Caterina Sforza · 09-Мар-18 21:59(6 лет 11 месяцев назад, ред. 18-Мар-18 20:06)
Buxtehude - Opera Omnia XIII - Chamber Music 2 Жанр: Classical chamber Страна-производитель диска: Made in England Год издания диска: 2011 Издатель (лейбл): Challenge Classics Номер по каталогу: CC 72252 Дата записи: 2010 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 59'53 Источник: релизер сайт-источник/ник/другое: Bodtje, подарок; работа с cue Хосе Наличие сканов в содержимом раздачи: да Треклист: 1 Trio sonatas opus 1 Sonata in F op. 1 nr. 1 BuxWV 252 09:21
2 Trio sonatas opus 1 Sonata in G op. 1 nr. 2 BuxWV 253 07:15
3 Trio sonatas opus 1 Sonata in a op. 1 nr. 3 BuxWV 254 10:14
4 Trio sonatas opus 1 Sonata in B op. 1 nr. 4 BuxWV 255 08:04
5 Trio sonatas opus 1 Sonata in C op. 1 nr. 5 BuxWV 256 08:23
6 Trio sonatas opus 1 Sonata in d op. 1 nr. 6 BuxWV 257 09:33
7 Trio sonatas opus 1 Sonata in e op. 1 nr. 7 BuxWV 258 07:00
Исполнители
Dieterich Buxtehude Opera Omnia XIII - Chamber music vol. 2 Vll Suonate a doi Violino & Violadagamba, con Cembalo Opera Prima Catherine Manson - violin Paolo Pandolfo - viola da gamba Ton Koopman - harpsichord and organ Mike Fentross - lute Recording Date: May 2010 Recording Location: Geertekerk, Utrecht (NL) Release date: 04 March 2011
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 9. March 2018, 9:51 Ton Koopman / Buxtehude: Opera Omnia Xiii: Chamber Music Vol. 2 Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:21.27 | 0 | 42101 2 | 9:21.27 | 7:14.70 | 42102 | 74721 3 | 16:36.22 | 10:14.39 | 74722 | 120810 4 | 26:50.61 | 8:04.13 | 120811 | 157123 5 | 34:54.74 | 8:23.24 | 157124 | 194872 6 | 43:18.23 | 9:33.12 | 194873 | 237859 7 | 52:51.35 | 7:00.05 | 237860 | 269364 Range status and errors Selected range Filename K:\Rips\Buxtehude - Opera Omnia XIII - Chamber Music 2\Ton Koopman - Buxtehude- Opera Omnia Xiii- Chamber Music Vol. 2.wav Peak level 85.7 % Extraction speed 1.9 X Range quality 100.0 % Test CRC 13057F51 Copy CRC 13057F51 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 12) [350C1081] (AR v2) Track 2 accurately ripped (confidence 12) [67D696EB] (AR v2) Track 3 accurately ripped (confidence 12) [D8127A62] (AR v2) Track 4 accurately ripped (confidence 12) [3F06CCC0] (AR v2) Track 5 accurately ripped (confidence 12) [868EC10B] (AR v2) Track 6 accurately ripped (confidence 12) [A6B0E078] (AR v2) Track 7 accurately ripped (confidence 12) [519F16A4] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: L0VKtI5MpoBHE9Jjk9G8waf8y1o-] found Submit result: already submitted Track | CTDB Status 1 | (15/16) Accurately ripped 2 | (15/16) Accurately ripped 3 | (15/16) Accurately ripped 4 | (15/16) Accurately ripped 5 | (15/16) Accurately ripped 6 | (15/16) Accurately ripped 7 | (15/16) Accurately ripped ==== Log checksum 3CB73667CB802E32395FBDB99E7AEB2AD01070A109916C48F700D86BCBA7D738 ====
Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 2011 REM DISCID 5B0E0707 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Ton Koopman" TITLE "Buxtehude: Opera Omnia XIII: Chamber Music Vol. 2" REM COMPOSER "Dieterich Buxtehude" FILE "Buxtehude - Opera Omnia XIII - Chamber Music 2.flac" WAVE TRACK 01 AUDIO TITLE "Sonata in F op. 1 nr. 1, BuxWV 252" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Sonata in G op. 1 nr. 2, BuxWV 253" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 09:21:27 TRACK 03 AUDIO TITLE "Sonata in a op. 1 nr. 3, BuxWV 254" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 16:36:22 TRACK 04 AUDIO TITLE "Sonata in B flat op. 1 nr. 4, BuxWV 255" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 26:50:61 TRACK 05 AUDIO TITLE "Sonata in C op. 1 nr. 5, BuxWV 256" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 34:54:74 TRACK 06 AUDIO TITLE "Sonata in d op. 1 nr. 6, BuxWV 257" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 43:18:23 TRACK 07 AUDIO TITLE "Sonata in e op. 1 nr. 7, BuxWV 258" PERFORMER "Catherine Manson (violin), Paolo Pandolfo (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute)" REM COMPOSER "Dieterich Buxtehude" FLAGS DCP INDEX 01 52:51:35
About the album
In the last decade of the 17th century, Dieterich Buxtehude published within a period of two years a group of fourteen instrumental chamber sonatas in two sets of seven each. Thereby, he contributed in a major way to a new and fashionable repertoire of trio sonatas that had originated in Italy after the middle of the century. Giovanni Legrenzi (1626-1690), the Venetian composer, had played the main influence in spreading a new type of instrumental music north of the Alps. His works published in the 1660s and 70s were well known in the Hanseatic cities around the Baltic Sea. Lübeck, one of the principal music centers in Northern Europe, was no exception in this respect. Buxtehude, who served as organist of the St. Mary’s Church in Lübeck from 1668 until his death in 1707, picked up and integrated the modern Italian style early in the instrumental introductions to his sacred concertos and cantatas, but turned to instrumental chamber music only late in his life. Every single sonata presents different solutions in regard to section sequences; no two pieces show the same pattern. In general, the fast sections prefer more or less elaborate polyphonic and fugal designs whereas the slow sections emphasize harmonic and expressive features. Sections are sometimes connected without interruption, sometimes separated by fermatas or double bars. Towards the end of some phrases the violin makes use of double stops, in line with the overall virtuosic design of the sonatas. The compositional ideas pursued by the composer are based on the concept of the so-called “stylus fantasticus,” a manner favored in keyboard and soloist instrumental ensemble music of the late 17th-century in North Germany. According to the 18th-century Hamburg writer Johann Mattheson, “this style is the most free and unrestrained manner of composing, singing, and playing that one can imagine, for one hits first on this idea and then upon that one, since one is bound neither to words nor to melody, only to harmony, so that the singer and player can display his skill.”
