(Classical vocal) Monteverdi - Teatro d'Amore (Nuria Rial, Philippe Jaroussky, Cyril Auvity, L'Arpeggiata, Christina Pluhar) - 2009, FLAC (image+.cue) lossless

Claudio Monteverdi (1567-1643)
Teatro d'Amore
L'Orfeo: Toccata
Ohimè ch'io cado, ohimè ch'inciampo SV 316
L' incoronazione di Poppea SV 308: Pur ti miro
Damigella tutta bella SV 235
Amor, dicea, il ciel (Lamento della ninfa) SV 163
Si dolce è'l tormento SV 332
Sinfonie & Moresca
Interrotte speranze SV 132
Chiome d'oro, bel thesoro SV 143
L' incoronazione di Poppea SV 308: Oblivion soave
Hor ch'el ciel e la terra e'l vento tace SV 147
Tempro la cetra SV 117
Ballo SV A1
Con che soavità, labbra odorate SV 139
Vago augelletto, che cantando vai SV 156
Zefiro Torna SV 251
Nuria Rial (soprano)
Philippe Jaroussky (countertenor)
Cyril Auvity & Jan Van Elsacker (tenors)
João Fernandes (bass)
Madrigalisti:
Michaela Reiner, Lauren Armishaw & Zsuzsanna Toth (sopranos)
Nicholas Achten (baritone)
L’Arpeggiata
Christina Pluhar (direction)
Release Date: February 24, 2009

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 4. October 2018, 14:02
L' Arpeggiata, Christina Pluhar / Teatro d' Amore
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==== Log checksum 66815438D28EF0C3171E8E5F34A4DAAF1D708358A862E3871C04EFABE01C5DF7 ====

REM DATE 2007
REM DISCID EB103211
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "L’Arpeggiata, Christina Pluhar (direction) / Nuria Rial (soprano), Philippe Jaroussky (countertenor), Cyril Auvity & Jan Van Elsacker (tenors), João Fernandes (bass) ; Madrigalisti: Michaela Reiner, Lauren Armishaw & Zsuzsanna Toth (sopranos), Nicholas Achten (baritone)"
TITLE "Teatro d’Amore"
REM COMPOSER "Claudio Monteverdi (1567-1643)"
FILE "L’Arpeggiata, Christina Pluhar - Teatro d’Amore.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Toccata"
    PERFORMER "L’Arpeggiata, Christina Pluhar"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "“Ohimè ch’io cado, ohimè ch’inciampo”, Quarto scherzo delle ariose vaghezze (Milanuzzi), Venezia 1624"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Philippe Jaroussky"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 01:27:54
  TRACK 03 AUDIO
    TITLE "L’incoronazione di Poppea, Venezia 1642: “Pur ti miro, ri godo” (Neron, Popea)"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Nuria Rial, Philippe Jaroussky"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 05:32:59
  TRACK 04 AUDIO
    TITLE "“Damigella tutta bella”, Canzonette e scherzi musicali, Venezia 1607"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Nuria Rial, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicholas Achten, João Fernandes"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 09:44:00
  TRACK 05 AUDIO
    TITLE "“Amor, dicea, il ciel”, Ottavo libro di Madrigali, Venezia 1638"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Nuria Rial, Jan Van Elsacker, Cyril Auvity, Nicholas Achten"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 11:56:26
  TRACK 06 AUDIO
    TITLE "“Sì dolce è’l tormento”, Quarto scherzo delle ariose vaghezze (Milanuzzi), Venezia 1624"
    PERFORMER "L’Arpeggiata, Christina Pluhar"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 15:10:15
  TRACK 07 AUDIO
    TITLE "Sinfonie & Moresca"
    PERFORMER "L’Arpeggiata, Christina Pluhar"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 18:59:11
  TRACK 08 AUDIO
    TITLE "“Interrotte speranze, eterna fede”, Settimo libro di Madrigali, Venezia 1619"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Cyril Auvity, Jan Van Elsacker"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 21:18:74
  TRACK 09 AUDIO
    TITLE "“Chiome d’oro, bel thesoro”, Settimo libro di Madrigali, Venezia 1619"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Nuria Rial"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 24:30:28
  TRACK 10 AUDIO
    TITLE "“Oblivion soave (Adagiati, Poppea)” (Arnalta), L’Incoronazione di Poppea, Venezia 1642"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Philippe Jaroussky"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 27:11:28
  TRACK 11 AUDIO
    TITLE "“Hor ch’el ciel e la terra e’l vento tace”, Ottavo libro di Madrigali, Venezia 1638"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Michaela Reiner, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicholas Achten, João Fernandes"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 29:56:36
  TRACK 12 AUDIO
    TITLE "“Tempro la cetra, e per cantar gli honori”, Settimo libro di Madrigali, Venezia 1619"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Cyril Auvity, Jan Van Elsacker"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 33:33:17
  TRACK 13 AUDIO
    TITLE "Ballo"
    PERFORMER "L’ Arpeggiata, Christina Pluhar"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 41:22:69
  TRACK 14 AUDIO
    TITLE "“Con che soavità, labbra odorate”, Settimo libro di Madrigali, Venezia 1619"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Nuria Rial"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 44:29:20
  TRACK 15 AUDIO
    TITLE "“Vago augelletto che cantando vai”, Ottavo libro di Madrigali, Venezia 1638"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicholas Achten, João Fernandes"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 48:26:54
  TRACK 16 AUDIO
    TITLE "“Zefiro Torna, e di soavi accenti”, Scherzi musicali, Venezia 1632"
    PERFORMER "L’Arpeggiata, Christina Pluhar & Nuria Rial, Philippe Jaroussky"
    REM COMPOSER "Claudio Monteverdi"
    INDEX 01 52:50:64

AllMusic Review by Stephen Eddins  [-]
A warning to purists: there's little in the packaging of this CD to indicate the interpretive freedom with which the ensemble, l'Arpeggiata led by Christina Pluhar, treats some of the Monteverdi love songs and madrigals on the album. There's a hint in the opening track, the Toccata from Orfeo, in its wonderfully reckless abandon and prominent use of percussion. In Ohimè ch'io cado, the solo madrigal that follows it, the continuo part is transmogrified into a walking bass, the rhythm is swung, blue notes abound, and the Baroque trumpet launches into frankly jazzy riffs between verses. We're clearly no longer in the land of scrupulously authentic period performance practice. It's followed by a traditional, but lusciously sensual performance of "Pur ti miro," from L'incoronazione di Poppea, its accompaniment as direct and heartfelt as that of an Appalachian folk song, sung with a smoldering -- no, scorching -- erotic charge, by soprano Núria Rial and counter tenor Philippe Jaroussky. So, the listener is kept off guard from track to track about what the style of each selection will be. What all the performances have in common, though, is an acute attention to the emotions driving each piece, and to giving those emotions authentic and eloquent expression. Other highlights include especially spirited performances of Lamento della Ninfa, Sì dolce è 'l tormento, and Zefiro torna (in the sly setting from the 1632 Scherzi musicali). Pluhar's varied, inspired realizations of the scores, and the sensitive and lively contributions of the singers (Rial, Jaroussky, along with tenors Cyril Auvity and Jan van Elsacker and bass João Fernandes), and the instrumentalists of l'Arpeggiata, make these performances shimmer with vibrant energy. The sound of the live performance is clean, clear, and present, and the pleasure of the singers and players is practically palpable. Highly recommended.