Caterina Sforza · 27-Сен-17 20:39(7 лет 4 месяца назад, ред. 22-Фев-18 06:31)
Rameau - Pygmalion; Les Fetes de Polymnie. Suite d’orchestre Жанр: Classical opera / ballet Страна-производитель диска: Made in France Год издания диска: 2017 Издатель (лейбл): Aparté Номер по каталогу: AP155 Дата записи: 2017 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 71:46 Источник: релизер сайт-источник/ник/другое: Рой Моврич, подарок Наличие сканов в содержимом раздачи: да
Треклист
Pygmalion. Acte de ballet (1748) 1. Ouverture 4’23 2. Scène 1 – Pygmalion : « Fatal Amour, cruel vainqueur » air 3’36 3. Scène 2 – Pygmalion, Céphise : « Pygmalion, est-il possible que tu sois insensible » récit 2’01 4. Scène 3 – Pygmalion, la Statue : « Que d’appas ! Que d’attraits ! » récit 2’11 5. « D’où naissent ces accords » récit 1’01 6. « Quel prodige ? Quel dieu ? » récit 2’52 7. « De mes maux à jamais » air 2’24 8. Scène 4 – L’Amour, Pygmalion, la Statue : « Du pouvoir de l’Amour » récit 1’17 9. « Jeux et ris qui suivez mes traces » ariette vive et gracieuse 2’03 10. Les différents caractères de la danse 2’46 11. Sarabande pour la Statue 4’05 12. « Le peuple dans ces lieux s’avance » récit 0’25 13. Scène 5 – Pygmalion, la Statue, chœurs : air gay pour l’entrée du peuple qui vient admirer la Statue 1’57 14. Gavottes 1’47 15. « L’Amour triomphe » ariette 2’50 16. Pantomime niaise et un peu lente 1’04 17. Pantomime très vive 2’31 18. « Règne, Amour » ariette 5’12 19. Air gracieux 0’58 20. Contredanse 1’37 Les Fêtes de Polymnie. Suite d’orchestre (1745) 21. Ouverture 4’32 22. Air grave et fier 2’29 23. Mouvement de chaconne 1’33 24. Air grave et majestueux 3’19 25. Premier et second Menuets 3’48 26. Premier et second Passepieds 2’10 27. Entrée des Peuples 2’06 28. Gigue 1’56 29. Air vif 1’56 30. Air fort gai 1’13
Исполнители
Jean-Philippe Rameau (1683-1764) Pygmalion. Acte de ballet (1748) LIVRET DE SYLVAIN BALLOT DE SAUVOT, BASÉ SUR UN TEXTE D’ANTOINE HOUDAR DE LA MOTTE CRÉATION : PARIS, 27 AOÛT 1748 ACTE DE BALLET LIBRETTO: SYLVAIN BALLOT DE SAUVOT, AFTER A TEXT BY ANTOINE HOUDAR DE LA MOTTE FIRST PERFORMANCE: PARIS, 27 AUGUST 1748 Cyrille Dubois, tenor (Pygmalion) Marie-Claude Chappuis, mezzo-soprano (Céphise) Céline Scheen, soprano (La Statue) Eugénie Warnier, soprano (L’Amour) Orchestra: Les Talens Lyriques Conductor: Christophe Rousset Enregistré par Little Tribeca au Theater an der Wien de Vienne du 20 au 27 janvier 2017 Audio CD (November 3, 2017)
Лог создания рипа
Exact Audio Copy V1.2 from 12. August 2016 EAC extraction logfile from 29. 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Содержание индексной карты (.CUE)
REM DATE 2017 REM DISCID AA10E41E REM COMMENT "ExactAudioCopy v1.2" PERFORMER "Christophe Rousset; Cyrille Dubois; Marie-Claude Chappuis; Céline Scheen; Eugénie Warnier; Arnold Schoenberg Choir; Les Talens Lyriques" TITLE "Pygmalion" FILE "Jean-Philippe Rameau - Pygmalion.flac" WAVE TRACK 01 AUDIO TITLE "Pygmalion - Ouverture" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715501 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Pygmalion; Scène 1 - Air “Fatal Amour, cruel vainqueur” (Pygmalion)" PERFORMER "Christophe Rousset, Cyrille Dubois, Les Talens Lyriques" ISRC FROV61715502 INDEX 01 04:22:61 TRACK 03 AUDIO TITLE "Pygmalion; Scène 2 - Récit “Pygmalion, est-il possible que tu sois insensible” (Céphise, Pygmalion)" PERFORMER "Christophe Rousset, Marie-Claude Chappuis, Cyrille Dubois, Les Talens Lyriques" ISRC FROV61715503 INDEX 01 07:58:44 TRACK 04 AUDIO TITLE "Pygmalion; Scène 3 - Récit “Que d’appas! Que d’attraits!” (Pygmalion)" PERFORMER "Christophe Rousset, Cyrille Dubois, Les Talens Lyriques" ISRC FROV61715504 INDEX 01 09:59:30 TRACK 05 AUDIO TITLE "Pygmalion; Scène 3 - Récit “D’où naissent ces accords?” (Pygmalion)" PERFORMER "Christophe Rousset, Cyrille Dubois, Les Talens Lyriques" ISRC FROV61715505 INDEX 01 12:10:38 TRACK 06 AUDIO TITLE "Pygmalion; Scène 3 - Récit “Quel prodige? Quel dieu?” (Pygmalion, la Statue)" PERFORMER "Christophe Rousset, Cyrille Dubois, Céline Scheen, Les Talens Lyriques" ISRC FROV61715506 INDEX 01 13:11:29 TRACK 07 AUDIO TITLE "Pygmalion; Scène 3 - Air “De mes maux à jamais” (Pygmalion, la Statue)" PERFORMER "Christophe Rousset, Cyrille Dubois, Céline Scheen, Les Talens Lyriques" ISRC FROV61715507 INDEX 01 16:03:23 TRACK 08 AUDIO TITLE "Pygmalion; Scène 3 - Récit “Du pouvoir l’Amour” (L’Amour)" PERFORMER "Christophe Rousset, Eugénie Warnier, Les Talens Lyriques" ISRC FROV61715508 INDEX 01 18:27:47 TRACK 09 AUDIO TITLE "Pygmalion; Scène 4 - Ariette vive et gracieuse “Jeux et ris qui suivez mes traces” (L’Amour)" PERFORMER "Christophe Rousset, Eugénie Warnier, Les Talens Lyriques" ISRC FROV61715509 INDEX 01 19:44:61 TRACK 10 AUDIO TITLE "Pygmalion; Scène 4 - Les différents caractères la danse" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715510 INDEX 01 21:47:52 TRACK 11 AUDIO TITLE "Pygmalion; Scène 4 - Sarabande pour la Statue, Tambourin fort et vite, “Cédons, cédons” (Chœur de Peuples)" PERFORMER "Christophe Rousset, Arnold Schoenberg Choir, Les Talens Lyriques" ISRC FROV61715511 INDEX 01 24:33:38 TRACK 12 AUDIO TITLE "Pygmalion; Scène 4 - Récit “Le peuple dans ces lieux s’avance” (Pygmalion)" PERFORMER "Christophe Rousset, Cyrille Dubois, Les Talens Lyriques" ISRC FROV61715512 INDEX 01 28:38:37 TRACK 13 AUDIO TITLE "Pygmalion; Scène 5 - Air gay pour l’entrée du peuple qui vient admirer la Statue (Pygmalion, la Statue, chœurs)" PERFORMER "Christophe Rousset, Cyrille Dubois, Céline Scheen, Arnold Schoenberg Choir, Les Talens Lyriques" ISRC FROV61715513 INDEX 01 29:04:06 TRACK 14 AUDIO TITLE "Pygmalion; Scène 5 - Gavottes" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715514 INDEX 01 31:01:19 TRACK 15 AUDIO TITLE "Pygmalion; Scène 5 - Ariette “L’Amour triomphe” (Pygmalion, chœur)" PERFORMER "Christophe Rousset, Cyrille Dubois, Arnold Schoenberg Choir, Les Talens Lyriques" ISRC FROV61715515 INDEX 01 32:48:21 TRACK 16 AUDIO TITLE "Pygmalion; Scène 5 - Pantomime niaise et un peu lente" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715516 INDEX 01 35:38:18 TRACK 17 AUDIO TITLE "Pygmalion; Scène 5 - Deuxième Pantomime très vive" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715517 INDEX 01 36:42:14 TRACK 18 AUDIO TITLE "Pygmalion; Scène 5 - Ariette “Règne, Amour” (Pygmalion)" PERFORMER "Christophe Rousset, Cyrille Dubois, Les Talens Lyriques" ISRC FROV61715518 INDEX 01 39:13:25 TRACK 19 AUDIO TITLE "Pygmalion; Scène 5 - Air gracieux" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715519 INDEX 01 44:25:24 TRACK 20 AUDIO TITLE "Pygmalion; Scène 5 - Contredanse en rondeau" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715520 INDEX 01 45:23:12 TRACK 21 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Ouverture" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715521 INDEX 01 47:00:43 TRACK 22 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Air grave et fier" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715522 INDEX 01 51:32:40 TRACK 23 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Mouvement Chaconne" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715523 INDEX 01 54:01:71 TRACK 24 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Air grave et majestueux" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715524 INDEX 01 55:35:41 TRACK 25 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Premier et second Menuets" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715525 INDEX 01 58:54:21 TRACK 26 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Premier et second Passepieds" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715526 INDEX 01 62:42:36 TRACK 27 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Entrée des Peuples" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715527 INDEX 01 64:52:62 TRACK 28 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Gigue" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715528 INDEX 01 66:58:53 TRACK 29 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Air vif" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715529 INDEX 01 68:55:19 TRACK 30 AUDIO TITLE "Les Fêtes de Polymnie; Suite d’Orchestre (1745) - Air fort gai" PERFORMER "Christophe Rousset, Les Talens Lyriques" ISRC FROV61715530 INDEX 01 70:51:13
Рецензия от издателя
Rameau's 'acte de ballet' 'Pygmalion', was the composer's first work to bear that designation. The term denotes a one-act opera with the usual solo numbers, duets, and choruses, interspersed with dance episodes and is generally more pageant-like than plot-driven! The opera was performed 30 times in 1748 and was revived to rapturous acclaim three years later. The story of Pygmalion dates back to Greek and Roman mythology: the sculptor of the title forswears marriage, but then falls in love with his own perfect representation of a woman, beseeching Aphrodite (or Venus) to bring her to life. In Rameau's hands, the story became a sunny romantic comedy and one of his best-loved works. Like Ovid's Love, Christophe Rousset gives life to this score and leads a new and essential reading.
Доп. информация
Christophe Rousset is one of the finest and most exciting harpsichordists, and as a conductor is a leader in the late 20th century revival of French Baroque music. After studying piano as a boy, he became deeply interested in the harpsichord at the age of 13. He studied with Huguette Dreyfus at the Schola Cantorum in Paris and, from 1980 to 1983, with Bob van Asperen at the Royal Conservatory of the Hague. He won a special certificate of distinction at the Schola Cantorum and, in 1983, the first prize at the International Harpsichord Competition in Bruges. He began a professional career, in which he rose quickly in the ranks of the world's harpsichordists. He soon appeared at some of the most prestigious early music festivals, including those of Aix-en-Provence, Saintes, Veaune, Utrecht, La Roque d'Anthéron, and Les Printemps des Arts de Nantes. He recorded for the Decca record label and its early music imprint L'Oiseau-Lyre. His recording of the Piéces de clavecin of Rameau won the 1992 Gramophone Award for Best Baroque Non-Vocal Release and the Belgian Cecilia Prize. During this time as a specialist in Baroque harpsichord, he often performed the harpsichord continuo parts in ensemble music. It was natural that Rousset's harpsichord appearances with such established authentic instrument ensembles as La Petite Bande, Musica Antique de Cologne, the Academy of Ancient Music, Il Seminario Musicale, and Les Arts Florissants led him to an interest in leading a Baroque ensemble. In 1991, he founded such a group, which he named Les Talens Lyriques. The group was primarily interested in reviving French Baroque music and exploring the connections between the distinct national styles of France and other major European nations. An important introduction of Les Talens came in 1993 at the Festival de Beaune, when they performed Scipione by Handel. They have also played ballets and operas of Cimarosa, Berutti, de Mondonville. They recorded the soundtrack for the movie Farinelli, which had extraordinary sales for an early music classical release, selling well over 600,000 copies worldwide. In 2000, Rousset conducted Mozart's Mitridate at the Opéra National de Lyon. In 2004 he was honored by the French government as Officier des Arts et Lettres and Chevalier dans l’Ordre National du Mérite. Rousset has continued to record as a solo harpsichordist, often exploring the rich fund of French Baroque harpsichord music beyond Rameau and Couperin. The explosion of interest in Baroque opera in the 2010s has stimulated a busy schedule of performances and recordings of operas with Rousset as director; he has recorded, mostly for the Aparte and Ediciones Singulares labels, such novelties as Lully's Amadis (2014), Antonio Salieri's Les Danaïdes (2015), and, in 2017, Etienne-Nicolas Méhul's early Romantic Uthal. By that time, Rousset ranked as one of the most prolific performers of Baroque repertory on the European scene. He is noteworthy as a teacher and mentor, with countless "graduates" from Les Talens Lyriques populating European early music orchestras and stages.
