Prurient / Through The Window (2013) [WEB]
Жанр: Techno / Industrial
Страна-производитель диска: UK
Год издания: 2013
Издатель (лейбл): Blackest Ever Black
Номер по каталогу: BLACKESTCD002
Страна: UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Источник (релизер): funkysouls
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Through The Window
2. Terracotta Spine
3. You Show Great Spirit
Лог проверки качества
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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Path: ...\[BLACKESTCD002] 2013 - Through The Window
1 -=- 01 Through The Window.flac -=- CDDA (99%)
2 -=- 02 Terracotta Spine.flac -=- CDDA (99%)
3 -=- 03 You Show Great Spirit.flac -=- CDDA (100%)
Summary 99.33% CDDA
135504532
Об исполнителе (группе)
"Another one-man band out of Madison, WI, Dominick Fernow basically makes up Prurient with a theme of anti-technology and anti-electricity -- with the exception of his microphones and four-track recorder. Backing Fernow's stance up is his unconventional use of banging objects together to create music; playing with live wire, pennies, frying pans, toolboxes, scrap metal, and used shotgun shells are an example of some of his instruments. Through his many hours of recording in is home studio, Prurient recorded and released a split EP with PCDS in 1998 and a full-length the next year entitled Blades Steam Red Sweat, Inside the Things I Dread on his own Hospital Records."
allmusic.com
Об альбоме (сборнике)
"Under the Prurient moniker, noise artist Dominick Fernow spent much of his massive discography exploring harsh textures and grim isolation via rewired electronics and writhing, pained feedback tones. These dark compositions were informed by the harsh noise tradition of artists like Aube, Merzbow, and Wolf Eyes, but also took cues from black metal and grindcore, resulting in sounds with a devilish intensity. Through the Window sees Fernow further embracing more traditional forms of European techno, with discernible beats and electronic melodies co-existing with squelches of noise. While more accessible than most of his previous work, the three pieces here are just as tormented, in particular the septic relentlessness of the 18-minute title track."
allmusic.com