(Avant-Garde, Vocal) Direct Sound (Greetje Bijma, Shelley Hirsch, Anna Homler, David Moss, Carles Santos) - Five Voices {Intakt CD 015, Switzerland} - 1989, APE (image+.cue) lossless

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Darkman

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Darkman · 30-Окт-11 00:21 (14 лет назад, ред. 12-Фев-14 12:01)

Direct Sound - Five Voices
Жанр: Avant-Garde, Vocal
Страна-производитель диска: Switzerland
Год издания диска: 1989
Издатель (лейбл): Intakt Records
Номер по каталогу: Intakt CD 015
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:39:43
Источник (релизер): basa005
Наличие сканов в содержимом раздачи: да
Треклист:
01. Carles Santos - Tramontana Tremens 2:36
02. Greetje Bijma – Hot Snakes 1:38
03. Greetje Bijma – Electric Ego 2:24
04. Shelley Hirsch – Song 4:30
05. Anna Homler - David Moss – May Na Donska 1:34
06. Carles Santos – Canto 4:31
07. Greetje Bijma – Why? Bye! 1:30
08. David Moss – Together Before Jumping 3:41
09. Anna Homler - Shelley Hirsch - Carles Santos – The Physicist 2:50
10. Anna Homler – Signals 2:38
11. Greetje Bijma - Shelley Hirsch – Long Time No Seen 1:51
12. Shelley Hirsch - David Moss – Edges 2:17
13. David Moss - Greetje Bijma – Two Low 3:01
14. David Moss – That Tempest 4:36
Recorded by Peter Pfister on April 13 and 16, 1989 at the Taktlos Festival, Rote Fabrik Zürich, Switzerland.
Some pieces were recorded in a session with no audience on April 13, and others at the 'live' concert on April 16.
Personnel:
Greetje Bijma, Shelley Hirsch, Anna Homler, David Moss, Carles Santos - Voice
Лог создания рипа (EAC Log)

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 27. October 2011, 14:22
Direct Sound / Five Voices
Used drive : TSSTcorpCDDVDW SE-S204N Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:36.62 | 0 | 11761
2 | 2:36.62 | 1:38.45 | 11762 | 19156
3 | 4:15.32 | 2:24.15 | 19157 | 29971
4 | 6:39.47 | 4:30.15 | 29972 | 50236
5 | 11:09.62 | 1:34.58 | 50237 | 57344
6 | 12:44.45 | 4:31.42 | 57345 | 77711
7 | 17:16.12 | 1:30.50 | 77712 | 84511
8 | 18:46.62 | 3:41.53 | 84512 | 101139
9 | 22:28.40 | 2:50.40 | 101140 | 113929
10 | 25:19.05 | 2:38.40 | 113930 | 125819
11 | 27:57.45 | 1:51.45 | 125820 | 134189
12 | 29:49.15 | 2:17.17 | 134190 | 144481
13 | 32:06.32 | 3:01.08 | 144482 | 158064
14 | 35:07.40 | 4:36.35 | 158065 | 178799
Range status and errors
Selected range
Filename C:\avaxhome\Direct Sound - Five Voices.wav
Peak level 81.6 %
Extraction speed 6.0 X
Range quality 100.0 %
Copy CRC D152CA3C
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum D239B65513A63CBD8E786A7E9FF9F19454FE63530B78B14D35FBF041FD722C78 ====
Содержание индексной карты (.CUE)

REM GENRE jazz
REM DISCID B709500E
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Direct Sound"
TITLE "Five Voices"
FILE "Direct Sound - Five Voices.ape" WAVE
TRACK 01 AUDIO
TITLE "Tramontana Tremens"
PERFORMER "Direct Sound"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Hot Snakes"
PERFORMER "Direct Sound"
INDEX 00 02:35:29
INDEX 01 02:36:62
TRACK 03 AUDIO
TITLE "Electric Ego"
PERFORMER "Direct Sound"
INDEX 00 04:12:57
INDEX 01 04:15:32
TRACK 04 AUDIO
TITLE "Song"
PERFORMER "Direct Sound"
INDEX 00 06:38:15
INDEX 01 06:39:47
TRACK 05 AUDIO
TITLE "May Na Donska"
PERFORMER "Direct Sound"
INDEX 00 11:07:65
INDEX 01 11:09:62
TRACK 06 AUDIO
TITLE "Canto"
PERFORMER "Direct Sound"
INDEX 00 12:43:02
INDEX 01 12:44:45
TRACK 07 AUDIO
TITLE "Why? Bye!"
PERFORMER "Direct Sound"
INDEX 00 17:08:04
INDEX 01 17:16:12
TRACK 08 AUDIO
TITLE "Together Before Jumping"
PERFORMER "Direct Sound"
INDEX 00 18:38:21
INDEX 01 18:46:62
TRACK 09 AUDIO
TITLE "The Physicist"
PERFORMER "Direct Sound"
INDEX 00 22:26:24
INDEX 01 22:28:40
TRACK 10 AUDIO
TITLE "Signals"
PERFORMER "Direct Sound"
INDEX 00 25:16:69
INDEX 01 25:19:05
TRACK 11 AUDIO
TITLE "Long Time No Seen"
PERFORMER "Direct Sound"
INDEX 00 27:55:59
INDEX 01 27:57:45
TRACK 12 AUDIO
TITLE "Edges"
PERFORMER "Direct Sound"
INDEX 00 29:47:47
INDEX 01 29:49:15
TRACK 13 AUDIO
TITLE "Two Low"
PERFORMER "Direct Sound"
INDEX 00 32:05:36
INDEX 01 32:06:32
TRACK 14 AUDIO
TITLE "That Tempest"
PERFORMER "Direct Sound"
INDEX 00 34:59:32
INDEX 01 35:07:40
Info
Those with a yen for the outer limits of the human voice take heed, as the international consortium of freaky vocal talent culled together here represent some of the finest exponents of extemporaneous jibber jabber extant. From the U.S., we have the zany N.Y. avant chanteuse Shelley Hirsch and her equally flipped out N.Y. compatriot in extended vocal technique David Moss as well as the L.A.-based Anna Homler, whose approach emerges from her personal zone of invented language generation as heard on her gorgeous Do Ya Sa Di Do CD, which I posted a while back. To that, add the deliriously wigged out Spanish polymath Carles Santos and Holland's Greetje Bijma, though curiously enough for a collectively titled entity, Direct Sound never operate as an actual group. Instead, what we have here is essentially a compilation featuring various solos and duo combinations of these five artists (and in one case, a three-way) and as such, this serves as a perfect point of entry into the land of glossolalia ad absurdum.
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