Caterina Sforza · 02-Янв-17 18:14(9 лет назад, ред. 02-Янв-17 18:44)
Arriaga, Seixas, Carvalho, Moreira, Portugal – Orchestral Works Жанр: Classical orchestra Страна-производитель диска: Made in the EC Год издания диска: 2003 Издатель (лейбл): Naxos Номер по каталогу: 8.557207 Дата записи: 2002 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 57'36 Источник: релизер сайт-источник/ник/другое: odeonmusic Наличие сканов в содержимом раздачи: да Треклист: Arriaga, Juan Crisostomo de Los esclavos felices: Overture
1. Los esclavos felices: Overture 00:07:18 Symphony in D Major
2. I Adagio - Allegro vivace 00:08:49
3. II Andante 00:06:13
4. III Minuetto 00:03:33
5. IV Allegro con moto 00:04:38 Seixas, Carlos de Sinfonia in B-Flat Major
6. I Allegro 00:03:20
7. II Adagio 00:02:35
8. III Minuet: Allegro 00:02:17 Carvalho, Joao de Sousa L'amore industrioso: Overture
9. I Allegro con spirito 00:03:13
10. II Andantino con moto 00:02:50
11. III Allegro spiritoso 00:03:25 Moreira, Antonio Leal Sinfonia
12. Sinfonia 00:04:35 Portugal, Marcos Antonio Il Duca di Foix: Overture
13. Il Duca di Foix: Overture 00:04:45
Исполнители
Juan Crisóstomo de Arriaga (1806-1826): "Los Esclavos Felices": Overture Symphony in D major Carlos Seixas (1704-1742): Sinfonia in B flat João de Sousa Carvalho (1745-1798): Overture "L'amore industrioso" António Leal Moreira (1758-1819): Sinfonia in B flat major Marcos Portugal (1762-1830): "Il Duca di Foix": Overture Algarve Orquestra Álvaro Cassuto - conductor Recorded at the University of the Algarve, Faro, Portugal from 16th to 22nd September, 2002, except *recorded at Igreja do Carmo, Tavira, Portugal on 21st May, 2002, using 24-bit technology for high definition sound. Producer: Andrew Walton, K&A Productions Ltd. Engineers: Eleanor Thomason, *Mike Clements • Editing: Andrew Walton and Emma Stocker Release: 2003-09-15
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 25. April 2014, 13:00 Álvaro Cassuto / Arriaga, Seixas, Carvalho, Moreira, Portugal - Orchestral Works - Cassuto Used drive : TSSTcorpCDDVDW SH-222BB Adapter: 2 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 896 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:22.32 | 0 | 33181 2 | 7:22.32 | 8:52.00 | 33182 | 73081 3 | 16:14.32 | 6:15.43 | 73082 | 101249 4 | 22:30.00 | 3:32.52 | 101250 | 117201 5 | 26:02.52 | 4:42.70 | 117202 | 138421 6 | 30:45.47 | 3:20.15 | 138422 | 153436 7 | 34:05.62 | 2:35.20 | 153437 | 165081 8 | 36:41.07 | 2:20.40 | 165082 | 175621 9 | 39:01.47 | 3:13.05 | 175622 | 190101 10 | 42:14.52 | 2:49.68 | 190102 | 202844 11 | 45:04.45 | 3:27.25 | 202845 | 218394 12 | 48:31.70 | 4:38.25 | 218395 | 239269 13 | 53:10.20 | 4:44.67 | 239270 | 260636 Range status and errors Selected range Filename E:\3000\[3989] Arriaga, Seixas, Carvalho, Moreira, Portugal – Orchestral Works – Cassuto\Arriaga, Seixas, Carvalho, Moreira, Portugal - Orchestral Works - Cassuto.wav Peak level 83.8 % Extraction speed 6.6 X Range quality 100.0 % Test CRC D45B91F8 Copy CRC D45B91F8 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 3) [797A8824] (AR v2) Track 2 accurately ripped (confidence 3) [7A95DB2D] (AR v2) Track 3 accurately ripped (confidence 3) [D568049E] (AR v2) Track 4 accurately ripped (confidence 3) [A7EF339E] (AR v2) Track 5 accurately ripped (confidence 3) [2A8C9212] (AR v2) Track 6 accurately ripped (confidence 3) [68915343] (AR v2) Track 7 accurately ripped (confidence 3) [AC5C98CE] (AR v2) Track 8 accurately ripped (confidence 3) [0E6E1FE2] (AR v2) Track 9 accurately ripped (confidence 3) [A3AD0C2B] (AR v2) Track 10 accurately ripped (confidence 3) [8081F09C] (AR v2) Track 11 accurately ripped (confidence 3) [AF7B8AF6] (AR v2) Track 12 accurately ripped (confidence 3) [21F763FE] (AR v2) Track 13 accurately ripped (confidence 3) [AB5145FF] (AR v2) All tracks accurately ripped End of status report ==== Log checksum A78AE17ECA7C76268C703EA195A8B6AC794381B6AA76BA1EFD9DC05F88D71168 ====
Содержание индексной карты (.CUE)
REM GENRE Classical REM DATE 2003 REM DISCID B00D930D REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Alvaro Cassuto" TITLE "Arriaga, Seixas, Carvalho, Moreira, Portugal - Orchestral Works - Cassuto" FILE "Arriaga, Seixas, Carvalho, Moreira, Portugal - Orchestral Works - Cassuto.flac" WAVE TRACK 01 AUDIO TITLE "Arriaga - Los Esclavos Felices, opera: Overture" PERFORMER "Alvaro Cassuto" ISRC HKI190237201 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Arriaga - Symphony in D major: I. Allegro vivace" PERFORMER "Alvaro Cassuto" ISRC HKI190237202 INDEX 00 07:18:25 INDEX 01 07:22:32 TRACK 03 AUDIO TITLE "Arriaga - Symphony in D major: II. andante" PERFORMER "Alvaro Cassuto" ISRC HKI190237203 INDEX 00 16:11:25 INDEX 01 16:14:32 TRACK 04 AUDIO TITLE "Arriaga - Symphony in D major: III. Minuetto" PERFORMER "Alvaro Cassuto" ISRC HKI190237204 INDEX 00 22:27:47 INDEX 01 22:30:00 TRACK 05 AUDIO TITLE "Arriaga - Symphony in D major: IV. Allegro con moto" PERFORMER "Alvaro Cassuto" ISRC HKI190237205 INDEX 01 26:02:52 TRACK 06 AUDIO TITLE "Seixas - Sinfonia in B flat: I. Allegro" PERFORMER "Alvaro Cassuto" ISRC HKI190237206 INDEX 00 30:41:00 INDEX 01 30:45:47 TRACK 07 AUDIO TITLE "Seixas - Sinfonia in B flat: II. Adagio" PERFORMER "Alvaro Cassuto" ISRC HKI190237207 INDEX 01 34:05:62 TRACK 08 AUDIO TITLE "Seixas - Sinfonia in B flat: III. Minuet: Allegro" PERFORMER "Alvaro Cassuto" ISRC HKI190237207 INDEX 01 36:41:07 TRACK 09 AUDIO TITLE "Sousa Carvalho - L'amore industrioso: I. Allegro con spirito" PERFORMER "Alvaro Cassuto" ISRC HKI190237209 INDEX 00 38:57:60 INDEX 01 39:01:47 TRACK 10 AUDIO TITLE "Sousa Carvalho - L'amore industrioso: II. andantino con moto" PERFORMER "Alvaro Cassuto" ISRC HKI190237210 INDEX 01 42:14:52 TRACK 11 AUDIO TITLE "Sousa Carvalho - L'amore industrioso: III. Allegro spiritoso" PERFORMER "Alvaro Cassuto" ISRC HKI190237211 INDEX 01 45:04:45 TRACK 12 AUDIO TITLE "Leal Moreira - Sinfonia in B flat major" PERFORMER "Alvaro Cassuto" ISRC HKI190237212 INDEX 00 48:29:12 INDEX 01 48:31:70 TRACK 13 AUDIO TITLE "Marcos Portugal - Il Duca di Foix, overture" PERFORMER "Alvaro Cassuto" ISRC HKI190237213 INDEX 00 53:06:52 INDEX 01 53:10:20
Доп. информация
Spanish and Portuguese Orchestral Music Juan Crisóstomo Arriaga (1806-1826) • Carlos Seixas (1704-1742) • João de Sousa Carvalho (1745-1798) • António Leal Moreira (1758-1819) • Marcos Portugal (1762-1830) Juan Cristóstomo Arriaga (1806-1826) was deserving of some of the most enthusiastic accolades (“The Spanish Mozart”) after his premature death, inasmuch as he has been neglected by a musical culture which only started to look after its history and musical heritage at the end of the nineteenth century. The Symphony in D, composed during the last years of his life, appears to have been performed for the first time in 1888, and its score was first published in 1933 with cuts and dubious changes. Such delay, for a work which is undoubtedly the most interesting of the very few orchestral works of any significance by a Spanish composer of the first half of the nineteenth century, is astonishing, especially if we remember that Arriaga was unanimously acclaimed as a precocious genius during his lifetime. His premature death certainly gave rise to a myth which transformed him, as well as many others, into a cult figure, more as a result of the expectations which he took to his grave than by the works he created during his lifetime. Indeed, important works by Arriaga are scant: three String Quartets (a rarity in the Iberian Peninsula), the opera Los esclavos felices and the Symphony in D. Indeed, we can apply to the Spanish musician the epitaph written for Schubert: “Here are buried great treasures and even larger expectations”. Arriaga appears to us, today, as a talent of great promise, an excellent and intuitive musician who mastered his art even before he started to study harmony and counterpoint with great teachers. His more important works, the Symphony in D and the Quartets, appear to be hesitating between Mozart and the early Romanticism of Beethoven or Schubert, or even of Rossini. Arriaga studied in Paris (where he also died), showing an unusual talent for instrumental music and for the serious learning of his trade (Arriaga was an excellent violinist as well as an assistant to Fétis in counterpoint at the Paris Conservatoire). The first works of the Spanish composer, such as his opera Los esclavos felices written when he was 13 years old, still show the influence of the Italian operatic style of his time. Los esclavos felices is a mixture of the Italian style, Mozart and Haydn, the late Baroque, the pure Classical style and Rossini, notable in the staccato theme that opens the fast section of the overture and its irresistible coda. The Symphony in D is a work of different dimensions and scope. If previous models still prevail (although less of Rossini and more of Beethoven and Schubert), and if the orchestra is kept within the boundaries of the classical models (double winds and brass, timpani and strings), notwithstanding the title of Symphony for large orchestra, the form is still traditional. There is no doubt, however, that the emotional pathos, use of major/minor keys and some details in orchestration clearly indicate a future Romantic genius. This does not mean that some of those traits of Romanticism cannot be found in works of the much earlier Sturm und Drang period of Haydn and Mozart (of which Arriaga’s Symphony in D could be an echo après la lettre). The dark atmosphere, however, the modulations and the most unexpected chromatic developments, the alternation between D major and D minor (which turns it into a work which is simply in D, neither major nor minor, with some modal transitions), the audacious writing for the winds and the power of the development sections (mainly in the first and last movements), are traits which add up to a work which is a clear anticipation of the musical romanticism which had already pervaded Europe at that time but had not yet reached the Iberian Peninsula. It is also a precocious sister of the famous Symphony in C which Bizet composed at the same age as Arriaga composed his Symphony in D. Carlos Seixas (1704-1742) is believed to have written more than seven hundred sonatas by the time he died at 38. Of these, only about one hundred have survived. A friend of Scarlatti who held him in high esteem, the Portuguese composer differs from the Italian by dividing his works into various sections and by a less brilliant and less technically demanding compositional technique, adding however, an unequivocal Portuguese flavour and melancholy. His orchestral legacy is limited to the Symphony in B flat, the Concerto for Harpsichord in A major, and his Overture in D major. All of these works are written in the Italian style, with three movements, except for the Overture which follows the formally richer French model. The same happens with the other works included in this recording, illustrating a rare continuity in Portuguese music: João de Sousa Carvalho (1745-1798) would become the teacher of António Leal Moreira (1758-1819), of Marcos António da Fonseca Portugal (1762-1830), as well as of João Domingos Bomtempo (1775-1830). The period during which these musicians lived, encompassed a golden one, which started with King Dom João V (1706-1750) and continued through King Dom José I (1750-1777). Gold from Brazil certainly influenced the brilliance and spending frenzy which prevailed in Portugal throughout the 18th century. This wealth determined that most Portuguese composers were sent to Italy to learn their trade while Italian musicians and choreographers were imported, at a time when the craving for Italian Opera was shared by everyone, including the King. The Sinfonia in B flat by Leal Moreira is in reality an overture in the Italian style (composed in or about 1803). It probably preceded one of the many operas by the composer, although we do not know which one. As in the other known Sinfonia in D by Leal Moreira, the Italian style is shared with the Lisbon tradition of the modinha and of the popular song. The solo flute featured in the slow introduction, reappears as a reminiscence in preparation for the exhilarating coda. The overtures L’amore industrioso (1769) and Il Duca di Foix (1805), are examples of the orchestral writing of the two most important Portuguese operatic composers, João de Sousa Carvalho and Marcos Portugal, rightly famous in their lifetime. Sousa Carvalho was the most important composer of operas of the eighteenth century in Portugal and Marcos Portugal was the best known and the most acclaimed Portuguese composer of his time in foreign countries. The Neapolitan style and the influence of Cimarosa are especially important in Marcos Portugal (who composed more than fifty operas) while in Carvalho it is the influence of Jomelli which prevails. Sérgio Azevedo (translated by Álvaro Cassuto)
