evgenetique · 11-Янв-15 20:51(10 лет назад, ред. 11-Янв-15 21:42)
Mouthus / Saw A Halo Жанр: Noise, Drone, Experimental Rock Носитель: CD Страна-производитель диска (релиза): US Год издания: 2007 Издатель (лейбл): Load Records Номер по каталогу: Load 103 Страна исполнителя (группы): US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:44:29 Источник (релизер): what.cd (wikieup) Наличие сканов в содержимом раздачи: нет Треклист:
1. Your Far Church
2. Armies Between
3. The Driftless
4. Century of Divides
5. Beaches Sleep Here
6. Wave Through
7. The Gift of Sighs
Лог создания рипа
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 12. December 2009, 14:34 Saw A Halo / Mouthus Used drive : HL-DT-STDVDRRW GSA-H20L Adapter: 5 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\FLAC\flac.exe Additional command line options : -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:48.37 | 0 | 21636 2 | 4:48.37 | 4:40.58 | 21637 | 42694 3 | 9:29.20 | 6:46.14 | 42695 | 73158 4 | 16:15.34 | 5:42.40 | 73159 | 98848 5 | 21:57.74 | 7:05.58 | 98849 | 130781 6 | 29:03.57 | 7:13.35 | 130782 | 163291 7 | 36:17.17 | 8:11.66 | 163292 | 200182 Track 1 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\01 Your Far Church.wav Pre-gap length 0:00:02.00 Peak level 97.2 % Track quality 100.0 % Test CRC E636847B Copy CRC E636847B Accurately ripped (confidence 2) [96195361] Copy OK Track 2 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\02 Armies Between.wav Peak level 99.9 % Track quality 100.0 % Test CRC 7EB8319D Copy CRC 7EB8319D Accurately ripped (confidence 2) [E6F21E83] Copy OK Track 3 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\03 The Driftless.wav Peak level 99.9 % Track quality 100.0 % Test CRC D2856120 Copy CRC D2856120 Accurately ripped (confidence 2) [9C6FB7F8] Copy OK Track 4 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\04 Century Of Divides.wav Peak level 99.9 % Track quality 100.0 % Test CRC F004D8C4 Copy CRC F004D8C4 Accurately ripped (confidence 2) [80D163E9] Copy OK Track 5 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\05 Beaches Sleep Here.wav Pre-gap length 0:00:02.73 Peak level 99.9 % Track quality 100.0 % Test CRC C7A1D0DC Copy CRC C7A1D0DC Accurately ripped (confidence 2) [0C7EEC3A] Copy OK Track 6 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\06 Wave Through.wav Peak level 99.9 % Track quality 100.0 % Test CRC 3F253B43 Copy CRC 3F253B43 Accurately ripped (confidence 2) [4842501A] Copy OK Track 7 Filename C:\Documents and Settings\HP_Administrator\My Documents\My Music\FLAC Rips\07 The Gift Of Sighs.wav Peak level 99.9 % Track quality 100.0 % Test CRC B66E3F57 Copy CRC B66E3F57 Accurately ripped (confidence 2) [DE84A673] Copy OK All tracks accurately ripped No errors occurred End of status report
Содержание индексной карты (.CUE)
REM GENRE Experimental REM DATE 2007 REM DISCID 630A6D07 REM COMMENT "ExactAudioCopy v0.99pb4" PERFORMER "Saw A Halo" TITLE "Mouthus" FILE "01 Your Far Church.wav" WAVE TRACK 01 AUDIO TITLE "Your Far Church" PERFORMER "Saw A Halo" INDEX 01 00:00:00 FILE "02 Armies Between.wav" WAVE TRACK 02 AUDIO TITLE "Armies Between" PERFORMER "Saw A Halo" INDEX 01 00:00:00 FILE "03 The Driftless.wav" WAVE TRACK 03 AUDIO TITLE "The Driftless" PERFORMER "Saw A Halo" INDEX 01 00:00:00 FILE "04 Century Of Divides.wav" WAVE TRACK 04 AUDIO TITLE "Century Of Divides" PERFORMER "Saw A Halo" INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Beaches Sleep Here" PERFORMER "Saw A Halo" INDEX 00 05:39:42 FILE "05 Beaches Sleep Here.wav" WAVE INDEX 01 00:00:00 FILE "06 Wave Through.wav" WAVE TRACK 06 AUDIO TITLE "Wave Through" PERFORMER "Saw A Halo" INDEX 01 00:00:00 FILE "07 The Gift Of Sighs.wav" WAVE TRACK 07 AUDIO TITLE "The Gift Of Sighs" PERFORMER "Saw A Halo" INDEX 01 00:00:00
Об исполнителе (группе)
Combining the effects-heavy guitar excursions of Brian Sullivan with the free jazz stylings of drummer/percussionist Nate Nelson, the Brooklyn-based Mouthus utilize a combination of dense instrumentation and squelching, overloaded noise to create a sound that ranges from dark and ambient to piercing and tortured. Through a string of CD-R and vinyl releases, the duo has distinguished itself in what is arguably the hub of noise/experimental music on the East Coast, becoming a regular fixture at the No Fun festival, as well as being selected by Thurston Moore to perform at the 2006 All Tomorrow's Parties festival in England. Mouthus formed in 2002, and later that year Psych-O-Path issued their self-titled debut as a limited release. In 2004, the pair released the LP Loam on Thurston Moore's Ecstatic Peace! imprint. In 2005, a prolific year for Mouthus, they released the split LP 12-25-04 with San Francisco-based performer Axolotl on Olde English Spelling Bee; the limited CD-R/LP Bigger Throws on their label, Our Mouth Records; and the LP Slow Globes and a split tour LP with Double Leopards, both on Troubleman Unlimited. They kept up the pace in 2006, releasing the split double LP Crippled Rosebud Binding with Double Leopards and Sunroof! on Music Fellowship, the CD For the Great Slave Lakes on Three Lobed Recordings, a limited self-titled LP on Olde English Spelling Bee, the LP Sister Vibration on Our Mouth Records, and the CD The Long Salt on Important Records. In 2007, Mouthus self-released the CD-R Dual Drift and recorded their first official studio album, Saw a Halo, released on Load Records. -AMG
Review
Mouthus - Saw a Halo - 8.5/10 The stateside fringes The Wire's David Keenan collectively dubbed New Weird America only four years ago sounded a bit different this different year. More melody, more cohesion, and-- for better and worse-- less chaos: In 2007, several of the bands earmarked in Keenan's wide menagerie came closer to home to roost, at least temporarily. Magik Markers made a piano-heavy record of damaged torch songs, and Marker Elisa Ambrogio sang sweetly with beau Ben Chasny on his latest, Six Organs of Admittance's Shelter from the Ash. Sunburned Hand of the Man proved vivacious beneath the editing touch of British fan Kieran "Four Tet" Hebden, while Massachusetts brethren MV & EE washed Neil Young's Decade in lye soap. Devendra Banhart sounded like a 17-year-old with a Lyrichord crush, and Animal Collective continued to hem the noise inside the pop. And a year after releasing a 12-song, 51-minute rock album, Sonic Youth covered Bob Dylan, while Thurston Moore released a largely acoustic album under his forename and Kim Gordon portrayed an aging folksinger in I'm Not There. Oh, and there's Mouthus, the Brooklyn-based, guitar/drums/electronics noise duo of Brian Sullivan and Nate Nelson. For their Load Records debut, Saw a Halo, Sullivan and Nelson landed a mostly perfect album. Though known for electricity and abrasion, Mouthus added acoustic guitars for three of the record's seven tracks. Surprise, surprise. Acoustic guitar excepted, the success of Saw a Halo depends largely on the same elements as the rest of Mouthus' 10 LPs since 2002. The duo's sound still pivots on manipulation. Nelson's drums can sound like traditional traps one minute or dim, percussive clicks the next, and guitarist Sullivan can (but rarely does) twist through a bona fide solo or use his instrument just as an input for pedals and as an outlet for cacophonous textures. Fascinating but vaguely familiar sounds have always been paramount to Mouthus' appeal, as has gumption. Mouthus' most riveting moments have come when Sullivan and Nelson attacked a motif or incidental sound with gusto, pushing everything to be louder, bigger, more daring. On Saw a Halo, they do that seven times. But Mouthus is controlled and composed here, too, and that's the linchpin. Saw a Halo adds structural smarts to sonic iconoclasm as it moves through big arcs lined with micro-plots of clashing sounds. By the time Sullivan lets an eight-minute shrill solo collapse to a feedback-and-percussion din on closer "The Gift of Sighs", that arc is exhausting and cathartic. Something about it feels like high drama: The secret is order, with seven tracks split into two sides (you'll notice seven seconds of silence after track four if you're tuning in digitally). Those track markers may seem arbitrary, jokes of sorts amid a persistent, unflinching, even monotonous noise. But the meticulous Mouthus demands attention. Each track shift here represents a significant sonic event buried within the squall, and each new idea drains into the next. Opener "Your Far Church", for instance, is a broken, somber ballad of strummed acoustics and multi-tracked vocals, steadily battered from beneath by an undercurrent of clattering drums. They sweep up, digesting and reorganizing the surroundings like a vortex. Track two begins, and leftover vocals are pushed beneath a sharp static gale and stabbed by bursts of guitar feedback. The rhythm mutates constantly. When the shard falls into a deep fryer and its thin, penetrating tone suddenly becomes thick and bludgeoning, track three begins. The drums submit, biding the roar's orders and building into a militaristic, cymbal-and-tom regimen. When the beat finally disappears, the thick static tires of itself. Track four begins, and sheets of sound whittle away into beautiful undercurrents that float like a perfect post-rock comedown. Except then Mouthus come back up, smearing a tampered tribal rhythm with sharp feedback and spectral whispers. Side two does the same, and-- be forewarned-- the close is completely devastating. On Saw a Halo, Mouthus has done what is so difficult for so many bands: They've held firm to what made them innovative and interesting, but they've poured it into a shape that makes it new and forceful all over again. Mouthus were great as early as 2005's Slow Globes; now-- with mastery over some of the most daunting sounds coming out of experimental circles in 2007-- they're mostly peerless. -pitchfork.com
