(rock) [MB] [DSD 256] the beatles - sgt. pepper's lonely hearts club band - 1967 - master tape - 1967, DSD 256 (tracks)

sam 1776 is here are we talking about the first sparks band record

Интересно, глазастые эксперты-технари ушами слушали эту оцифровку ?
Я послушал на акустике. Мне звук понравился, мягкий без компрессии.
sam1776 большое спасибо! Мне важен результат по звуку и Ваш меня очень устраивает. А как он достигнут,это дело хозяйское.
Жду следующих результатов.

Так тогда это не в раздел оцифровок, а в раздел рукоблудства.
И ни у кого претензий не будет.

THE REEL HAS A NICE PRICE TAG https://www.ebay.com/itm/116593243410

I think i have seen hundreds mexican "master tapes" of beatles in the last 20 years on ebay. They will never end!

Sam1776 here. Yes, there are master tape copies floating around, but do they match the sound quality of my upload? No, they don’t. As far as authenticity goes, you can have audio that sounds good—or even better than the master tape—but if it’s not the original 1967 master tape mix, it doesn’t represent the way it truly sounded. There is no other commercial release of this album featuring the original mix—except for my upload.
With the advent of AI technology, we are drifting further from real music, replacing it with synthetic sounds that the brain doesn’t fully recognize. I’m keeping it real. 10-4, out.

What are you talking about? The "master tape mix" so to speak was used for all stereo copies till 2017.

A couple comments you made earlier could use....maybe just a little clarity.
"Yes, the original stereo master tape has not been usable for about 35 years. However, you don’t necessarily need to play the physical tape in that situation. All you need is to extract the frequency information and apply those frequencies to a new reel-to-reel tape."
First, how is it you have the only multi-track to 2-channel master tape? Abbey Road didn't loan such a thing out like a library. No short response, absolutely clear details on the explanation. No "a friend of a friend of a friend" BS. How do you have the only 2-track original master in existence? Wait, let me get some coffee and get comfortable, if there would be any truth to this, this should be a good, long story, and all of us would love all the details.
And, it goes without saying, but we'll say it, that the only way to extract the sound off any tape is across tape heads. There is no other transfer method in existence. Ball is in your court, and remember, any unsatisfactory, incomplete, or deflection of any kind such as "it's proprietary" and the pitiful fraud alarm goes off. Truthfulness keeps it off. Oh, and yes, we're all the judge and jury, and yes, this is a trial and you walked in on your own and sat at the defendant's seat, lol.
And I love this one,
"i can tell you that abbey road studios does not have a master tape copy that even comes close to the pristine condition of this upload".
So, they don't have what you have. Abbey Road. If you had any credibility, it was washed away into the sea with this one. There isn't anything you could possibly do that they can't, or have anything Beatle related (Sgt. Pepper Master Tape) that they don't, and if you expect anybody to believe you do, you're up to your neck in hot crap trying to put this into no uncertain terms.
Ok, you can relax now, no explanation required because you can't and I'm not a sadistic type who likes to see someone else squirm, but you have some real fish stories here and a couple big enough that needed called out. If this was all true, you'd have told the whole story up front in a description. One comment I agree 100% with you,
"With the advent of AI technology, we are drifting farther from real music, replacing it with synthetic sounds that the brain doesn't fully recognize. I'm keeping it real."

buzshaws
you are absolutely right!But the problem is that you are asking questions to a digital ghost!sam1776 does not exists in reality. his answers are generated by an AI translator (and the source language is without any doubts russian).That is why they are so strange looking.
This "fictional sam"(or better to say his real creator, who defends him here so eagerly) has already tried to impress us before with quadro remixes of digital 2 track (Attention!!!) stereo source, like this one: Failing to make a "big impression" with this kind of stuff, he has changed his strategy and now sells his crazy experiments with digital sources as a unique "digitalization of analog master tapes of very first generation". His postings is just the smoke in order to avoid real explanations, which he does not seem to have...

Portrait
Ok, thank you for the explanation, and with great remorse, this will only get worse. Both AI fake identities in conversations and what up to recently was called music. I no longer trust sources of new material or old material "remastered". It can't be trusted except "here you go, enjoy what was cooked up for you". That's not genuine and it's not what people or musicians or engineers made. It's what any moron in a bedroom could have made. Sharing will now be dubious at best because many won't know any better. You want genuine Beatles, the best has already been released and anything new will be auto-tuned and completely distorted from the tapes you once were familiar with, so like everything, hold on those rips and originals. UK stereo Blue Box sets and UK mono Black and Red Box sets will be among the best truly original, Henry Moss, non-tampered with, best transfers of how the real albums sounded. Going forward will be deconstructed, replaced notes and samples where desired, noise and sound removal, and sound as clean as soaking in bleach. The excitement for this will wear off when it will sound like the noise it is, free from soul and "human contamination".
As has always been the case, if something is too good to be true, it is. And if it sounds far better than before, it's no longer real. People are never satisfied and here we are. Thanks again for your response, Portrait
---
The Three Great Stimulants
by Joni Mitchell
I picked the morning paper off the floor
It was full of other people's little wars
Wouldn't they like their peace
Don't we get bored
And we call for the three great stimulants
Of the exhausted ones
Artifice brutality and innocence
Artifice and innocence
No tanks have ever rumbled through these streets
and the drone of planes at night has never frightened me
I keep the hours and the company that I please
And we call for the three great stimulants
Of the exhausted ones
Artifice brutality and innocence
Artifice and innocence
Oh and deep in the night
Our appetites find us
Release us and bind us
Deep in the night
While madmen sit up building bombs
And making laws and bars
They'd like to slam free choice behind us
I saw a little lawyer on the tube
He said "It's so easy now anyone can sue"
"Let me show you how your petty aggravations can profit you!"
Call for the three great stimulants
Of the exhausted ones
Artifice brutality and innocence
Artifice and innocence
Oh and deep in the night
Appetites find us
Release us and blind us
Deep in the night
While madmen sit up building bombs
And making laws and bars
They're gonna slam free choice behind us
Last night I dreamed I saw the planet flicker
Great forests fell like buffalo
Everything got sicker
And to the bitter end
Big business bickered
And they call for the three great stimulants
Of the exhausted ones
Artifice brutality and innocence
Artifice and innocence
Oh these times, these times
Oh these changing times
Change in the heart of all mankind
Oh these troubled times
© 1985; Crazy Crow Music

*grabs popcorn* this is peak insanity asylum entertainment

Sam1776 here.
The war began in 1982, when Sony claimed they could take a continuous analog waveform, convert it into digital binary code, and then reconstruct that analog waveform with no loss of data. That claim is false. If there were no loss, why do you think they call them samples?
This is exactly why new technology—like what I’m creating—must be used to correct what’s been done and to restore audio to its original state. Otherwise, we’re left listening to AI-processed garbage that claims to be “real,” released directly by the major labels themselves.

Это честь - быть рядом с Вами. Быть в центре событий и наблюдать, как творится История. Это именно то, о чем я мечтал! Я счастлив! Впервые, как бросил пить.