Strelnikoff Vladimir · 16-Окт-24 18:56(2 месяца 13 дней назад)
Various Artists Ghana Special 2: Electronic Highlife
& Afro Sounds in the Diaspora 1980-93 . Жанр компиляции: Burger-Highlife*** Издатель: Soundway Records (UK) Номер по каталогу: SNDW CD148 Дата релиза: 10.05.2024 Дата записи: 1980-1993 Аудиокодек: FLAC (*flac) Тип рипа: tracks+.cue Источник: redacted Носитель: CD . Треклист.[01:52:27] 01.01.The Godfathers – Ebe ye yie ni .(06:08)
01.02.Pat Thomas – Gye wani .(05:26)
01.03.Pepper, Onion, Ginger & Salt – M.C. Mambo .(05:18)
01.04.Andy Vans – Adjoa amisa .(08:36)
01.05.George Darko – Kaakyire nua .(07:56)
01.06.Rex Gyamfi – Obiara bewu .(06:51)
01.07.Starlite – Anoma koro .(09:21)
01.08.Abdul Raheem – Alaiye .(04:28)
01.09.Jon K – Asafo .(04:48) 02.01.Kwasi Afari Minta – Barima nsu .(10:12)
02.02.Marijata – Otanhunu .(07:36)
02.03.Gyedu-Blay Ambolley – Apple .(06:07)
02.04.Dadadi – Jigi jigi .(05:00)
02.05.Charles Amoah – Fre me .(06:24)
02.06.Ernest Honny – New Dance .(04:05)
02.07.Bessa Simons – Sii nana .(05:49)
02.08.Nan Mayen – Mumude .(03:20)
02.09.Nana Budjei – Asobrachie .(05:02)
CD1 [00:58:52]
eac
Exact Audio Copy V1.6 from 23. October 2020 EAC extraction logfile from 14. May 2024, 13:39 Various Artists / Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 Used drive : HL-DT-STDVD+-RW GT10N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 32 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\FLAC\flac-1.4.3-win\Win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:08.00 | 0 | 27599 2 | 6:08.00 | 5:25.72 | 27600 | 52046 3 | 11:33.72 | 5:18.00 | 52047 | 75896 4 | 16:51.72 | 8:35.74 | 75897 | 114595 5 | 25:27.71 | 7:55.74 | 114596 | 150294 6 | 33:23.70 | 6:50.74 | 150295 | 181118 7 | 40:14.69 | 9:20.74 | 181119 | 223192 8 | 49:35.68 | 4:27.74 | 223193 | 243291 9 | 54:03.67 | 4:48.00 | 243292 | 264891 Track 1 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\01 - The Godfathers - Ebe Ye Yie Ni.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 0.8 X Track quality 99.8 % Test CRC D7F6B2FF Copy CRC D7F6B2FF Track not present in AccurateRip database Copy OK Track 2 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\02 - Pat Thomas - Gye Wani.wav Pre-gap length 0:00:02.00 Peak level 95.7 % Extraction speed 1.3 X Track quality 100.0 % Test CRC 8C24ACA5 Copy CRC 8C24ACA5 Track not present in AccurateRip database Copy OK Track 3 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\03 - Pepper, Onion, Ginger & Salt - M.C. Mambo.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.5 X Track quality 100.0 % Test CRC B4CB10CD Copy CRC B4CB10CD Track not present in AccurateRip database Copy OK Track 4 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\04 - Andy Vans - Adjoa Amisa.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.7 X Track quality 100.0 % Test CRC ABD67D55 Copy CRC ABD67D55 Track not present in AccurateRip database Copy OK Track 5 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\05 - George Darko - Kaakyire Nua.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.9 X Track quality 100.0 % Test CRC 336B6B14 Copy CRC 336B6B14 Track not present in AccurateRip database Copy OK Track 6 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\06 - Rex Gyamfi - Obiara Bewu.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.9 X Track quality 99.9 % Test CRC 6A40F592 Copy CRC 6A40F592 Track not present in AccurateRip database Copy OK Track 7 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\07 - Starlite - Anoma Koro.wav Pre-gap length 0:00:02.00 Peak level 96.9 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 35C6F07D Copy CRC 35C6F07D Track not present in AccurateRip database Copy OK Track 8 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\08 - Abdul Raheem - Alaiye.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.2 X Track quality 100.0 % Test CRC FD61F10C Copy CRC FD61F10C Track not present in AccurateRip database Copy OK Track 9 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc One]\09 - Jon K - Asafo.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.3 X Track quality 100.0 % Test CRC F25E88CE Copy CRC F25E88CE Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: qJ7zoeqrz5qULfUrME9k92_VK3A-] disk not present in database Submit result: qJ7zoeqrz5qULfUrME9k92_VK3A- has been uploaded ==== Log checksum C155C3B0CB2BFF7F39038CBD292B498FCA5D49F7DD5C5786F668F49E1B7C69B1 ====
.cue
REM GENRE "Burger-Highlife" REM DATE 2024 REM DISCID 710DCB09 REM COMMENT "ExactAudioCopy v1.6" PERFORMER "Various Artists" TITLE "Ghana Special 2: Electronic Highlife & Afro Sounds in the Diaspora 1980-93" FILE "01. The Godfathers - Ebe ye yie ni.wav" WAVE TRACK 01 AUDIO TITLE "Ebe ye yie ni" PERFORMER "The Godfathers" ISRC GBUQH2300060 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Gye wani" PERFORMER "Pat Thomas" ISRC GBUQH2300061 INDEX 00 06:06:00 FILE "02. Pat Thomas - Gye wani.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "M.C. Mambo" PERFORMER "Pepper, Onion, Ginger & Salt" ISRC GBUQH2300062 INDEX 00 05:23:72 FILE "03. Pepper, Onion, Ginger & Salt - M.C. Mambo.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Adjoa amisa" PERFORMER "Andy Vans" ISRC GBUQH2300063 INDEX 00 05:16:00 FILE "04. Andy Vans - Adjoa amisa.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Kaakyire nua" PERFORMER "George Darko" ISRC GBUQH2300064 INDEX 00 08:33:74 FILE "05. George Darko - Kaakyire nua.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Obiara bewu" PERFORMER "Rex Gyamfi" ISRC GBUQH2300065 INDEX 00 07:53:74 FILE "06. Rex Gyamfi - Obiara bewu.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Anoma koro" PERFORMER "Starlite" ISRC GBUQH2300066 INDEX 00 06:48:74 FILE "07. Starlite - Anoma koro.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Alaiye" PERFORMER "Abdul Raheem" ISRC GBUQH2300067 INDEX 00 09:18:74 FILE "08. Abdul Raheem - Alaiye.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Asafo" PERFORMER "Jon K" ISRC GBUQH1800062 INDEX 00 04:25:74 FILE "09. Jon K - Asafo.wav" WAVE INDEX 01 00:00:00
CD2 [00:53:35]
eac
Exact Audio Copy V1.6 from 23. October 2020 EAC extraction logfile from 14. May 2024, 14:48 Unknown Artist / Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 Used drive : HL-DT-STDVD+-RW GT10N Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 102 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 32 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\FLAC\flac-1.4.3-win\Win64\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 10:11.74 | 0 | 45898 2 | 10:11.74 | 7:35.74 | 45899 | 80097 3 | 17:47.73 | 6:06.74 | 80098 | 107621 4 | 23:54.72 | 4:59.74 | 107622 | 130120 5 | 28:54.71 | 6:23.30 | 130121 | 158875 6 | 35:18.26 | 4:05.00 | 158876 | 177250 7 | 39:23.26 | 5:48.74 | 177251 | 203424 8 | 45:12.25 | 3:19.74 | 203425 | 218423 9 | 48:32.24 | 5:02.00 | 218424 | 241073 Track 1 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\01 - Kwasi Afari Minta - Barima Nsu [Edit].wav Pre-gap length 0:00:02.00 Peak level 98.7 % Extraction speed 1.2 X Track quality 99.9 % Test CRC F367F707 Copy CRC F367F707 Track not present in AccurateRip database Copy OK Track 2 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\02 - Marijata - Otanhunu.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.5 X Track quality 100.0 % Test CRC A652DFA8 Copy CRC A652DFA8 Track not present in AccurateRip database Copy OK Track 3 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\03 - Gyedu Blay Ambolley - Apple.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.7 X Track quality 100.0 % Test CRC B156D9B3 Copy CRC B156D9B3 Track not present in AccurateRip database Copy OK Track 4 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\04 - Dadadi - Jigi Jigi.wav Pre-gap length 0:00:02.00 Peak level 94.8 % Extraction speed 1.7 X Track quality 100.0 % Test CRC 01908D23 Copy CRC 01908D23 Track not present in AccurateRip database Copy OK Track 5 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\05 - Charles Amoah - Fre Me (Call Me).wav Pre-gap length 0:00:02.00 Peak level 94.8 % Extraction speed 1.9 X Track quality 100.0 % Test CRC 3201336A Copy CRC 3201336A Track not present in AccurateRip database Copy OK Track 6 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\06 - Ernest Honny - New Dance.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.7 X Track quality 99.9 % Test CRC 44611308 Copy CRC 44611308 Track not present in AccurateRip database Copy OK Track 7 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\07 - Bessa Simons - Sii Nana.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.1 X Track quality 100.0 % Test CRC B865EBE3 Copy CRC B865EBE3 Track not present in AccurateRip database Copy OK Track 8 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\08 - Nan Mayen - Mumude.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 72CC9737 Copy CRC 72CC9737 Track not present in AccurateRip database Copy OK Track 9 Filename F:\To Move\Various Artists - Ghana Special 2-Electronic Highlife & Afro Sounds In The Diaspora, 1980 - 93 [Disc Two]\09 - Nana Budjei - Asobrachie.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 8F840973 Copy CRC 8F840973 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: Lf4kw_UNf0Je9UhTNAx_wSrcSvk-] disk not present in database Submit result: Lf4kw_UNf0Je9UhTNAx_wSrcSvk- has been uploaded ==== Log checksum B98799714122CC0DF0CD61A5ACA1E451A4C7805495114C66C9F10FB326B34100 ====
.cue
REM GENRE "Burger-Highlife" REM DATE 2024 REM DISCID 6E0C8E09 REM COMMENT "ExactAudioCopy v1.6" PERFORMER "Various Artists" TITLE "Ghana Special 2: Electronic Highlife & Afro Sounds in the Diaspora 1980-93" FILE "01. Kwasi Afari Minta - Barima nsu.wav" WAVE TRACK 01 AUDIO TITLE "Barima nsu" PERFORMER "Kwasi Afari Minta" ISRC GBUQH2300069 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Otanhunu" PERFORMER "Marijata" ISRC GBUQH2300070 INDEX 00 10:09:74 FILE "02. Marijata - Otanhunu.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Apple" PERFORMER "Gyedu-Blay Ambolley" ISRC GBUQH2300071 INDEX 00 07:33:74 FILE "03. Gyedu-Blay Ambolley - Apple.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Jigi jigi" PERFORMER "Dadadi" ISRC GBUQH2300072 INDEX 00 06:04:74 FILE "04. Dadadi - Jigi jigi.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Fre me" PERFORMER "Charles Amoah" ISRC GBUQH2300073 INDEX 00 04:57:74 FILE "05. Charles Amoah - Fre me.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "New Dance" PERFORMER "Ernest Honny" ISRC GBUQH2300074 INDEX 00 06:21:30 FILE "06. Ernest Honny - New Dance.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Sii nana" PERFORMER "Bessa Simons" ISRC GBUQH2300075 INDEX 00 04:03:00 FILE "07. Bessa Simons - Sii nana.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Mumude" PERFORMER "Nan Mayen" ISRC GBUQH2300076 INDEX 00 05:46:74 FILE "08. Nan Mayen - Mumude.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Asobrachie" PERFORMER "Nana Budjei" ISRC GBUQH2300077 INDEX 00 03:17:74 FILE "09. Nana Budjei - Asobrachie.wav" WAVE INDEX 01 00:00:00
об альбоме
In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music. This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology. More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009's "Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981", Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the 80's on new compilation "Ghana Special - Volume 2", a collection of 18 burger highlife, electronic afrobeat, and reggae tracks. Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country's musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves. Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene. Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from 'Bürger', the German for 'citizen'. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists. Tracks such as Ernest Honny's experimental cut 'New Dance' are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi's band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou's top studios. Similarly, Nan Mayen's 'Mumude' is a slick, 80's pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track 'Asobrachie' is "influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music"; on 'Jigi Jigi', the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences. Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. "Ghana Special - Volume 2" stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era.
Burger-Highlife
Burger-Highlife(aka Burgher-Highlife) Burger-Highlife is a form of Highlife music created by Ghanian immigrants to Germany in the late 1970s. The genre commonly employs synthesizers and western post-production techniques alongside guitar-driven highlife instrumentation. Coined by George Darko, the word 'burgher' originates from the German word for 'citizen'. Darko describes the genre as being more rhythmic and danceable than traditional Highlife, borrowing from Disco and especially Funk music. This approach to Highlife has been criticized by several Highlife producers for diluting its Ghanan influence due to its deep fascination with Western tastes.
