Steve Swallow - Real Book
Жанр: Post-Bop
Страна-производитель диска: США
Год издания диска: 1994
Издатель (лейбл): XTRAWATT / ECM
Номер по каталогу: XTRAWATT/7 78118-23207-2
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 49:35
Источник (релизер): интернет
Наличие сканов в содержимом раздачи: да
Треклист:
01. Bite Your Grandmother (Swallow) - 4:45
02. Second Handy Motion (Swallow) - 4:49
03. Wrong Together (Swallow) - 5:21
04. Outfits (Swallow) - 5:54
05. Thinking Out Loud (Swallow) - 5:08
06. Let's Eat (Swallow) - 5:40
07. Better Times (Swallow) - 3:52
08. Willow (Swallow) - 4:15
09. Muddy in the Bank (Swallow) - 3:23
10. Ponytail (Swallow) - 6:28
Состав:
Tom Harrell - trumpet, flugelhorn
Joe Lovano - tenor saxophone
Mulgrew Miller - piano
Steve Swallow - bass
Jack DeJohnette - drums
Recorded at Grog Kill Studio, Willow, New York in December 1993.
Лог проверки качества
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - Bite Your Grandmother.wav]
Detected average hi-boundary frequency: 2.028105e+004 Hz
Detected average lo-boundary frequency: 1.377040e+004 Hz
Detected average hi-cut frequency: 2.170850e+004 Hz
Detected average lo-cut frequency: 1.039604e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.958257e-001
First order smothness: 3.743438e-001
Second order smothness: 4.543963e-001
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This track looks like CDDA with probability 99%
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Processing file: [02 - Second Handy Motion.wav]
Detected average hi-boundary frequency: 2.027517e+004 Hz
Detected average lo-boundary frequency: 1.403385e+004 Hz
Detected average hi-cut frequency: 2.152832e+004 Hz
Detected average lo-cut frequency: 1.051655e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.362870e-001
First order smothness: 3.352676e-001
Second order smothness: 6.534494e-001
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This track looks like CDDA with probability 100%
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Processing file: [03 - Wrong Together.wav]
Detected average hi-boundary frequency: 2.013411e+004 Hz
Detected average lo-boundary frequency: 1.254420e+004 Hz
Detected average hi-cut frequency: 2.135194e+004 Hz
Detected average lo-cut frequency: 5.869144e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.307766e+000
First order smothness: 3.607081e-001
Second order smothness: 6.671503e-001
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This track looks like CDDA with probability 100%
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Processing file: [04 - Outfits.wav]
Detected average hi-boundary frequency: 2.024956e+004 Hz
Detected average lo-boundary frequency: 1.397791e+004 Hz
Detected average hi-cut frequency: 2.165695e+004 Hz
Detected average lo-cut frequency: 8.233223e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.985104e-001
First order smothness: 3.528947e-001
Second order smothness: 5.239474e-001
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This track looks like CDDA with probability 100%
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Processing file: [05 - Thinking Out Loud.wav]
Detected average hi-boundary frequency: 2.026910e+004 Hz
Detected average lo-boundary frequency: 1.406843e+004 Hz
Detected average hi-cut frequency: 2.153890e+004 Hz
Detected average lo-cut frequency: 9.822510e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.637376e-001
First order smothness: 3.710558e-001
Second order smothness: 6.019417e-001
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This track looks like CDDA with probability 100%
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Processing file: [06 - Let's Eat.wav]
Detected average hi-boundary frequency: 2.033780e+004 Hz
Detected average lo-boundary frequency: 1.408326e+004 Hz
Detected average hi-cut frequency: 2.157663e+004 Hz
Detected average lo-cut frequency: 9.551589e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.026538e-001
First order smothness: 3.939061e-001
Second order smothness: 5.314301e-001
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This track looks like CDDA with probability 100%
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Processing file: [07 - Better Times.wav]
Detected average hi-boundary frequency: 2.022403e+004 Hz
Detected average lo-boundary frequency: 1.400354e+004 Hz
Detected average hi-cut frequency: 2.155077e+004 Hz
Detected average lo-cut frequency: 9.061342e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.061536e-001
First order smothness: 3.392425e-001
Second order smothness: 6.321515e-001
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This track looks like CDDA with probability 100%
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Processing file: [08 - Willow.wav]
Detected average hi-boundary frequency: 2.020079e+004 Hz
Detected average lo-boundary frequency: 1.192658e+004 Hz
Detected average hi-cut frequency: 2.143081e+004 Hz
Detected average lo-cut frequency: 7.464954e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.287344e-001
First order smothness: 3.812155e-001
Second order smothness: 6.740331e-001
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This track looks like CDDA with probability 100%
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Processing file: [09 - Muddy in the Bank.wav]
Detected average hi-boundary frequency: 2.034515e+004 Hz
Detected average lo-boundary frequency: 1.438477e+004 Hz
Detected average hi-cut frequency: 2.167887e+004 Hz
Detected average lo-cut frequency: 9.484632e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.033526e-001
First order smothness: 3.693156e-001
Second order smothness: 5.048232e-001
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This track looks like CDDA with probability 100%
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Processing file: [10 - Ponytail.wav]
Detected average hi-boundary frequency: 2.028295e+004 Hz
Detected average lo-boundary frequency: 1.402329e+004 Hz
Detected average hi-cut frequency: 2.158719e+004 Hz
Detected average lo-cut frequency: 9.555338e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.883244e-001
First order smothness: 3.681687e-001
Second order smothness: 5.558485e-001
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This track looks like CDDA with probability 100%
Review by Rick Anderson
If Steve Swallow is known primarily as an ace session bassist, it's not because his compositions are less than top-notch. This program finds him showing off his considerable writing chops with the help of an all-star group: trumpeter Tom Harrell, saxophonist Joe Lovano, pianist Mulgrew Miller and drummer Jack DeJohnette. His focus on the upper registers and the polyester tone of his five-string bass guitar will continue to annoy those who prefer to hear the bass played dark, low and woody, but there's no denying the consistent inventiveness of his playing or the charm of these compositions.
