Duel. Porpora and Handel in London
Жанр: Classical opera vocal
Страна-производитель диска: Made in the EU
Год издания диска: 2019
Издатель (лейбл): Arcana / Outhere Music France
Номер по каталогу: A461
Дата записи: 2018
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 65:43 / 01:03:43
Источник: релизер
сайт-источник/ник/другое: makdelart, подарок; Caterina Sforza - тяжёлая работа с cue, доп. сканы
Наличие сканов в содержимом раздачи: да, полный авторский буклет jpeg, 31 страница + web pdf буклет
Треклист:
George Frideric Handel (1685-1759)
01 Sta nell’ircana pietrosa tana 5’29
Alcina HWV 34– London, CG, 16 April 1735– Aria: Ruggiero
Nicola Porpora (1686-1768)
02 Nume che reggi ’l mare 7’13
Arianna in Naxo– London, LF, 29 December 1733– Aria: Teseo
03 Dolce è su queste alte mie logge a sera 2’17
04 Fu del braccio onnipotente 5’57
David e Bersabea– London, LF, 12 March 1734– Recitativo e Aria: David
Ouverture
05 Ouverture 1’26
06 Allegro 1’51
07 Without tempo indication 2’20
Polifemo– London, KT, 1 February 1735
08 A questa man verrà 4’12
Calcante e Achille– unknown location, possibly Austria or Northern Italy, 1737-1745– Aria: Achille
With music from Ifigenia in Aulide– London, KT, 3 May 1735
George Frideric Handel
09 Scherza infida 9’16
Ariodante HWV 33– London, CG, 8 January 1735– Aria: Ariodante
With ornaments in the B Section and Da Capo from Mss. 138–9 (London, Royal Academy of Music)
Nicola Porpora
10 Il gioir qualor s’aspetta 5’46
Polifemo– Aria: Calipso
George Frideric Handel
Suite de ballet
11 Entrée des Songes agréables (Largo e piano) 1’25
12 Entrée des Songes funestes 1’51
13 Entrée des Songes agréables effrayés 0’41
14 Le combat des Songes funestes et agréables 1’30
Ariodante HWV 33 – Act II
Nicola Porpora
15 Alza al soglio i guardi 4’13
Mitridate– London, KT, 24 January 1736– Aria: Mitridate
George Frideric Handel
16 Inumano fratel, barbara madre 1’49
17 Stille amare, già vi sento 4’15
Tolomeo HWV 25– London, KT, 30 April 1728– Recitativo e Aria: Tolomeo
18 Quando piomba improvvisa saetta 4’11
Catone in Utica HWV A7 – London, KT, 4 November 1732
From Nicola Porpora, Poro– Turin, Regio, 1731, Carnival Season– Aria: Arbace
Исполнители
George Frideric Handel (1685-1759)
Nicola Antonio Porpora (1686-1768)
Duel. Porpora and Handel in London
Giuseppina Bridelli (mezzo-soprano)
Le Concert de l’Hostel Dieu
Franck-Emmanuel Comte (harpsichord and conducting)
Recorded 27-30 June 2018 at the Temple Lanterne in Lyon, France
Release Date: 5 April 2019
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 19. July 2019, 0:52
Giuseppina Bridelli, Franck-Emmanuel Comte / Duel. Porpora and Handel in London
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==== Log checksum 121FE8E2FEBE6B3FFC7A1587E2898A8441B3CB069CFA3D754612333361503C2B ====
Содержание индексной карты (.CUE)
REM GENRE Baroque
REM DATE 2018
REM DISCID 080F6E12
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Giuseppina Bridelli (mezzo-soprano), Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte (harpsichord and conducting)"
TITLE "Duel. Porpora and Handel in London"
REM COMPOSER "George Frideric Handel (1685-1759), Nicola Antonio Porpora (1686-1768)"
FILE "Duel. Porpora and Handel in London - Giuseppina Bridelli, Franck-Emmanuel Comte.flac" WAVE
TRACK 01 AUDIO
TITLE "Handel - “Sta nell’ircana pietrosa tana” (Alcina, HWV 34, London, Covent Garden, 16 April 1735; Atto III, Scena 3 - Aria Ruggiero)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Porpora - “Nume che reggi’l mare” (Arianna in Naxo, London, Lincoln’s Inn Fields, 29 December 1733; Atto I, Scena 5 - Aria Teseo)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 05:29:27
TRACK 03 AUDIO
TITLE "Porpora - “Dolce è su queste alte mie logge a sera” (David e Bersabea, London, Lincoln’s Inn Fields, 12 March 1734; Parte I - Recitativo David)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 12:42:33
TRACK 04 AUDIO
TITLE "Porpora - “Fu del braccio onnipotente” (David e Bersabea, Parte I - Recitativo David)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 14:59:46
TRACK 05 AUDIO
TITLE "Porpora - Ouverture - Ouverture (Polifemo, London, King’s Theatre, Haymarket, 1 February 1735)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 20:57:15
TRACK 06 AUDIO
TITLE "Porpora - Ouverture - Allegro (Polifemo)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 22:24:02
TRACK 07 AUDIO
TITLE "Porpora - Ouverture - [Without tempo indication] (Polifemo)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 24:15:65
TRACK 08 AUDIO
TITLE "Porpora - “A questa man verrà” (Calcante e Achille - Aria Achille)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 26:36:62
TRACK 09 AUDIO
TITLE "Handel - “Scherza infida in grembo al drudo” (Ariodante, HWV 33, London, Covent Garden, 8 January 1735; Atto II Scena 2 - Aria Ariodante)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 30:49:01
TRACK 10 AUDIO
TITLE "Porpora - “Il gioir qualor s’aspetta” (Polifemo, Atto III Scena 3 - Aria Callipso)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 40:05:52
TRACK 11 AUDIO
TITLE "Handel - Suite de ballet: Entrée des songes agréables (Largo e piano) (Ariodante, HWV 33, Act II)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 45:51:60
TRACK 12 AUDIO
TITLE "Handel - Suite de ballet: Entrée des songes funestes (Ariodante, HWV 33, Act II)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 47:16:62
TRACK 13 AUDIO
TITLE "Handel - Suite de ballet: Entrée des songes agréables effrayés (Ariodante, HWV 33, Act II)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 49:08:55
TRACK 14 AUDIO
TITLE "Handel - Suite de ballet: Le combat des songes funestes et agréables (Ariodante, HWV 33, Act II)"
PERFORMER "Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 49:50:03
TRACK 15 AUDIO
TITLE "Porpora - “Alza al soglio i guardi” (Mitridate, London, King’s Theatre, Haymarket, 24 January 1736; Atto II Scena 1 - Aria Mitridate)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "Nicola Porpora"
FLAGS DCP
INDEX 01 51:20:08
TRACK 16 AUDIO
TITLE "Handel - “Inumano fratel, barbara madre” (Tolomeo, HWV 25, London, King’s Theatre, Haymarket, 30 April 1728; Atto III Scena 6 - Recitativo Tolomeo)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 55:33:52
TRACK 17 AUDIO
TITLE "Handel - “Stille amare, gia vi sento” (Tolomeo, HWV 25, Atto III Scena 6 - Aria Tolomeo)"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 57:22:62
TRACK 18 AUDIO
TITLE "Handel - “Quando piomba improvvisa saetta” (Catone in Utica, HWV A7, London, King’s Theatre, Haymarket, 4 November 1732; Atto III Scena 3 - Aria Arbace [from Nicola Porpora “Poro”, Turin, Regio, 1731, Carnival Season])"
PERFORMER "Giuseppina Bridelli, Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte"
REM COMPOSER "George Frideric Handel"
FLAGS DCP
INDEX 01 61:38:16
About
Despite the rivalry between the operatic companies leaded by Haendel and Porpora in London (1734-1737), much has to be said about the real nature of the connection between the two composers. Both the musicians were considered outstandingly original for their aesthetic choices. Both admired each other's music. The few whirlwind years of their defiance in Great Britain produced memorable scores: among them, Ariodante by Haendel and Polifemo by Porpora, performed with simultaneous runs in the city theaters. The fight between the two operatic company was an opportunity for the composers to meet and discover each other, to deal with the taste of the audience and to experiment new ideas, getting strength from the incredible skills of the members of the vocal casts (Farinelli, Senesino, Carestini, etc.). This CD tries to capture the soul of such a complicated intellectual relationship, presenting significant exemples of the composers' style and outlining the borders of the mutual esteem between two giants in the history of music.