Caterina Sforza · 14-Авг-18 23:58(6 лет 4 месяца назад, ред. 15-Авг-18 01:09)
Vivaldi - Opera & Oratorio Arias / Venice Baroque Orchestra, Andrea Marcon Жанр: Classical opera / oratorio vocal Страна-производитель диска: Made in the E.U. Год издания диска: 2009 Издатель (лейбл): Archiv Produktion Номер по каталогу: 777 8096 Дата записи: 2008 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 01:17:19 Источник: релизер сайт-источник/ник/другое: Bodtje, подарок; Caterina Sforza - работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да
Треклист
Tito Manlio, RV 738 (1719) Libretto: Matteo Noris 1 Sonno, se pur sei sonno (Manlio) [2’54] Juditha triumphans devicta Holofernes barbarie, RV 644 (1716) Libretto: Giacomo Cassetti 2 Armatae face et anguibus (Vagaus) [3’22] La veritá in cimento, RV 739 (1720) Libretto: Giovanni Palazzi & Domenico Lalli 3 Solo quella guancia bella (Rosane) [2’58] Farnace, RV 711 (1727) Libretto: Antonio Maria Lucchini 4 Gelido in ogni vena (Farnace) [9’23] Arsilda, regina di Ponto, RV 700 (1716) Libretto: Domenico Lalli 5 Tornar voglio al primo ardore (Barzane) [4’14] Orlando furioso, RV 728 (1727) Libretto: Grazio Braccioli, after Ludovico Ariosto 6 Sol da te, mio dolce amore (Ruggiero) [9’31] Michele Favaro, transverse flute Ottone in villa, RV 729 (1713) Libretto: Domenico Lalli, after Francesco Maria Piccioli 7 Misero spirto mio (Tullia) [4’35] Orlando furioso 8 Nel profondo cieco mondo (Orlando) [4’08] Farnace 9 Forse, o caro, in questi accenti (Tamiri) [7’22] La veritá in cimento 10 Cara sorte di chi nata (Rustena) [4’26] Anna Fusek, recorder Griselda, RV 718 (1735) Libretto: Apostolo Zeno, rev. Carlo Goldoni, after Giovanni Boccaccio 11 Ho il cor già lacero (Griselda) [4’31] L’incoronazione di Dario, RV 719 (1717) Libretto: Adriano Morselli 12 Non mi lusinga vana speranza (Oronte) [5’51] Orlando finto pazzo, RV 727 (1714) Libretto: Grazio Braccioli 13 Lo stridor, l’orror d’ Averno (Ersilla) [4’13] 14 Anderò, volerò, griderò (Origille) [1’55] L’Olimpiade, RV 725 (1734) Libretto: Pietro Metastasio 15 Mentre dormi Amor fomenti (Licida) [7’56] Gianfranco Dini, horn EXCLUSIVE DIGITAL TRACK Orlando furioso 16 Tu sei degl' occhi miei (Angelica) [3’07]
Исполнители
Magdalena Kožená Vivaldi Sonno, se pur sei sonno (Tito Manlio) Armatae face (Juditha Triumphans) Solo quella guancia bella (La Veritá in Cimento) Gelido in ogni vena (Il Farnace) Tornar voglio al primo ardore (Arsilda Regina di Ponto) Sol da te, mio dolce amore (Orlando Furioso) Misero spirto mio (Ottone in Villa) Nel profondo, cieco mondo (Orlando Furioso) Forse, o caro, in questi accenti (Il Farnace) Cara sorte di chi nata (La Veritá in Cimento) Ho il cor già lacero (Griselda) Non mi lusinga vana speranza(L'incoronazione di Dario) Lo stridor, l'orror d'Averno (L'Orlando Finto Pazzo) Anderò, volerò, griderò (L'Orlando Finto Pazzo) Mentre dormi, Amor formenti (L'Olimpiade) Magdalena Kožená (mezzo-soprano) Michele Favaro (transverse flute - track 6) Anna Fusek (recorder - track 10) Gianfranco Dini (horn - track 15) Venice Baroque Orchestra Andrea Marcon, conductor Recording: Toblach/Dobbiaco, Kulturzentrum Grand Hotel, 10/2008 Release Date: June 8, 2009
Лог создания рипа
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Содержание индексной карты (.CUE)
REM GENRE Vocal REM DATE 2009 REM DISCID CA12260F REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Venice Baroque Orchestra, Andrea Marcon (conductor) & Magdalena Kožená (mezzo-soprano), Michele Favaro (transverse flute - track 6), Anna Fusek (recorder - track 10), Gianfranco Dini (horn - track 15)" TITLE "Magdalena Kožená Sings Vivaldi" REM COMPOSER "Antonio Vivaldi (1678-1741)" FILE "Venice Baroque Orchestra, Andrea Marcon - Magdalena Kožená Sings Vivaldi.flac" WAVE TRACK 01 AUDIO TITLE "Tito Manli, opera in 3 acts, RV 738 8 (1719) - Sonno, se pur sei sonno (Manlio)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644(1716)- Armatae face et anguibus (Vagaus)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 02:54:74 TRACK 03 AUDIO TITLE "La verità in cimento, opera in 3 acts, RV 739 (1720) - Solo quella guancia bella (Rosane)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 06:17:41 TRACK 04 AUDIO TITLE "Farnace, opera in 3 acts, RV 711 (1727) - Gelido in ogni vena (Farnace)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 09:15:58 TRACK 05 AUDIO TITLE "Arsilda, regina di Ponto, opera in 3 acts, RV 700 (1716) - Tornar voglio al primo ardore (Barzane)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 18:39:36 TRACK 06 AUDIO TITLE "Orlando furioso, opera in 3 acts, RV 728 (1727) - Sol da te, mio dolce amore (Ruggiero)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená, Michele Favaro" REM COMPOSER "Antonio Vivaldi" INDEX 01 22:54:18 TRACK 07 AUDIO TITLE "Ottone in Villa, opera in 3 acts, RV 729 (1713) - Misero spirto mio (Tullia)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 32:25:74 TRACK 08 AUDIO TITLE "Orlando furioso, opera in 3 acts, RV 728 - Nel profondo cieco mondo (Orlando)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 37:01:28 TRACK 09 AUDIO TITLE "Farnace, opera in 3 acts, RV 711 - Forse, o caro, in questi accenti (Tamiri)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 41:09:46 TRACK 10 AUDIO TITLE "La verità in cimento, opera in 3 acts, RV 739 - Cara sorte di chi nata (Rustena)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená, Anna Fusek" REM COMPOSER "Antonio Vivaldi" INDEX 01 48:32:16 TRACK 11 AUDIO TITLE "Griselda, opera in 3 acts, RV 718 (1735) - Ho il cor già lacero (Griselda)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 52:58:51 TRACK 12 AUDIO TITLE "L’ Incoronazione di Dario, opera, RV 719 9 (1717) - Non mi lusinga vana speranza (Oronte)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 57:29:60 TRACK 13 AUDIO TITLE "Orlando finto pazzo, opera in 3 acts, RV 727 (1714) - Lo stridor, l’orror d’ Averno (Ersilla)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 63:21:18 TRACK 14 AUDIO TITLE "Orlando finto pazzo - Anderò, volerò, griderò (Origille)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená" REM COMPOSER "Antonio Vivaldi" INDEX 01 67:34:31 TRACK 15 AUDIO TITLE "L’Olimpiade, opera in 3 acts, RV 725 (1734) - Mentre dormi Amor fomenti (Licida)" PERFORMER "Venice Baroque Orchestra, Andrea Marcon, Magdalena Kožená, Gianfranco Dini" REM COMPOSER "Antonio Vivaldi" INDEX 01 69:30:16
Review
AllMusic Review by Stephen Eddins [-] Due at least in part to Naïve's growing catalogue of exemplary recordings of the relatively obscure operas of Antonio Vivaldi, more and more singers are happily turning to his vast operatic output as a source of new material. Czech mezzo-soprano Magdalena Kozená brings an earthy emotionality to this selection of arias that is weighted toward the ravishingly lyrical, but which also includes the floridly virtuosic. While she is fully invested in each role, and brings intelligently considered and emotionally committed characterizations to each of the arias, her singing is, in a way, self effacing; she is clearly more interested in the characters and the music than in making a show of her own voice, and that make her performances all the more appealing. Kozená's voice is warm and radiant, with an especially luminous middle and brilliant top. While her lower register doesn't have the strength and volume of Marilyn Horne, or her closer contemporaries like Viveca Genaux or Elina Garanca, the arias here that highlight the low end of her voice tend to be laments, which don't require ferocious power. Her ability to create soaring, long-breathed legato phrases is exceptional. Standout selections include the lyrical, lovely "Gelido in ogni vena," from Farnace, "Mentre dormi Amor fomenti," from L'Olimpiade, and especially the limpid "Sol da te, mio dolce amore," from Orlando Furioso, and the coloratura "Armatae face et anguibus," from the oratorio, Juditha Triumphans. Venice Baroque Orchestra, led by Andrea Marcon, tends to be overly weighted toward the bass, and comes off as heavy and pounding in the fast arias, but is more balanced in the lyrical selections. The soloists who provide instrumental obbligatos deserve special commendation. Archiv's sound is clean and present.
