(Bop, Hard Bop, Soul-Jazz) [CD] Carl Perkins - Introducing... Carl Perkins (1956) - 2013, FLAC (tracks), lossless

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Path: ...\Carl Perkins - Introducing
01 -=- 01. Way 'Cross Town.flac -=- CDDA (100%)
02 -=- 02. You Don't Know What Love Is.flac -=- CDDA (100%)
03 -=- 03. The Lady Is a Tramp.flac -=- CDDA (100%)
04 -=- 04. Marblehead.flac -=- CDDA (100%)
05 -=- 05. Woody 'N You.flac -=- CDDA (100%)
06 -=- 06. West Side AKA Mia.flac -=- CDDA (100%)
07 -=- 07. Just Friends.flac -=- CDDA (100%)
08 -=- 08. It Could Happen to You.flac -=- CDDA (100%)
09 -=- 09. Why Do I Care!.flac -=- CDDA (100%)
10 -=- 10. Lilacs in the Rain.flac -=- CDDA (100%)
11 -=- 11. Carl's Blues.flac -=- CDDA (99%)
12 -=- 12. West Side AKA Mia.flac -=- CDDA (100%)
13 -=- 13. Memories of You.flac -=- CDDA (76%)
Summary 98,08% CDDA
257498820

Scott Yanow --
A fine bop-oriented pianist who overcame a slightly crippled left hand (due to polio), Carl Perkins was a victim of his drug problems, passing away when he was just 29. After stints with Tiny Bradshaw and Big Jay McNeely, he became a fixture on the West Coast. Perkins was with Oscar Moore's trio (1953-1954) and briefly played with an early version of the Max Roach-Clifford Brown quintet (1954), but is best-known for his association with Curtis Counce (1956-1958). Perkins, who composed one jazz standard ("Grooveyard"), recorded with Counce, Chet Baker, Jim Hall, Art Pepper, and as a leader for Savoy (1949), Dootone (1956), and Pacific Jazz (1957), but did not live long enough to realize his potential.

Ace Records’ Boplicity label was one of the earliest entries into the jazz reissues market in the mid-1980s. The short release schedule covered classic modern jazz from the 50s and 60s, taking in music originally released by Blue Note, Riverside, Prestige and various smaller independents. We are now re-launching the label as home for our small but distinct catalogue of 1950s and 1960s modern jazz. Featuring bonus tracks wherever possible, each release will strive for the highest quality in sound reproduction, using fresh transfers of the original master tapes.
Our first batch of releases comprises albums recorded by Dexter Gordon, Carl Perkins, Curtis Counce and Buddy Collette for Dootsie William’s Dootone label. A fixture of the Los Angeles scene since the early 1930s, Williams set up his label in the late 40s to take advantage of the nascent vocal group scene. Dootone scored a big hit in 1954 with ‘Earth Angel’ by the Penguins, which allowed him to indulge his passion for jazz.
Pianist Carl Perkins’ playing on Dexter Gordon’s Dexter Blows Hot & Cool set so impressed Dootsie Williams that he also recorded him in a trio setting for the album Introducing Carl Perkins. Perkins had first recorded for Savoy in the late 40s and at the time Williams cut him he was just establishing himself as an important player and composer. Over the next couple of years, as a founder member of the Curtis Counce Group, he helped define the very best of West Coast hard bop. Numbers such as ‘Carl’s Blues’ and ‘Groove Yard’ signalled the arrival of a great composer, but just as he was gaining this success he died at the age of 28 from a drug overdose. A fantastic mix of bop classics, standards and original compositions, his Dootone album was his only outing as a leader. A wonderful window into what could have been.
-- Dean Rudland --

Carl Perkins - piano
Leroy Vinnegar - bass
Lawrence Marable - drums
Recorded in Los Angeles, California; 1955-1956