h.h.t.p. & Portablepalace / Cavitation Жанр: Electroacoustic, Electronic, Free Improvisation, Monochrome Vision Носитель: CD Страна-производитель диска (релиза): Russia Год издания: 2005 Издатель (лейбл): Monochrome Vision Номер по каталогу: mv04 Страна исполнителя (группы): International Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:59:14 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист:
1. Session 01 23:18
2. Session 02 14:19
3. Session 03 21:36
Лог создания рипа
Exact Audio Copy V1.0 beta 4 from 7. December 2014 EAC extraction logfile from 30. July 2015, 14:11 h.h.t.p. & Portablepalace / Cavitation Used drive : PIONEER DVD-RW DVR-221L Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 23:20.04 | 0 | 105003 2 | 23:20.04 | 14:21.55 | 105004 | 169633 3 | 37:41.59 | 21:32.01 | 169634 | 266534 Track 1 Filename D:\zzz\01 - Session 01.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 5.5 X Track quality 99.9 % Test CRC D6D77ACA Copy CRC D6D77ACA Accurately ripped (confidence 1) [CE685874] (AR v1) Copy OK Track 2 Filename D:\zzz\02 - Session 02.wav Pre-gap length 0:00:02.00 Peak level 99.9 % Extraction speed 7.3 X Track quality 100.0 % Test CRC 0D4633F4 Copy CRC 0D4633F4 Accurately ripped (confidence 1) [4AEFF38B] (AR v1) Copy OK Track 3 Filename D:\zzz\03 - Session 03.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 8.6 X Track quality 100.0 % Test CRC D49C1E89 Copy CRC D49C1E89 Accurately ripped (confidence 1) [5E4EDFDE] (AR v1) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum 060A919CBFCE45F5AE0B5B453E798296494023A99CC3A0BDEC6232A9FA46B73E ====
Содержание индексной карты (.CUE)
REM GENRE "Electroacoustic, Electronic, Free Improvisation" REM DATE 2005 REM DISCID 160DE103 REM COMMENT "ExactAudioCopy v1.0b4" PERFORMER "h.h.t.p. & Portablepalace" TITLE "Cavitation" FILE "01 - Session 01.wav" WAVE TRACK 01 AUDIO TITLE "Session 01" PERFORMER "h.h.t.p. & Portablepalace" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Session 02" PERFORMER "h.h.t.p. & Portablepalace" FLAGS DCP INDEX 00 23:18:04 FILE "02 - Session 02.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Session 03" PERFORMER "h.h.t.p. & Portablepalace" FLAGS DCP INDEX 00 14:19:55 FILE "03 - Session 03.wav" WAVE INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. Session 01.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. Session 02.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. Session 03.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100%
Доп. информация:
Album Info & Reviews
Composed and recorded at Kirill Domnitch's home studio in August 2002
Mixed and mastered by Andrey Savitsky, additional editing by Dmitry Vasilyev Cover designed by Dmitry Vasilyev for Monochrome Vision
Front photo by Andrey Savitsky The interaction between computer science technology and freeform musical creative process becomes a central point in this international collaboration of three artists from Belarus and USA. The abstract soundscapes are obscured by intricate structures, acoustic phenomena and electronic effects, it's going to infinity and never repeat itself. The finest harmony of soundfield is credited to the principles of intuitive simulation, realised through the system of computer-aided instruments.
Andrey Savitsky (Minsk, Belarus) - graphic designer and composer, whose main attitude is searching for new aesthetical forms and exploring computer-controlled sound and visual communications. Since 1990, he studied photography and had exhibitions in Netherlands, USA and Poland. In the meantime, he developed videoart works for various music performances, and got interested in experiments with sound and graphic design. In 2000, he found personal project h.h.t.p. also as the label for all related audio production. Four limited edition albums were released: "Forming", "Tragmatics", "Wave Weavers" and "Pljonka Mira". The music is very different, from structured noisescapes and glitchy ambient to strange ethnic songs with software-aided voices, implementation of dub, drum-n-bass, rhythm-n-blues and hip-hop styles is also prominent.. Apart from his musical efforts, he continue with interactive multimedia projects, amongst others - "Webology" videoprojection and "Trashback" videoinstallation. He also performed in such festivals as Unsound (Poland), Microstraava (Latvia), Elka.Mnsk (Belarus).
Dmitry Gelfand (New Yourk, USA) - visual artist and composer. Inside of the group of artists "Poratablepalace", he creates interdisciplinary art works which integrate chemi-physical experimentation with optics and computer science. Their central interest is the propagation of information by means of wave phenomena: electro-magnetic (light, radiation etc.) and isomorphic (sound) wave forms. Dmitry Gelfand graduated from NYU Film School and studied musical composition with Timothy Vincent Clark, a disciple of Olivier Messiaen. During 1998-1999, Portablepalace curated the "Psycho-Acoustic" series of electronic and computer music in New York, including collaborations with Morton Subotnik and Taylor Deupree. Also, among their credits is the postproduction for a 35mm film "Radioman" that won a Gold Prize at the Prix Leonardo Festival in Italy and intended to be released by Mille Plateaux. They shot, edited, and realized the computer animation and sound design for the video piece of Osvaldo Romberg's opera installation "Besame Mucho", which is being exhibited presently within the Media Series at White Box. Their other collaborations include work with Russian conceptual artist Sergei Bugaev, known as Afrika. Most recent events includes "Camera Lucida" in Russia, USA and Germany, and "Opening Coccyx" at Die Schachtel, Milan, Italy (with Richard Chartier).
Kirill Domnich (Minsk, Belarus) - poet, musician, software and artificial intelligence systems developer.
Cavitation is the phenomenon where small cavities of partial vacuum form in fluid, then rapidly collapse, producing a sharp sound. These cavities are caused by still object within moving fluid or by moving object in still fluid. If you focus ultrasonic waves into water, tiny bubbles will be produced, forming a fractal structure and radiating sound by themselves. This is a cavitation field being produced by a radially symmetric sound field - acoustic cavitation. - Monochrome Vision Monochrome Vision’s fourth release, Cavitation by h.h.t.p. and portable palace sits in between the two Spanish releases in the catalogue. It is produced Dmitry Gelfand from New York and Andrey Savitsky and Kirill Domnich from Minsk (home to a surprisingly active musical underground). The three long pieces date from 2002 and while also “cold” in feel, they are more formal in their tone, and are closer to the electro-acoustic than the industrial context. However, the sounds are at least partly (post)-industrial in spirit if not in origin and ought to interest the “industrialised listener”. In the way it excavates cavernous space it mirrors some industrial ambient but is less theatrical than that “genre” tends to be. Although texturally clinical, Cavitation has a markedly eerie undercurrent that eventually becomes overt and suggests a techno-pagan ritual invoking dead machines, offering a simultaneously nostalgic and prophetic comment on our present reality. - icrn.blogspot.com
Состав
Dmitry Gelfand: prepared piano
Andrey Savitsky: electronic sound
Kirill Domnitch: special effects
