Kim Ware
Ready
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Indie Folk | Rock
• Лейбл: Fort Lowell Records
• Продолжительность:00:55:58
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front (600*600)
Tracklist:
✧ 01 - capital R (00:04:39)
✧ 02 - Like a Bottle (00:04:58)
✧ 03 - Bird in One Hand (00:04:17)
✧ 04 - Overflowing (00:05:07)
✧ 05 - U2 (Means to an End) (00:03:11)
✧ 06 - So Many Questions (00:05:40)
✧ 07 - Stopped Making Plans (00:03:48)
✧ 08 - Palisade Peaches (00:03:33)
✧ 09 - Recurring Dream (00:03:05)
✧ 10 - Spider Lily Two (00:05:30)
✧ 11 - Odds and Evens (00:03:25)
✧ 12 - Nightmarish (00:04:18)
✧ 13 - Ready (00:04:22)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-09-21 10:08:39
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Analyzed: Kim Ware / Ready
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR10 -0.22 dB -11.20 dB 4:39 01-capital R
DR9 -0.22 dB -10.56 dB 4:58 02-Like a Bottle
DR12 -0.22 dB -14.17 dB 4:18 03-Bird in One Hand
DR9 -0.22 dB -10.76 dB 5:07 04-Overflowing
DR10 -0.22 dB -11.74 dB 3:11 05-U2 (Means to an End)
DR10 -0.22 dB -12.39 dB 5:40 06-So Many Questions
DR11 -0.22 dB -11.92 dB 3:49 07-Stopped Making Plans
DR10 -0.22 dB -12.64 dB 3:34 08-Palisade Peaches
DR10 -0.22 dB -12.09 dB 3:05 09-Recurring Dream
DR10 -0.22 dB -12.11 dB 5:30 10-Spider Lily Two
DR11 -0.22 dB -11.79 dB 3:25 11-Odds and Evens
DR10 -0.22 dB -11.99 dB 4:19 12-Nightmarish
DR12 -0.22 dB -15.06 dB 4:22 13-Ready
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Number of tracks: 13
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2697 kbps
Codec: FLAC
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• Information •
Singer, songwriter, and drummer-turned-guitarist Kim Ware of the Good Graces is known for her unique brand of raw, folk-leaning “southern indie” music. Performing with a rotating cast of musicians, Ware has been crafting tracks with both guts and heart since picking up her first guitar in 2006. She’s one of those rare artists whose melodic lines and candid lyrics feel so natural they’re almost unnatural; she’s been praised as a “songwriter’s songwriter” as well as “an Atlanta treasure” by local musicians and press alike.
There’s an irresistibly relatable humanity to Ware’s music, which seems to transcend masculine and feminine perspectives to create an accessible, gender-neutral tone: She’s part Taylor Swift, part Joni Mitchell, with a little John Darnielle of the Mountain Goats thrown in for good measure.
