(Post-Bop) McCoy Tyner — Jazz Roots — 2000, FLAC (image+.cue) lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 18. March 2011, 17:24
McCoy Tyner / Jazz Roots
Used drive  : HL-DT-STDVDRAM GT20N   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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        9  | 32:41.42 |  5:50.58 |    147117    |   173424
       10  | 38:32.25 |  4:57.22 |    173425    |   195721
       11  | 43:29.47 |  4:51.15 |    195722    |   217561
       12  | 48:20.62 |  3:39.33 |    217562    |   234019
       13  | 52:00.20 |  3:41.57 |    234020    |   250651
       14  | 55:42.02 |  3:06.08 |    250652    |   264609
Range status and errors
Selected range
     Filename D:\EAC\McCoy Tyner & Bobby Hutcherson - Manhattan Moods\McCoy Tyner - Jazz Roots.wav
     Peak level 100.0 %
     Extraction speed 0.2 X
     Range quality 100.0 %
     Test CRC 18ADD979
     Copy CRC 18ADD979
     Copy OK
No errors occurred
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REM GENRE Jazz
REM DATE 2000
REM DISCID A30DC80E
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "McCoy Tyner"
TITLE "Jazz Roots"
FILE "McCoy Tyner - Jazz Roots.flac" WAVE
  TRACK 01 AUDIO
    TITLE "A Night In Tunisia"
    PERFORMER "McCoy Tyner"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Pannonica"
    PERFORMER "McCoy Tyner"
    INDEX 00 02:51:37
    INDEX 01 02:54:07
  TRACK 03 AUDIO
    TITLE "My Foolish Heart"
    PERFORMER "McCoy Tyner"
    INDEX 00 06:28:70
    INDEX 01 06:31:17
  TRACK 04 AUDIO
    TITLE "Don't Get Around Much Anymore"
    PERFORMER "McCoy Tyner"
    INDEX 00 10:48:55
    INDEX 01 10:52:12
  TRACK 05 AUDIO
    TITLE "Blues For Fatha"
    PERFORMER "McCoy Tyner"
    INDEX 00 15:15:55
    INDEX 01 15:18:40
  TRACK 06 AUDIO
    TITLE "Sweet And Lovely"
    PERFORMER "McCoy Tyner"
    INDEX 00 19:17:55
    INDEX 01 19:19:35
  TRACK 07 AUDIO
    TITLE "Lullaby Of Birdland"
    PERFORMER "McCoy Tyner"
    INDEX 00 23:23:60
    INDEX 01 23:25:60
  TRACK 08 AUDIO
    TITLE "You Taught My Heart To Sing"
    PERFORMER "McCoy Tyner"
    INDEX 00 26:59:15
    INDEX 01 27:00:70
  TRACK 09 AUDIO
    TITLE "Happy Days"
    PERFORMER "McCoy Tyner"
    INDEX 00 32:37:55
    INDEX 01 32:41:42
  TRACK 10 AUDIO
    TITLE "Rio"
    PERFORMER "McCoy Tyner"
    INDEX 00 38:30:57
    INDEX 01 38:32:25
  TRACK 11 AUDIO
    TITLE "Summertime"
    PERFORMER "McCoy Tyner"
    INDEX 00 43:27:32
    INDEX 01 43:29:47
  TRACK 12 AUDIO
    TITLE "St. Louis Blues"
    PERFORMER "McCoy Tyner"
    INDEX 00 48:17:15
    INDEX 01 48:20:62
  TRACK 13 AUDIO
    TITLE "Ain't Misbehavin'"
    PERFORMER "McCoy Tyner"
    INDEX 00 51:57:42
    INDEX 01 52:00:20
  TRACK 14 AUDIO
    TITLE "Misty"
    PERFORMER "McCoy Tyner"
    INDEX 00 55:38:22
    INDEX 01 55:42:02

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[AccurateRip ID: 001ddd9a-0143ee4b-a30dc80e] found.
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McCoy Tyner Honors Jazz Piano Legends of the 20th Century is an adventurous solo piano tribute primarily devoted to recreating the roots of jazz. The legendary pianist performs 14 compositions written by such jazz pianists as Thelonius Monk, Bud Powell, Duke Ellington, Art Tatum George Gershwin, Chick Corea, and Keith Jarrett. Tyner seeks nothing less than a variety of jazz styles ranging from the stride of ragtime to the syncopation and blue notes of mainstream. He finds a supply of strides, shimmering arpeggios, pianissimo, impressionist harmonies, undulating rhythms, and rhapsodic sonic grace on great songs such as "Ain't Misbehavin'," "Sweet and Lovely," "Lullaby of Birdland," "Happy Days," and "You Taught My Heart to Sing." The songs and artists McCoy Tyner has selected to pay tribute to are all great examples of his excellent ability to blend these various sources of inspiration and his compositional integrity into a coherent, persuasive whole. Nowhere is this clearer or more meaningful than on these solo concerts.