arma, caedes, vindictae" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Juditha Triumphans, RV 644 - II. Coro: O quam vaga (soprano: Shannon Mercer)" PERFORMER "Ensemble Caprice, Matthias Maute & Shannon Mercer" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 03:28:37 INDEX 01 03:30:18 TRACK 03 AUDIO TITLE "Juditha Triumphans, RV 644 - III. Aria: Armatae, face (soprano: Shannon Mercer)" PERFORMER "Ensemble Caprice, Matthias Maute & Shannon Mercer" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 04:51:01 INDEX 01 04:52:12 TRACK 04 AUDIO TITLE "Juditha Triumphans, RV 644 - IV. Coro: Mundi rector (sopranos: Gabriele Hierdeis, Shannon Mercer)" PERFORMER "Ensemble Caprice, Matthias Maute & Gabriele Hierdeis, Shannon Mercer" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 08:02:09 INDEX 01 08:04:16 TRACK 05 AUDIO TITLE "Juditha Triumphans, RV 644 - V. Coro: Plena nectare non mero" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 10:57:36 INDEX 01 10:58:25 TRACK 06 AUDIO TITLE "Juditha Triumphans, RV 644 - VI. Aria: Si fulgida (alto: Laura Pudwell)" PERFORMER "Ensemble Caprice, Matthias Maute & Laura Pudwell" REM COMPOSER "Antonio Vivaldi" INDEX 01 12:55:25 TRACK 07 AUDIO TITLE "Juditha Triumphans, RV 644 - Excerpts - VII. Coro: Salve, invicta Juditha" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 15:22:08 INDEX 01 15:24:16 TRACK 08 AUDIO TITLE "Concerto en ré mineur pour 2 flûtes à bec, 2 hautbois, 2 violons, cordes et basse continue, RV 566 - I. Allegro assai" PERFORMER "Ensemble Caprice, Sophie Larivière, Matthew Jennejohn, Kathryn Montoya, Olivier Brault, Lucie Ringuette, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 16:30:17 INDEX 01 16:37:15 TRACK 09 AUDIO TITLE "Concerto, RV 566 - II. Largo" PERFORMER "Ensemble Caprice, Sophie Larivière, Matthew Jennejohn, Kathryn Montoya, Olivier Brault, Lucie Ringuette, Matthias Maute" REM COMPOSER "Antonio Vivaldi" INDEX 01 19:00:01 TRACK 10 AUDIO TITLE "Concerto, RV 566 - III. Allegro" PERFORMER "Ensemble Caprice, Sophie Larivière, Matthew Jennejohn, Kathryn Montoya, Olivier Brault, Lucie Ringuette, Matthias Maute" REM COMPOSER "Antonio Vivaldi" INDEX 01 21:48:67 TRACK 11 AUDIO TITLE "Laudate Dominum (Psaume 116) pour chœur et orchestre, RV 606" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 24:40:74 INDEX 01 24:44:49 TRACK 12 AUDIO TITLE "Oratorio “Gesù al calvario”, ZWV 62 (extraits) - I. Recitativo: O figlie di Sionne (soprano: Shannon Mercer)" PERFORMER "Ensemble Caprice, Matthias Maute & Shannon Mercer" REM COMPOSER "Jan Dismas Zelenka" REM INDEX 00 26:18:64 INDEX 01 26:21:29 TRACK 13 AUDIO TITLE "Gesù al calvario, ZWV 62 - II. Coro: Misera Madre (soprano: Shannon Merce, alto: Laura Pudwell)" PERFORMER "Ensemble Caprice, Matthias Maute & Laura Pudwell" REM COMPOSER "Jan Dismas Zelenka" INDEX 01 27:30:15 TRACK 14 AUDIO TITLE "In exitu Israel (Psaume) pour chœur et orchestre, RV 604" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 32:38:19 INDEX 01 32:40:13 TRACK 15 AUDIO TITLE "Motet “O qui coeli terraeque serenitas”, pour soprano, cordes et basse continue, RV 631 - I. Aria: O qui coeli terraeque serenitas (Allegro) (Soprano: Gabriele Hierdeis)" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 35:54:15 INDEX 01 35:57:19 TRACK 16 AUDIO TITLE "O qui coeli terraeque serenitas, RV 631 - II. Recitativo: Fac ut sordescat tellus (Soprano: Gabriele Hierdeis)" PERFORMER "Ensemble Caprice, Matthias Maute & Gabriele Hierdeis" REM COMPOSER "Antonio Vivaldi" INDEX 01 39:26:56 TRACK 17 AUDIO TITLE "O qui coeli terraeque serenitas, RV 631 - III. Aria: Rosa quae moritur (Largo) (Soprano: Gabriele Hierdeis)" PERFORMER "Ensemble Caprice, Matthias Maute & Gabriele Hierdeis" REM COMPOSER "Antonio Vivaldi" INDEX 01 40:02:14 TRACK 18 AUDIO TITLE "O qui coeli terraeque serenitas, RV 631 - IV. Alleluia (Allegro) (Soprano: Gabriele Hierdeis)" PERFORMER "Ensemble Caprice, Matthias Maute & Gabriele Hierdeis" REM COMPOSER "Antonio Vivaldi" INDEX 01 45:25:44 TRACK 19 AUDIO TITLE Concerto en ré majeur pour trompette, hautbois, cordes et basse continue, RV 563 - I. Allegro" PERFORMER "Ensemble Caprice, Alexis Basque, Matthew Jennejohn, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 47:02:59 INDEX 01 47:07:74 TRACK 20 AUDIO TITLE "Concerto, RV 563 - II. Grave" PERFORMER "Ensemble Caprice, Alexis Basque, Matthew Jennejohn, Matthias Maute" REM COMPOSER "Antonio Vivaldi" INDEX 01 49:32:72 TRACK 21 AUDIO TITLE "Concerto, RV 563 - III. Allegro" PERFORMER "Ensemble Caprice, Alexis Basque, Matthew Jennejohn, Matthias Maute" REM COMPOSER "Antonio Vivaldi" INDEX 01 51:21:48 TRACK 22 AUDIO TITLE "Gloria, RV 588 (extrait) - Coro: Et in terra pax" PERFORMER "Ensemble Caprice, Matthias Maute" REM COMPOSER "Antonio Vivaldi" REM INDEX 00 53:08:15 INDEX 01 53:14:29
Review
AllMusic Review by James Manheim [-] The title The Return of the Angels on this Canadian release indicates it is a sequel to the award-winning Vivaldi's Angels, released in 2009 by the same forces. The "angels" are the female choristers and instrumentalists of the Ospedale della Pietà, the institution that employed Vivaldi for most of his life. Often (as here) described as an orphanage, the Ospedale was likely a place for well-off Venetians to stash their illegitimate children. Travelers, including Rousseau, came from far and wide to hear the Ospedale performances, with the girls sequestered behind a screen. This all has been known for some time, but few performers have taken the step of asking what it means musically for Vivaldi's choral scores, many of which would have been sung exclusively by women. That's what you get from Ensemble Caprice and director Matthias Maute, both on Vivaldi's Angels and this album. If you want only one, Vivaldi's Angels may be a better bet, for the the famed Gloria, RV 589, on that album, radically remade by the transposition of the tenor and bass parts an octave upward, is a real revelation. The music here seems mostly to have been written with the voice ranges of young women in mind, and the soloists, while competent, do not include the superb Monika Mauch this time around. That said, this is a very enjoyable release. The opening act is a set of excerpts from the oratorio Juditha triumphans, RV 644, based on the biblical story of Judith slicing off the head of Holofernes and intended to whip up support for the Republic of Venice's ongoing war against the Ottoman Turks. The contrast between the ethereal choral sound and the music's militaristic themes would have been startling in Vivaldi's time and remains so in our own. The collection of short Vivaldi choral pieces (and short excerpts from a Zelenka oratorio for contrast) that rounds out the program, including a section of the "other" Gloria, RV 588, is smoothly sung by Ensemble Caprice, although with eight singers it is a good deal smaller than the group of 40 travelers reported hearing. The two instrumental concertos, afflicted by jittery rhythms, are less successful. There is no requirement that Vivaldi's choral works be performed as they are on this album: he was writing for publication as well as for the young women of the Ospedale, and it's hard to say exactly what choral sound he had in mind. But these performances certainly make major contributions to the understanding of Vivaldi's sound world.