Dorothee Hahne - Commentari (Dorothee Oberlinger)
Жанр: Classical chamber / electronic
Страна-производитель диска: Made in the EU?
Год издания диска: 2003
Издатель (лейбл): newsic
Номер по каталогу: CD2003004
Дата записи: 2003?
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 47'12
Источник: релизер
сайт-источник/ник/другое: basso profundo, подарок (мой заказ); Caterina Sforza - работа с cue
Наличие сканов в содержимом раздачи: да, два полных авторских буклета jpeg и pdf, 15 страниц
Треклист:
1. O Ecclesia, (Sequence Dedicated To St Ursula) Arranged For Tenor Recorder And Didgeridoo 6:17
2. Commentari I For Treble Recorder And Live Electronics 6:23
3. Commentari II (1999) For Sub-Bass Recorder And Live Electronics 12:51
4. Commentari III (2000) For Soprano Recorder And Live Electronics 5:52
5. Commentari IV (1999) For Medieval Recorder And Didgeridoo 8:21
6. Speciosa (2003) Electronic Music Derived From The Sound Of Cologne Cathedral Bells 7:28
Исполнители
Hildegard von Bingen (1098-1179)
O ecclesia
Dorothée Hahne (b1966)
commentari I for treble recorder and live electronics
commentari II for sub-bass recorder and live electronics
commentari III for soprano recorder and live electronics
commentari IV for medieval recorder and digeridoo
Speciosa - electronic music derived from the bells of Cologne Cathedral
Dorothee Oberlinger (Blockflöten)
Dorothée Hahne (Didgeridoo & Live-Elektronik)
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 3. October 2019, 10:01
Dorothee Oberlinger, Dorothée Hahne / commentari
Used drive : HL-DT-STBD-RE WH16NS40 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:17.07 | 0 | 28281
2 | 6:17.07 | 6:23.03 | 28282 | 57009
3 | 12:40.10 | 12:50.48 | 57010 | 114807
4 | 25:30.58 | 5:51.73 | 114808 | 141205
5 | 31:22.56 | 8:21.35 | 141206 | 178815
6 | 39:44.16 | 7:28.00 | 178816 | 212415
Range status and errors
Selected range
Filename C:\Users\Grant\Desktop\Dorothee Oberlinger, Dorothée Hahne - commentari.wav
Peak level 100.0 %
Extraction speed 7.1 X
Range quality 100.0 %
Test CRC 24946761
Copy CRC 24946761
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [1D2B8994] (AR v2)
Track 2 accurately ripped (confidence 1) [E28C362E] (AR v2)
Track 3 accurately ripped (confidence 1) [A5CE3FC3] (AR v2)
Track 4 accurately ripped (confidence 1) [8D8E7250] (AR v2)
Track 5 accurately ripped (confidence 1) [9C8A0BBC] (AR v2)
Track 6 accurately ripped (confidence 1) [E2F96429] (AR v2)
All tracks accurately ripped
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: 2GyfPbn82XX.RvmVFvIygd..FxY-] found
Submit result: 2GyfPbn82XX.RvmVFvIygd..FxY- has been confirmed
Track | CTDB Status
1 | (2/2) Accurately ripped
2 | (2/2) Accurately ripped
3 | (2/2) Accurately ripped
4 | (2/2) Accurately ripped
5 | (2/2) Accurately ripped
6 | (2/2) Accurately ripped
==== Log checksum 4F92DF3778B92F8D69C351F0C542B44CCB87DFCE99F8D03A00C7571C9278F387 ====
Содержание индексной карты (.CUE)
REM GENRE Classical
REM DATE 2003
REM DISCID 570B1006
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Dorothee Oberlinger (Blockflöten), Dorothée Hahne (Didgeridoo & Live-Elektronik)"
TITLE "commentari"
REM COMPOSER "Hildegard von Bingen (1098-1179), Dorothée Hahne (b.1966)"
FILE "Dorothee Oberlinger, Dorothée Hahne - commentari.flac" WAVE
TRACK 01 AUDIO
TITLE "O ecclesia (Sequenz an die heilige Ursula). Bearbeitung für Tenorflöte & Didgeridoo (Hahne/Oberlinger 1999)"
PERFORMER "Dorothee Oberlinger, Dorothée Hahne"
REM COMPOSER "Hildegard von Bingen"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "commentari I (1999), für Altblockflöte & Live-Elektronik"
PERFORMER "Dorothee Oberlinger, Dorothée Hahne"
REM COMPOSER "Dorothée Hahne"
REM INDEX 00 06:15:07
INDEX 01 06:17:07
TRACK 03 AUDIO
TITLE "commentari II (1999), für Subbassblockflöte & Live-Elektronik"
PERFORMER "Dorothee Oberlinger, Dorothée Hahne"
REM COMPOSER "Dorothée Hahne"
REM INDEX 00 12:38:10
INDEX 01 12:40:10
TRACK 04 AUDIO
TITLE "commentari III (2000), für Sopranblockflöte & Live-Elektronik"
PERFORMER "Dorothee Oberlinger, Dorothée Hahne"
REM COMPOSER "Dorothée Hahne"
REM INDEX 00 25:28:58
INDEX 01 25:30:58
TRACK 05 AUDIO
TITLE "commentari IV (1999), für Mittelalterflöte & Didgeridoo"
PERFORMER "Dorothee Oberlinger, Dorothée Hahne"
REM COMPOSER "Dorothée Hahne"
REM INDEX 00 31:20:56
INDEX 01 31:22:56
TRACK 06 AUDIO
TITLE "Speciosa (2003), Elektronische Musik aus Klängen der Kölner Domglocken"
PERFORMER "Dorothée Hahne"
REM COMPOSER "Dorothée Hahne"
REM INDEX 00 39:42:16
INDEX 01 39:44:16
Album Notes
The idea for "commentari" (Latin: to consider, to reflect) is based on tradition surrounding the martyr St Ursula and the musical setting of these traditions by Hildegard von Bingen in the sequence "O ecclesia". This piece composed by Dorothee Hahne in five movements reflects not only the tonal repertoire of the recorder, as represented by the diverse members of that family played by the virtuoso Dorothee Oberlinger, but encompasses the two performers' characteristic playing techniques with their acoustic and electronic instruments, as well as the acoustics of the church interior. The acoustic instruments comprise the prehistoric didgeridoo, a plastic tube, medieval recorder, and soprano, treble, tenor and sub-bass recorders. The electronics consist of live-electronic equipment and a computer.
