(Electronic, Rock, Prog Rock, Ambient) Mark Shreeve - Nocturne (перезалив) - 1995, FLAC (image + .cue)

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007
Отчёт EAC об извлечении, выполненном 7. января 2008, 2:42
Mark Shreeve / Nocturne
Дисковод: TEAC CD-W58E Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 685
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
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1 | 0:00.00 | 5:20.00 | 0 | 23999
2 | 5:20.00 | 1:14.47 | 24000 | 29596
3 | 6:34.47 | 3:21.33 | 29597 | 44704
4 | 9:56.05 | 1:06.25 | 44705 | 49679
5 | 11:02.30 | 5:35.50 | 49680 | 74854
6 | 16:38.05 | 1:41.32 | 74855 | 82461
7 | 18:19.37 | 7:00.60 | 82462 | 114021
8 | 25:20.22 | 1:35.25 | 114022 | 121171
9 | 26:55.47 | 2:55.68 | 121172 | 134364
10 | 29:51.40 | 6:46.30 | 134365 | 164844
11 | 36:37.70 | 4:29.42 | 164845 | 185061
12 | 41:07.37 | 5:37.43 | 185062 | 210379
13 | 46:45.05 | 5:37.25 | 210380 | 235679
14 | 52:22.30 | 3:25.72 | 235680 | 251126
15 | 55:48.27 | 9:12.60 | 251127 | 292586
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла D:\Torrens out\Mark Shreeve - Nocturne.wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC теста 7ADC2D98
CRC копии 7ADC2D98
Копирование... OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точное извлечение (доверие 1) [5C57A536]
Трек 2 точное извлечение (доверие 1) [3C284254]
Трек 3 точное извлечение (доверие 1) [BA372731]
Трек 4 точное извлечение (доверие 1) [E90D426A]
Трек 5 точное извлечение (доверие 1) [207159F3]
Трек 6 точное извлечение (доверие 1) [B9E37C5D]
Трек 7 точное извлечение (доверие 1) [69634192]
Трек 8 точное извлечение (доверие 1) [0BA80DD4]
Трек 9 точное извлечение (доверие 1) [428208A4]
Трек 10 точное извлечение (доверие 1) [771768BF]
Трек 11 точное извлечение (доверие 1) [4C84D6A8]
Трек 12 точное извлечение (доверие 1) [213BD260]
Трек 13 точное извлечение (доверие 1) [F4D2CDCB]
Трек 14 точное извлечение (доверие 1) [02A8D40E]
Трек 15 точное извлечение (доверие 1) [CAEBC9B0]
Все треки извлечены точно
Конец отчёта

Mark's long awaited studio album is a timely reminder that he is the main exponent of driving electronic rock with his uniquely muscular percussion and memorable melodies. Meateater continues in the style of previous offerings and reveals that the muse has not deserted him. Aftershock is a more impressionistic nightmare scenario preparing the listener for the frenetic, no holds barred, Ride the Lightning. Shreeve's penchant for strident tunes is as always much in evidence throughout the set. However, this is arguably Mark's most varied offering to date. Aurora for example is a more delicate, subtle piece with a more restrained rhythm but highly infectious melody. Lol Mason's vocals on Big Trouble may not please some purists but overall it is a fine song and Shreeve provides powerful accompaniment to Mason's rich delivery. Shreeve's credentials as songwriter have been well documented and it is good to see this now surfacing on his own albums. Hellchilde takes us into schlock horror with doom laden chords and eerie effects including guitar pyrotechnics courtesy of Craig Joiner. Shreeve's suitability for horror soundtracks must surely lead to him scoring a big horror/supernatural movie soon. Dynamo Eternal is another infectious instrumental in a more optimistic vein. Ceremony has more of a symphonic epic feel whilst retaining Shreeve's latent energy and dynamics. Century Down again features Mason's vocals and is a more restrained outing with more assured melodies and quieter passages which exude menace. Summer Drift '69 is the biggest surprise on the album, a rare excursion into daylight and romance. No surprise that Shreeve serves up another first rate melody but in a quirky (check out the 60's style phasing) eccentric manner. A personal favourite. The title track returns us to more familiar ground, unconsecrated of course, with some fine controlled guitar accompaniment to Shreeve's electronics. Arguably the most commercial cut on the album as it veers closer to rock, complete with vocal effects and is once again more reflective in tone. I cannot understand why a few fans have expressed mild disappointment with Nocturne. OK, some tracks—in rougher format—are in evidence on the Library CDs but these were never meant for official release and should not affect judgement of this official follow up to Crash Head. It is his most varied and successful album to date and an ideal starting point for the uninitiated. (SR)