Diamanda Galás / Plague Mass (1984 -- End of the Epidemic)
Live at The Cathedral of St. John The Divine, NYC
Жанр: Avant-Garde, Experimental
Год издания: 1991
Издатель (лейбл): Mute Records
Номер по каталогу: 9 61043-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:12:51
Источник (релизер): вата (
leschwem)
Наличие сканов в содержимом раздачи:
да (из
раздачи by
mironov_ad)
Треклист:
01 - There Are No More Tickets to the Funeral： Were You A Witness (I) (2:33)
02 - There Are No More Tickets to the Funeral： Were You A Witness (II) (4:10)
03 - There Are No More Tickets to the Funeral： Were You A Witness (III) (6:30)
04 - This Is The Law Of The Plague (Leviticus, Ch. 15 Old Testament, Psalms 22, 58, 59) (11:45)
05 - I Wake Up And I See The Face Of The Devil (I) (3:43)
06 - I Wake Up And I See The Face Of The Devil (II) (2:16)
07 - Confessional (Give Me Sodomy or Give Me Death) (4:17)
08 - How Shall Our Judgement Be Carried Out Upon The Wicked? (Excerpts From Revelations 19：11-14 and Revelations 16：12-16) (8:37)
09 - Let Us Praise The Masters Of Slow Death (5:54)
10 - Consecration (3:44)
11 - Sono L'Antichristo (3:09)
12 - Cris D'Aveugle： Blind Man's Cry (10:02)
13 - Let My People Go (4:37)
14 - There Are No More Tickets To The Funeral (1:27)
Personnel:
David Linton (drums, percussion)
Blaise Dupuy (electronic keyboards)
Ramon Diaz (electronic percussion)
Michael McGrath (tapes and electronics)
Diamanda Galás (vocal; grand piano)
Лог создания рипа (XLD Log)
X Lossless Decoder version 20090320 (105.1)
XLD extraction logfile from 2009-07-30 14:08:01 -0500
Diamanda Galas / Plague Mass
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Read offset correction : 102
Max retry count : 100
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 00:00:33 | 02:33:20 | 33 | 11527
2 | 02:33:53 | 04:10:22 | 11528 | 30299
3 | 06:44:00 | 06:30:30 | 30300 | 59579
4 | 13:14:30 | 11:45:60 | 59580 | 112514
5 | 25:00:15 | 03:43:10 | 112515 | 129249
6 | 28:43:25 | 02:16:65 | 129250 | 139514
7 | 31:00:15 | 04:17:58 | 139515 | 158847
8 | 35:17:73 | 08:37:15 | 158848 | 197637
9 | 43:55:13 | 05:54:35 | 197638 | 224222
10 | 49:49:48 | 03:44:45 | 224223 | 241067
11 | 53:34:18 | 03:09:50 | 241068 | 255292
12 | 56:43:68 | 10:02:45 | 255293 | 300487
13 | 66:46:38 | 04:37:32 | 300488 | 321294
14 | 71:23:70 | 01:27:73 | 321295 | 327892
List of alternate offset correction values
# | Absolute | Relative | Confidence
------------------------------------------
1 | -1937 | -2039 | 2
Track 01
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No errors occurred
End of status report
Содержание индексной карты (.CUE)
TITLE "Plague Mass"
PERFORMER "Diamanda Galas"
CATALOG 0075596104326
REM GENRE "Avant-Garde "
REM DATE 1990
FILE "01 - There Are No More Tickets to the Funeral： Were You A Witness (I).wav" WAVE
TRACK 01 AUDIO
TITLE "There Are No More Tickets to the Funeral: Were You A Witness (I)"
INDEX 00 00:00:00
INDEX 01 00:00:33
FILE "02 - There Are No More Tickets to the Funeral： Were You A Witness (II).wav" WAVE
TRACK 02 AUDIO
TITLE "There Are No More Tickets to the Funeral: Were You A Witness (II)"
INDEX 01 00:00:00
FILE "03 - There Are No More Tickets to the Funeral： Were You A Witness (III).wav" WAVE
TRACK 03 AUDIO
TITLE "There Are No More Tickets to the Funeral: Were You A Witness (III)"
INDEX 01 00:00:00
FILE "04 - This Is The Law Of The Plague (Leviticus, Ch. 15 Old Testament, Psalms 22, 58, 59).wav" WAVE
TRACK 04 AUDIO
TITLE "This Is The Law Of The Plague (Leviticus, Ch. 15 Old Testament, Psalms 22, 58, 59)"
INDEX 01 00:00:00
FILE "05 - I Wake Up And I See The Face Of The Devil (I).wav" WAVE
TRACK 05 AUDIO
TITLE "I Wake Up And I See The Face Of The Devil (I)"
INDEX 01 00:00:00
FILE "06 - I Wake Up And I See The Face Of The Devil (II).wav" WAVE
TRACK 06 AUDIO
TITLE "I Wake Up And I See The Face Of The Devil (II)"
INDEX 01 00:00:00
FILE "07 - Confessional (Give Me Sodomy or Give Me Death).wav" WAVE
TRACK 07 AUDIO
TITLE "Confessional (Give Me Sodomy or Give Me Death)"
INDEX 01 00:00:00
FILE "08 - How Shall Our Judgement Be Carried Out Upon The Wicked (Excerpts From Revelations 19：11-14 and Revelations 16：12-16).wav" WAVE
TRACK 08 AUDIO
TITLE "How Shall Our Judgement Be Carried Out Upon The Wicked (Excerpts From Revelations 19:11-14 and Revelations 16:12-16)"
INDEX 01 00:00:00
FILE "09 - Let Us Praise The Masters Of Slow Death.wav" WAVE
TRACK 09 AUDIO
TITLE "Let Us Praise The Masters Of Slow Death"
INDEX 01 00:00:00
FILE "10 - Consecration.wav" WAVE
TRACK 10 AUDIO
TITLE "Consecration"
INDEX 01 00:00:00
FILE "11 - Sono L'Antichristo.wav" WAVE
TRACK 11 AUDIO
TITLE "Sono L'Antichristo"
INDEX 01 00:00:00
FILE "12 - Cris D'Aveugle： Blind Man's Cry.wav" WAVE
TRACK 12 AUDIO
TITLE "Cris D'Aveugle: Blind Man's Cry"
INDEX 01 00:00:00
FILE "13 - Let My People Go.wav" WAVE
TRACK 13 AUDIO
TITLE "Let My People Go"
INDEX 01 00:00:00
FILE "14 - There Are No More Tickets To The Funeral.wav" WAVE
TRACK 14 AUDIO
TITLE "There Are No More Tickets To The Funeral"
INDEX 01 00:00:00
Allmusic review
"Blue" Gene Tyranny wrote:
Diamanda Galas, who has been known for both her own work and as a singer of extremely demanding modern scores, created this heart-wrenching cry about the physical suffering caused by the AIDS plague being compounded by the shameful arrogance of self-appointed moralists. Maintaining an incredible intensity and depth for over an hour's solo vocal (recorded live at The Cathedral of St. John the Divine, NYC, with suitably minimal band and electronics backup), Galas proceeds through Mahalia Jackson-influenced spiritual singing, saxophone-like wails, to dramatic dialogues in many dialects and languages ("there are no more tickets to the funeral") to engrossing Portuguese fado singing to taking on the attributes of Satan (in "Sono L'Antichristo," "I Am the Anti-Christ") in order to challenge the concept of a vengeful, instead of compassionate deity (and society), much as Nina Simone did in her controversial song "God Is a Killer" in the '60s. The Mass ends with the heartfelt lyrics "I go to sleep each evening now dreaming of the grave and see the friends I used to know calling out my name. O Lord Jesus, do you think I've served my time ?." At times, the singing is "self-indulgent," but, oh well.
Discogs
Companies etc▼
Phonographic Copyright (p) – Mute Records Ltd.
Copyright (c) – Mute Records Ltd.
Recorded At – Cathedral Of St. John The Divine
Mixed At – The Living Room Studios Inc.
Glass Mastered At – Nimbus
Credits▼
Drums, Percussion – David Linton
Engineer [Assistant] – Holly Duthie
Engineer [Sound Reinforcement] – Scott Widney, Simon Nathan
Engineer [Technical] – Paul Prestopino
Executive Producer – Rory Johnston
Mixed By [Live Sound Mix] – Dan Dryden
Other [Audio Stage Manager] – Chuck Cavanaugh
Other [Consultant To D. Galas] – David Whyte
Other [Liner Notes] – Michael Flanagan, Tim Holmes
Other [Production Stage Manager] – Marc Warren
Other [Stage Manager] – Eric Osborn
Other [Staging, Artistic Consultation] – Charles Atlas
Percussion [Electronic] – Ramon Diaz
Photography [Booklet Front & Back] – Tom Caravaglia
Photography [Cathedral] – Robert F. Rodriguez
Photography [Inside] – Robbie Louernco
Piano [Grand] – Diamanda Galás
Producer – Kurt Munkacsi
Producer, Keyboards [Electronic] – Blaise Dupuy
Recorded By [Mobile Recording Engineer] – Kooster McAllister
Tape [Tapes], Electronics – Michael McGrath
Notes▼
Subtitled "1984—End Of The Epidemic". Recorded live in concert on October 12th and 13th, 1990 at the Cathedral of St. John the Divine, New York City. Mixed at The Living Room Studios Inc., NYC.
Excerpts from the 95 minute live performance have been selected, "Job:10" and "Lamentations" have been omitted due to the time limitations of the CD configuration.
Track 1 originally titled "Were You There When They Crucified My Lord."
Only 10 tracks are listed on the back cover, but the disc plays 14. Listed here are the 14 actual tracks and timings.
Live recording by Record Plant Remote. Sound reinforcement by ProMix. Recording edited using Sound Tools by digidesign.
Special thanks to Beth Bellis of Mute Records.
Live concerts produced by Jedediah Wheeler and Linda Greenberg for IPA Presents, Inc., Naj Wikoff for Cathedral Arts at Saint John The Divine, Intravenal Sound Operations, Mute Records and Euphorbia Productions.
Доп. информация: Альбом записан 12 и 13 октября 1990 года live в нью-йоркском Епископальном соборе Saint John the Divine в форме мессы, исполняемой с минимумом инструментов, практически только голосом. За перфоманс этого проекта, направленный против ханжеского равнодушия Католической церкви к проблемам эпидемии СПИДа, Диаманда Галас была арестована. В обращении к суду она сказала: "Этот "Дом Сострадания" препятствует работе людей, которые пытаются что-то сделать, чтобы прекратить эпидемию СПИДа, препятствуют молиться нам словом и делом для сокрушения Чумы”.
В Италии перфоманс “Plague Mass”, прошедший на Festival delle Colline, правительство и Католическая церковь назвали “богохульным” и “кощунственным”. За эту же работу ее наградил фонд “Meet the Composer” и “Ford Fundation”, а часть альбома была преобразована для “Coalition for Freedom of Expression” на VII International AIDS Conference в Сан-Франциско.
Подробнее про Диаманду Галас см.
здесь, а также
здесь или
здесь.
Вот еще о данном альбоме
Уродливым и гнетущим шедевром называли критики новую работу Галас - альбом "Divine Punishment" (1986). Это была первая часть трилогии "The Plague Mass", начатой Диамандой в год смерти от СПИДа ее брата, которому было всего 32 года. "The Plague Mass" -ключевое звено в творческом наследии Диаманды Галас. Вторая часть трилогии, "Saint of the Pit", вышла в том же 86 году, третья появилась через два года и называлась "You Must Be Certain of the Devil". Артистка выносила приговор самодовольным моралистам, успокаивающим себя теорией, что СПИД - это наказание, которое Господь обрушивает на головы грешников. Галас, напротив, изображает носителей вируса современными святыми, отвергнутыми жестоким социумом. Большая часть композиций, включенных в эту ораторию-обвинение, - это не столько песни, сколько речитативы под мелодии, подражающие григорианским гимнам. Кроме собственных текстов, артистка широко использует Новый и Ветхий Завет, стихотворения французских символистов (Бодлера, Корбье, Нерваля). Сценическую версию "Divine Punishment" Галас представила на австрийском фестивале Ars Electronica, который проходил в Линце в 1986 году и где она удостоилась звания лауреата.
Впоследствии трилогия переросла в тетралогию, пополнившись еще одной частью, "There Are No More Tickets to the Funeral". Окончательная версия грандиозной оратории "Plague Mass" прозвучала осенью 1990 года под сводами собора Святого Иоанна на Манхэттене. В 1991 году концертная запись была опубликована лейблом Mute под названием "Plague Mass (1984 End of the Epidemic)".
Diamanda Galás на трекере: нажать
