Caterina Sforza · 09-Мар-18 05:21(6 лет 9 месяцев назад, ред. 09-Мар-18 05:29)
Buxtehude - Opera Omnia XII, Chamber Music 1 (Ton Koopman) Жанр: Classical chamber Страна-производитель диска: Made in England? Год издания диска: 2010 Издатель (лейбл): Challenge Classics Номер по каталогу: CC 72251 Дата записи: 2010 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 58'47 Источник: релизер сайт-источник/ник/другое: Bodtje, подарок; работа с cue Хосе Наличие сканов в содержимом раздачи: да Треклист: 1 Sonata in C for two violins, viola da gamba and basso continuo BuxWV 266 07:54
2 Sonata in a for violin, viola da gamba and basso continuo BuxWV 272 06:50
3 Sonata in D for viola da gamba, violone and basso continuo BuxWV 267 07:54
4 Sonata (with Suite) in B flat for violin, viola da gamba and basso continuo BuxWV 273 13:12
5 Sonata in d for violin, viola da gamba and basso continuo BuxWV Anh. 5 02:58
6 Sonata in G for two violins, viola da gamba and basso continuo BuxWV 271 08:31
7 Sonata in D for viola da gamba and basso continuo BuxWV 268 04:35
8 Sonata in F for two violins, viola da gamba and basso continuo BuxWV 269 06:53
Исполнители
DIETERICH BUXTEHUDE Opera Ornnia XII CHAMBER MUSIC 1 SONATAS FROM MANUSCRIPT SOURCES Catherine Manson, David Rabinovich - violin Jonathan Manson - viola da gamba Ton Koopman - harpsichord and organ Mike Fentross - lute Christine Sticher - violone (BuxWV 267) Recording Date: February, 2010 Recording Location: Waalse Kerk, Amsterdam Release date: 03 September 2010
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 8. March 2018, 23:14 Various Artists / Dieterich Buxtehude: Opera Omnia XII Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:54.01 | 0 | 35550 2 | 7:54.01 | 6:50.49 | 35551 | 66349 3 | 14:44.50 | 7:53.52 | 66350 | 101876 4 | 22:38.27 | 13:12.10 | 101877 | 161286 5 | 35:50.37 | 2:58.27 | 161287 | 174663 6 | 38:48.64 | 8:30.57 | 174664 | 212970 7 | 47:19.46 | 4:35.21 | 212971 | 233616 8 | 51:54.67 | 6:52.69 | 233617 | 264585 Range status and errors Selected range Filename K:\Rips\Various Artists - Dieterich Buxtehude- Opera Omnia XII.wav Peak level 91.8 % Extraction speed 3.2 X Range quality 99.9 % Test CRC E2C860F4 Copy CRC E2C860F4 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 14) [A6F0CA35] (AR v2) Track 2 accurately ripped (confidence 14) [9ECD83C4] (AR v2) Track 3 accurately ripped (confidence 14) [2FAB51C2] (AR v2) Track 4 accurately ripped (confidence 14) [6BF3FC2E] (AR v2) Track 5 accurately ripped (confidence 14) [3C730C73] (AR v2) Track 6 accurately ripped (confidence 14) [C32C8122] (AR v2) Track 7 accurately ripped (confidence 14) [7D1334B5] (AR v2) Track 8 accurately ripped (confidence 14) [E0278D47] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: QaHlFcBGImIMYqHiGqa5ONBfCKo-] found Submit result: already submitted Track | CTDB Status 1 | (15/16) Accurately ripped 2 | (15/16) Accurately ripped 3 | (15/16) Accurately ripped 4 | (15/16) Accurately ripped 5 | (15/16) Accurately ripped 6 | (15/16) Accurately ripped 7 | (15/16) Accurately ripped 8 | (14/16) Accurately ripped ==== Log checksum 8114ADEA8EEDD52AF4DB7828A1399F70246646A4F9237D44E1E7B8BA80A067F3 ====
Содержание индексной карты (.CUE)
REM GENRE "Chamber Music" REM DISCID 5F0DC708 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Various Artists" TITLE "Dieterich Buxtehude: Opera Omnia XII" REM COMPOSER "Dietrich Buxtehude" FILE "Buxtehude - Opera Omnia XII - Chamber Music 1.flac" WAVE TRACK 01 AUDIO TITLE "Sonata in C for two violins, viola da gamba and basso continuo, BuxWV 266" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Sonata in a for violin, viola da gamba and basso continuo, BuxWV 272" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 07:54:01 TRACK 03 AUDIO TITLE "Sonata in D for viola da gamba, violone and basso continuo, BuxWV 267" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 14:44:50 TRACK 04 AUDIO TITLE "Sonata (with Suite) in B flat for violin, viola da gamba and basso continuo, BuxWV 273" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 22:38:27 TRACK 05 AUDIO TITLE "Sonata in d for violin, viola da gamba and basso continuo, BuxWV Anh. 5" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 35:50:37 TRACK 06 AUDIO TITLE "Sonata in G for two violins, viola da gamba and basso continuo, BuxWV 271" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 38:48:64 TRACK 07 AUDIO TITLE "Sonata in D for viola da gamba and basso continuo, BuxWV 268" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 47:19:46 TRACK 08 AUDIO TITLE "Sonata in F for two violins, viola da gamba and basso continuo, BuxWV 269" PERFORMER "Catherine Manson, David Rabinovich (violin), Jonathan Manson (viola da gamba), Ton Koopman (harpsichord and organ), Mike Fentross (lute), Christine Sticher (violone)" REM COMPOSER "Dietrich Buxtehude" FLAGS DCP INDEX 01 51:54:67
About the album
Dieterich Buxtehude’s chamber works today counts among the least known of his compositions. They were already forgotten soon after 1700, and this despite the fact that two third of Buxtehude’s chamber sonatas, unlike any other category in the composers creative output, were published during his lifetime. The publication of sonatas indicates that there was a market for this repertoire in the later 17th century. Moreover, the publication of two sets of such works suggests that the fame of the Lübeck master and the success of the first set must have created the demand for a second. However, the primary reason for these works getting out of fashion by the time of Buxtehude’s death was their unconventional instrumental scoring and, more importantly, the triumphant rise of the modern Italian trio sonata by Corelli, Albinoni, and others in the early 18th century. Buxtehude’s chamber music repertoire consists of altogether twenty-two works. All of Buxtehude’s chamber works present highly sophisticated compositions that belong among the most attractive and technically most demanding examples of the genre of ensemble sonata, then still in its infancy. They resemble in many ways the six sonatas of the Hortus musicus (Hamburg, 1688) by Buxtehude’s colleague and friend, Johann Adam Reinken, organist at St. Catherine’s Church in Hamburg. But like Reinken’s pieces, they were influenced by Italian models, especially the instrumental sonatas by the Venetian composer Giovanni Legrenzi (1626-1690), which were circulating widely also in Northern Europe. At the same time, they deeply reflect the improvisational, fanciful, expressive and colorful mannerisms of Buxtehude and his school, which the writer Johann Mattheson in 1739 referred to as “stylus fantasticus”.
About the album
AllMusic Review by James Manheim [-] Veteran Dutch historical-performance specialist Ton Koopman has set himself the task in his seventh decade of recording the complete compositional output of Dietrich Buxtehude. He was, in fact, elected president of the International Dietrich Buxtehude Society. Some of these recordings have been of keyboard works, but Koopman, here and elsewhere, has also led small-ensemble works from the keyboard, covering an almost completely unknown repertoire. Here he offers a set of eight unpublished sonatas for from one to three stringed instruments -- not only violin and viola da gamba, but also the older violone -- and basso continuo. The music is presented in a rather dry way in the booklet (in English, German, and French), but it's quite lovely, with a kind of quiet introspection that often appears in Buxtehude's music and clearly sets it apart from Bach, even though the older composer's influence is manifest in that of Bach's early years. The sonatas appeared in the 1690s, just before the clearly structured Corelli type of trio sonata made its way to northern Germany; they reflect the older type of Italian sonata, with a profusion of very short sections in different tempi fused together to make a longer piece. They often begin with subdued slow sections with free, recitative-like material from the violin or other top melody instruments, and follow with spontaneous-sounding figuration in the faster sections; in a few places (try the short Sonata in D minor for violin, viola, and basso continuo, BuxWV Anh. 5, about a minute in) he is harmonically quite daring. Koopman accompanies on harpsichord and organ. The performances by violinists Catherine Manson and David Rabinovich are superb, with a fine sense of the fantastic elements in Buxtehude's music, but the same can't be said of the engineering; the church sound is too live and cavernous for music that was written for small spaces and small groups of connoisseurs. This music doesn't have the intensity of Buxtehude's vocal cantatas, but it's quite enjoyable and colorful for fans of the mid-Baroque period, and it doesn't sound quite like any other Baroque chamber music available.
