Csardas - Hungarian Gypsy Music (Ferenc Santa)
Жанр: Gypsy
Страна-производитель диска: Germany
Год издания диска: 1994
Издатель (лейбл): Naxos
Номер по каталогу: 8.550954
Дата записи: 30.04.1994
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 59:11
Источник: собственный рип
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Csardas Music
2. Csardas (Monti)
3. Hungarian Songs
4. Romanian Folk Dances
5. Whistle Hora
6. Hungarian Songs
7. Kuruc Songs
8. Hungarian Songs
9. Doina and Hora
10. Skylark
11. Hungarian Songs
12. Quick Csardas
13. Hungarian Songs
14. Hungarian Songs
15. Lightning Csardas
Исполнители:
Ferenc Santa's Gypsy Band
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 29. декабря 2010, 21:47
Hungarian Gypsy Music / Csardas
Дисковод: ASUS DRW-2014L1 Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Нет
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
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1 | 0:00.00 | 4:02.62 | 0 | 18211
2 | 4:02.62 | 3:57.40 | 18212 | 36026
3 | 8:00.27 | 6:43.70 | 36027 | 66321
4 | 14:44.22 | 3:02.73 | 66322 | 80044
5 | 17:47.20 | 2:48.55 | 80045 | 92699
6 | 20:36.00 | 6:42.50 | 92700 | 122899
7 | 27:18.50 | 5:02.55 | 122900 | 145604
8 | 32:21.30 | 2:40.00 | 145605 | 157604
9 | 35:01.30 | 2:35.60 | 157605 | 169289
10 | 37:37.15 | 4:19.00 | 169290 | 188714
11 | 41:56.15 | 3:57.32 | 188715 | 206521
12 | 45:53.47 | 1:18.30 | 206522 | 212401
13 | 47:12.02 | 5:29.15 | 212402 | 237091
14 | 52:41.17 | 4:41.70 | 237092 | 258236
15 | 57:23.12 | 1:47.65 | 258237 | 266326
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\MUSIC\Aliens25\Csardas Gypsy\Hungarian Gypsy Music - Csardas.wav
Пиковый уровень 88.6 %
Качество диапазона 100.0 %
CRC копии 36E7B4F9
Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точное извлечение (доверие 2) [C718FEF1]
Трек 2 точное извлечение (доверие 2) [91D34E09]
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Трек 14 точное извлечение (доверие 2) [AC9555EB]
Трек 15 точное извлечение (доверие 2) [76B2010E]
Все треки извлечены точно
Конец отчёта
Доп. информация:
скрытый текст
Ferenc Santa's Gypsy Band
Popular Hungarian gypsy music owes much of its form to earlier aristocratic encouragement. In particular the csardas, which makes use of folk elements, provided entertainment for the nobility, among whom it was supposed that the csadas, which derives its name from the word csadas, a country inn, was danced on Sunday afternoons at such inns by the peasantry. The dance was introduced to polite society in the late 1830s, notably, it is said, by Count Bela Wenckheim, who coined the name. The csadas is similar in form to the verbunkos or recruiting-dance, with its slow opening section and rapid second section, and has come to epitomize Hungarian gypsy music.
It was Liszt who, in the heyday of musical nationalism, seized on the csadas as a source for his Hungarian Rhapsodies, wrongly supposing this to be an example of real Hungarian folk-music, rather than the hybrid form that it was. It was left to Bartok and Kodaly in a later generation to collect and classify the true folk-music of Hungary and neighbouring regions, distinguishing this from the form of popular music provided by the gypsy bands.
The bands themselves have a long history, whether providing music for the Esterhazy family at their great palace of Esterhaza in the time of Haydn or for later generations in less distinguished surroundings. Basic instrumentation continues very largely the traditions of the eighteenth century, with a solo violin carrying the improvisatory melodic burden, accompanied by a second violin or viola, double bass and cimbalom, with the additional use of the tarogato, an instrument similar in timbre to the clarinet, which sometimes replaces it. The tarogato has a long association with Hungarian nationalism and was at one time banned by the Austrian authorities for that very reason.
The music of Ferenc santa and his gypsy band includes examples of the csadas
with the famous use of the form by the Italian violinist Vittorio Monti (1868 -1922), who made his later career in Paris. Also included is Skylark by the Romanian violinist and Carl Flesch pupil Grigoraş Dinicu (1889 -1949), who arranged a number of popular Romanian melodies and is well remembered for his famous Hora Staccato, using the traditional dance-form, also coupled here with a traditional doпna, a popular improvisatory form. In addition to the prominent solo violin, the gypsy band also provides variety in solos for the cimbalom, with reminiscences of material used by Kodaly in his Hary Janos, and for the characteristic tarogato.
Ferenc Santa
Ferenc Santa was born in Kaposvar in 1945. He was trained at the Music 1968, and thereafter played in different symphony orchestras. He established his own gypsy orchestra in 1973. From 1974 his orchestra has performed in several countries and is a virtuoso gypsy violin player. He has made several recordings.