Baiba Skride, Oslo Philharmonic Orchestra, Vasily Petrenko, Lauma Skride - Szymanowski: Violin Concertos & Myths Жанр: Classical Носитель: CD Страна-производитель диска: Германия Год издания диска: 2013 Издатель (лейбл): Orfeo Номер по каталогу: C 873 141 A Аудиокодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 1:05:37 Источник: скачано с What.CD Наличие сканов в содержимом раздачи: нет Треклист: Karol Szymanowski Violin Concerto No.1, Op.35
01. I. Vivace assai (5:55)
02. II. Tempo comodo - Andantino (5:27)
03. III. Vivace scherzando (1:20)
04. IV. Poco meno - Allegretto (6:24)
05. V. Vivace (Tempo I) (5:36) Violin Concerto No.2, Op.61
06. I. Moderato, molto tranquillo (5:32)
07. II. Andantino sostenuto (5:46)
08. III. Allegramente, molto energico (3:33)
09. IV. Andantino, molto tranquillo (4:53) Mythes, Op.30, M.29
10. I. La Fontaine d'Arethuse (5:46)
11. II. Narcisse (7:41)
12. III. Drydes et Pan (7:44) Исполнители:
Baiba Skride - violin
Oslo Philharmonic Orchestra (#1-9)
Vasily Petrenko - conductor (#1-9)
Lauma Skride - piano (#10-12) Recorded at Oslo Concert Hall, Vika, Norway on February 14-15, 2013 (#1-9) and at Jesus-Christus-Kirche, Berlin, Germany on July 16, 2013 (#10-12).
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015 EAC extraction logfile from 18. 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Содержание индексной карты (.CUE)
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As stylistically different as Karol Szymanowski's two violin concertos are, they share a brilliance of orchestration that clearly identifies them with their composer. The Violin Concerto No. 1 is the most complex of the two in its evocative scene painting, exotic harmonies, and extremely virtuosic cadenza, while the Violin Concerto No. 2 stands in striking contrast with its long-breathed rhapsodic melodies and comparative directness and simplicity. But both concertos dazzle because of Szymanowski's expert handling of the orchestra, and his writing for the solo violin is as much about its special sonorities as it is about showing off the violinist's technique. Latvian violinist Baiba Skride delivers these demanding parts with apparent ease and fluency, but she is to be commended especially for her control of the violin's upper range, which is used to great effect in both concertos. Her tone naturally pentrates the thickest textures, and she soars to great heights with gleaming harmonics and unbroken phrasing. Vasily Petrenko and the Oslo Philharmonic Orchestra provide exceptional support, and collaborate with Skride as an equal partner, never overstepping the accompanist's role and always keeping the soloist front and center. The closing piece, the Scriabin-flavored Myths for violin and piano, brings Skride's playing to a more intimate place, and Lauma Skride, her sister, balances the fanciful piano part against the violin with appropriate dynamics and expressive restraint.
