Alban Darche, Gábor Gadó, Sébastien Boisseau - Budapest Concerts Жанр: Avant-Garde, Free Jazz Страна-производитель диска: Hungary Год издания: 2010 Издатель (лейбл): BMC Номер по каталогу: BMCCD164 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 57:23 Источник (релизер): вата Наличие сканов в содержимом раздачи: нет Треклист:
1. Missin' home 6:52
2. Mon tribut a Tim Burton 3:17
3. L'Orfevre 5:09
4. La bille 4:28
5. Berceuse mignonne 4:16
6. Bis free 4:37
7. Postlude 4:07
8. Tregor Song 6:09
9. La conjuration des imbéciles / A Confederacy of Dunces 4:55
10. Écorces 7:30
11. Traître humanoide (Anagram of Matthieu Donarier) 5:58 Alban Darche: tenor saxophone Gábor Gadó: guitar Sébastien Boisseau: double bass
REM GENRE Jazz REM DATE 2010 PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" TITLE "Budapest Concerts" REM REPLAYGAIN_ALBUM_GAIN -4.18 dB REM REPLAYGAIN_ALBUM_PEAK 0.993561 FILE "01 - Missin' home.flac" WAVE TRACK 01 AUDIO TITLE "Missin' home" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816401 REM REPLAYGAIN_TRACK_GAIN -4.97 dB REM REPLAYGAIN_TRACK_PEAK 0.993164 INDEX 01 00:00:00 FILE "02 - Mon tribut a Tim Burton.flac" WAVE TRACK 02 AUDIO TITLE "Mon tribut a Tim Burton" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816402 REM REPLAYGAIN_TRACK_GAIN -4.42 dB REM REPLAYGAIN_TRACK_PEAK 0.993561 INDEX 01 00:00:00 FILE "03 - L'orfevre.flac" WAVE TRACK 03 AUDIO TITLE "L'orfevre" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816403 REM REPLAYGAIN_TRACK_GAIN -5.51 dB REM REPLAYGAIN_TRACK_PEAK 0.993317 INDEX 01 00:00:00 FILE "04 - La bille.flac" WAVE TRACK 04 AUDIO TITLE "La bille" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816404 REM REPLAYGAIN_TRACK_GAIN -3.54 dB REM REPLAYGAIN_TRACK_PEAK 0.993378 INDEX 01 00:00:00 FILE "05 - Berceuse Mignonne.flac" WAVE TRACK 05 AUDIO TITLE "Berceuse Mignonne" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816405 REM REPLAYGAIN_TRACK_GAIN -4.01 dB REM REPLAYGAIN_TRACK_PEAK 0.993347 INDEX 01 00:00:00 FILE "06 - Bis free.flac" WAVE TRACK 06 AUDIO TITLE "Bis free" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816406 REM REPLAYGAIN_TRACK_GAIN -3.09 dB REM REPLAYGAIN_TRACK_PEAK 0.993347 INDEX 01 00:00:00 FILE "07 - Postlude.flac" WAVE TRACK 07 AUDIO TITLE "Postlude" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816407 REM REPLAYGAIN_TRACK_GAIN -5.13 dB REM REPLAYGAIN_TRACK_PEAK 0.993439 INDEX 01 00:00:00 FILE "08 - Tregor song.flac" WAVE TRACK 08 AUDIO TITLE "Tregor song" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816408 REM REPLAYGAIN_TRACK_GAIN -4.03 dB REM REPLAYGAIN_TRACK_PEAK 0.993439 INDEX 01 00:00:00 FILE "09 - La conjuration des imbeciles (A confederacy of dunces).flac" WAVE TRACK 09 AUDIO TITLE "A confederacy of dunces" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816409 REM REPLAYGAIN_TRACK_GAIN -2.69 dB REM REPLAYGAIN_TRACK_PEAK 0.993317 INDEX 01 00:00:00 FILE "10 - Ecorces.flac" WAVE TRACK 10 AUDIO TITLE "Ecorces" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816410 REM REPLAYGAIN_TRACK_GAIN -1.96 dB REM REPLAYGAIN_TRACK_PEAK 0.797302 INDEX 01 00:00:00 FILE "11 - Traitre humanoide (Anagram of Matthieu Donarier).flac" WAVE TRACK 11 AUDIO TITLE "Traitre humanoide (Anagram of Matthieu Donarier)" PERFORMER "Alban Darche, Gado Gabor, Sebastien Boisseau" ISRC HUA150816411 REM REPLAYGAIN_TRACK_GAIN -3.89 dB REM REPLAYGAIN_TRACK_PEAK 0.993347 INDEX 01 00:00:00
Об альбоме (сборнике)
Herewith two records released at about the same time, on the same label (Hungary's Budapest Music Center), both prominently featuring Hungarian guitarist Gábor Gadó. If, however, it's pleasing to play the discs side by side—and it really is—it's as much because of the two records' differences as their similarities. Budapest Concerts is a concert recording by a small group; Lung-gom-pa, meanwhile, is a studio date by a large and varied ensemble. But the most significant distinction is that the former is a free-jazz performance, while the latter is elaborately composed. And the most interesting thing, perhaps, is that the free-jazz record makes for far "easier" listening, flying in the face of expectations.
The Franco-Hungarian trio performs a series of free-jazz pieces, each based on the slightest of sketches. In general, the drumless format produces a music of gentle exhalation, atmospheric and at times filmic (as on the stop-go waltz tribute to Tim Burton). Saxophonist Darche is responsible for much of the recording's gentle beauty. Though his avant-garde credentials are nowhere in doubt, he nevertheless approaches a melodic idea as though he were Paul Quinichette, or, better still, Zoot Sims: open, approachable and with a vague sense of swing. Guitarist Gadó, if anything, is even more open, approachable and swinging. On both records under review he frequently deploys pretty sound washes very much in the style of Bill Frisell. Like the French guitarist Manu Codjia, however, Gadó seems to conceive of these moments as the quiet end of a musical spectrum centered on considerably rowdier sounds than Frisell's. The generally sinuous sound of the record is interrupted, effectively, by the agitated climax that occurs in the middle of "Tregor Song," with Gadó's guitar recalling Sonny Sharrock's work with Last Exit and Boisseau providing a choppy percussion with his bass. This percussive element is magnified in "La Conjuration des imbéciles / A Confederacy Of Dunces," with what might be Darche's saxophone slaps and squeaks, as well as borderline-funky guitar-bass interaction. Sinuousity returns for the two final cuts.
