chuhonka2010 · 20-Май-13 16:30(12 лет 6 месяцев назад, ред. 22-Окт-13 05:32)
Daft Punk - Random Access Memories Édition Studio Masters Исполнитель: Daft Punk
Альбом: Random Access Memories
Жанр: Electronic, Pop, Disco, Funk, Progressive House
Год издания: 2013
Издатель (лейбл): Columbia
Источник:
Аудиокодек: FLAC 24bit 88,2kHz
Тип рипа: tracks
Продолжительность: 01:14:30
Цитата:
Tracklist:
1 Give Life Back To Music
2 The Game Of Love
3 Giorgio By Moroder
4 Within
5 Instant Crush (feat. Julian Casablancas)
6 Lose Yourself To Dance (feat. Pharrell Williams)
7 Touch (feat. Paul Williams)
8 Get Lucky (feat. Pharrell Williams)
9 Beyond
10 Motherboard
11 Fragments Of Time (feat. Todd Edwards)
12 Doin' It Right (feat. Panda Bear)
13 Contact
Tracklist
1 Give Life Back To Music
Bass – Nathan East
Drums – John "JR" Robinson*
Guitar – Nile Rodgers, Paul Jackson Jr.
Keyboards – Chris Caswell (2), Chilly Gonzales*
Pedal Steel Guitar [Pedal Steel] – Greg Leisz
Percussion – Quinn (3)
Synthesizer [Modular Synthesizer] – Daft Punk
Vocals – Daft Punk
Written-By – G.M. de Homem-Christo*, N. Rodgers*, P. Jackson Jr.*, T. Bangalter* 4:352 The Game Of Love
Bass – Nathan East
Drums – John "JR" Robinson*
Guitar – Paul Jackson Jr.
Keyboards – Chris Caswell (2)
Pedal Steel Guitar [Pedal Steel] – Greg Leisz
Synthesizer – Daft Punk
Vocals – Daft Punk
Written-By – G.M. de Homem-Christo*, T. Bangalter* 5:223 Giorgio By Moroder
Bass – James Genus, Nathan East
Drums – John "JR" Robinson*, Omar Hakim
Guitar – Paul Jackson Jr.
Keyboards – Chris Caswell (2), Daft Punk
Pedal Steel Guitar [Pedal Steel] – Greg Leisz
Percussion – Quinn (3)
Recorded By [Giorgio's Voice Recorded By] – Guillaume Le Braz
Synthesizer [Modular Synthesizer] – Daft Punk
Voice – Giorgio Moroder
Written-By – G. Moroder*, G.M. de Homem-Christo*, T. Bangalter* 9:044 Within
Bass – Nathan East
Drums – John "JR" Robinson*
Keyboards – Chris Caswell (2), Daft Punk
Percussion – Quinn (3)
Piano [Solo Piano] – Chilly Gonzales*
Vocals – Daft Punk
Written-By – G.M. de Homem-Christo*, J. "Chilly Gonzales" Beck*, T. Bangalter* 3:485 Instant Crush
Bass – Nathan East
Co-producer – Julian Casablancas
Drums – John "JR" Robinson*
Lead Guitar – Julian Casablancas
Percussion – Quinn (3)
Synthesizer, Keyboards, Guitar – Daft Punk
Vocals – Julian Casablancas
Written-By – G.M. de Homem-Christo*, J. Casablancas*, T. Bangalter* 5:376 Lose Yourself To Dance
Bass – Nathan East
Drums – John "JR" Robinson*
Guitar – Nile Rodgers
Vocals – Daft Punk, Pharrell Williams
Written-By – G.M. de Homem-Christo*, N. Rodgers*, Ph. Williams*, T. Bangalter* 5:537 Touch
Bass – James Genus
Choir – Alexandra Gunn, Alissa M. Crenshaw, Alycia Grant, Chelsea T. DiBlasi*, Elaina S. Crenshaw, Emma S. Gunn*,
Jeffrey Gunn, Jessica Rotter, Joshua Britt, Mariah A. Britt*, Shirley Koesnadi, Victor Pineschi
Conductor [Choir] – Angie Jaree
Drums – Omar Hakim, Quinn (3)
Guitar – Paul Jackson Jr.
Keyboards – Chris Caswell (2)
Lap Steel Guitar [Lap Steel] – Greg Leisz
Ondes Martenot – Thomas Bloch
Synthesizer [Modular Synthesizer] – Daft Punk
Vocals – Daft Punk, Paul Williams (2)
Written-By – C. Caswell*, G.M. de Homem-Christo*, P. Williams*, T. Bangalter* 8:188 Get Lucky
Bass – Nathan East
Drums – Omar Hakim
Guitar – Nile Rodgers, Paul Jackson Jr.
Keyboards – Chris Caswell (2)
Synthesizer – Daft Punk
Vocals – Daft Punk, Pharrell Williams
Written-By – G.M. de Homem-Christo*, N. Rodgers*, Ph. Williams*, T. Bangalter* 6:099 Beyond
Bass – James Genus
Drums – Omar Hakim
Guitar – Paul Jackson Jr.
Keyboards – Chris Caswell (2)
Pedal Steel Guitar [Pedal Steel], Lap Steel Guitar [Lap Steel] – Greg Leisz
Synthesizer – Daft Punk
Vocals – Daft Punk
Written-By – C. Caswell*, G.M. de Homem-Christo*, P. Williams*, T. Bangalter* 4:5010 Motherboard
Bass – James Genus
Guitar – Paul Jackson Jr.
Keyboards – Chris Caswell (2)
Pedal Steel Guitar [Pedal Steel] – Greg Leisz
Percussion – Omar Hakim, Quinn (3)
Synthesizer [Modular Synthesizer] – Daft Punk
Written-By – G.M. de Homem-Christo*, T. Bangalter* 5:4111 Fragments Of Time
Bass – James Genus, Nathan East
Co-producer – Todd Edwards
Drums – Omar Hakim
Guitar – Paul Jackson Jr.
Keyboards – Chris Caswell (2), Daft Punk
Pedal Steel Guitar [Pedal Steel] – Greg Leisz
Percussion – Quinn (3)
Synthesizer [Lead Synthesizer] – Daft Punk
Vocals – Todd Edwards
Written-By – G.M. de Homem-Christo*, T. Bangalter*, T. Imperatrice* 4:3912 Doin' It Right
Synthesizer [Modular Synthesizer] – Daft Punk
Vocals – Daft Punk, Panda Bear
Written-By – G.M. de Homem-Christo*, N. Lennox*, T. Bangalter* 4:1113 Contact
Bass – James Genus
Co-producer – DJ Falcon
Drums – Omar Hakim
Synthesizer [Modular Synthesizer] – DJ Falcon, Daft Punk
Written-By – D. Braithwaite*, G. Porter*, G.M. de Homem-Christo*, S. Queme*, T. Bangalter*, T. Mitchell* 6:21
Credits
Arranged By [Arrangements] – Chris Caswell (2), Guy-Manuel de Homem-Christo, Thomas Bangalter
Bass [Orchestra] – Charles Berghofer* (tracks: 3, 7, 9, 10), Don Ferrone* (tracks: 3, 7, 9, 10), Drew Dembowski (tracks: 3, 7, 9, 10)
Bassoon [Orchestra] – Judith Farmer* (tracks: 3, 7, 9, 10)
Cello [Orchestra] – Armen Ksajikian (tracks: 3, 7, 9, 10), Christina Soule (tracks: 3, 7, 9, 10), Paula Hochalter* (tracks: 3, 7, 9, 10), Timothy Loo (tracks: 3, 7, 9, 10), Vanessa F. Smith* (tracks: 3, 7, 9, 10)
Clarinet [Orchestra] – Marty Krystall (tracks: 3, 7, 9, 10)
Clarinet [Orchestra], Bass Clarinet [B. Clarinet (Orchestra)] – Gene Cipriano (tracks: 3, 7, 9, 10)
Conductor [Orchestra] – Douglas Walter* (tracks: 3, 7, 9, 10)
Contractor [Orchestra] – Joseph Solido (tracks: 3, 7, 9, 10)
Cover [Cover Art] – Cédric Hervet*, Warren Fu
Creative Director – Cédric Hervet*
Design Concept [Concept By], Art Direction – Cédric Hervet*, Guy-Manuel de Homem-Christo, Paul Hahn, Thomas Bangalter, Warren Fu
Engineer [Digital Audio Engineer] – Daniel Lerner
English Horn [E. Horn (Orchestra)] – David Kosoff* (tracks: 3, 7, 9, 10)
Flute [Orchestra] – Greg Huckins (tracks: 3, 7, 9, 10), Sara Andon (tracks: 3, 7, 9, 10), Steve Kajala (tracks: 3, 7, 9, 10)
French Horn [Orchestra] – Danielle Ondarza (tracks: 3, 7, 9, 10), James Atkinson (tracks: 3, 7, 9, 10), Justin Hageman (tracks: 3, 7, 9, 10), Nathan Campbell (tracks: 3, 7, 9, 10), Stephanie O'Keefe (tracks: 3, 7, 9, 10)
Illustration – Warren Fu
Management – Paul Hahn
Mastered By – Bob Ludwig, Chab (2)
Mixed By – Mick Guzauski
Mixed By [Assistant Mixing Engineer] – Peter Franco, Seth Waldmann
Oboe [Orchestra] – Earl Dumler (tracks: 3, 7, 9, 10)
Orchestrated By [Orchestration] – David Channing (tracks: 3, 7, 9, 10)
Other [Booth (Orchestra)] – Chris Caswell (2) (tracks: 3, 7, 9, 10)
Other [Legal] – Peter Button, Clintons UK
Other [Media Director] – Kathryn Frazier, Biz 3
Percussion [Orchestra] – Brian Kilmore* (tracks: 3, 7, 9, 10), Mark Converse (tracks: 3, 7, 9, 10)
Producer – Guy-Manuel de Homem-Christo, Thomas Bangalter
Production Manager [Production Coordinator] – Jackie O'Brien, Sam Cooper (3)
Recorded By – Florian Lagatta, Mick Guzauski, Peter Franco
Recorded By [Additional Recording Engineer] – Alana Da Fonseca, Phil Joly
Recorded By [Assistant Recording Engineer] – Bill Rahko, Charlie Pakkari*, Cory Brice, Derek Karlquist, Doug Tyo, Eric Eylands, Eric Weaver, Kevin Mills, Kyle Stevens, Miguel Lara, Mike Larson, Nicolas Essig, Seth Waldmann
Sound Designer – Gus Koven
Technician [Audio Consultant] – Jean-Pierre Janiaud
Trombone [Bass Trombone (Orchestra)] – Craig Gosnell (tracks: 3, 7, 9, 10)
Trombone [Orchestra] – Andrew Martin* (tracks: 3, 7, 9, 10), Bob McChesney (tracks: 3, 7, 9, 10), Charles Looper* (tracks: 3, 7, 9, 10), Charles Morillas* (tracks: 3, 7, 9, 10)
Trumpet [Orchestra] – Charles Findley* (tracks: 3, 7, 9, 10), Gary Grant (tracks: 3, 7, 9, 10), Larry McGuire (tracks: 3, 7, 9, 10), Warren Luening (tracks: 3, 7, 9, 10)
Viola [Orchestra] – Alma Fernandez (tracks: 3, 7, 9, 10), Andrew Picken (tracks: 3, 7, 9, 10), Carolyn Riley (tracks: 3, 7, 9, 10), Harry Shirinian (tracks: 3, 7, 9, 10), Jody Rubin (tracks: 3, 7, 9, 10), Ray Tischer (tracks: 3, 7, 9, 10), Rodney Wirtz (tracks: 3, 7, 9, 10), Roland Kato (tracks: 3, 7, 9, 10)
Violin [Orchestra] – Audrey Solomon (tracks: 3, 7, 9, 10), Calabria McChesney (tracks: 3, 7, 9, 10), Carrie Kennedy (tracks: 3, 7, 9, 10), Cynthia Moussas* (tracks: 3, 7, 9, 10), Irina Voloshina (tracks: 3, 7, 9, 10), Joel Pargman (tracks: 3, 7, 9, 10), Johana Krejci (tracks: 3, 7, 9, 10), Kevin Connolly (tracks: 3, 7, 9, 10), Lisa Dondlinger (tracks: 3, 7, 9, 10), Lisa Sutton (tracks: 3, 7, 9, 10), Margaret Wooten (tracks: 3, 7, 9, 10), Mary K. Sloan* (tracks: 3, 7, 9, 10), Miwako Watanabe (tracks: 3, 7, 9, 10), Neel Hammond (tracks: 3, 7, 9, 10), Nina Evtuhov (tracks: 3, 7, 9, 10), Olivia Tsui (tracks: 3, 7, 9, 10), Rafael Rishik (tracks: 3, 7, 9, 10), Rita Weber (tracks: 3, 7, 9, 10), Samuel Fischer (tracks: 3, 7, 9, 10), Sara Perkins* (tracks: 3, 7, 9, 10), Song Lee* (tracks: 3, 7, 9, 10)
Violin [Orchestra], Concertmaster [Orchestra] – Assa Dori* (tracks: 3, 7, 9, 10)
Allmusic review
When Daft Punk announced they were releasing a new album eight years after 2005's Human After All, fans were starved for new material. The Tron: Legacy score indulged the seminal dance duo's sci-fi fantasies but didn't offer much in the way of catchy songs, so when Random Access Memories' extensive publicity campaign featured tantalizing clips of a new single, "Get Lucky," their fan base exploded. But when the album finally arrived, that hugely hyped single was buried far down its track list, emphasizing that most of these songs are very much not like "Get Lucky" -- or a lot of the pair's previous music, at least on the surface. The album isn't much like 2010s EDM, either. Instead, Daft Punk separate themselves from most contemporary electronic music and how it's made, enlisting some of their biggest influences to help them get the sounds they needed without samples. On Homework's "Teachers," they reverently name-checked a massive list of musicians and producers; here, they place themselves on equal footing with disco masterminds Giorgio Moroder and Nile Rodgers, referring to them as "collaborators." That could be self-aggrandizing, yet it's also strangely humble when they take a back seat to their co-stars, especially on one of RAM's definitive moments, "Giorgio by Moroder," where the producer shares his thoughts on making music with wild guitar and synth solos trailing behind him. Elsewhere, Daft Punk nod to their symbiotic relationship with indie on the lovely "Doin' It Right," which makes the most of Panda Bear's boyish vocals, and on the Julian Casablancas cameo "Instant Crush," which is only slightly more electronic than the Strokes' Comedown Machine. And of course, Pharrell Williams is the avatar of their dancefloor mastery on the sweaty disco of "Lose Yourself to Dance" as well as "Get Lucky," which is so suave that it couldn't help but be an instant classic, albeit a somewhat nostalgic one. Indeed, "memories" is the album's keyword: Daft Punk celebrate the late '70s and early '80s with lavish homages like "Give Life Back to Music" -- one of several terrific showcases for Rodgers -- and the spot-on soft rock of the Todd Edwards collaboration "Fragments of Time." More importantly, Random Access Memories taps into the wonder and excitement in that era's music. A particularly brilliant example is "Touch," where singer/songwriter Paul Williams conflates his work in Phantom of the Paradise and The Muppet Movie in the song's mystique, charm, and fragile yet unabashed emotions. Often, there's an almost gooey quality to the album; Daft Punk have never shied away from "uncool" influences or sentimentality, and both are on full display here. At first, it's hard to know what to make of all the fromage, but Random Access Memories reveals itself as the kind of grand, album rock statement that listeners of the '70s and '80s would have spent weeks or months dissecting and absorbing -- the ambition of Steely Dan, Alan Parsons, and Pink Floyd are as vital to the album as any of the duo's collaborators. For the casual Daft Punk fan, this album might be harder to love than "Get Lucky" hinted; it might be too nostalgic, too overblown, a shirking of the group's duty to rescue dance music from the Young Turks who cropped up in their absence. But Random Access Memories is also Daft Punk's most personal work, and richly rewarding for listeners willing to spend time with it.
чем же он насыщенней??))) механическими шумами?? ...я честно говоря не сравнивал ни с чем, просто выложил потому что народ на рушке последнее время больше сравнивает и какашками кидается, чем релизит...
59378805Отличий от CD не так много, к сожалению; тот же самый мастер. Винил гораздо насыщенней.
Вы это серьезно? Увы, категорически не соглашусь. Все зависит от того на каком источнике слушаете.
Вы уверены в том, что современная запись винила осуществляется без предварительной цифровой обработки? Я сильно сомневаюсь. СПАСИБО ОГРОМНОЕ АВТОРУ РАЗДАЧИ! You've made my day! Здесь можно посмотреть веселый кавер на песню Get Lucky из этого альбома: http://www.youtube.com/watch?v=2PAT1UmlJ-0 Всем хорошего прослушивания данного альбома и веселого просмотра!
59389777что это делает в многоканалке и в поп-разделе?
раздел вообще то называется "Зарубежная поп-музыка (Hi-Res stereo)" ...других хайрес разделов подходящих нет ...предлагаете в рок или в классику ЭТО отправить?? P.S. можно встречный вопрос? а что ВЫ тут делаете??
там как раз многоканал а здесь хайрес стерео, а в обычный лось закидывать 24битный флак это кощунство ...так что этот раздел больше подходит полюбому ...а возмущен потому что работаете вы, модераторы ужасно на трекере ...загляните в хайрес разделы классики, джаза-блюза, рока, там уже по нескольку месяцев раздачи висят непровереные ...что это за бардак вообще?? превратили трекер в помойку!!
chuhonka2010
Давайте мы не будем обсуждать действия модераторови и спокойно будем релизить как положено, а не так как вам угодно.
Если что-то не нравится, готов выслушать просьбу об удалении аккаунта.
Аndy
так вы не профильный?? ...так вот в чем дело, модераторы на рушке все расслаблены поэтому раздачи в вышеперечисленных разделах не проверены, посмотрел, в сентября прошлого года
Аndy
И я позволю себе отметиться в этой теме Уважаемый модератор прикрыл мою раздачу, аналогичного содержания, указав на жалобу правообладателя. Что-то меня теперь гложут сомнения по этому поводу. chuhonka2010
Рад, что Вам дали возможность (относительно) спокойно раздать столь долгожданный альбом!
Получается большего смысла в перекодировании в .wav нет? Зная как звучат DVD-Audio да еще с DTS дорожкой думалось, что из FLAC 24bit 88,2kHz можно извлечь что-то подобное... Хотя, вот тут ссылку дали на топик с инструкциями по многоканалке, буду пробовать ради силы знаний)
...народ на рушке последнее время больше сравнивает и какашками кидается, чем релизит...
А зажрались просто от халявы... нужно месяца на три перестать новьё выкладывать, глядишь и успокоятся... Как в том анегдоте про кота: "... О!!! Гречка !!!"
Спасибо за релиз!
Спасибо! 12anna, конвертировать в CD-audio без дополнительной обработки бессмысленно, это уже сделано профессионально на оригинальном диске. Другое дело, если есть желание сделать ремастеринг под свои предпочтения. Аndy, а ты не можешь перенести раздачу в подходящий раздел? При всем уважении к релизеру, поп музыка это вполне сформировавшееся направление, а не просто популярная музыка... И все-таки цифровой релиз, а не рип с высококачественного исходника
Большое спасибо за релиз, не знал этой группы раньше, приятно удивлен! Отличный, насыщенный, мягкий, пушистый звук, действительно прекрасный пример современного цифрового мастера! А музыка, да это же настоящее забытое ДИСКО, в самом лучшем виде, оказывается есть еще ребята творящие современные нетленки, браво! Еще раз спасибо за прекрасную музыку
Zero2004, разница в рязрядности и частоте дискретизации. Для прослушивания на компьютере без профессиональной внешней звуковой карты на акустической системе класса хай-фай и ниже разницы с другими лосслесс раздачами не заметите. Более того, на профессиональном дорогостоящем оборудовании почувствовать разницу смогут не многие. Если нет желания использовать эту раздачу для редактирования, то можно ограничиться обычной раздачей с CD-Audio
Я сильно сомневаюсь.
...так вот в чем дело, модераторы на рушке все расслаблены 
поэтому раздачи в вышеперечисленных разделах не проверены, посмотрел, в сентября прошлого года 
