Неувиденное кино. Ранние американские авангардные фильмы 1894-1941
Unseen Cinema. Early American Avant-Garde Film 1894-1941
Диск 7.
Да здравствует танец! (Начало кинотанца)
Viva La Dance (The Beginnings of Ciné-Dance)
Год выпуска: 2005
Страна: США
Жанр: avant-garde
Продолжительность: 2:36
Перевод: Не требуется
Русские субтитры: нет
Описание: Unseen Cinema - потрясающий сборник редких картин, восстановленных из американских, французских, британских киноархивов. 7 2xDVD5 дисков, 19 часов, 155 фильмов. Часть 7 "VIVA LA DANCE: The Beginnings of Ciné-Dance" включает в себя 33 короткометражки:
7 Annabelle Dances and Dances (1894-1897)—W.K.L. Dickson, William Heise & James White
Davy Jones' Locker (1900)—Frederick Armitage
Neptune’s Daughters (1900)—Frederick Armitage
A Nymph of the Waves (1900)—Frederick Armitage
Diana the Huntress (1916)—Charles Allen & Francis Trevelyan Miller (excerpt)
The Soul of the Cypress (1920)—Dudley Murphy
Looney Lens: Pas de deux (1924)—Al Brick
Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts (Hands: The Life and Loves of the Gentler Sex) (1928)—Stella Simon & Miklos Bandy
Mechanical Principles (1930)—Ralph Steiner
Tilly Losch in Her Dance of the Hands (c. 1930-33)—Norman Bel Geddes
2 Eisenstein’s Mexican Footage (1931)—Sergei Eisenstein (excerpts)
Oramunde (1933)—Emlen Etting
Hands (1934)—Ralph Steiner & Willard Van Dyke
Joie de vivre (1934)—Anthony Gross & Hector Hoppin
Wonder Bar: "Don’t Say Goodnight" (1934)—Busby Berkeley (excerpt)
Dada (1936)—Mary Ellen Bute & Ted Nemeth
Escape (1938)—Mary Ellen Bute & Ted Nemeth
An Optical Poem (1938)—Oskar Fischinger
Abstract Experiment in Kodachrome (c. 1940s)—Slavko Vorpapich
NBC Valentine Greeting (1939-40)—Norman McLaren
Stars and Stripes (1940)—Norman McLaren
Tarantella (1940)—Mary Ellen Bute, Ted Nemeth & Norman McLaren
Spook Sport (1940)—Mary Ellen Bute, Ted Nemeth & Norman McLaren
Danse Macabre (1922)—Dudley Murphy
Peer Gynt (1941)—David Bradley, starring Charlton Heston (excerpt)
Introspection (1941/46)—Sara Kathryn Arledge
это раздача последнего диска
Диск 1. Механический глаз (Эксперименты в технике и форме) - The Mechanized Eye (Experiments in Technique and Form)
Диск 2. Дъявольская забава (Американский сюрреализм) - He Devil’s Plaything (American Surrealism)
Диск 3. Легкие ритмы (Музыка и абстракции) - Light Rhytms (Music and Abstraction)
Диск 4. Перевернутое повествование (Новые направления в повествовании) - Inverted Narratives (New Directions in Story-Telling)
Диск 5. Изображение столицы (Открытие Нью-Йорка) - Picturing A Metropolis (New York City Unveiled)
Диск 6. Любители как профессионалы (Открытие рая в картине) - The Amateur As Auteur (Discovering Paradise in Pictures)
Диск 7. Да здравствует танец! (Начало кинотанца) - Viva La Dance (The Beginnings of Ciné-Dance)
This collection, curated by Anthology Film Archive’s Bruce Posner and produced for home video by David Shepard, presents us with an abundance of experimental films from the period 1894-1941, with the vast majority of them never available before for home viewing. While these films differ wildly from each other, they have one thing in common: they’re all experiments in one way or another, meant or designed to broaden the conception of what cinema can be or do. ‘Unseen Cinema’ contains a staggering total over 155 films (and a total running time of almost 19 hours) which are spread over 7 discs. Each disc has its own theme or subject matter, although there is quite some overlap, simply because any attempt at such categorization is bound to fail.
Disc 7: Viva la Dance
The Beginnings of Ciné-Dance
Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle's skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis' innovations found their way into Diana the Huntress (1916) and The Soul of the Cypress (1920). Highly cinematic renditions of dance evolved in Stella Simon's Hände (1928), Hector Hoppin's Joie de vivre (1934), and Busby Berkeley's "Don't Say Goodnight" from Wonder Bar (1934). In counterpoint, ciné-dances by Mary Ellen Bute, Douglass Crockwell, Oskar Fischinger, Norman McLaren, Ralph Steiner, and Slavko Vorkapich dispensed with actual dancers in favor of color, shape, line, and form choreographed into abstract light-play.
Качество: DVD9, поделенный на 2 DVD5
Формат: DVD Video
Видео кодек: MPEG2
Аудио кодек: AC3
Видео: NTSC 4:3 (720x480) VBR
Аудио: English (Dolby AC3, 2 ch)
Все, дошла до финишной прямой! Ура! Вам за всю раздачу 
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