(Classical, Contemporary) Graham Fitkin - Circuit {Noriko Ogawa, Kathryn Stott, Tokyo Symphony Orchestra, Naoto Otomo} - 2009, FLAC (tracks+.cue), lossless

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fiks22 · 11-Апр-17 16:53 (7 лет 7 месяцев назад, ред. 11-Апр-17 16:55)

Graham Fitkin - Circuit {Noriko Ogawa, Kathryn Stott, Tokyo Symphony Orchestra, Naoto Otomo}
Жанр: Classical, Contemporary
Страна-производитель диска: Швеция
Год издания диска: 2009
Издатель (лейбл): BIS Records AB
Номер по каталогу: BIS-SACD-1517
Аудиокодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:08:37
Источник: скачано с What.CD
Наличие сканов в содержимом раздачи: нет
Треклист:
Graham Fitkin (b. 1963)
01. Circuit for two pianos and orchestra (20:07)
02. T1 for two pianos (7:48)
03. Relent for solo piano (11:22)
04. Carnal for solo piano (11:52)
05. From Yellow to Yellow for solo piano (1:41)
06. White for two pianos (4:42)
07. Furniture for solo piano (6:00)
08. T2 for two pianos (5:05)
Исполнители:
Noriko Ogawa (#1,2,4-8), Kathryn Stott (#1,2,3,6,8) - piano
Tokyo Symphony Orchestra (#1)
Naoto Otomo - conductor (#1)
Лог создания рипа

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 3. August 2013, 9:25
Kathryn Stott & Noriko Ogawa / Graham Fitkin: Circuit
Used drive : TSSTcorpCDDVDW SH-S223L Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRIC
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 20:07.18 | 0 | 90542
2 | 20:07.18 | 7:47.40 | 90543 | 125607
3 | 27:54.58 | 11:22.02 | 125608 | 176759
4 | 39:16.60 | 11:51.71 | 176760 | 230155
5 | 51:08.56 | 1:40.72 | 230156 | 237727
6 | 52:49.53 | 4:41.68 | 237728 | 258870
7 | 57:31.46 | 5:59.69 | 258871 | 285864
8 | 63:31.40 | 5:04.44 | 285865 | 308708
Track 1
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\01 - Circuit.wav
Pre-gap length 0:00:02.00
Peak level 99.8 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC 174E8340
Copy CRC 174E8340
Track not present in AccurateRip database
Copy OK
Track 2
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\02 - T1.wav
Peak level 16.2 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC F3DFE780
Copy CRC F3DFE780
Track not present in AccurateRip database
Copy OK
Track 3
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\03 - Relent.wav
Peak level 56.7 %
Extraction speed 3.4 X
Track quality 100.0 %
Test CRC 31F345C8
Copy CRC 31F345C8
Track not present in AccurateRip database
Copy OK
Track 4
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\04 - Carnal.wav
Peak level 50.9 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC 3BD870F3
Copy CRC 3BD870F3
Track not present in AccurateRip database
Copy OK
Track 5
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\05 - From Yellow to Yellow.wav
Peak level 22.7 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC B3293D96
Copy CRC B3293D96
Track not present in AccurateRip database
Copy OK
Track 6
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\06 - White.wav
Peak level 57.7 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC 447F677A
Copy CRC 447F677A
Track not present in AccurateRip database
Copy OK
Track 7
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\07 - Furniture.wav
Peak level 59.2 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC A1A8FCAD
Copy CRC A1A8FCAD
Track not present in AccurateRip database
Copy OK
Track 8
Filename M:\Music\What 7\Graham Fitkin - Circuit etc. (Stott, Ogawa; 2007) [FLAC]\08 - T2.wav
Peak level 72.2 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC EB413D19
Copy CRC EB413D19
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 9F3D2D16490090770D56DBE1B496F13F5590B3241DC94E3838649464A754983B ====
Содержание индексной карты (.CUE)

REM GENRE Classical
REM DATE 2009
REM DISCID 68101408
REM COMMENT "ExactAudioCopy v1.0b2"
CATALOG 7318599915173
PERFORMER "Noriko Ogawa & Kathryn Stott"
TITLE "Fitkin: Circuit"
FILE "01 - Circuit.wav" WAVE
TRACK 01 AUDIO
TITLE "Circuit"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917010
INDEX 01 00:00:00
FILE "02 - T1.wav" WAVE
TRACK 02 AUDIO
TITLE "T1"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917010
INDEX 01 00:00:00
FILE "03 - Relent.wav" WAVE
TRACK 03 AUDIO
TITLE "Relent"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917030
INDEX 01 00:00:00
FILE "04 - Carnal.wav" WAVE
TRACK 04 AUDIO
TITLE "Carnal"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917040
INDEX 01 00:00:00
FILE "05 - From Yellow to Yellow.wav" WAVE
TRACK 05 AUDIO
TITLE "From Yellow to Yellow"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917050
INDEX 01 00:00:00
FILE "06 - White.wav" WAVE
TRACK 06 AUDIO
TITLE "White"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917060
INDEX 01 00:00:00
FILE "07 - Furniture.wav" WAVE
TRACK 07 AUDIO
TITLE "Furniture"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917070
INDEX 01 00:00:00
FILE "08 - T2.wav" WAVE
TRACK 08 AUDIO
TITLE "T2"
PERFORMER "Noriko Ogawa & Kathryn Stott"
ISRC SEAEP0917080
INDEX 01 00:00:00
Отчет CUETools

[CUETools log; Date: 11.04.2017 16:44:50; Version: 2.1.5]
[CTDB TOCID: czjCZ27rzVyskXzGsoa6XSfDW0Y-] found.
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
[AccurateRip ID: 001a2840-00a39109-68101408] found.
Track [ CRC | V2 ] Status
01 [0d50dfbd|02713eb3] (0+1/1) Accurately ripped
02 [82f57216|529938fc] (0+1/1) Accurately ripped
03 [a98ee44f|97b35e09] (0+1/1) Accurately ripped
04 [7bdff18b|4457cc9b] (0+1/1) Accurately ripped
05 [1ae616f3|635d0f48] (0+1/1) Accurately ripped
06 [0c105e73|e277f65f] (0+1/1) Accurately ripped
07 [cf878d9c|8fc0f485] (0+1/1) Accurately ripped
08 [3b729acc|30f04372] (0+1/1) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 99,8 [D3472C7B] [118DC0D2]
01 99,8 [174E8340] [0933537D] CRC32
02 16,2 [F3DFE780] [DFC11D1C] CRC32
03 56,7 [31F345C8] [040D03F8] CRC32
04 50,9 [3BD870F3] [7A8CCF7D] CRC32
05 22,7 [B3293D96] [CC38995B] CRC32
06 57,7 [447F677A] [DBFD6DBE] CRC32
07 59,2 [A1A8FCAD] [D8677935] CRC32
08 72,2 [EB413D19] [C98AA363] CRC32
AllMusic Review by Uncle Dave Lewis
One of the most prominent latter-day British minimalists, Graham Fitkin enjoys both renown in Europe and a kind of enfant terrible status in his native England, although this is gradually wearing off. Nevertheless, to know Fitkin is not necessarily to love him; blogger/composer Alex Christaki has written that Fitkin's Mesh is "quite typical of a 'contemporary' style, meaning that its capturing texture feels to well adapted to today's modern music. I also feel that once you have heard it a second hearing is unnecessary." Another English critic once commented that "if I hear Fitkin's Cud one more time I'm afraid I'm going to lose my mind." While some voices in this controversy are firmly in Fitkin's corner, those who are not suggest that his music hammers home the musically mundane, achieving a kind of hip obsequiousness. Indeed, those so convinced are unlikely to have their minds changed by Circuit, the four-hand piano concerto that is the leadoff work on BIS' Graham Fitkin: Circuit, featuring esteemed solo pianists Noriko Ogawa and Kathryn Stott working as a team with, in the main work, the Tokyo Symphony under the direction of Naoto Otomo; the remainder of the disc is made up of solo and duo pieces from Fitkin's standing catalog. Indeed, Stott and Ogawa plow their way through the 20 breathless minutes of the main work in a performance probably requiring more in the way of sheer stamina than virtuosity, but some of the other, smaller pieces included here are definitely worth investigating.
In her solo spotlights, Noriko Ogawa is her usual, irreproachable self; T1 is enjoyable in a Satiëan, distant way and Carnal is a loud, declamatory piece that Ogawa delivers with a sense of strength, projection, and great regularity. Despite the title, Relent, played by Stott, is pretty relentless in its forward progression and pursuit of ostinati; however, the four-hand White is pleasantly reminiscent of 1940s neo-classicism. Furniture and T2 both have some pretty interesting ideas, and indeed, there are interesting moments in all of these pieces. Among English minimalists, Fitkin represents a different school of thought from the established norm; unlike Nyman, Bryars, or Eno, he was not nurtured through contact with the British high priest of experimental music Cornelius Cardew, but -- like his contemporary Steve Martland -- with Dutch composer Louis Andriessen. While he might not always subscribe to Andriessen's dictum that "one must make each successive measure different from the next," he certainly has as much right -- despite his critics -- to record his music as anyone else, and Fitkin has gathered a fairly devoted constituency of listeners in the U.K. This BIS super audio CD with Ogawa and Stott is an A-plus quality recording of Fitkin's music, a deluxe kind of platform that relatively few contemporary composers can expect to see in their lifetimes, and certainly will do -- whether one is crazy about Fitkin or not so -- to demonstrate his relative virtues and deficiencies in the most immediate and definitive fashion.
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