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(Classical) Ludwig van Beethoven - BTHVN 2020: The New Complete Edition (118 CD) - 2019, MP3 (tracks) 320 kbps

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ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 14-Дек-20 06:30 (4 года назад, ред. 03-Июн-22 10:17) Ludwig van Beethoven (1770-1827) BTHVN 2020: The New Complete Edition including 118 CDs, also with 3 BluRay audio discs, and 2 DVD video discs, which are not uploaded here Жанр: Classical \|\| Страна-производитель диска: Germany \|\| Год издания диска: 1.XI.2019 Издатель (лейбл): Deutsche Grammophon / Decca \|\| Номер по каталогу: 4836767 \|\| Дата записи: 1960s - 2000s Аудиокодек: mp3 \|\| Тип рипа: tracks \|\| Битрейт аудио: 320 kbps Продолжительность: over 175 hours of music Наличие сканов в содержимом раздачи: да FLAC-версия: https://rutr.life/forum/viewtopic.php?t=5984031 I - ORCHESTRAL MUSIC (23 CDs, 29:16:22) I-01: CD 001: Symphonies nos. 1 & 2 / Overtures “Prometheus” & “Leonore” no. 3 (Modern Instruments) (70:57) Symphony no. 1 in C major, op. 21 (1799-1800) 01. I. Adagio molto - Allegro con brio [8:00] 02. II. Andante cantabile con moto [6:26] 03. III. Menuetto. Allegro molto e vivace [3:12] 04. IV. Adagio - Allegro molto e vivace [5:28] sound engineer: Philip Siney producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany, 4-9.VI.2007 05. Overture “Die Geschopfe des Prometheus”, op. 43 (1800-1801) [4:54] sound engineer: Philip Siney producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany, 10-12.IX.2012 Symphony no. 2 in D major, op. 36 (1801-1802) 06. I. Adagio molto - Allegro con brio [11:35] 07. II. Larghetto [9:13] 08. III. Scherzo. Allegro [3:28] 09. IV. Allegro molto [6:09] sound engineer: Philip Siney producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany, 26-30.I.2009 10. Overture Leonore no. 3, op. 72b (1805-1806): Adagio - Allegro [12:27] sound engineer: Philip Siney producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany, 18-23.V.2009 I-02: CD 002: Symphonies nos. 3 & 4 (Modern Instruments) (82:44) Symphony no. 3 in E-flat, op. 55 'Eroica' (1803-1804) 01. I. Allegro con brio [16:57] 02. II. Marcia funebre. Adagio assai [14:49] 03. III. Scherzo. Allegro vivace [5:51] 04. IV. Finale. Allegro molto [11:09] orchestra: Berliner Philharmoniker; conductor: Claudio Abbado recorded at: Berliner Philharmonie: Grosser Saal in Berlin, Germany, III.2000 Symphony no. 4 in B-flat, op. 60 (1806) 05. I. Adagio – Allegro vivace [11:34] 06. II. Adagio [9:47] 07. III. Allegro vivace [5:54] 08. IV. Allegro ma non troppo [6:39] orchestra: Berliner Philharmoniker; conductor: Claudio Abbado recorded at: Berliner Philharmonie: Grosser Saal in Berlin, Germany, XII.1999 I-03: CD 003: Symphonies nos. 5 & 6 / Overture “Coriolan” (Modern Instruments) (82:57) 01. Overture “Coriolan”, op. 62 (1807): Allegro con brio [7:00] sound engineer: Philip Siney producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany 4-9.VI.2007 dedicated to: Heinrich Joseph von Collin premiered at: Palais Lobkowitz in Wien, Austria, III.1807 Symphony no. 5 in C, op. 67 (1804-1808) 02. I. Allegro con brio [7:25] 03. II. Andante con moto [11:26] 04. III. Allegro - attacca [5:33] 05. IV. Allegro [12:11] engineer and balance engineer: Hans-Peter Schweigmann producer: Hans Weber (producer/engineer) editor: Christopher Alder (editor/engineer/producer) orchestra: Los Angeles Philharmonic; conductor: Carlo Maria Giulini phonographic copyright by: Polydor International GmbH (not for release label use!) (from 1982 to present) recorded at: Royce Hall in Los Angeles, California, United States, XI.1981 Symphony no. 6 in F, op. 68 “Pastoral” 06. I. Allegro ma non troppo “Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande” [11:31] 07. II. Andante molto mosso “Szene am Bach” [10:40] 08. III. Allegro “Lustiges Zusammensein der Landleute” [5:08] 09. IV. Allegro “Gewitter. Sturm” [3:25] 10. V. Allegretto “Hirtengesang. Frohe, dankbare Gefuhle nach dem Sturm” [8:34] executive producer: Paul Smaczny producer: Christopher Alder (editor/engineer/producer) orchestra: Berliner Philharmoniker; conductor: Claudio Abbado balance engineer: Toine Mertens (Dutch recording engineer) recorded at: Accademia nazionale di Santa Cecilia in Rome, Roma, Lazio, Italy, II.2001 I-04: CD 004: Symphonies nos. 7 & 8 / Wellington's Victory / Overture “Zur Namensfeier” (Modern Instruments) (79:08) Symphony no. 7 in A, op. 92 (1811-1812) 01. I. Poco sostenuto - Vivace [11:50] 02. II. Allegretto [8:58] 03. III. Presto [8:37] 04. IV. Allegro con brio [6:55] assistant recording engineer: Othmar Eichinger recording engineer: Christian Gorz producer: Everett Porter and Holger Urbach orchestra: Wiener Philharmoniker; conductor: Andris Nelsons balance engineer: Everett Porter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria, 11-15.X.2017 Symphony no. 8 in F, op. 93 (1812) 05. I. Allegro vivace e con brio [8:12] 06. II. Allegretto scherzando [3:41] 07. III. Tempo di Menuetto [4:16] 08. IV. Allegro vivace [6:21] sound engineer: Jonathan Stokes producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany, 25-30.V.2009 09. Overture (in C) 'Zur Namensfeier', op. 115 (1814-1815): Maestoso - Allegro assai [6:05] sound engineer: Philip Siney producer: Andrew Cornall (engineer / producer) orchestra: Gewandhausorchester Leipzig; conductor: Riccardo Chailly recorded at: Gewandhaus in Leipzig, Sachsen, Germany, 23-29.XI.2009 dedicated to: Antoni Henryk Radziwiłł 10. Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 (1813) [14:08] producer: Hans Weber (producer/engineer) orchestra: Berliner Philharmoniker; conductor: Herbert von Karajan balance engineer: Günter Hermanns (producer/engineer) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany,3.I.1969 premiered in: Wien, Austria, 8.XII.1813 I-05: CD 005: Symphony no. 9 (Modern Instruments) (66:54) Symphony No. 9 in D, Op. 125 (1822-1824) 01. I. Allegro ma non troppo, un poco maestoso [15:26] 02. II. Molto vivace [10:10] 03. III. Adagio molto e cantabile [16:54] 04. IV. Presto - Allegro assai [6:26] 05. V. Presto - 'O Freunde, nicht diese Töne!' - Allegro assai - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato [17:56] [1 - 5]producer: Michel Glotz orchestra: Berliner Philharmoniker; conductor: Herbert von Karajan balance engineer: Günter Hermanns (producer/engineer) phonographic copyright by: Polydor International GmbH (not for release label use!) (from 1977 to present) recorded at: Berliner Philharmonie in Berlin, Germany 22.IX.1976-6.II.1977 librettist: Friedrich Schiller [5] Agnes Baltsa (mezzo-soprano); José van Dam (bass-baritone) Wiener Singverein Anna Tomowa‐Sintow (soprano); Peter Schreier (tenor) I-06: CD 006: Symphonies nos. 1 & 2 / Music to “Egmont” (Vienna Cycle) (85:41) Symphony no. 1 in C, op. 21 (1799-1800) 01. I. Adagio molto – Allegro con brio [9:25] 02. II. Andante cantabile con moto [8:12] 03. III. Menuetto. Allegro molto e vivace [3:19] 04. IV. Adagio – Allegro molto e vivace [5:48] orchestra: Wiener Philharmoniker; conductor: Leonard Bernstein recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria 12.XI.1978 Symphony no. 2 in D, op. 36 (1801-1802) 05. Symphony no. 2 in D, op. 36: I. Adagio – Allegro con brio [13:25] 06. Symphony no. 2 in D, op. 36: II. Larghetto [12:28] 07. Symphony no. 2 in D, op. 36: III. Scherzo. Allegro [3:33] 08. Symphony no. 2 in D, op. 36: IV. Allegro molto [6:25] orchestra: Wiener Philharmoniker; conductor: Leonard Bernstein recorded at: Wiener Musikverein in Wien, Austria 6.II.1978 Music to Johann Wolfgang von Goethe's Tragedy 'Egmont', op. 84 (excerpts) (X.1809-VI.1810) 09. Overture. Sostenuto, ma non troppo - Allegro [8:24] 10. No. 1 Lied: “Die Trommel gerühret” Vivace (Clärchen) [2:53] 11. No. 2 Entr'acte I: Andante - Allegro con brio [3:17] 12. No. 3 Entr'acte II: Larghetto [5:13] 13. No. 4 Lied: “Freudvoll und leidvoll” Andante con moto - Allegro assai vivace (Clärchen) [1:50] 14. No. 9 Siegessymphonie (Victory Symphony). Allegro con brio [1:23] producer: John Mordler spoken vocals: Klausjürgen Wussow orchestra: Wiener Philharmoniker; conductor: George Szell balance engineer: Gordon Parry recorded at: Sofiensaal in Wien, Austria 11-15.XII.1969(from 1969-12-11 until 1969-12-15) [10, 13] Pilar Lorengar (soprano) I-07: CD 007: Symphonies nos. 3 & 4 (Vienna Cycle) (84:50) Symphony no. 3 in E-flat, op. 55 “Eroica” (1803-1804) 01. I. Allegro con brio [14:45] 02. II. Marcia funebre. Adagio assai [15:01] 03. III. Scherzo. Allegro vivace [5:45] 04. IV. Finale. Allegro molto [12:31] orchestra: Wiener Philharmoniker; conductor: Hans Schmidt‐Isserstedt Symphony no. 4 in B-flat, op. 60 (1806) 05. I. Adagio - Allegro vivace [12:42] 06. II. Adagio [10:31] 07. III. Allegro vivace [5:51] 08. IV. Allegro ma non troppo [7:42] producer: Erik Smith orchestra: Wiener Philharmoniker; conductor: Hans Schmidt‐Isserstedt balance engineer: Gordon Parry (engineer) recorded at: Sofiensaal in Wien, Austria 12-14.X.1966 I-08: CD 008: Symphonies Nos. 5 & 7 (Vienna Cycle) (72:08) Symphony no. 5 in c, op. 67 (1804-1808) 01. I. Allegro con brio [7:22] 02. II. Andante con moto [10:00] 03. III. Allegro [5:09] 04. IV. Allegro [00:11:00] engineer: Wolf-Dieter Karwatky and Hans-Rudolf Müller producer: Werner Mayer orchestra: Wiener Philharmoniker; conductor: Carlos Kleiber balance engineer: Hans-Peter Schweigmann recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria III-IV.1974 Symphony no. 7 in A, op. 92 (1811-1812) 05. I. Poco sostenuto – Vivace [13:36] 06. II. Allegretto [8:09] 07. III. Presto [8:15] 08. IV. Allegro con brio [8:36] engineer: Jürgen Bulgrin and Jobst Eberhardt executive producer: Hans Hirsch (producer at Deutsche Grammophon) producer: Hans Weber (producer/engineer) orchestra: Wiener Philharmoniker; conductor: Carlos Kleiber balance engineer: Klaus Scheibe (editor/engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria XI.1975-I.1976 I-09: CD 009: Symphonies nos. 6 & 8 (Vienna Cycle) (72:18) Symphony no. 6 in F, op. 68 “Pastoral” (1808) 01. I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande” [12:20] 02. II. Andante molto mosso “Szene am Bach” [13:59] 03. III. Allegro “Lustiges Zusammensein der Landleute” [5:48] 04. IV. Allegro “Gewitter. Sturm” [3:41] 05. V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm” [9:55] producer: Wolfgang Lohse orchestra: Wiener Philharmoniker; conductor: Karl Böhm balance engineer: Günter Hermanns (producer/engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria V.1971 Symphony no. 8 in F, op. 93 (1812) 06. I. Allegro vivace e con brio [9:52] 07. II. Allegretto scherzando [4:24] 08. III. Tempo di Menuetto [4:40] 09. IV. Allegro vivace [7:35] assistant recording engineer: Othmar Eichinger recording engineer: Christian Gorz producer: Everett Porter and Holger Urbach orchestra:Wiener Philharmoniker; conductor: Andris Nelsons balance engineer: Everett Porter recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria 11-15.X.2017 I-10: CD 010: Symphony no. 9 (Vienna Cycle) (70:47) Symphony no. 9 in d, op. 125 (1822-1824) 01. I. Allegro ma non troppo, un poco maestoso [15:16] 02. II. Molto vivace [11:17] 03. III. Adagio molto e cantabile [17:48] 04. IV. Presto - Allegro assai - [07:43] 05. V. Presto - “O Freunde, nicht diese Töne!” – Allegro assai - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo [18:42] producer: Hanno Rinke and Hans Weber (producer/engineer) orchestra: Wiener Philharmoniker; conductor: Leonard Bernstein balance engineer: Klaus Scheibe recorded at: Wiener Staatsoper in Wien, Austria 5.IX.1979 [5] Kurt Moll (operatic bass); choir vocals: Konzertvereinigung Wiener Staatsopernchor Hanna Schwarz (mezzo soprano); Gwyneth Jones (soprano); René Kollo (tenor) chorus master: Norbert Balatsch (baritone, chorus master and conductor) I-11: CD 011: Symphonies Nos. 1 & 2 (Period Instruments) (57:31) Symphony No. 1 in C major, Op. 21 (1799-1800) 01. I. Adagio molto - Allegro con brio [8:22] 02. II. Andante cantabile con moto [6:33] 03. III. Menuetto. Allegro molto e vivace [4:05] 04. IV. Adagio - Allegro molto e vivace [5:31] producer: Arend Prohmann (producer / editor) orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner balance engineer: Ulrich Vette (engineer) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom III.1993 Symphony No. 2 in D major, Op. 36 (1801-1802) 05. I. Adagio molto - Allegro con brio [12:08] 06. II. Larghetto [10:19] 07. III. Scherzo. Allegro [4:25] 08. IV. Allegro molto [6:08] producer: Karl-August Naegler (balance engineer) orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner balance engineer:Ulrich Vette (engineer) recorded at:Blackheath Halls in London, England, United Kingdom XI.1991 I-12: CD 012: Symphonies Nos. 3 & 4 (Period Instruments) (76:40) [/url] Symphony no. 3 in E-flat, op. 55 “Eroica” (1803-1804) 01. I. Allegro con brio [15:36] 02. II. Marcia funebre. Adagio assai [12:41] 03. III. Scherzo. Allegro vivace [5:32] 04. IV. Finale. Allegro molto [10:49] orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom III.1993 Symphony no. 4 in B-flat, op. 60 (1806) 05. I. Adagio - Allegro vivace [10:56] 06. II. Adagio [9:24] 07. III. Allegro vivace [5:17] 08. IV. Allegro ma non troppo [6:24] orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner, III.1993 I-13: CD 013: Symphonies Nos. 5 & 6 (Period Instruments) (72:52) Symphony No. 5 in C minor, Op. 67 (1804-1808) 01. I. Allegro con brio [6:30] 02. II. Andante con moto [8:15] 03. III. Allegro [7:12] 04. IV. Allegro [9:57] recording engineer: Mark Bücker (recording engineer), Stephan Flock and Hans-Rudolf Müller executive producer: Dr. Peter Czornyj producer: Arend Prohmann (producer / editor) editor: Stephan Flock and Rainer Hebborn bassoon: Alastair Mitchell and Philip Turbett cello: Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin clarinet: Timothy Lines and Lesley Schatzberger contrabassoon: David Chatterton double bass: Elizabeth Bradley, Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman flute: Rachel Beckett (flute and recorder player) and Janet See horn: Raúl Díaz, Gavin Edwards and Jonathan Peskett oboe: Richard Earle and Anthony Robson piccolo: Utako Ikeda timpani: John Chimes trombone: Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut) trumpet: Anthony Cross, Michael Harrison and Robert Vanryne viola: Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden violin: Sarah Bealby-Wright, Abigail Brown, Alison Bury, Adrian Butterfield, Elizabeth Edwards, Catherine Ford, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard, Stephen Jones, Peter Lissauer, Susie Mészáros, Roy Mowatt, Pamela Munks, Pauline Nobes, Stephen Rouse, Lucy Russell, Anne Schumann, Susan Kinnersley and Hildburg Williams orchestra: Orchestre Révolutionnaire et Romantique conductor: Sir John Eliot Gardiner balance engineer: Ulrich Vette (engineer) recorded at: Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain III.1994 Symphony No. 6 in F major, Op. 68 'Pastoral' (1808) 05. I. Allegro ma non troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande” [11:13] 06. II. Szene am Bach: Andante molto mosso [12:00] 07. III. Allegro “Lustiges Zusammensein der Landleute” [4:48] 08. IV. Allegro “Gewitter. Sturm” [3:39] 09. V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm” [9:16] recording engineer: Reinhard Lagemann executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Arend Prohmann (producer / editor) editor: Mark Bücker (recording engineer) and Ingmar Haas (Engineer) bassoon: Alastair Mitchell and Philip Turbett cello: Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin clarinet: Timothy Lines and Lesley Schatzberger double bass: Elizabeth Bradley, Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku flute: Rachel Beckett and Janet See horn: Susan Dent, Gavin Edwards and Roger Montgomery instruments: Rainer Hebborn oboe: Richard Earle and Anthony Robson piccolo: Utako Ikeda timpani: John Chimes trumpet: Phillip Bainbridge and David Blackadder viola: Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden violin: Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield, Ruth Crouch, Catherine Ford, Roger Foxwell, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Lucy Howard, Stephen Jones, Peter Lissauer, Anna McDonald, Stephen Rouse, Stephen Rowlinson, Lucy Russell, Gregory Squire, Maurice Whitaker, Elizabeth Wilcock, Hildburg Williams and Katharina Wolff orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner balance engineer: Ulrich Vette (engineer) recorded at: All Saints’ Church (Tooting, London) in London, England, United Kingdom X.1992 I-14: CD 014: Symphonies Nos. 7 & 8 (Period Instruments) (62:49) Symphony No. 7 in A major, Op. 92 (1811-1812) 01. I. Poco sostenuto - Vivace [13:09] 02. II. Allegretto [7:45] 03. III. Presto [8:30] 04. IV. Allegro con brio [9:13] orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner XII.1992 Symphony No. 8 in F major, Op. 93 (1812) 05. I. Allegro vivace e con brio [8:41] 06. II. Allegretto scherzando [3:46] 07. III. Tempo di Menuetto [5:28] 08. IV. Allegro vivace [6:17] orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner XII.1992 I-15: CD 015: Symphony no. 9 / Choral Fantasy (Period Instruments) (77:49) Symphony no. 9 in d, op. 125 (1822-1824) 01. I. Allegro ma non troppo, un poco maestoso [13:05] 02. II. Molto vivace [13:07] 03. III. Adagio molto e cantabile [12:06] 04. IV. Presto - Allegro assai - [5:30] 05. V. Presto - “O Freunde! nicht diese Tцne!” - Allegro assai: “Freude, schцner Gцtterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo [16:00] orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner X.1992 [4, 5] Gilles Cachemaille (bass-baritone) choir vocals: Monteverdi Choir Anne Sofie von Otter (mezzo-soprano); Ľuba Orgonášová (soprano); Anthony Rolfe Johnson (tenor) Fantasia for Piano, Chorus and Orchestra in c, op. 80 (“Choral Fantasy”) (1808) 06. Adagio [3:24] 07. Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto [14:36] recording engineer: Reinhard Lagemann executive producer: Dr. Peter Czornyj producer: Karl-August Naegler (balance engineer) editor: Mark Buecker fortepiano: Robert Levin orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner balance engineer: Gernot von Schultzendorff (Engineer) recorded at: St John’s, Smith Square in London, England, United Kingdom I.1995 [7] alto vocals: Susanna Spicer baritone vocals: Julian Clarkson (baritone) choir vocals: Monteverdi Choir soprano vocals: Constanze Backes and Angela Kazimierczuk tenor vocals: Robert Johnston and Julian Podger I-16: CD 016: Piano Concertos nos. 1 & 2 / Piano Concerto WoO 4 (84:42) Piano Concerto E-flat, WoO 4 (1784) 01. I. Allegro moderato [9:31] 02. II. Larghetto [6:31] 03. III. Rondo. Allegretto [7:15] sound engineer: Andreas Ruge producer: Ingo Petry editor: Elisabeth Kemper and Bastian Schick piano: Ronald Brautigam orchestra: Norrköpings Symfoniorkester; conductor: Andrew Parrott recorded at: Louis de Geer konsert & kongress in Norrköping Municipality, Östergötland, Sweden X.2008 reconstructed by: Ronald Brautigam (pianist) Piano Concerto no. 2 in B-flat, op. 19 (1788-1801) 04. I. Allegro con brio [13:32] 05. II. Adagio [8:40] 06. III. Rondo. Molto allegro [5:59] piano: Martha Argerich orchestra: Orchestra della Svizzera italiana; conductor: Gabriel Chmura recorded at: Auditorio Stelio Molo in Lugano, Ticino, Switzerland VI.2009 Piano Concerto no. 1 in C, op. 15 (1796-1797) 07. I. Allegro con brio [13:55] 08. II. Largo [10:32] 09. III. Rondo. Allegro [8:44] recording engineer: Jonathan Stokes producer: Dominic Fyfe piano: Martha Argerich (from 2017-05-09 until 2017-05-14) orchestra: Mito Chamber Orchestra; conductor: Seiji Ozawa recorded at: Art Tower Mito in Mito, Ibaraki, Japan 9-14.V.2017 I-17: CD 017: Piano Concertos nos. 3 & 4 (69:12) Piano Concerto no. 3 in c, op. 37 (1800-1803, 1809) 01. I. Allegro con brio [16:57] 02. II. Largo [9:46] 03. III. Rondo. Allegro [9:19] recording engineer: Cees Heijkoop and Jan Wesselink artist & repertoire support: Brigitte Stockmann (management) producer: Martha de Francisco piano: Alfred Brendel; orchestra: Wiener Philharmoniker; conductor: Simon Rattle balance engineer: Erdo Groot phonographic copyright by: Philips Classics (See annotation to check it's really this label.) (in 1999) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria XII.1998 Piano Concerto no. 4 in G, op. 58 (1804-1807) 04. I. Allegro moderato [17:48] 05. II. Andante con moto [5:01] 06. III. Rondo. Vivace [10:18] recording engineer: Cees Heijkoop and Jan Wesselink artist & repertoire support: Brigitte Stockmann (management) producer: Martha de Francisco piano: Alfred Brendel; orchestra: Wiener Philharmoniker; conductor: Simon Rattle balance engineer: Erdo Groot phonographic copyright by: Philips Classics (See annotation to check it's really this label.) (in 1999) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria XII.1997 I-18: CD 018: Piano Concerto no. 5 / Violin Concerto (86:35) Piano Concerto no. 5 in E-flat, op. 73 “Emperor” (1809) 01. I. Allegro [20:45] 02. II. Adagio un poco moto - attacca [9:08] 03. III. Rondo. Allegro [10:47] engineer: Hans-Peter Schweigmann editor: Andrew Wedman (producer and engineer) piano: Krystian Zimerman; orchestra: Wiener Philharmoniker; conductor: Leonard Bernstein recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria 12.IX.1989 Violin Concerto in D, op. 61 (1806) 04. I. Allegro ma non troppo (cadenza: Fritz Kreisler) [25:27] 05. II. Larghetto - attacca [10:00] 06. III. Rondo. Allegro (cadenza: Fritz Kreisler) [10:26] engineer: Rainer Maillard executive producer: Christian Leins producer: Sid McLauchlan violin: Вадим Репин; orchestra: Wiener Philharmoniker; conductor: Riccardo Muti recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria II.2007 I-19: CD 019: Violin Concerto / Violin Romances / Romance cantabile (69:00) Violin Concerto in D, op. 61 (1806) 01. I. Allegro ma non troppo [26:36] 02. II. Larghetto - attacca [11:24] 03. III. Rondo. Allegro [10:24] producer: Michel Glotz violin: Anne‐Sophie Mutter; orchestra: Berliner Philharmoniker; conductor: Herbert von Karajan balance engineer: Günter Hermanns (producer/engineer) recorded at: Berliner Philharmonie in Berlin, Germany 24.IX-18.XII.1979 04. Romance for Violin and Orchestra no. 1 in G, op. 40 (1800-1802): Andante [7:11] 05. Romance for Violin and Orchestra no. 2 in F, op. 50 (1798): Andante cantabile [8:25] solo violin: Anne‐Sophie Mutter; orchestra: New York Philharmonic; conductor: Kurt Masur recorded at: David Geffen Hall (Lincoln Center for the Performing Arts) in Manhattan, New York, New York, United States V.2002 06. Romance cantabile for Piano, Flute and Bassoon Accompanied by 2 Oboes and Strings in e, WoO 207 (1786): Andante cantabile [4:59] producer: Helmut Burk bassoon: Pascal Gallois; flute: Patrick Gallois; piano and conductor: Myung-Whun Chung (pianist and conductor) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) balance engineer: Gernot von Schultzendorff recorded at: Watford Colosseum in Watford, Hertfordshire, England, United Kingdom IV.1996 I-20: CD 020: Piano Concertos nos. 1 & 2 / Piano Rondo WoO 6 (76:59) Piano Concerto no. 1 in C, op. 15 (1796-1797) 01. I. Allegro con brio [15:43] 02. II. Largo [9:29] 03. III. Rondo. Allegro scherzando [9:07] piano: Rudolf Buchbinder; orchestra: Berliner Philharmoniker; conductor: Christian Thielemann XII.2016 Piano Concerto no. 2 in B, op. 19 (1788-1801) 04. Piano Concerto no. 2 in B, op. 19: I. Allegro con brio [00:13:43] 05. Piano Concerto no. 2 in B, op. 19: II. Adagio [00:08:20] 06. Piano Concerto no. 2 in B, op. 19: I. Rondo. Molto allegro [00:06:36] piano: Friedrich Gulda; orchestra: Wiener Philharmoniker; conductor: Horst Stein 1970 07. Rondo for Piano and Orchestra in B, WoO 6 (1793): Allegro [00:09:23] piano: Святослав Теофилович Рихтер (Sviatoslav Richter); orchestra: Wiener Symphoniker; conductor: Kurt Sanderling IX.1962 additional composer: Carl Czerny (until 1829) 08. Cadenza for Piano Concerto no. 1, Hess 76 [00:04:34] piano: Claudio Arrau; orchestra: Staatskapelle Dresden; conductor: Sir Colin Davis II.1987 I-21: CD 021: Piano Concertos nos. 3 & 4 / Choral Fantasy (86:26) Piano Concerto no. 3 in c, op. 37 (1800, 1809) 01. I. Allegro con brio [16:08] 02. II. Largo [10:06] 03. III. Rondo. Allegro [9:05] producer: Christopher Alder (editor/engineer/producer) piano: Maurizio Pollini; orchestra: Berliner Philharmoniker; conductor: Claudio Abbado balance engineer: Gernot von Schultzendorff recorded at: Berliner Philharmonie: Grosser Saal in Berlin, Germany XII.1992 Piano Concerto no. 4 in G, op. 58 (1804-1807) 04. I. Allegro moderato [17:20] 05. II. Andante con moto [5:06] 06. III. Rondo. Vivace [10:18] producer: Werner Mayer piano: Maurizio Pollini; orchestra: Wiener Philharmoniker; conductor: Karl Böhm balance engineer: Günter Hermanns (producer/engineer) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria VI.1976 Fantasia for Piano, Chorus and Orchestra in c, op. 80(1808, 1809) 07. Adagio [3:17] 08. Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto man non troppo quasi andante con moto “Schmeichelnd hold und lieblich klingen” - Presto [15:03] executive producer: Günther Breest; producer: Werner Mayer piano: Maurizio Pollini; orchestra: Wiener Philharmoniker; conductor: Claudio Abbado balance engineer: Wolfgang Mitlehner recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria IX.1986 I-22: CD 022: Piano Concerto no. 5 / Piano Concerto in D (83:29) Piano Concerto no. 5 in E-flat, op. 73 “Emperor” (1809) 01. I. Allegro [20:19] 02. II. Adagio un poco mosso - attacca [7:35] 03. III. Rondo. Allegro [10:44] piano: Wilhelm Kempff; orchestra: Berliner Philharmoniker; conductor: Ferdinand Leitner VII.1961 Piano Concerto in D, op. 61a (1806, 1807) 04. I. Allegro ma non troppo [24:06] 05. II. Larghetto - attacca [10:54] 06. III. Rondo. Allegro [9:49] producer: Günther Breest piano and conductor: Daniel Barenboim; orchestra: English Chamber Orchestra balance engineer: Klaus Scheibe (editor/engineer) recorded at: Forty Lane in Wembley, Brent, London, England, United Kingdom VII.1973 I-23: CD 023: Triple Concerto / Violin Concerto Movement / Cadenzas (83:44) Concerto for Piano, Violin, Cello, and Orchestra in C, op. 56 (“Triple Concerto”) (1803) 01. I. Allegro [17:37] 02. II. Largo – attacca [5:18] 03. III. Rondo alla Polacca [12:14] producer: Helmut Burk cello: Myung-Wha Chung; piano and conductor: Myung-Whun Chung; violin: Kyung-Wha Chung orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) balance engineer: Gernot von Schultzendorff recorded at: Watford Colosseum in Watford, Hertfordshire, England, United Kingdom IV.1996 04. Violin Concerto Movement in C, WoO 5 [15:45] violin: Gidon Kremer; orchestra: London Symphony Orchestra; conductor: Emil Tchakarov Wolfgang Amadeus Mozart Piano Concerto no. 20 in d, K. 466 (orig. 1785) 05. I. Allegro [14:48] 06. II. Romance [9:48] 07. III. Rondo. Allegro assai [8:11] piano: Rudolf Serkin; orchestra: London Symphony Orchestra; conductor: Claudio Abbado recorded at: Kingsway Hall in London, England, United Kingdom XI.1981 Download Скачать раздачу по magnet-ссылке 21.84 GB Rutracker.org не распространяет и не хранит электронные версии произведений, а лишь предоставляет доступ к создаваемому пользователями каталогу ссылок на торрент-файлы, которые содержат только списки хеш-сумм Как скачивать? (для скачивания .torrent* файлов необходима регистрация)*
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ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 14-Дек-20 17:46 (спустя 11 часов, ред. 04-Июн-22 05:01) [Цитировать] II - MUSIC FOR THE STAGE (8 CDs, 10:10:01) II-01: CD 024: Ritterballett / The Creatures of Prometheus (79:31) Ritterballett, WoO 1 (1790) 01. No. 1 Marsch [2:04] 02. No. 2 Deutscher Gesang. Allegro moderato [0:55] 03. No. 3 Jagdlied. Allegretto [1:19] 04. Deutscher Gesang (da capo) [0:55] 05. No. 4 Romanze [Minnelied]. Andantino [0:41] 06. Deutscher Gesang (da capo) [0:55] 07. No. 5 Kriegslied. Allegro assai con brio [0:29] 08. Deutscher Gesang (da capo) [0:55] 09. No. 6 Trinklied [“Mihi est propositum”]. Allegro con brio [1:37] 10. Deutscher Gesang (da capo) [0:55] 11. No. 7 Deutscher Tanz [Tanzlied]. Walzer [0:36] 12. No. 8 Coda. Allegro vivace - Andantino - Tempo I [1:51] orchestra: Berliner Philharmoniker; conductor: Herbert von Karajan recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany I.1969 Die Geschöpfe des Prometheus, op. 43 (1800-1801) 13. Overtura: Adagio - Allegro molto e con brio - attacca [4:50] 14. [Introduzione] La Tempesta. Allegro non troppo - (attacca) [2:01] 15. No. 1 Poco Adagio - Allegro con brio - Poco Adagio - Allegro con brio [3:09] 16. No. 2 Adagio - Allegro con brio [1:44] 17. No. 3 Allegro vivace [1:48] 18. No. 4 Maestoso - Andante [1:23] 19. No. 5 Adagio - Andante quasi Allegretto [7:39] 20. No. 6 Un poco Adagio - Allegro - (attacca) [1:21] 21. No. 7 Grave - (attacca) [4:41] 22. No. 8 Allegro con brio - Presto [7:28] 23. No. 9 Adagio - Adagio - Allegro molto [3:29] 24. No. 10 Pastorale. Allegro [2:47] 25. No. 11 Coro di Gioja. Andante - (attacca) [0:25] 26. No. 12 Solo di Gioja. Maestoso - Adagio - Allegro [3:05] 27. No. 13 Terzettino - Grotteschi. Allegro - Comodo - Coda [4:15] 28. No. 14 Solo della Signora Cassentini. Andante - Adagio - Allegro - Allegretto [4:49] 29. No. 15 Coro (e) Solo de Viganzт. Andantino - Adagio - Allegro [4:42] 30. No. 16 Finale. Allegretto - Allegro molto - Presto [6:30] librettist [19]: Salvatore Viganò orchestra: Orpheus Chamber Orchestra recorded at: The Performing Arts Center, State University of New York (Purchase College) in Purchase, Harrison, New York, United States III.1986 II-02: CD 025: Dances & Marches WoO 7, 8, 14, 15, 18-22 & 24 (81:40) 12 Minuets for Orchestra, WoO 7 (1795) 01. No. 1 in D [2:09] 02. No. 2 in B‐flat [2:08] 03. No. 3 in G [1:48] 04. No. 4 in E‐flat [2:07] 05. No. 5 in C [2:03] 06. No. 6 in A [2:05] 07. No. 7 in D [2:07] 08. No. 8 in B‐flat [2:18] 09. No. 9 in G [2:03] 10. No. 10 in E‐flat [2:32] 11. No. 11 in C [2:08] 12. No. 12 in F [2:10] producer and balance engineer: Vittorio Negri orchestra: Academy of St Martin in the Fields; conductor: Sir Neville Marriner recorded at: Henry Wood Hall in London, England, United Kingdom 26-30.V.1978 12 German Dances, WoO 8 13. No. 1 in C [0:59] 14. No. 2 in A [1:31] 15. No. 3 in F [1:43] 16. No. 4 in B‐flat [1:43] 17. No. 5 in E‐flat [1:37] 18. No. 6 in G [1:32] 19. No. 7 in C [1:32] 20. No. 8 in A [1:24] 21. No. 9 in F [1:23] 22. No. 10 in D [1:23] 23. No. 11 in G [1:35] 24. No. 12 in C - Coda [3:36] producer and balance engineer: Vittorio Negri orchestra: Academy of St Martin in the Fields; conductor: Sir Neville Marriner recorded at: Henry Wood Hall in London, England, United Kingdom 26-30.V.1978 12 Contredances for Orchestra, WoO 14 (1791-1801) 25. No. 1 in C [0:29] 26. No. 2 in A [0:33] 27. No. 3 in D [1:02] 28. No. 4 in B‐flat [0:33] 29. No. 5 in E‐flat [1:00] 30. No. 6 in C [1:16] 31. No. 7 in E‐flat [0:42] 32. No. 8 in C [0:23] 33. No. 9 in A [0:25] 34. No. 10 in C [1:06] 35. No. 11 in G [0:27] 36. No. 12 in E‐flat [1:54] producer: Karl-Heinz Schneider orchestra: Berliner Philharmoniker; conductor: Lorin Maazel balance engineer: Gerhard Henjes recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany 24.XI.1959-6.IV.1960 6 Ländler for 2 Violins and Bass, WoO 15 37. No. 1 in D [0:37] 38. No. 2 in D [0:38] 39. No. 3 in D [0:37] 40. No. 4 in d [0:43] 41. No. 5 in D [0:36] 42. No. 6 in D [1:41] orchestra: Bayerische Kammerphilharmonie; conductor: Karl Anton Rickenbacher X.1994 43. March no. 1 in F for Military Band, WoO 18 (1809) (“für die böhmische Landwehr” / “Yorck March”) [2:32] orchestra: Berliner Philharmoniker; conductor: Herbert von Karajan 44. March no. 2 in F for Military Band, WoO 19 (VI.1810) (with Trio in f, c. 1822) [2:40] orchestra: Nederlands Blazers Ensemble 45. March in C for Military Band, WoO 20 (1809-1810) (“Zapfenstreich”; with Trio in F, c. 1822) [3:55] 46. Polonaise in D for Military Band, WoO 21 (1810)[2:44] 47. Ecossaise in D for Military Band, WoO 22 (1809-1810)[1:35] 48. March in D for Military Band, WoO 24 (VI.1816)[7:29] orchestra: Bläser der Berliner Philharmoniker; conductor: Hans Priem-Bergrath II-03: CD 026: Egmont / The Ruins of Athens / Gratulations-Menuett (82:49) Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84 (X.1809-VI.1810) 01. Overture. Sostenuto, ma non troppo - Allegro [8:05] 02. No. 1 Song: “Die Trommel gerühret” (Clärchen). Vivace [2:57] 03. No. 2 Entr’acte I. Andante - Allegro con brio “Es ist keine falsche Ader an ihm” (Clärchen) [3:10] 04. No. 3 Entr’acte II. Larghetto [4:59] 05. No. 4 Song: “Freudvoll und leidvoll” (Clärchen). Andante con moto - Allegro assai vivace [1:38] 06. No. 5 Entr’acte III. Allegro - Marcia. Vivace. “Der König meint” (Regent) [3:52] 07. No. 6 Entr’acte IV. Poco sostenuto e risoluto - Larghetto - Andante agitato [3:36] 08. No. 7 Clärchen’s Death. Larghetto. “Arme Seele!” (Egmont) [2:44] 09. No. 8 Melodrama. “Süßer Schlaf! Du kommst wie ein reines Glück” (Egmont). Poco sostenuto [5:14] 10. No. 9 Victory Symphony. Allegro con brio [1:23] orchestra: Berliner Philharmoniker; conductor: Claudio Abbado recorded at: Konzerthaus Berlin in Berlin, Germany 31.XII.1991 [2, 3, 5] Cheryl Studer (soprano) [6, 8, 9] spoken vocals: Bruno Ganz premiered in: Wien, Austria 15.VI.1810 Music to August von Kotzebue's Festival Play “Die Ruinen von Athen”, op. 113 (1811) 11. Overture. Andante con moto - Allegro ma non troppo [5:10] 12. No. 1 Chorus: “Tochter des mächtigen Zeus”. Andante poco sostenuto [4:08] 13. No. 2 Duet: “Ohne Verschulden Knechtschaft dulden”. Andante con moto - Poco più mosso (A Greek Man, a Greek Woman) [5:26] 14. No. 3 Chorus of Dervishes: “Du hast in deines Ärmels Falten den Mond getragen”. Allegro ma non troppo [2:31] 15. No. 4 Marcia alla turca. Vivace / [No. 5 Offstage Music: “Es wandelt schon das Volk im Feierkleide”. Allegro assai ma non troppo] [1:49] 16. No. 6. March and Chorus: “Schmückt die Altäre!”. Assai moderato [6:32] 17. Recitative: “Mit reger Freude, die nie erkaltet”. Poco Adagio (High Priest) [1:59] 18. No. 7 Chorus: “Wir tragen empfängliche Herzen im Busen”. Allegretto, ma non troppo [2:54] 19. Aria with Chorus: “Will unser Genius noch einen Wunsch gewähren”. Adagio [5:42] 20. No. 8 Chorus: “Heil unserm König! Heil!”. Allegro con fuoco [3:42] orchestra: Berliner Philharmoniker; conductor: Bernhard Klee recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany IV. 1970 [12, 14, 16, 18, 19, 20] choir vocals: RIAS Kammerchor; chorus master: Günther Arndt (choral conductor) [13] Klaus Hirte (baritone); Arleen Augér (soprano) [17, 19] Franz Crass (operatic bass) 21. Minuet for Orchestra in E‐flat, WoO 3 (“Gratulations-Menuett”) (1822): Tempo di menuetto quasi Allegretto [00:05:10] orchestra: Berliner Philharmoniker; conductor: Herbert von Karajan recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany I.1969 dedicated to: Karl Friedrich Hensler II-04: CD 027: King Stephen / The Consecration of the House / Tarpeja / Leonore Prohaska (76:29) Music to August von Kotzebue's Festive Prologue “König Stephan oder Ungarns erster Wohltäter", op. 117 (1811) 01. Overture. Andante con moto - Presto [6:34] 02. No. 1 Chorus: “Ruhend von seinen Taten”. Andante maestoso e con moto / “Seid mir gegrüßt an dieses Thrones Stufen” (Ling Stephen) [4:15] 03. No. 2 Chorus: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio / “Fürst! Mich sandten die Edlen im Heere” (A Warrior, King Stephen) [1:48] 04. No. 3 Siegesmarsch / Feurig und stolz / “Ihr tapfern Krieger, Ungarns Stolz und Zierde” (King Stephen, Gyula, Bavarian Ambassador) [6:07] 05. No. 4 Chorus: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese [2:25] 06. No. 5 Melodrama: “Du hast dein Vaterland, dein Fürstenhaus verlassen” (King Stephen, Gisela). Vivace [0:53] 07. No. 6 Chorus: “Eine neue strahlende Sonne”. Vivace [0:34] 08. No. 7 Melodrama: “Ihr edlen Ungarn! Hört meine Stimme! ... Empfanget sie aus eures Fürsten Händen” (King Stephen). Maestoso con moto - Andante maestoso - Maestoso con moto [3:56] 09. No. 8 Ecclesiastical March, Chorus and Melodrama. March - Moderato / “In der schönsten deiner Lebensstunden” (An Elder) / Chorus: “Heil unsern Könige”. Allegro vivace e con brio / Melodrama: “Ich schmücke ehrfurchtsvoll mein Haupt” (King Stephen). Grave risoluto e ben marcato - Allegro - Andante moss - Presto [8:23] 10. No. 9 Final Chorus: “Heil! Heil unsern Enkeln”. Presto [2:04] producer: Lennart Dehn choir vocals: Coro dell’Accademia Nazionale di Santa Cecilia; chorus master: Norbert Balatsch orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia; conductor: Jeong Myung-hoon balance engineer: Lennart Dehn and Wolfgang Mitlehner recorded at: Auditorium Conciliazione in Rome, Roma, Lazio, Italy and Kleiner Sendesaal (Landesfunkhaus Niedersachsen) in Hanover, Niedersachsen, Germany X.1996 11. Triumphal March from Christoph Kuffner's Tragedy “Tarpeja”, WoO 2a (1813): Marcia. Lebhaft und stolz [00:02:20] producer: Sid McLauchlan orchestra: BBC Symphony Orchestra; conductor: Sir Andrew Davis balance engineer: Gernot von Schultzendorff (Engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom IX.1996 Music for Carl Meisl's Occasional Play “Die Weihe des Hauses” (IX.1822) 12. Overture, op. 124. Maestoso e sostenuto - Allegro con brio [10:49] 13. [No. 5] Chorus with Soprano Solo, WoO 98: “Wo sich die Pulse jugendlich jagen ... Lasst uns im Tanze”. Allegro ma non troppo e un poco maestoso [6:03] 14. No. 6 March and Chorus, op. 114: “Schmückt die Altäre!”. Assai moderato [6:38] 15. No. 7 Offstage Music [Melodrama], op. 113 no. 5: “Es wandelt schon das Volk im Feierkleide” (High Priest). Allegro assai ma non troppo [1:52] Klaus Hirte (baritone); Franz Crass (operatic bass) choir vocals: RIAS Kammerchor; chorus master: Günther Arndt (choral conductor) Arleen Augér (soprano) orchestra:Berliner Philharmoniker; conductor: Claudio Abbado balance engineer: Klaus Hiemann (German audio) and Gernot von Schultzendorff (Engineer) recorded at: Berliner Philharmonie: Grosser Saal in Berlin, Germany II-XII.1994 dedicated to: Николай Борисович Голицын Music to Johann Friedrich Duncker's Play “Leonore Prohaska”, WoO 96 16. No. 1 Chorus of Warriors: “Wir bauen und sterben” [1:20] 17. No. 2 Romance: “Es blüht eine Blume im Garten mein” (soprano). In gehender Bewegung (Sopran) [2:33] 18. No. 3 Melodrama: “Du, dem sie gewunden” (recitant). Feierlich, doch nicht schleppend [1:45] 19. No. 4 Trauermarsch. In gehender, annehmlicher Bewegung [5:58] glass harmonica: Sascha Reckert harp: Marie‐Pierre Langlamet choir vocals: Rundfunkchor Berlin; chorus master: Dietrich Knothe other vocals: Karoline Eichhorn Sylvia McNair (soprano) orchestra: Berliner Philharmoniker; conductor: Claudio Abbado performer: Karoline Eichhorn balance engineer: Klaus Hiemann (German audio) and Gernot von Schultzendorff (Engineer) recorded at: Berliner Philharmonie: Grosser Saal in Berlin, Germany II-XII.1994 II-05: CD 028: Leonore (I) (66:43) Leonore, Hess 109 (1805) 01. Overture “Leonore” no. 2 [13:03] 02. Act I. “Twas in truth an hour of universal ferment” (Erzähler) [1:26] 03. Act I. No. 1 Aria: “O wär’ ich schon mit dir vereint” (Marzelline) [3:22] 04. Act I. “Beharrlich bleibt auf dem Liebespfad” (Erzähler) [0:28] 05. Act I. No. 2 Duet: “Jetzt Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) [4:52] 06. Act I. “Der Kerkermeister, Rocco, der Vater” (Erzähler) [0:23] 07. Act I. No. 3 Trio: “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) [3:44] 08. Act I. “Fidelio kam - und niemand weiß woher” (Erzähler) [0:18] 09. Act I. No. 4 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) [4:00] 10. Act I. “Gefühl ist gut, doch Geld ist besser” (Erzähler) [0:14] 11. Act I. No. 5 Aria: “Hat man nicht auch Gold beineben” (Rocco) [2:27] 12. Act I. “Unantastbar klar birgt Leonores Brust” (Erzähler) [1:06] 13. Act I. No. 6 Trio: “Gut, Sцhnchen, gut” (Rocco, Leonore, Marzelline) [5:58] 14. Act II. No. 7 Introduction, WoO 2b [1:59] 15. Act II. “Der Gouverneur ist da” (Erzähler) [0:41] 16. Act II. No. 8 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards) [3:06] 17. Act II. “Postiert eine Trompete auf dem Wachturm!” (Erzähler) [0:08] 18. Act II. No. 9 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) [4:34] 19. Act II. “Und Leonore begegnet Marzelline” (Erzähler) [0:22] 20. Act II. No. 10 Duet: “Um in der Ehe froh zu leben” (Marzelline, Leonore) [6:05] 21. Act II. “Die ernsten Steine des dumpfen Gemäuers” (Erzähler) [0:30] 22. Act II. No. 14 Recitative and Aria: “Ach, brich noch nicht, du mattes Herz! ... Komm, Hoffnung, lass den letzten Stern des Müden nicht erbleichen!” (Leonore) [7:47] recording engineer: Rainer Maillard producer: Nicholas Parker (classical violinist, producer, engineer) orchestra: Orchestre Révolutionnaire et Romantique; conductor: Sir John Eliot Gardiner recorded at: Watford Colosseum in Watford, Hertfordshire, England, United Kingdom IX.1996 [2, 4, 6, 8, 10, 12, 15, 17, 19, 21] spoken vocals: Christoph Bantzer (German actor) [3, 5, 7, 9, 13, 20] soprano vocals [Marzelline]: Christiane Oelze [5, 7, 9] tenor vocals [Jaquino]: Michael Schade [7, 9, 11, 13, 18] baritone vocals [Rocco]: Franz Hawlata [9, 13, 20, 22] soprano vocals [Leonore]: Hillevi Martinpelto [16, 18] bass vocals [Don Pizarro]: Matthew Best [16] choir vocals [Chor]: Monteverdi Choir II-06: CD 029: Leonore (II) (70:30) Leonore, Hess 109 (1805) 01. Act II. No. 12 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben” (Prisoners, First Prisoner, Second Prisoner) [7:55] 02. Act II. No. 12 Finale: [Recitative]: “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) / “Nun sprecht, wie ging’s?” (Leonore, Rocco) / [Duet]: “Noch heute, noch heute?” (Leonore, Rocco) [2:41] 03. Act II. No. 12 Finale: [Duet]: “Wir mьssen gleich zu Werke schreiten” (Rocco, Leonore) / [Quartet]: “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro) [3:39] 04. Act II. No. 12 Finale: [Aria]: “Auf euch nur will ich bauen” (Pizarro, Officers and Soldiers) [2:56] 05. Act III. “Florestans Not im Dunkel tauber Einsamkeit” (Erzähler) [1:21] 06. Act III. No. 13 Recitative and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frьhlingstagen” (Florestan) [10:09] 07. Act III. No. 14 Melodrama and Duet: “Wie kalt ist es in diesem unterirdischen Gewölbe!” (Leonore, Rocco) [1:41] 08. Act III. No. 14 Melodrama and Duet: [Duet]: “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore) [4:00] 09. Act III. “Dort, in der Tiefe” (Erzähler) [0:52] 10. Act III. No. 15 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) [4:51] 11. Act III. “Und Rocco eilt” (Erzähler) [0:21] 12. Act III. No. 16 Quartet: “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco) [4:26] 13. Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!” (Erzähler) [0:06] 14. Act III. No. 17 Recitative and Duet: “Ich kann mich noch nicht fassen ... O namenlose Freude!” (Leonore, Florestan) [7:45] 15. Act III. No. 18 Finale: “Zur Rache! Zur Rache!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople, Leonore, Florestan, Rocco, Don Fernando, Jaquino, Marzelline) [4:20] 16. Act III. No. 18 Finale: “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Don Fernando, Rocco, Don Fernando Retinue, Guards, Prisoners, Townspeople) [4:16] 17. Act III. No. 18 Finale: “So müssen endlich Aufgeklärte und Unaufgeklärte” (Erzähler) [0:08] 18. Act III. No. 18 Finale: “Doch höre erst, du Bösewicht” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) [0:50] 19. Act III. No. 18 Finale: “Dann herrscht allgemeine Freiheit und Gleichheit der Geister” (Erzähler) [0:04] 20. Act III. No. 18 Finale: “Nein, nein, nein! Er ist noch zu gering bestraft!” (Don Fernando's Retinue, Guards, Prisoners, Townspeople) [0:13] 21. Act III. No. 18 Finale: “Ein höherer Geist, vom Himmel gesandt” (Erzähler) [0:11] 22. Act III. No. 18 Finale: [Recitative]: “Der König wird dein Richter sein!” (Don Fernando, his Retinue, Guards, Prisoners, Townspeople) [1:10] 23. Act III. No. 18 Finale: “Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Marzelline, Jaquino, Rocco, Don Fernando, his Retinue, Guards, Prisoners, Townspeople, Florestan, Leonore) [4:34] 24. Appendix. No. 7a March in B-flat (alternative version) [1:50] recording engineer: Rainer Maillard producer: Nicholas Parker [1] baritone vocals [Zweiter Gefangener]: Colin Campbell [1] tenor vocals [Erster Gefangener]: Robert Burt [2, 3, 7, 8, 10, 12, 15, 16, 23] baritone vocals [Rocco]: Franz Hawlata [2, 3, 7, 8, 10, 12, 14, 15, 16, 18, 23] soprano vocals [Leonore]: Hillevi Martinpelto [3, 4, 12] bass vocals [Don Pizarro]: Matthew Best [3, 15, 16, 23] soprano vocals [Marzelline]: Christiane Oelze [4, 15, 16, 18, 20, 22, 23] choir vocals [Chor]: Monteverdi Choir [5, 9, 11, 13, 17, 19, 21] spoken vocals: Christoph Bantzer [6, 10, 12, 14, 15, 16, 18, 23] tenor vocals [Florestan]: Kim Begley [15, 16, 18, 22, 23] bass vocals [Don Fernando]: Alastair Miles [15, 16, 23] tenor vocals [Jaquino]: Michael Schade orchestra: Orchestre Révolutionnaire et Romantique conductor: Sir John Eliot Gardiner recorded at: Watford Colosseum in Watford, Hertfordshire, England, United Kingdom IX.1996 II-07: CD 030: Fidelio (I) (68:35) Fidelio, op. 72 (1814) 01. Overture [00:06:20] 02. Act 1. No. 1 Duet: “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) [4:52] 03. Act 1. Monologue: “Seit Fidelio bei uns ist, ist die Welt wie verwandelt” (Marzelline) [0:11] 04. Act 1. No. 2 Aria: “O wär' ich schon mit dir vereint” (Marzelline) [3:41] 05. Act 1. Monologue: “Ich täusche die Menschen, die mich ernähren” (Leonore, Rocco) [0:54] 06. Act 1. No. 3 Quartet: “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) [4:31] 07. Act 1. Monologue: “Marzelline und Fidelio haben sich offensichtlich recht lieb” (Rocco) [0:17] 08. Act 1. No. 4 Aria: “Hat man nicht auch Gold beineben” (Rocco) [2:34] 09. Act 1. Monologue: “In den finstersten Gewölben sitzt ein Gefangener” (Rocco) [0:30] 10. Act 1. No. 5 Trio: “Gut, Söhnchen, gut”(Rocco, Leonore, Marzelline) [6:38] 11. Act 1. No. 6 Marsch [2:08] 12. Act 1. Dialogue: “Was Neues vorgefallen?” (Pizarro, Rocco) [0:48] 13. Act 1. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!” (Pizarro, Guards) [3:30] 14. Act 1. Dialogue: “Und nun zu dir mein lieber Rocco!” (Pizarro, Rocco) [0:05] 15. Act 1. No. 8 Duet: “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) [5:13] 16. Act 1. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!” (Leonore) [7:22] 17. Act 1. Monologue: “Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel” (Jaquino) [0:21] 18. Act 1. No. 10 Finale: “O welche Lust, in freier Luft den Atem leicht zu heben!” (Prisoners, First Prisoner, Second Prisoner) [6:56] 19. Act 1. No. 10 Finale: [Recitative and Duet]: “Nun sprecht, wie ging's? ... Noch heute, noch heute!” (Leonore, Rocco) [5:19] 20. Act 1. No. 10 Finale: “Ach, Vater, eilt!” (Marzelline, Rocco, Jaquino, Leonore) [0:41] 21. Act 1. No. 10 Finale: “Verwegener Alter! Welche Rechte legst du dir frevelnd selber bei?” (Pizarro, Rocco) [1:49] 22. Act 1. No. 10 Finale: “Leb wohl, du warmes Sonnenlicht” (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) [3:44] orchestra: Lucerne Festival Orchestra conductor: Claudio Abbado librettist: Jean-Nicolas Bouilly; translator: Joseph Sonnleithner and Georg Friedrich Treitschke II-08: CD 031: Fidelio (II) / Overture “Leonore” no. 1 / Arias, Choruses & Scenes WoO 91, 94, 97 & Unv 15 (83:41) Fidelio op. 72 (1814) 01. Act 2. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” (Florestan) [11:25] 02. Act 2. No. 12 Melodrama and Duet: “Wie kalt ist es diesem unterirdischen Gewölbe! ... Nur hurtig fort, nur frisch gegraben” (Leonore, Rocco) [5:53] 03. Act 2. Dialogue: “Ihr habt wieder geruht?” (Rocco, Florestan, Leonore) [0:33] 04. Act 2. No. 13 Trio: “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) [6:31] 05. Act 2. Dialogue: “Ist alles bereit?” (Pizarro, Rocco) [0:07] 06. Act 2. No. 14 Quartet: “Er sterbe!” (Pizarro, Florestan, Leonore, Rocco) [5:02] 07. Act 2. No. 15 Duet: “O namenlose Freude!” (Leonore, Florestan) [3:04] 08. Act 2. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” (Prisoners and People, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) [13:54] orchestra:Lucerne Festival Orchestra; conductor: Claudio Abbado 09. Overture “Leonore” no. 1, op. 138 [9:13] executive producer: Christopher Alder; producer:Werner Mayer orchestra: Wiener Philharmoniker; conductor: Claudio Abbado balance engineer: Karl-August Naegler recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria X.1989 Two Insertion Arias for Ignaz Umlauf's Singspiel “Die schöne Schusterin, oder Die pücefarbenen Schuhe”, WoO 91 10. “O welch ein Leben!” [3:17] 11. “Soll ein Schuh nicht drücken” [4:35] tenor vocals: Nicolai Gedda [on 10] soprano vocals: Anneliese Rothenberger [on 11] orchestra: Convivium musicum München conductor: Erich Keller Scene [I] from “Vestas Feuer”, Unv 15 [Hess 115] for vocal quartet and orchestra 12. “Blick, o Herr, durch diese Bäume ... Liebe Freundin, lebe wohl!” [10:46] bass vocals: Gerald Finley; soprano vocals: Susan Gritton; tenor vocals: David Kuebler and Robin Leggate orchestra: BBC Symphony Orchestra; conductor: Sir Andrew Davis “Germania”, WoO 94 13. Final number from Friedrich Treitschke's Singspiel “Die gute Nachricht” for bass, chorus and orchestra [4:38] bass vocals: Gerald Finley; choir vocals: BBC Singers; orchestra: BBC Symphony Orchestra; conductor: Sir Andrew Davis “Es ist vollbracht”, WoO 97 14. Final number from Friedrich Treitschke Singspiel “Die Ehrenpforten” for bass, chorus and orchestra [4:37] bass vocals: Gerald Finley; choir vocals: BBC Singers; orchestra: BBC Symphony Orchestra; conductor: Sir Andrew Davis
[Профиль] [ЛС]
ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 15-Дек-20 10:54 (спустя 17 часов, ред. 05-Июн-22 15:15) [Цитировать] III - KEYBOARD MUSIC (20 CDs, 25:46:06) III-01: CD 032: Piano Sonatas nos. 1-3 (65:26) Sonata no. 1 in f, op. 2 no. 1 (1793-1795) 01. I. Allegro [5:28] 02. II. Adagio [4:35] 03. III. Menuetto. Allegretto [2:39] 04. IV. Prestissimo [6:59] Sonata no. 2 in A, op. 2 no. 2 (1794-1795) 05. I. Allegro vivace [6:40] 06. II. Largo appassionato [6:34] 07. III. Scherzo. Allegretto [2:48] 08. IV. Rondo. Grazioso [6:07] Sonata no. 3 in C, op. 2 no. 3 (1794-1795) 09. I. Allegro con brio [9:08] 10. II. Adagio [6:30] 11. III. Scherzo. Allegro [2:53] 12. IV. Allegro assai [5:00] assistant engineer: Oliver Rogalla von Heyden producer: Christopher Alder piano: Maurizio Pollini balance engineer: Klaus Hiemann recorded at: Herkulessaal in Munich, Bayern, Germany I.2007 III-02: CD 033: Piano Sonatas nos. 4-6 & 8 (85:43) Sonata no. 4 in E-flat, op. 7 (1796-1797) 01. I. Allegro molto e con brio [8:49] 02. II. Largo, con gran espressione [9:59] 03. III. Allegro [5:50] 04. IV. Rondo. Poco allegretto e grazioso [8:03] piano: Emil Gilels recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany VIII-IX.1984 Sonata no. 5 in c, op. 10 no. 1 (1795-1797) 05. I. Allegro molto e con brio [5:05] 06. II. Adagio molto [7:44] 07. III. Finale. Prestissimo [4:13] piano: Zoltán Kocsis, VIII.1990 Sonata no. 6 in F, op. 10 no. 2 (1796-1798) 08. I. Allegro [8:19] 09. II. Allegretto [4:01] 10. III. Presto [4:05] piano: Claudio Arrau recorded at: Bachzaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands IX.1964 Sonata no. 8 in c, op. 13 'Pathétique' 11. I. Grave - Allegro di molto e con brio [8:59] 12. II. Adagio cantabile [6:20] 13. III. Rondo. Allegro [4:10] piano: Stephen Kovacevich (aka Stephen Bishop) XII.1971[align] III-03: CD 034: Piano Sonatas nos. 7 & 9-11 (79:02) Sonata no. 7 in D, op. 10 no. 3 (1798) 01. I. Presto [7:16] 02. II. Largo e mesto [11:19] 03. III. Menuetto. Allegro [3:07] 04. IV. Rondo. Allegro [4:12] Claudio Arrau (piano), X.1985 Sonata no. 9 in E, op. 14 no. 1 (1798) 05. I. Allegro [7:02] 06. II. Allegretto [3:25] 07. III. Rondo. Allegro comodo [3:31] Alfred Brendel (piano) recorded at: Reitstadel in Neumarkt in der Oberpfalz, Bayern, Germany VI.1994 Sonata no. 10 in G, op. 14 no. 2 (1798-1799) 08. I. Allegro [6:38] 09. II. Andante [5:03] 10. III. Scherzo. Allegro assai [3:27] Vladimir Ashkenazy (piano), 1979 Sonata no. 11 in B-flat, op. 22 (1799-1800) 11. I. Allegro con brio [7:23] 12. II. Adagio con molto espressione [6:41] 13. III. Menuetto [3:21] 14. IV. Rondo. Allegretto [6:33] Alfred Brendel (piano) recorded at: Henry Wood Hall (London) in London, England, United Kingdom VI.1977 III-04: CD 035: Piano Sonatas nos. 12-15 & 19 (82:34) Sonata no. 12 in A-flat, op. 26 (1800-1801) 01. I. Andante con variazioni [8:32] 02. II. Scherzo. Allegro molto [2:55] 03. III. Marcia funebre sulla morte d'un eroe [4:56] 04. IV. Allegro [3:35] Alfred Brendel (piano) recorded at: Reitstadel in Neumarkt in der Oberpfalz, Bayern, Germany IV.1994 Sonata no. 13 in E-flat, op. 27 no. 1 (Sonata quasi una fantasia) (1800-1801) 05. I. Andante - Allegro - Tempo I [5:49] 06. II. Allegro molto e vivace - [1:39] 07. III. Adagio con espressione - [3:09] 08. IV. Allegro vivace - Tempo I - Presto [5:37] Emil Gilels (piano) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany 9-17.IX.1980 producer: Werner Mayer Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia) (1801) 09. I. Adagio sostenuto [5:26] 10. II. Allegretto [2:12] 11. III. Presto agitato [5:24] Nelson Freire (piano) recorded at: Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland IV.2006 Sonata no. 15 in D, op. 28 (“Pastoral”) (1801) 12. I. Allegro [10:48] 13. II. Andante [6:48] 14. III. Scherzo. Allegro vivace [2:18] 15. IV. Rondo. Allegro ma non troppo [5:26] Alfred Brendel (piano) recorded at: Henry Wood Hall (London) in London, England, United Kingdom VI.1977 Sonata no. 19 in g, op. 49 no. 1 (1797) 16. I. Andante [4:27] 17. II. Rondo. Allegro [3:25] Radu Lupu (piano) recorded at: Kingsway Hall in London, England, United Kingdom XII.1977 engineer: Simon Eadon producer: Richard Beswick III-05: CD 036: Piano Sonatas nos. 16-18 & 20 (80:58) Sonata no. 16 in G, op. 31 no. 1 (1801-1802) 01. I. Allegro vivace [6:56] 02. II. Adagio grazioso [10:28] 03. III. Rondo. Allegretto [6:52] Alfred Brendel (piano) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom XI.1992 Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”) (1801-1802 04. I. Largo - Allegro [8:38] 05. II. Adagio [10:23] 06. III. Allegretto [7:39] Claudio Arrau (piano) recorded at: Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands V.1965 Sonata no. 18 in E-flat, op. 31 no. 3 (1801-1802) 07. I. Allegro [8:02] 08. II. Scherzo. Allegretto vivace [4:54] 09. III. Menuetto. Moderato e grazioso [3:47] 10. IV. Presto con fuoco [4:38] Stephen Kovacevich (classical pianist, aka Stephen Bishop) recorded at: Brent Town Hall (Wembley Town Hall) in Brent, London, England, United Kingdom XII.1971 Sonata no. 20 in G, op. 49 no. 2 (1795-1796) 11. I. Allegro ma non troppo [4:49] 12. II. Tempo di menuetto [3:48] engineer: Simon Eadon producer: Richard Beswick Radu Lupu (Romanian concert pianist) recorded at: Kingsway Hall in London, England, United Kingdom XII.1977 III-06: CD 037: Piano Sonatas nos. 21-25 (83:36) Sonata no. 21 in C, op. 53 “Waldstein” (1803-1804) 01. I. Allegro con brio [11:05] 02. Introduzione. Adagio molto - [4:37] 03. Rondo. Allegretto moderato - Prestissimo [9:25] producer: Günther Breest Emil Gilels (piano) balance engineer: Hans-Peter Schweigmann recorded at: UFA-Tonstudio in Berlin, Germany I.1972 Sonata no. 22 in F, op. 54 (1804) 04. I. In tempo d'un menuetto [6:09] 05. II. Allegretto [6:29] producer: Volker Straus Alfred Brendel (piano) recorded at: Henry Wood Hall (London) in London, England, United Kingdom VI.1977 Sonata no. 23 in f, op. 57 “Appassionata” (1804-1806) 06. I. Allegro assai [11:06] 07. II. Andante con moto [6:29] 08. III. Allegro ma non troppo [7:58] producer: Günther Breest Emil Gilels (piano) balance engineer: Klaus Scheibe (editor/engineer) recorded at: Johannesstift in Berlin, Germany VI.1973 Sonata no. 24 in F-sharp, op. 78 (1809) 09. I. Adagio cantabile - Allegro ma non troppo [7:12] 10. II. Allegro vivace [2:43] producer: Richard Beswick Vladimir Ashkenazy (piano) (in 1979-06) balance engineer: Simon Eadon and Colin Moorfoot recorded at: St. George’s Church (Bloomsbury) in Camden, London, England, United Kingdom VI.1979 Sonata no. 25 in G, op. 79 (1809) 11. I. Presto alla tedesca [4:47] 12. II. Andante [3:37] 13. III. Vivace [1:53] producer: Günther Breest Эмиль Григорьевич Гилельс (piano) balance engineer: Klaus Scheibe (editor/engineer) recorded at: Johannesstift in Berlin, Germany XII.1974 III-07: CD 038: Piano Sonatas nos. 26, 27 & 29 (80:14) Sonata no. 26 in E-flat, op. 81a “Les Adieux” (1809-1810) 01. I. Adagio - Allegro (Lebewohl) [7:17] 02. II. Andante espressivo (Abwesenheit) [4:01] 03. III. Vivacissimamente (Das Wiedersehn) [6:04] producer: Günther Breest Emil Gilels (piano) balance engineer: Klaus Scheibe (editor/engineer) recorded at: Johannesstift in Berlin, Germany XII.1974 Sonata no. 27 in e, op. 90 (1814) 04. I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck [5:41] 05. II. Nicht zu geschwind und sehr singbar vorzutragen [8:22] producer: Günther Breest Emil Gilels (piano) balance engineer: Klaus Scheibe (editor/engineer) recorded at: Johannesstift in Berlin, Germany XII.1974 Sonata no. 29 in B-flat, op. 106 “Hammerklavier” (1817-1818) 06. I. Allegro [12:21] 07. II. Scherzo. Assai vivace [2:52] 08. III. Adagio sostenuto, appassionato e con molto sentimento [19:52] 09. IV. Largo - Allegro risoluto [13:40] producer: Werner Mayer Emil Gilels (piano) balance engineer: Klaus Scheibe (editor/engineer) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany X.1982 III-08: CD 039: Piano Sonatas nos. 28 & 29 (63:22) Sonata no. 28 in A, op. 101 (1816) 01. I. Erwas lebhaft und mit der innigsten Empfindung (allegro ma non troppo) [3:47] 02. II. Lebhaft. Marschmäßig (Vivace all marcia) [6:15] 03. III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) - [2:45] 04. IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro) [7:33] engineer: Werner Mayer producer: Rainer Brock, Werner Mayer and Motoaki Ohmachi Maurizio Pollini (piano) balance engineer: Klaus Hiemann recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria I.1977 Sonata no. 29 in B-flat, op. 106 “Hammerklavier” (1817-1818) 05. I. Allegro [10:46] 06. II. Scherzo. Assai vivace [2:43] 07. III. Adagio sostenuto, appassionato e con molto sentimento [17:12] 08. IV. Large - Allegro risoluto [12:20] engineer: Werner Mayer producer: Rainer Brock, Werner Mayer and Motoaki Ohmachi Maurizio Pollini (piano) balance engineer: Klaus Hiemann recorded at: Herkulessaal in Munich, Bayern, Germany VI.1977 III-09: CD 040: Piano Sonatas nos. 30-32 (62:10) Sonata no. 30 in E, op. 109 (1820) 01. I. Vivace, ma non troppo - Adagio espressivo - Tempo I [3:15] 02. II. Prestissimo [2:16] 03. III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) [12:42] producer: Rainer Brock Maurizio Pollini (piano) balance engineer: Klaus Hiemann (German audio) recorded at: Herkulessaal in Munich, Bayern, Germany VI.1975 Sonata no. 31 in A-flat, op. 110 (1821) 04. I. Moderato cantabile, molto espressivo [6:03] 05. II. Allegro molto [1:57] 06. III. Adagio, ma non troppo - Arioso dolente - Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga [9:46] producer: Rainer Brock Maurizio Pollini (piano) balance engineer: Klaus Hiemann (German audio) recorded at: Herkulessaal in Munich, Bayern, Germany VI.1975 Sonata no. 32 in c, op. 111 (1821-1822) 07. I. Maestoso - Allegro con brio ed appassionato [8:47] 08. II. Arietta. Adagio molto semplice e cantabile [17:23] producer: Werner Mayer Maurizio Pollini (piano) balance engineer: Klaus Hiemann (German audio) recorded at: Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria I.1977 III-10: CD 041: Named Piano Sonatas: no. 8 “Pathétique” / no. 14 “Moonlight” / no. 17 “The Tempest” / no. 21 “Waldstein” (81:49) Sonata no. 8 in C, op. 13 “Pathétique” (1798) 01. I. Grave - Allegro di molto e con brio [10:15] 02. II. Adagio cantabile [7:04] 03. III. Rondo. Allegro [5:06] recording engineer: Tryggve Tryggvason producer: Michael Woolcock Radu Lupu (piano) recorded at: Decca Studios in West Hampstead, Camden, London, England, United Kingdom 13-16.VI.1972 Sonata no. 14 in C-sharp, op. 27 no. 2 “Moonlight” (1801) 04. I. Adagio sostenuto [5:15] 05. II. Allegretto [2:10] 06. III. Presto agitato [7:20] recording engineer: Martin Nagorni producer: Andreas Neubronner (engineer/producer) Murray Perahia (piano) recorded at: Funkhaus Nalepastraße in Berlin, Germany VII.2017 Sonata no. 17 in D, op. 31 no. 2 (“The Tempest”) (1801-1802) 07. I. Largo - Allegro [8:20] 08. II. Adagio [7:39] 09. III. Allegretto [6:03] producer: Sid McLauchlan Hélène Grimaud (piano) balance engineer: Rainer Maillard recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden IX.2003 Sonata no. 21 in C, op. 53 “Waldstein” (1803-1804) 10. I. Allegro con brio [9:28] 11. II. Introduzione. Adagio molto - [3:47] 12. III. Rondo. Allegretto moderato - Prestissimo [9:17] producer: Dominic Fyfe Nelson Freire (piano) balance engineer: Philip Siney recorded at: Salle de Musique (La Chaux de Fonds) in La Chaux-de-Fonds, Neuchâtel, Switzerland IV.2006 III-11: CD 042: Named Piano Sonatas: no. 23 “Appassionata” / no. 26 “Les Adieux” / no. 29 “Hammerklavier” (78:58) Sonata no. 23 in f, op. 57 “Appassionata” (1804-1806) 01. I. Allegro [7:36] 02. II. Andante con moto [5:32] 03. III. Allegro ma non troppo [7:23] recording engineer: Franz Plott producer: Rudolf Mraz Friedrich Gulda (piano) recorded at: Österreichischer Rundfunk, Studio Klagenfurt Sonata no. 26 in E-flat, op. 81a “Les Adieux” (1809-1810) 04. I. Adagio - Allegro (Lebewohl) [7:09] 05. II. Andante espressivo (Abwesenheit) [4:29] 06. III. Vivacissimamente (Das Wiedersehn) [6:06] recording engineer: Anton Reininger producer: Wolfgang Racher Evgeny Kissin (piano) recorded at: Wiener Musikverein in Wien, Austria II.2006 Sonata no. 29 in B-flat, op. 106 “Hammerklavier” (1817-1818) 07. I. Allegro [10:06] 08. II. Scherzo. Assai vivace [2:28] 09. III. Adagio sostenuto, appassionato e con molto sentimento [16:21] 10. IV. Largo - Allegro risoluto [11:44] recording engineer: Markus Heiland producer: Andreas Neubronner Murray Perahia (piano) recorded at: Funkhaus Nalepastraße in Berlin, Germany XI.2016 III-12: CD 043: Last Piano Sonatas: nos. 30-32 (68:04) Sonata no. 30 in E, op. 109 (1820) 01. I. Vivace, ma non troppo - Adagio espressivo - Tempo I [4:09] 02. II. Prestissimo [2:39] 03. III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) [2:31] 04. III. Variation I: Molto espressivo [2:01] 05. III. Variation II: Leggiermente [1:42] 06. III. Variation III: Allegro vivace [0:29] 07. III. Variation IV: Erwas langsamer als das Thema [2:30] 08. III. Variation V: Allegro, ma non troppo [1:03] 09. III. Variation VI: Tempo I del tema [3:58] producer: Werner Mayer Emil Gilels (piano) balance engineer: Hans-Peter Schweigmann recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany VIII-IX.1985 Sonata no. 31 in A-flat, op. 110 (1821) 10. I. Moderato cantabile, molto espressivo [6:38] 11. II. Allegro molto [2:10] 12. III. Adagio, ma non troppo - Arioso dolente - [3:20] 13. III. Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga [6:53] producer: Nicole Brunner Alfred Brendel (piano) balance engineer: Gernot Hoffmann recorded at: Salzburg Festival 2007 27.VII-31.VIII.2007 Sonata no. 32 in c, op. 111 (1821) 14. I. Maestoso - Allegro con brio ed appassionato [9:21] 15. II. Arietta. Adagio molto semplice e cantabile [18:33] recording engineer: Sebastian Stein producer: Everett Porter Mitsuko Uchida (piano) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom 12-20.V.2005 III-13: CD 044: Bagatelles opp. 33, 119, 126 / WoO 54, 56, 60, 81 & 214 (67:15) 7 Bagatelles, op. 33 (1801-1802) 01. Andante grazioso, quasi Allegretto [3:54] 02. Scherzo. Allegro [2:50] 03. Allegretto [2:04] 04. Andante [3:30] 05. Allegro, ma non troppo [3:07] 06. Allegretto quasi Andante [2:52] 07. Presto [2:16] producer: Michael Haas Alicia de Larrocha (piano) balance engineer: Simon Eadon and James Lock recorded at: Decca Studios in West Hampstead, Camden, London, England, United Kingdom IX.1979 11 Bagatelles, op. 119 (1820-1822) 08. No. 1: Allegretto [2:29] 09. No. 2: Andante con brio [0:59] 10. No. 3: А l'allemande [1:41] 11. No. 4: Andante cantabile [1:42] 12. No. 5: Risoluto [1:03] 13. No. 6: Andante - Allegretto Leggiermente [1:55] 14. No. 7: Allegro ma non troppo [1:06] 15. No. 8: Moderato cantabile [1:27] 16. No. 9: Vivace moderato [0:30] 17. No. 10: Allegramente [0:13] 18. No. 11: Andante, ma non troppo [1:51] producer and balance engineer: Ursula Singer Alfred Brendel (piano) recorded at: Henry Wood Hall (London) in London, England, United Kingdom IX.1996 6 Bagatelles, op. 126 (1824) 19. No. 1: Andante con moto [3:27] 20. No. 2: Allegro [2:33] 21. No. 3: Andante cantabile e grazioso [2:39] 22. No. 4: Presto [3:34] 23. No. 5: Quasi allegretto [2:53] 24. No. 6: Presto - Andante amabile e con moto - Tempo I [4:15] recording engineer: Willem van Leeuwen producer: Volker Straus Stephen Kovacevich (aka Stephen Bishop) (piano) recorded at: Brent Town Hall (Wembley Town Hall) in Brent, London, England, United Kingdom VI.1974 25. Bagatelle in C, WoO 56: Allegretto (1803, 1822) [1:44] producer: Christian Gansch (conductor) piano: Михаил Васильевич Плетнёв (pianist & conductor) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 26. Bagatelle in a, WoO 59 “Für Elise”: Poco moto (1808-1810) [3:27] recording engineer: Philip Krause (engineer) producer: Christopher Alder (editor/engineer/producer) piano: Lang Lang phonographic copyright by: Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2019) recorded at: 國家大劇院 (National Centre for the Performing Arts) in Beijing, China VII.2018 27. “Lustig-traurig” in C/c, WoO 54 (1802) [1:43] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 28. Klavierstück (Bagatelle) in B-flat, WoO 60: Ziemlich lebhaft (1818) [1:19] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 29. Allemande in A, WoO 81 (1793, 1822) [1:08] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 30. Allegretto in c, WoO 214 [Hess 69] (1795-1796, 1822) [2:48] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 III-14: CD 045: Electoral Sonatas WoO 47 / Sonata Movements op. 129, WoO 48-53 & 57 (77:02) Sonata no. 1 in E-flat, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”) (1782-1783) 01. I. Allegro cantabile [4:03] 02. II. Andante [3:59] 03. III. Rondo vivace [2:52] producer: Werner Mayer piano: Emil Gilels balance engineer: Hans-Peter Schweigmann recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany IX.1985 Sonata no. 2 in f, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”) (1782-1783) 04. I. Larghetto maestoso - Allegro assai [5:02] 05. II. Andante [6:39] 06. III. Presto [3:38] producer: Werner Mayer piano: Emil Gilels balance engineer: Hans-Peter Schweigmann recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany IX.1985 Sonata no. 3 in D, WoO 47 (“Kurfürstensonaten” / “Electoral Sonatas”) (1782-1783) 07. I. Allegro [5:16] 08. II. Menuetto. Sostenuto - Var. I-VI [5:28] 09. III. Scherzando. Allegro, ma non troppo [3:23] producer: Rainer Brock piano: Jörg Demus balance engineer: Harald Baudis recorded at: Palais Schönburg in Wien, Austria VI.1969 10. Rondo in C, WoO 48: Allegretto (1783)[2:08] producer: Christian Gansch (conductor) piano: Михаил Васильевич Плетнёв (pianist & conductor) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 11. Rondo in A, WoO 49: Allegretto (1783) [2:44] producer: Christian Gansch (conductor) piano: Михаил Васильевич Плетнёв (pianist & conductor) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 Sonatina in F, WoO 50 (1790-1792) 12. I. [1:15] 13. II. Allegretto [0:32] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 Sonata in C, WoO 51 (1791-1798) 14. I. Allegro [4:40] 15. II. Adagio [2:59] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 16. Bagatelle in c, WoO 52: Presto (1795, 1798-1822)[4:01] producer: Christian Gansch (conductor) piano: Михаил Васильевич Плетнёв (pianist & conductor) balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 17. Allegretto in c, WoO 53 (1796-1797)[4:47] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 18. Andante in F, WoO 57 (“Andante favori”): Andante grazioso con moto (1803)[7:48] recording engineer and producer: Helmut Burk piano: Alice Sara Ott recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.2010 19. Rondo a capriccio in G, op. 129 (“Die Wut über den verlornen Groschen” / “The Rage over the Lost Penny”): Allegro vivace (1795)[5:40] producer: Werner Mayer piano: Anatol Ugorski balance engineer: Jochen Gottschall recorded at: Friedrich-Ebert-Halle in Hamburg, Germany I.1992 III-15: CD 046: Dances op. 89, WoO 10, 11, 13, 82-86 & 218 / Miscellaneous Works opp. 51, 77, WoO 55, 61, 61a & 215 (78:20) 01. Rondo in C, op. 51 no. 1: Moderato e grazioso (1796-1797)[5:43] 02. Rondo in G, op. 51 no. 2: Andante cantabile e grazioso (1798)[9:14] engineer: Simon Eadon producer: Michael Haas piano: Radu Lupu recorded at: Henry Wood Hall (London) in London, England, United Kingdom VIII.1979 03. Fantasie in g, op. 77 (1809): Allegro - Poco adagio - Allegro ma non troppo - Allegro con brio - Adagio - Presto - Adagio - Allegretto - Adagio [9:28] dedicated to: Franz Brunsvik producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Oliver Rogalla recorded at: Friedrich-Ebert-Halle in Hamburg, Germany XII.1995 04. Polonaise in C, op. 89: Alla polacca, vivace (1814)[5:08] producer: David Harvey piano: Julius Katchen balance engineer: Kenneth Wilkinson recorded at: Kingsway Hall in London, England, United Kingdom III.1968 6 Minuets, WoO 10 (1795) 05. no. 1 in C, [1:51] 06. no. 2 in G [2:07] 07. no. 3 in E-flat [1:59] 08. no. 4 in B-flat [1:59] 09. no. 5 in D [2:04] 10. no. 6 in C [1:50] producer: Christian Gansch piano: Михаил Васильевич Плетнёв balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 11. 7 Ländler in D, WoO 11 (1799)[4:07] 12. 12 Deutsche Tänze, WoO 13 (1792-1797): no. 1 in D / no. 2 in B-flat / no. 3 in G / no. 4 in D / no. 5 in F / no. 6 B-flat / no. 7 in D / no. 8 in G / no. 9 in E-flat / no. 10 in D / no. 11 in A / no. 12 in D [13:43] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock and Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 13. Prelude in f, WoO 55 (1803)[3:10] 14. Klavierstück (Allegretto) in b, WoO 61 (1821)[2:03] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 15. Allegretto quasi andante in g, WoO 61a (1825)[0:37] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 16. Minuet in E-flat, WoO 82: Moderato (1806)[3:11] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 17. 6 Ecossaises in E-flat, WoO 83 (1806)[2:36] producer: Wolfgang Lohse piano: Wilhelm Kempff balance engineer: Heinz Wildhagen (engineer, producer) recorded at: Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany V.1964 18. Waltz in E-flat, WoO 84 (1824)[1:47] 19. Waltz in D, WoO 85 (1825)[0:37] 20. Ecossaise in E-flat, WoO 86 (1825)[0:28] 21. 3-Part Fugue in C, WoO 215 [Hess 64] (1795)[1:38] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany VIII.1996 22. Minuet in C, WoO 218 [Biamonti 74] (179?)[2:51] engineer: Philip Krause producer: Christopher Alder (editor/engineer/producer) piano: Lang Lang recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom VIII.2018 III-16: CD 047: Variations WoO 63-66 & 68-71 (78:57) 01. 9 Variations (in c) on a March by Ernst Christoph Dressler, WoO 63 (1782): Thema. Maestoso / Var. I-VIII / Var. IX (in C) Allegro [7:19] 24 Variations (in D) on Vincenzo Righini's Arietta “Venni amore”, WoO 65 (1790-1791) 02. Thema. Allegretto [0:46] 03. Var. I [0:43] 04. Var. II [0:43] 05. Var. III [0:36] 06. Var. IV [0:42] 07. Var. V [0:38] 08. Var. VI [0:37] 09. Var. VII [0:41] 10. Var. VIII [0:56] 11. Var. IX [0:44] 12. Var. X [0:40] 13. Var. XI [0:46] 14. Var. XII [1:05] 15. Var. XIII [0:41] 16. Var. XIV: Allegretto - Adagio [1:28] 17. Var. XV [0:34] 18. Var. XVI [0:41] 19. Var. XVII [0:53] 20. Var. XVIII [0:48] 21. Var. XIX [0:38] 22. Var. XX: Scherzando [0:41] 23. Var. XXI [0:45] 24. Var. XXII [0:41] 25. Var. XXIII: Adagio sostenuto [3:45] 26. Var. XXIV: Allegro - Allegro stringendo - Presto assai [2:15] 27. 13 Variations (in A) on the Arietta “Es war einmal ein alter Mann” from Ditterdorf's Singspiel “Das rote Käppchen”, WoO 66 (1792): Thema. Allegretto [13:31] producer: Sid McLauchlan piano: Gianluca Cascioli balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany IX.1996 28. 6 Variations in F on a Swiss Song, WoO 64 (1790-1792): Thema. Andante con moto / Var. I-VI [2:57] 29. 12 Variations (in C) on the “Menuett à la Viganò” from Jakob Haibel's Ballet “Le nozze disturbate”, WoO 68 (1795): Thema. Allegretto / Var. I-XI / Var. XII Allegro - Adagio [11:27] 30. 9 Variations (in A) on the Aria “Quant'è più bello” from Giovanni Paisiello's Opera “La molinara”, WoO 69 (1795): Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VIII / Var. IX Tempo di Minuetto [5:00] producer: Paul Myers piano: Olli Mustonen balance engineer: Simon Eadon recorded at: Henry Wood Hall (London) in London, England, United Kingdom VI.1992 31. 6 Variations (in G) on the Duet “Nel cor più non mi sento” from Giovanni Paisiello's Opera “La molinara”, WoO 70 (1795): Thema. Andantino / Var. I-VI [4:12] 32. 12 Variations (in A) on a Russian Dance from Paul Wranitzky's Ballet “Das Waldmädchen”, WoO 71 (1796-1797): Thema. Allegretto [10:51] producer: Andrew Cornall (engineer / producer) piano: Vladimir Ashkenazy balance engineer: Philip Siney recorded at: Potton Hall in Suffolk, England, United Kingdom 29.VII-2.VIII.2006 [01-26, 28, 29, 31] producer: Christian Gansch; piano: Михаил Васильевич Плетнёв; balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 III-17: CD 048: Variations opp. 34, 35, WoO 72, 73 & 75-77 (82:33) 01. 8 Variations (in C) on the Romance “Une fièvre brûlante” from Grétry's Opera “Richard Cœur de Lion”, WoO 72 (1795): Thema. Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI-VII / Var. VIII Allegro - Presto [6:55] 02. 10 Variations (in B-flat) on the Duet “La stessa, la stessissima” from Antonio Salieri's Opera “Falstaff”, WoO 73 (1799): Thema. Andante con moto / Var. I-IV / Var. V Minore / Var. VI Maggiore / Var. VII-IX / Var. X Allegretto, alla Austriaca - Tempo I [10:34] 03. 7 Variations (in F) on the Quartet “Kind, willst du ruhig schlafen?” from Peter Winter's Opera “Das unterbrochene Opferfest”, WoO 75 (1799): Thema. Allegretto / Var. I-V / Var. VI Minore / Var. VII Maggiore. Allegro - Allegro molto [12:16] 04. 8 Variations (in F) on the Trio “Tändeln und Scherzen” from Franz X. Süssmayr's Opera “Soliman II”, WoO 76 (1799): Thema. Andante, quasi Allegretto / Var. I-VI / Var. VII Adagio molto ed espressivo - attacca / Var. VIII Allegro vivace - Adagio [8:14] 05. 6 Variations (in G) on an Original Theme, WoO 77 (1800): Thema. Andante, quasi Allegretto / Var. I-III / Var. IV Minore / Var. V Maggiore / Var. VI [7:12] 6 Variations (in F) on an Original Theme, op. 34 (1802) 06. Thema. Adagio [1:37] 07. Var. I [1:24] 08. Var. II: Allegro ma non troppo [1:04] 09. Var. III: Allegretto [1:00] 10. Var. IV: Tempo di Minuetto [1:05] 11. Var. V: Marcia. Allegretto [2:48] 12. Var. VI: Allegretto - Adagio molto [3:57] 15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35 (1802) 13. Introduzione coil Basso del Tema. Allegretto vivace [3:00] 14. Tema [0:42] 15. Var. I [0:37] 16. Var. II [0:50] 17. Var. III [0:39] 18. Var. IV [0:32] 19. Var. V [0:52] 20. Var. VI [0:32] 21. Var. VII Canone all'ottava [0:38] 22. Var. VIII [1:01] 23. Var. IX [0:39] 24. Var. X [0:37] 25. Var. XI [0:44] 26. Var. XII [0:40] 27. Var. XIII [0:44] 28. Var. XIV: Minore [1:43] 29. Var. XV: Maggiore. Largo [3:42] 30. Var. Coda [1:12] 31. Finale. All Fuga. Allegro con brio - Andante con moto [4:48] [1-3] producer: Sid McLauchlan; piano: Gianluca Cascioli; balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany IX.1996 [4,5] producer: Sid McLauchlan; piano: Gianluca Cascioli; balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 [6-12] producer: Christian Gansch; piano: Михаил Васильевич Плетнёв; balance engineer: Rainer Maillard recorded at: Friedrich-Ebert-Halle in Hamburg, Germany III.1997 [13-30] producer: Werner Mayer; piano: Emil Gilels; balance engineer: Klaus Scheibe (editor/engineer) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany 12-15.IX.1980 III-18: CD 049: Variations opp. 76, 120 & WoO 78-80 (84:36) 01. 32 Variations (in c) on an Original Theme, WoO 80 (1806): Thema. Allegretto / Var. I-XI / Var. XII-XVI Maggiore / Var. XVII-XXXII Minore [11:14] producer: Wilhelm Hellweg (producer / engineer) piano: 内田光子; balance engineer: Peter Urban (sound engineer) recorded at: Herkulessaal in Munich, Bayern, Germany XI.1998 02. 7 Variations (in C) on “God Save the King”, WoO 78 (1802-1803): Thema / Var. I-V / Var. VI Allegro. Alla Marcia / Var. VII [Allegro] - Adagio - Allegro [7:27] 03. 5 Variations (in D) on “Rule, Britannia” (from Thomas Arne's Masque “Alfred”), WoO 79 (1803): Thema: Tempo moderato / Var. I-V [4:14] producer: Paul Myers piano: Olli Mustonen; balance engineer: Simon Eadon (classical music engineer) recorded at: Henry Wood Hall (London) in London, England, United Kingdom VI.1992 04. 6 Variations (in D) on an Original Theme, op. 76 (1809): Thema. Allegro risoluto / Var. I-V / Var. VI. Presto - Tempo I [7:08] producer: Sid McLauchlan piano: Gianluca Cascioli; balance engineer: Stephan Flock recorded at: Friedrich-Ebert-Halle in Hamburg, Germany II.1997 33 Variations (in C) on a Waltz by Diabelli, op. 120 (1819-1823) 05. Tema. Vivace / Var. I: Alla Marcia maestoso [2:23] 06. Var. II: Poco Allegro [0:41] 07. Var. III: L'istesso tempo [1:25] 08. Var. IV: Un poco più vivace [0:55] 09. Var. V: Allegro vivace [0:53] 10. Var. VI: Allegro ma non troppo e serioso [1:54] 11. Var. VII: Un poco più Allegro [1:05] 12. Var. VIII: Poco vivace [1:37] 13. Var. IX: Allegro pesante e risoluto [1:49] 14. Var. X: Presto [0:38] 15. Var. XI: Allegretto [1:07] 16. Var. XII: Un poco più moto [0:57] 17. Var. XIII: Vivace [1:05] 18. Var. XIV: Grave e maestoso [5:16] 19. Var. XV: Presto scherzando [0:35] 20. Var. XVI: Allegro [1:02] 21. Var. XVII: Allegro [1:02] 22. Var. XVIII: Poco moderato [1:28] 23. Var. XIX: Presto [0:49] 24. Var. XX: Andante [2:05] 25. Var. XXI: Allegro con Brio - Meno Allegro [1:06] 26. Var. XXII: Allegro molto (Alla “Notte e giorno faticar” di Mozart) [0:45] 27. Var. XXIII: Allegro assai [0:51] 28. Var. XXIV: Fughetta. Andante [3:14] 29. Var. XXV: Allegro [0:46] 30. Var. XXVI: (Piacevole) [1:13] 31. Var. XXVII: Vivace [0:56] 32. Var. XXVIII: Allegro [0:53] 33. Var. XXIX: Adagio ma non troppo [1:27] 34. Var. XXX: Andante, sempre cantabile [2:06] 35. Var. XXXI: Largo, molto espressivo [5:05] 36. Var. XXXII: Fuga. Allegro - Poco Adagio [2:51] 37. Var. XXXIII: Tempo di Minuetto, moderato [4:14] recording engineer: Gerard Janszen and Ko Witteveen producer: Vittorio Negri; piano: Stephen Kovacevich (aka Stephen Bishop) recorded at: Brent Town Hall (Wembley Town Hall) in Brent, London, England, United Kingdom 14-16.II.1968 III-19: CD 050: Diabelli Variations / “Eroica” Variations (80:00) 33 Variations (in C) on a Waltz by Diabelli, op. 120 (1819-1823) 01. Tema. Vivace / Var. I: Alla Marcia maestoso [2:35] 02. Var. II: Poco allegro [0:56] 03. Var. III: L'istesso tempo [1:20] 04. Var. IV: Un poco più vivace [1:04] 05. Var. V: Allegro vivace [0:57] 06. Var. VI: Allegro ma non troppo e serioso [1:55] 07. Var. VII: Un poco più Allegro [1:21] 08. Var. VIII: Poco vivace [1:46] 09. Var. IX: Allegro pesante e risoluto [1:43] 10. Var. X: Presto [0:43] 11. Var. XI: Allegretto [1:09] 12. Var. XII: Un poco più moto [0:53] 13. Var. XIII: Vivace [1:01] 14. Var. XIV: Grave e maestoso [4:16] 15. Var. XV: Presto scherzando [0:36] 16. Var. XVI: Allegro [1:02] 17. Var. XVII: Allegro [1:12] 18. Var. XVIII: Poco moderato [2:00] 19. Var. XIX: Presto [0:55] 20. Var. XX: Andante [2:07] 21. Var. XXI: Allegro con Brio - Meno Allegro [1:13] 22. Var. XXII: Allegro molto (Alla “Notte e giorno faticar” di Mozart) [0:53] 23. Var. XXIII: Allegro assai [0:49] 24. Var. XXIV: Fughetta. Andante [3:29] 25. Var. XXV: Allegro [0:44] 26. Var. XXVI: (Piacevole) [1:08] 27. Var. XXVII: Vivace [1:00] 28. Var. XXVIII: Allegro [1:01] 29. Var. XXIX: Adagio ma non troppo [1:17] 30. Var. XXX: Andante, sempre cantabile [2:04] 31. Var. XXXI: Largo, molto espressivo [4:44] 32. Var. XXXII: Fuga. Allegro - Poco Adagio [3:02] 33. Var. XXXIII: Tempo di Minuetto, moderato [4:32] producer: Peter Thresh piano: Alfred Brendel balance engineer: Neil Pemberton recorded at: Royal Festival Hall (Southbank Centre) in London, England, United Kingdom V.2001 15 Variations and a Fugue (in E-flat) on an Original Theme (“Eroica” Variations), op. 35 (1802) 34. Introduzione col Basso del Tema. Allegretto vivace [3:30] 35. Var. I [0:37] 36. Var. II [0:55] 37. Var. III [0:40] 38. Var. IV [0:37] 39. Var. V [0:47] 40. Var. VI [0:38] 41. Var. VII Canone all'ottava [0:41] 42. Var. VIII [0:53] 43. Var. IX [0:40] 44. Var. X [0:42] 45. Var. XI [0:46] 46. Var. XII [0:37] 47. Var. XIII [0:40] 48. Var. XIV Minore [1:15] 49. Var. XV Maggiore. Largo - Coda [5:29] 50. Var. Finale. Alla Fuga. Allegro con brio - Andante con moto [4:38] producer: Ray Minshull piano: Sir Clifford Curzon balance engineer: Peter Van Biene and Kenneth Wilkinson recorded at: Snape Maltings in Suffolk, England, United Kingdom IV.1971 III-20: CD 051: Works for Piano Duet opp. 6, 45, 134, WoO 67 & 74 / Other Solo Works opp. 39, WoO 31, 33, 64 & Hess 107 (85:18) 01. 8 Variations (in C) on a Theme by Count Waldstein, WoO 67 (1792): Thema. Andante con moto / Var. I-VII / Var. VIII Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto [8:03] producer: Helmut Burk piano: Lucas & Arthur Jussen balance engineer: Jean-Marie Geijsen recorded at: Muziekcentrum van de Omroep: Studio 5 in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands III.2010 Sonata in D, op. 6 (1796-1797) 02. I. Allegro molto [2:48] 03. II. Ronda. Moderato [2:49] producer: Arend Prohmann piano: Christoph Eschenbach and Lang Lang balance engineer: Stephan Flock recorded at: Salle Pleyel (1927-) in Paris, Île-de-France, France I.2007 3 Marches, op. 45 (1803) 04. no. 1 in C. Allegro ma non troppo [3:46] 05. no. 2 in E-flat. Vivace [3:54] 06. no. 3 in D. Vivace [4:13] 07. Grosse Fuge in B-flat (Beethoven's Arrangement for Piano Duet of the “Grosse Fuge” for String Quartet, op. 133), op. 134 (1826): Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. [Allegro] - Meno mosso e moderato - Allegro (molton e con brio) [16:21] 08. 6 Variations (in D) on the Lied “Ich denke dein”, WoO 74 (1799-1805): Lied. Andantino cantabile / Var. I-VI [5:39] producer: Rainer Brock piano: Jörg Demus and Norman Shetler balance engineer: Hans-Peter Schweigmann recorded at: Palais Schönburg in Wien, Austria VI.1969 2 Preludes Through All 12 Major Keys for piano or organ, op. 39 (1789) 09. no. 1 [5:43] 10. no. 2 [2:59] 11. Fugue in D for organ, WoO 31 (1783) [2:06] 5 Pieces for Mechanical Clock, WoO 33 (1794-1800) 12. no. 1 in F. Adagio assai [5:26] 13. no. 2 in G. Scherzo. Allegro [1:47] 14. no. 3 in G. Allegro [2:09] 15. no. 4 in C. Allegro non piщ molto [4:35] 16. no. 5 in C. Menuett. Allegretto [4:16] 17. Grenadier March in F for Mechanical Clock, Hess 107 (1798) [3:28] producer: Arend Prohmann organ: Simon Preston balance engineer: Andrew Wedman recorded at: Tonbridge School in Tonbridge, Kent, England, United Kingdom II.1997 18. 6 Variations in F on a Swiss Song for piano or harp, WoO 64 (1790-1792): Thema. Andante con moto / Var. I-VI [5:09] producer: Michael Bremner harp: Marisa Robles recorded at: Decca Studios in West Hampstead, Camden, London, England, United Kingdom V.1967
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ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 18-Дек-20 20:15 (спустя 3 дня, ред. 03-Сен-22 13:46) [Цитировать] IV - CHAMBER MUSIC (30 CDs, 36:31:00) IV-01: CD 052: Violin Sonatas nos. 1-4 (73:12) Sonata no. 1 for Piano and Violin in D, op. 12 no. 1 (1798) 01. I. Allegro con brio [8:10] 02. II. Tema con Variazioni. Andante con moto [6:55] 03. III. Rondo. Allegro [4:34] executive producer: Hanno Rinke producer, editor and balance engineer: Wolfgang Mitlehner grand piano: Martha Argerich; violin: Gidon Kremer recorded at: Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany XII.1984 Sonata no. 2 for Piano and Violin in A. op. 12. no. 2 (1797-1798) 04. I. Allegro vivace [5:45] 05. II. Andante piщ tosto Allegretto [5:10] 06. III. Allegro piacevole [5:03] executive producer: Hanno Rinke producer, editor and balance engineer: Wolfgang Mitlehner grand piano: Martha Argerich; violin: Gidon Kremer recorded at: Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany XII.1984 Sonata no. 3 for Piano and Violin in E-flat, op. 12 no. 3 (1798) 07. I. Allegro con spirito [7:47] 08. II. Adagio con molta espressione [6:03] 09. III. Rondo. Allegro molto [4:06] executive producer: Hanno Rinke producer, editor and balance engineer: Wolfgang Mitlehner grand piano: Martha Argerich; violin: Gidon Kremer recorded at: Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany XII.1984 Sonata no. 4 for Piano and Violin in a, op. 23 (1801) 10. Sonata no. 4 for Piano and Violin in a, op. 23: I. Presto [00:06:54] 11. Sonata no. 4 for Piano and Violin in a, op. 23: II. Andante scherzoso piщ Allegretto [00:07:20] 12. Sonata no. 4 for Piano and Violin in a, op. 23: III. Allegro molto [00:05:20] executive producer: Hanno Rinke producer: Wolfgang Stengel editor: Rainer Maillard grand piano: Martha Argerich; violin: Gidon Kremer balance engineer: Klaus Scheibe (editor/engineer) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany III.1987 IV-02: CD 053: Violin Sonatas nos. 5 & 6 / Variations WoO 40 / Rondo WoO 41 / German Dances WoO 42 (72:50) Sonata no. 5 for Piano and Violin in F, op. 24 “Spring” (1800-1801) 01. I. Allegro [9:53] 02. II. Adagio molto espressivo [6:27] 03. III. Scherzo. Allegro molto [1:14] 04. IV. Rondo. Allegro ma non troppo [6:53] producer: Michael Woolcock piano: Vladimir Ashkenazy; violin: Itzhak Perlman balance engineer: Colin Moorfoot recorded at: Kingsway Hall in London, England, United Kingdom VI.1974 Sonata no. 6 for Piano and Violin in A, op. 30 no. 1 (1801-1802) 05. I. Allegro [7:54] 06. II. Adagio molto espressivo [8:21] 07. III. Allegretto con Variazioni (I-VI) [8:05] producer: Richard Beswick and Michael Woolcock piano: Vladimir Ashkenazy; violin: Itzhak Perlman balance engineer: John Dunkerley recorded at: Kingsway Hall in London, England, United Kingdom XI.1975 08. 12 Variations for Piano and Violin in F on “Se vuol ballare” from Mozart's Opera “Le nozze di Figaro”, WoO 40 (1792-1793): Thema. Allegretto - Var. I-XII - Coda [12:37] 09. Rondo for Piano and Violin in G, WoO 419 (1793-1794): Allegro [6:29] producer: Manfred Richter piano: Wilhelm Kempff; violin: Yehudi Menuhin balance engineer: Hansjoachim Reiser recorded at: Conway Hall in London, England, United Kingdom VI.1970 10. 6 German Dances for Piano and Violin, WoO 42 (1796) [4:54] producer: Arend Prohmann piano: Bruno Canino; violin: David Garrett balance engineer: Gregor Zielinsky recorded at: Studio Tibor Varga in Sion, Valais, Switzerland VI.1996 IV-03: CD 054: Violin Sonatas nos. 7 & 9 (70:38) Sonata no. 7 for Piano and Violin in c, op. 30 no. 2 (1801-1802) 01. I. Allegro con brio [8:28] 02. II. Adagio cantabile [9:08] 03. III. Scherzo. Allegro [3:34] 04. IV. Finale. Allegro - Presto [5:34] producer: Michael Fine piano: Lambert Orkis; violin: Anne‐Sophie Mutter balance engineer: Ulrich Vette Live recording: VIII.1998 Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer” (1802-1803) 05. I. Adagio sostenuto - Presto [15:17] 06. II. Andante con Variazioni I-IV [18:13] 07. III. Finale. Presto [10:21] producer: Michael Fine piano: Lambert Orkis; violin: Anne‐Sophie Mutter balance engineer: Ulrich Vette Live recording: VIII.1998 IV-04: CD 055: Violin Sonatas nos. 8-10 (83:15) Sonata no. 8 for Piano and Violin in G, op. 30 no. 3 (1801-1802) 01. I. Allegro assai [6:00] 02. II. Tempo di Minuetto, ma molto moderato e grazioso [7:48] 03. III. Allegro vivace [3:31] recording engineer: Wolf-Dieter Karwatky producer and balance engineer: Helmut Burk piano: Maria João Pires; violin: Augustin Dumay recorded at: Henry Wood Hall in London, England, United Kingdom, XII.1997 Sonata no. 9 for Piano and Violin in A, op. 47 “Kreutzer” (1802-1803) 04. I. Adagio sostenuto - Presto [14:29] 05. II. Andante con Variazioni I-IV [15:24] 06. III. Finale. Presto [8:38] producer and balance engineer: Helmut Burk piano: Maria João Pires; violin: Augustin Dumay recorded at: Henry Wood Hall in London, England, United Kingdom, I.2002 Sonata no. 10 for Piano and Violin in G, op. 96 (1812) 07. I. Allegro moderato [10:15] 08. II. Adagio espressivo [6:01] 09. III. Scherzo. Allegro [2:04] 10. IV. Poco Allegretto [9:02] producer and balance engineer: Helmut Burk piano: Maria João Pires; violin: Augustin Dumay recorded at: Convento da Cartuxa in Caxias, Lisboa, Portugal, V.2002 IV-05: CD 056: Cello Sonatas Nos. 1 & 2 / Variations Op. 66 & WoO 46 (65:37) 12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66 (1796) 01. Thema. Allegretto [0:31] 02. no. 1: Variation I [0:31] 03. no. 2: Variation II [0:29] 04. no. 3: Variation III [0:27] 05. no. 4: Variation IV [0:31] 06. no. 5: Variation V [0:30] 07. no. 6: Variation VI [0:23] 08. no. 7: Variation VII [0:42] 09. no. 8: Variation VIII [0:26] 10. no. 9: Variation IX [0:34] 11. no. 10: Variation X. Adagio [1:18] 12. no. 11: Variation XI. Poco adagio quasi andante [1:12] 13. no. 12: Variation XII. Allegro [1:47] Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1 (1796) 14. I‐i. Adagio sostenuto [3:00] 15. I‐ii. Allegro [12:33] 16. I‐iii. Adagio - Presto - Tempo primo [1:25] 17. II. Allegro vivace [6:38] Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2 (1796) 18. I‐i. Adagio sostenuto e espressivo [5:27] 19. I‐ii. Allegro molto più tosto presto [9:42] 20. II. Rondo. Allegro [7:37] 7 Variations in E‐flat major on Mozart’s The Magic Flute: Duet “Bei Männern, welche Liebe fühlen”, WoO 46 21. Thema. Andante [1:00] 22. no. 1: Variation I [0:37] 23. no. 2: Variation II [0:39] 24. no. 3: Variation III [0:59] 25. no. 4: Variation IV [1:30] 26. no. 5: Variation V. Si prenda il tempo un poco più vivace [0:34] 27. no. 6: Variation VI. Adagio [2:34] 28. no. 7: Variation VII. Allegro ma non troppo [1:49] producer: Wolfgang Stengel cello: Mischa Maisky; piano: Martha Argerich balance engineer: Gernot von Schultzendorff recorded at: Maison de la Radio in Brussels, Belgium, IV.1990 IV-06: CD 057: Cello Sonatas Nos. 3-5 / Variations WoO 45 (72:23) Sonata for Piano and Cello no. 3 in A major, op. 69 (1808) 01. I. Allegro ma non tanto [12:40] 02. II. Scherzo. Allegro molto [5:02] 03. III. Adagio cantabile [1:59] 04. IV. Allegro vivace [6:33] Sonata for Piano and Cello no. 4 in C major, op. 102 no. 1 (1815) 05. I. Andante [2:59] 06. II. Allegro vivace [4:53] 07. III. Adagio [3:21] 08. IV. Allegro vivace [4:08] Sonata for Piano and Cello no. 5 in D major, op. 102 no. 2 (1815) 09. I. Allegro con brio [6:33] 10. II. Adagio con molto sentimento d’affetto - attacca [8:34] 11. III. Allegro - Allegro fugato [3:52] Twelve Variations in G major on a Theme from “Judas Maccabaeus”, WoO 45 (1796) 12. Thema: Allegretto [0:42] 13. Variation I [0:38] 14. Variation II [0:35] 15. Variation III [0:39] 16. Variation IV [0:46] 17. Variation V [0:52] 18. Variation VI [0:39] 19. Variation VII [0:33] 20. Variation VIII [0:37] 21. Variation IX [0:40] 22. Variation X: Allegro [0:40] 23. Variation XI: Adagio [3:24] 24. Variation XII: Allegro [0:56] producer: Wolfgang Stengel cello: Mischa Maisky; piano: Martha Argerich balance engineer: Andrew Wedman recorded at: Concertgebouw in Nijmegen, Gelderland, Netherlands, Kingdom of the Netherlands, XII.1992 IV-07: CD 058: Flute Duos opp. 105, 107 & WoO 26 (71:59) 6 Themes with Variations for Piano and Flute or Violin ad libitum, op. 105 (1818-1819) 01. 1. Air écossais: “The Cottage Maid”: Tema. Andantino quasi Allegretto - Var. I-II - Var. III. Allegro - Tempo I [2:51] 02. 2. Air écossais: “Von edlem Geschlecht war Schinkin”: Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro [2:36] 03. 3. Air autrichien: “A Schüsserl und a Reindl”: Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto [6:01] 04. 4. Air écossais: “The Last Rose of Summer”: Tema. Andante espressive assai - Var. I-III [3:55] 05. 5. Air écossais: “Chiling O'Guiry”: Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai [2:02] 06. 6. Air écossais: “Paddy Whack”: Tema. Allegretto piщ tosto vivace - Var. I-IV [2:36] producer: Sid McLauchlan flute: Patrick Gallois; piano: Cécile Licad balance engineer: Jürgen Bulgrin recorded at: IRCAM in Paris, Île-de-France, France, IV.1997 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-1820) 07. 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro [4:16] 08. 2. Air écossais: “Bonnie Laddie, Highland Laddie”: Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro [2:55] 09. 3. Volkslied aus Kleinrussland: tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I [5:01] 10. 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I [4:46] 11. 5. Air tirolien: “A Madel, ja a Madel”: Tema. Moderato - Var. I-II - Var. III Maestoso - Allegro [7:20] 12. 6. Air écossais: “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace [5:35] 13. 7. Air russe: “Schцne Minka”: Tema. Andante - Var. I-IV - Var. V . Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace [5:36] 14. 8. Air écossais: “O Mary at thy window be”: Tema. Andantino quasi Allegretto - Var. I-III - Var. IV. Un poco piщ mosso - Allegro assai [2:43] 15. 9. Air écossais: “Oh, Thou art the Lad of my Heart”: Tema. Allegretto piщ tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace [4:13] 16. 10. Air écossais: “The Highland Watch”: Tema. Spirituoso e marziale - Var. I-II - Var. III. Piщ moto - Var. IV. Adagio espressivo - Var. V. Allegro [4:14] producer: Sid McLauchlan flute: Patrick Gallois; piano: Cécile Licad balance engineer: Jürgen Bulgrin recorded at: IRCAM in Paris, Île-de-France, France, IV.1997 Duo for 2 Flutes in G, WoO 26 (1792) 17. Allegro con brio [2:32] 18. Minuetto quasi Allegretto [2:47] producer: Sid McLauchlan flute: Patrick Gallois and Jean‐Pierre Rampal balance engineer: Jürgen Bulgrin recorded at: IRCAM in Paris, Île-de-France, France, IV.1997 IV-08: CD 059: Other Duos op. 17, WoO 32, 34, 35, 43ab & 44ab (66:14) Sonata for Piano and Horn (or Cello) in F, op. 17 (1800) 01. I. Allegro moderato [5:42] 02. II. Poco Adagio, quasi Andante [1:44] 03. III. Rondo. Allegro moderato [4:47] engineer: Philip Wade producer: James Mallinson French horn and horn: Barry Tuckwell; piano: Vladimir Ashkenazy recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom, III.1974 04. Sonatina for Mandolin and Piano in c, WoO 43a (1796): Adagio [4:44] 05. Adagio for Mandolin and Piano in E-flat, WoO 43b (1796): Adagio (ma non troppo) [6:09] 06. Sonatina for Mandolin and Piano in C, WoO 44a (1796): Allegro [3:02] 07. Variations for Mandolin and Piano in D, WoO 44b (1796): Andante con Variazioni [10:14] recording engineer: Gerald Junge producer: Eberhard Richter mandolin: Erhard Fietz; piano: Amadeus Webersinke recorded at: Lukaskirche in Dresden, Sachsen, Germany, V.1973 Duet for Viola and Cello in E-flat, WoO 32 “Duet with Two Obbligato Eyeglasses” (1796-1797) 08. I. Allegro [8:46] 09. II. Allegretto [3:45] producer and balance engineer: Wolfgang Mitlehner cello: Clemens Hagen; viola: Veronika Hagen; performer: Hagen Quartett recorded at: Schloß Mondsee in Mondsee, Oberösterreich, Austria, XII.1996 10. Piece for 2 Violins in A, WoO 34 (1822) [0:19] 11. Small Piece in A (probably for 2 violins), WoO 35 (1825) [0:31] producer and balance engineer: Wolfgang Mitlehner violin: Lukas Hagen and Rainer Schmidt; performer: Hagen Quartett recorded at: Schloß Mondsee in Mondsee, Oberösterreich, Austria, XII.1996 Sonata for Piano and (Horn or) Cello in F, op. 17 (1800) 12. I. Allegro moderato [8:52] 13. II. Poco Adagio, quasi Andante [1:46] 14. III. Rondo. Allegro moderato [5:47] cello [violoncello]: Pablo Casals; piano [klavier]: Mieczysław Horszowski recorded at: Beethoven-Haus in Bonn, Nordrhein-Westfalen, Germany, IX.1958 IV-09: CD 060: Piano Trios nos. 1, 2 & 9 / Trio Movement Unv 9 (85:01) Piano Trio no. 9 in E-flat, WoO 38 (1791) 01. I. Allegro moderato [5:25] 02. II. Scherzo. Allegro ma non troppo [5:26] 03. III. Rondo. Allegretto [5:56] producer: Manfred Richter cello: Pierre Fournier; piano: Wilhelm Kempff; violin: Henryk Szeryng balance engineer: Heinz Wildhagen recorded at: Théâtre municipal de Vevey in Vevey, Vaud, Switzerland, VIII.1969 Piano Trio no. 1 in E-flat, op. 1 no. 1 (1792-1793) 04. I. Allegro [10:08] 05. II. Adagio cantabile [9:28] 06. III. Scherzo. Allegro assai [4:48] 07. IV. Finale. Presto [6:15] Piano Trio no. 2 in G, op. 1 no. 2 (1794) 08. I. Adagio - Allegro vivace [9:52] 09. II. Largo con espressione [12:09] 10. III. Scherzo. Allegro [3:25] 11. IV. Finale. Presto [7:58] 12. Trio Movement in E-flat, Unv 9 [Hess 48] (1790-1792): Allegretto [4:04] [04-12]: producer: Volker Straus cello: Bernard Greenhouse; piano: Menahem Pressler; violin: Isidore Cohen recorded in: La Chaux-de-Fonds, Neuchâtel, Switzerland, VI.1980 IV-10: CD 061: Piano Trios nos. 3, 5 & 6 (80:02) Piano Trio no. 3 in c, op. 1 no. 3 (1794) 01. I. Allegro con brio [9:02] 02. II. Andante cantabile con variazioni [9:37] 03. III. Menuetto. Quasi Allegro [3:31] 04. IV. Finale. Prestissimo [5:40] producer: Michael Bremner cello: Bernard Greenhouse; piano: Menahem Pressler; violin: Isidore Cohen recorded in: La Chaux-de-Fonds, Neuchâtel, Switzerland, VI.1981 Piano Trio no. 5 in D, op. 70 no. 1 “Ghost” (1808) 05. I. Allegro vivace e con brio [6:08] 06. II. Large assai ed espressivo [10:26] 07. III. Presto [5:50] cello: Bernard Greenhouse; piano: Menahem Pressler; violin: Daniel Guilet Recorded in 1965 Piano Trio no. 6 in E-flat, op. 70 no. 2 (1808) 08. I. Poco sostenuto - Allegro ma non troppo [10:26] 09. II. Allegretto [5:39] 10. III. Allegretto ma non troppo [5:33] 11. IV. Finale. Allegro [8:05] producer: Michael Bremner cello: Bernard Greenhouse; piano: Menahem Pressler; violin: Isidore Cohen recorded in: La Chaux-de-Fonds, Neuchâtel, Switzerland, VI.1981 IV-11: CD 062: Piano Trios nos. 7, 8, 10 & 11 (76:05) 14 Variations for Piano, Violin and Cello on “Ja, ich muss mich von ihr scheiden“ from the Opera “Das rote Käppchen” by Carl Ditters von Dittersdorf (Piano Trio no. 10 in E-flat), op. 44 (1792) 01. Tema. Andante - Var. I-XIV - Andante [14:04] 10 Variations for Piano, Violin and Cello on the Song “Ich bin der Schneider Kakadu” from Wenzel Müller's Singspiel “Die Schwestern von Prag” (Piano Trio no. 11 in G), op. 121a (1803) 02. Introduzione. Adagio assai - Tema. Allegretto - Var. I-VIII - Var. IX. Adagio espressivo - Var. X. Presto [17:59] producer: Manfred Richter cello: Pierre Fournier; piano: Wilhelm Kempff; violin: Henryk Szeryng balance engineer: Heinz Wildhagen recorded at: Théâtre municipal de Vevey in Vevey, Vaud, Switzerland, VIII.1969 Piano Trio no. 8 in B-flat, WoO 39 (1812) 03. Allegretto [6:05] producer: Manfred Richter cello: Pierre Fournier; piano: Wilhelm Kempff; violin: Henryk Szeryng balance engineer: Heinz Wildhagen recorded at: Théâtre municipal de Vevey in Vevey, Vaud, Switzerland, IV.1970 Piano Trio no. 7 in B-flat, op. 97 “Archduke” (1810-1811) 04. I. Allegro moderato [12:35] 05. II. Scherzo. Allegro [6:42] 06. III. Andante cantabile - Poco piщ adagio - Tempo I [12:15] 07. IV. Allegro moderato [6:22] producers: Rupert Fäustle and Wilhelm Hellweg cello: Heinrich Schiff; piano: André Previn; violin: Виктория Муллова balance engineer: Wilhelm Hellweg recorded at: Blackheath Halls in London, England, United Kingdom, VI.1993 IV-12: CD 063: Piano Trios no. 4 & Trio in E op. 38 (83:12) Piano Trio no. 4 in B-flat (for Piano, Violin and Cello), op. 11 “Gassenhauer” (1797-1798) 01. I. Allegro con brio [6:06] 02. II. Adagio [5:03] 03. III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro [6:40] cello: Bernard Greenhouse; piano: Menahem Pressler; violin: Daniel Guilet recorded in 1965 Piano Trio in E-flat, op. 38 (after the Septet op. 20) (1799, 1802-1803) 04. I. Adagio - Allegro con brio [10:24] 05. II. Adagio cantabile [10:09] 06. III. Tempo di menuetto [3:25] 07. IV. Andante con variazioni [7:55] 08. V. Scherzo. Allegro molto e vivace [3:15] 09. VI. Andante con moto alla marcia - Presto [7:58] producer: Volker Straus cello: Bernard Greenhouse; piano: Menahem Pressler; violin: Isidore Cohen recorded in: La Chaux-de-Fonds, Neuchâtel, Switzerland, VI.1983 Piano Trio no. 4 in B-flat (for Piano, Clarinet and Cello), op. 11 “Gassenhauer” (1797-1798) 10. I. Allegro con brio [9:58] 11. II. Adagio [5:09] 12. III. Tema “Pria ch'io l'impegno”. Allegretto - Allegro [7:04] cello: Pierre Fournier; clarinet: Karl Leister; piano: Wilhelm Kempff IV-13: CD 064: Trios with Wind Instruments op. 87, WoO 28 & 37 (55:50) Trio for Piano, Flute and Bassoon in G, WoO 37 (1786) 01. I. Allegro [7:29] 02. II. Adagio [5:08] 03. III. Tema andante con Variazioni [9:46] producer: Wolfgang Lohse bassoon: Klaus Thunemann; flute: Karlheinz Zoeller; piano: Aloys Kontarsky balance engineer: Hans-Peter Schweigmann recorded at: Michaelsheim in Berlin, Germany, VI.1969 Trio for 2 Oboes and Cor anglais in C, op. 87 (1795) 04. I. Allegro [10:44] 05. II. Adagio cantabile [5:11] 06. III. Menuetto. Allegro molto. Scherzo [3:01] 07. IV. Finale. Presto [4:54] 8 Variations for 2 Oboes and Cor anglais in C on “Lа ci darem la mano” from Mozart's Opera “Don Giovanni”, WoO 28 (1795) 08. Thema. Andante / Variation I. Allegretto / Variation II. L'istesso tempo / Variation III. Andante / Variation IV. Allegro moderato / Variation V. Moderato / Variation VI. Lento espressivo / Variation VII. Allegretto scherzando / Variation VIII. Allegretto giocoso / Coda. Vivace - Andante [9:35] producer: Vittorio Negri cor anglais: Maurice Bourgue; oboe: Hans Elhorst and Heinz Holliger recorded in: La Chaux-de-Fonds, Neuchâtel, Switzerland, IV.1979 IV-14: CD 065: String Trios nos. 1 & 2 (66:19) Trio for Violin, Viola, and Cello in E-flat major, op. 3 (until 1794) 01. I. Allegro con brio [11:25] 02. II. Andante [5:50] 03. III. Menuetto. Allegretto [3:18] 04. IV. Adagio [8:04] 05. V. Menuetto. Moderato [3:34] 06. VI. Finale. Allegro [6:44] Serenade for Violin, Viola, and Cello in D major, op. 8 (1796-1797) 07. I. Marcia. Allegro - Adagio [7:26] 08. II. Menuetto. Allegretto - Trio - Coda [2:24] 09. III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio [4:54] 10. IV. Allegretto alla Polacca [3:18] 11. V. Thema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro [9:17] [01-11] cello: Mstislav Rostropovich; viola: Bruno Giuranna; violin: Anne‐Sophie Mutter recorded in: Paris, Île-de-France, France, I.1988 IV-15: CD 066: String Trios nos. 3-5 (73:10) String Trio no. 3 in G, op. 9 no. 1 (1797-1798) 01. I. Adagio - Allegro con brio [10:03] 02. II. Adagio, ma non tanto, e cantabile [7:18] 03. III. Scherzo. Allegro [3:04] 04. IV. Presto [5:05] String Trio no. 4 in D, op. 9 no. 2 (1797-1798) 05. I. Allegretto [7:55] 06. II. Andante quasi Allegretto [5:44] 07. III. Menuetto. Allegro [3:42] 08. IV. Rondo. Allegro [6:26] String Trio no. 5 in c, op. 9 no. 3 (1797-1798) 09. I. Allegro con spirito [8:30] 10. II. Adagio con espressione [6:35] 11. III. Scherzo. Allegro molto e vivace [3:09] 12. IV. Finale. Presto [5:35] [01-12] cello: Mstislav Rostropovich; viola: Bruno Giuranna; violin: Anne‐Sophie Mutter recorded in: Paris, Île-de-France, France, I.1988 IV-16: CD 067: String Trios WoO 9, 15 & Hess 29 / Serenade op. 25 (49:16) Serenade for Flute, Violin and Viola in D, op. 25 (1801) 01. I. Entrada. Allegro [3:15] 02. II. Tempo ordinario d'un Minuetto [4:55] 03. III. Allegro molto [2:02] 04. IV. Andante con Variazioni [5:37] 05. V. Allegro scherzando e vivace [1:49] 06. VI. Adagio - Allegro vivace e disinvolto [4:37] producer: Wolfgang Lohse flute: Karlheinz Zöller; viola: Siegbert Ueberschaer; violin: Thomas Brandis balance engineer: Hans-Peter Schweigmann recorded at: Michaelsheim in Berlin, Germany, VI.1969 Prelude and Fugue for 2 Violins and Cello in e, Hess 29 (1794-1795) 07. I. Prelude [3:35] 08. II. Fugue [2:25] 6 Minuets for 2 Violins and Bass, WoO 9 (until 1795) 09. no. 1 in E-flat [2:18] 10. no. 2 in G [2:18] 11. no. 3 in C [2:58] 12. no. 4 in F [2:10] 13. no. 5 in D [2:00] 14. no. 5 in G [2:17] 6 Ländler for 2 Violins and Bass, WoO 15 (1802) 15. no. 1 in D [0:54] 16. no. 2 in D [0:55] 17. no. 3 in D [0:57] 18. no. 4 in d [1:07] 19. no. 5 in D [0:50] 20. no. 6 in D [2:08] [07-20] producer and balance engineer: Wolfgang Mitlehner double bass: Alois Posch; violin: Lukas Hagen and Rainer Schmidt; performer: Hagen Quartett recorded at: Schloß Mondsee in Mondsee, Oberösterreich, Austria, XII.1996 IV-17: CD 068: String Quartets nos. 1-3 (72:26) String Quartet no. 3 in D major, op. 18 (1798-1800) 01. I. Allegro [7:33] 02. II. Andante con moto [7:08] 03. III. Allegro [2:43] 04. IV. Presto [00:05:42] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, II.1994 String Quartet no. 1 in F major, op. 18 (1798-1800) 05. I. Allegro con brio [8:37] 06. II. Adagio affettuoso ed appassionato [8:49] 07. III. Scherzo: Allegro molto [3:04] 08. IV. Allegro [6:19] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, XI.1994 String Quartet no. 2 in G major, op. 18 (1799-1800) 09. I. Allegro [7:23] 10. II. Adagio cantabile – Allegro – Tempo I [5:54] 11. III. Scherzo: Allegro [4:04] 12. IV. Allegro molto, quasi presto [5:10] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, I.1995 IV-18: CD 069: String Quartets nos. 4-6 (73:17) String Quartet no. 4 in c, op. 18 no. 4 (1799-1800) 01. I. Allegro ma non tanto [8:09] 02. II. Andante scherzoso quasi Allegretto [7:01] 03. III. Menuetto. Allegretto [3:22] 04. IV. Allegro - Prestissimo [4:13] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, IV.1995 String Quartet no. 5 in A, op. 18 no. 5 (1799-1800) 05. I. Allegro [6:18] 06. II. Menuetto [4:57] 07. III. Andante cantabile [8:56] 08. IV. Allegro [6:21] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, X.1994 String Quartet no. 6 in B-flat, op. 18 no. 6 (1798-1800) 09. I. Allegro con brio [5:52] 10. II. Adagio ma non troppo [6:52] 11. III. Scherzo. Allegro [3:00] 12. IV. La Malinconia. Adagio - Allegretto quasi Allegro [8:16] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, VI.1994 IV-19: CD 070: String Quartets nos. 7 & 8 (71:46) String Quartet no. 7 in F major, op. 59 “Razumovsky” no. 1 (1805-1806) 01. I. Allegro [10:14] 02. II. Allegretto vivace e sempre scherzando [8:35] 03. III. Adagio molto e mesto – attacca- [11:40] 04. IV. “Theme russe”: Allegro [7:16] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet = cello: David Finckel; viola: Lawrence Dutton; violin: Eugene Drucker and Philip Setzer recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, XI.1994 String Quartet no. 8 in E minor, op. 59 “Razumovsky” no. 2 (1805-1806) 05. I. Allegro [9:12] 06. II. Molto Adagio: Si tratta questo pezzo con molto di sentimento [12:06] 07. III. Allegretto – Maggiore (“Theme russe”) [7:25] 08. IV. Finale: Presto [5:17] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet = cello: David Finckel; viola: Lawrence Dutton; violin: Eugene Drucker and Philip Setzer recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, X.1994 IV-20: CD 071: String Quartets nos. 9 & 10 (59:03) String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky” (1805-1806) 01. I. Introduzione. Andante con moto - Allegro vivace [10:06] 02. II. Andante con moto quasi Allegretto [8:49] 03. III. Menuetto (grazioso) - attacca: [5:05] 04. IV. Allegro molto [5:33] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet cello: David Finckel; viola: Lawrence Dutton; violin: Eugene Drucker and Philip Setzer recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, XII.1994 String Quartet no. 10 in E-flat, op. 74 “Harp” (1809) 05. I. Poco Adagio - Allegro [9:08] 06. II. Adagio ma non troppo [8:54] 07. III. Presto - Piщ presto quasi prestissimo - attacca: [4:45] 08. IV. Allegretto con Variazioni [6:40] producer and balance engineer: Max Wilcox string quartet: Emerson String Quartet cello: David Finckel; viola: Lawrence Dutton; violin: Eugene Drucker and Philip Setzer recorded at: The American Academy of Arts and Letters in Washington Heights, New York, New York, United States, I.1995 IV-21: CD 072: String Quartets nos. 11, 13 & Grosse Fuge (78:17) String Quartet no. 11 in f, op. 95 “Quartett[o] serioso” (1810-1811) 01. I. Allegro con brio [4:25] 02. II. Allegretto ma non troppo - attacca: [6:59] 03. III. Allegro assai vivacema serioso [4:12] 04. IV. Larghetto espressivo - Allegretto agitato - Allegro [5:00] producer: Andrew Keener editor: Emma Stocker string quartet: Takács Quartet = cello: András Fejér; viola: Roger Tapping; violin: Edward Dusinberre and Károly Schranz balance engineer: Simon Eadon recorded at: Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom, 17-20.XI.2003 String Quartet no. 13 iin B-flat, op. 130 (1825-1826) 05. I. Adagio ma non troppo - Allegro [13:55] 06. II. Presto [1:55] 07. III. Andante con moto, ma non troppo [6:26] 08. IV. Alla danza tedesca. Allegro assai [3:09] 09. V. Cavatina. Adagio molto espressivo [8:18] Grosse Fuge, op. 133 (Original Finale for op. 130) 10. Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e brio - Allegro (1825) [14:34] 11. IV. Finale. Allegro / (Alternative Finale) (1825-1826) [9:19] [05-11] producer: Andrew Keener editor: Emma Stocker string quartet: Takács Quartet = cello: András Fejér; viola: Roger Tapping; violin: Edward Dusinberre and Károly Schranz balance engineer: Simon Eadon recorded at: Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom, 19-23.VII.2004 IV-22: CD 073: String Quartets nos. 12 & 14 (74:18) String Quartet no. 12 in E-flat, op. 127 (1823-1824) 01. I. Maestoso - Allegro [6:45] 02. II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I [14:30] 03. III. Scherzando. Vivace [7:34] 04. IV. Allegro - Allegro comodo [6:31] producer: Andrew Keener editor: Emma Stocker string quartet: Takács Quartet = cello: András Fejér; viola: Roger Tapping; violin: Edward Dusinberre and Károly Schranz balance engineer: Simon Eadon recorded at: Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom, V.2004 String Quartet no. 14 in c-sharp, op. 131 (1825-1826) 05. I. Adagio, ma non troppo e molto espressivo - attacca: [7:58] 06. II. Allegro molto vivace - attacca: [2:56] 07. III. Allegro moderato - attacca: [0:42] 08. IV. Andante, ma non troppo e molto cantabile - Piщ mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto - attacca: [13:27] 09. V. Presto - Molto poco adagio - attacca: [5:02] 10. VI. Adagio quasi un poco andante - attacca: [2:17] 11. VII. Allegro [6:30] producer: Andrew Keener editor: Emma Stocker string quartet: Takács Quartet = cello: András Fejér; viola: Roger Tapping; violin: Edward Dusinberre and Károly Schranz balance engineer: Simon Eadon recorded at: Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom, XI.2003 IV-23: CD 074: String Quartets nos. 15 & 16 (67:38) String Quartet no. 15 in a, op. 132 (1824-1826) 01. I. Assai sostenuto - Allegro [8:55] 02. II. Allegro ma non tanto [8:32] 03. III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fьhlend. Andante - Molto adagio - Andante - Molto adagio (Mit innigster Empfindung) [17:11] 04. IV. Alla marcia, assai vivace - Più allegro - attacca: [2:03] 05. V. Allegro appassionato - Presto [6:09] producer: Andrew Keener editor: Emma Stocker string quartet: Takács Quartet = cello: András Fejér; viola: Roger Tapping; violin: Edward Dusinberre and Károly Schranz balance engineer: Simon Eadon recorded at: Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom, V.2004 String Quartet no. 16 in F, op. 135 (1826) 06. I. Allegretto [6:14] 07. II. Vivace [3:18] 08. III. Lento assai, cantante e tranquillo [7:52] 09. IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto (“Muss es sein?”) - Allegro (“Es muss sein!”) - Grave, ma non troppo tratto - Allegro [7:19] producer: Andrew Keener editor: Emma Stocker string quartet: Takács Quartet = cello: András Fejér; viola: Roger Tapping; violin: Edward Dusinberre and Károly Schranz balance engineer: Simon Eadon recorded at: Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom, VII.2004 IV-24: CD 075: String Quartets nos. 12 & 15 (75:07) String Quartet no. 12 in E-flat, op. 127 (1823-1824) 01. I. Maestoso - Allegro [6:13] 02. II. Adagio, ma non troppo e cantabile - Andante con moto - Adagio molto espressivo - Tempo I [13:54] 03. III. Scherzando. Vivace [7:44] 04. IV. Allegro - Allegro comodo [6:00] producer: Sid McLauchlan string quartet: Hagen Quartett = cello: Clemens Hagen; viola: Veronika Hagen; violin: Lukas Hagen and Rainer Schmidt balance engineer: Hans-Ulrich Bastin recorded at: Palatin: Minnesängersaal in Wiesloch, Baden-Württemberg, Germany, III.2004 String Quartet no. 15 in a, op. 132 (1824-1826) 05. I. Assai sostenuto - Allegro [9:28] 06. II. Allegro ma non tanto [7:35] 07. III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fьhlend. Andante - Molto adagio - Andante - Molto adagio (Mit innigster Empfindung) [15:36] 08. IV. Alla marcia, assai vivace - Piщ allegro - attacca: [1:52] 09. V. Allegro appassionato - Presto [6:45] producer: Sid McLauchlan string quartet: Hagen Quartett = cello: Clemens Hagen; viola: Veronika Hagen; violin: Lukas Hagen and Rainer Schmidt balance engineer: Hans-Ulrich Bastin recorded at: Schloß Mondsee in Mondsee, Oberösterreich, Austria, XI.2003 IV-25: CD 076: String Quartets nos. 13 & 14 (86:18) String Quartet no. 13 in B-flat, op. 130 (1825-1826) 01. I. Adagio ma non troppo - Allegro [13:25] 02. II. Presto [1:57] 03. III. Andante con moto, ma non troppo [6:31] 04. IV. Alla danza tedesca. Allegro assai [2:51] 05. V. Cavatina. Adagio molto espressivo [7:40] Grosse Fuge, op. 133 (Original Finale for op. 130) (1825) 06. Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro [13:25] [01-06] recording engineer and balance engineer: Hans-Ulrich Bastin producer: Sid McLauchlan editor: Hans-Ulrich Bastin and Mark Buecker string quartet: Hagen Quartett recorded at: Palatin: Minnesängersaal in Wiesloch, Baden-Württemberg, Germany, XII.2001 String Quartet no. 14 in c-sharp, op. 131 (1825-1826) 07. I. Adagio, ma non troppo e molto espressivo - attacca: [8:17] 08. II. Allegro molto vivace - attacca: [2:55] 09. III. Allegro moderato - attacca: [0:51] 10. IV. Andante, ma non troppo e molto cantabile - Piщ mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto - attacca: [13:52] 11. V. Presto - Molto poco adagio - attacca: [5:32] 12. VI. Adagio quasi un poco andante - attacca: [2:14] 13. VII. Allegro [6:43] producer and balance engineer: Wolfgang Mitlehner string quartet: Hagen Quartett = cello: Clemens Hagen; viola: Veronika Hagen; violin: Lukas Hagen and Rainer Schmidt recorded at: Mozarteum: Großer Saal in Salzburg, Salzburg, Austria, II.1997 IV-26: CD 077: String Quartets no. 16, Hess 32 & 34 / Minuet WoO 209 / Preludes & Fugues Hess 30 & 31 (79:22) String Quartet no. 16 in F, op. 135 (1826) 01. I. Allegretto [7:14] 02. II. Vivace [3:15] 03. III. Lento assai, cantante e tranquillo [8:01] 04. IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto (“Muss es sein?”) - Allegro (“Es muss sein!”) - Grave, ma non troppo tratto - Allegro [7:31] producer and balance engineer: Wolfgang Mitlehner string quartet: Hagen Quartett = cello: Clemens Hagen; viola: Veronika Hagen; violin: Lukas Hagen and Rainer Schmidt recorded at: Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany, X.1990 String Quartet in F, Hess 32 (1st Version of op. 18 no. 1) (1799) 05. I. Allegro con brio [9:13] 06. II. Adagio molto [8:32] 07. III. Scherzo. Allegro [3:14] 08. IV. Allegretto [6:34] producer and balance engineer: Wolfgang Mitlehner string quartet: Hagen Quartett = cello: Clemens Hagen; viola: Veronika Hagen; violin: Lukas Hagen and Rainer Schmidt recorded at: Palatin: Minnesängersaal in Wiesloch, Baden-Württemberg, Germany, VI.1997 09. Minuet for String Quartet in A-flat, WoO 209 (1790-1792) [1:22] producer and balance engineer: Wolfgang Mitlehner string quartet: Hagen Quartett = cello: Clemens Hagen; viola: Veronika Hagen; violin: Lukas Hagen and Rainer Schmidt recorded at: Schloß Mondsee in Mondsee, Oberösterreich, Austria, XII.1996 String Quartet in F, Hess 34 (after Piano Sonata in E, op. 14 no. 1) (1798-1801) 10. I. Allegro moderato [7:05] 11. II. Allegretto [3:34] 12. III. Allegro [3:40] producer: Wolfgang Lohse string quartet: Amadeus Quartet = cello: Martin Lovett; viola: Peter Schidlof; violin [violin I]: Norbert Brainin; violin [violin II]: Siegmund Nissel balance engineer: Heinz Wildhagen recorded at: UFA-Tonstudio in Berlin, Germany, I.1969 Prelude and Fugue for String Quartet in F, Hess 30 (1794-1795) 13. Prelude [2:45] 14. Fugue [3:00] Prelude and Fugue for String Quartet in C, Hess 31 (1794-1795) 15. Prelude [1:43] 16. Fugue [2:32] [13-16] recording engineer: Jonathan Stokes producer: Anna Barry string quartet: Endellion Quartet recorded at: Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom, I.2008 IV-27: CD 078: Piano Quartets WoO 36 / 3 Equali WoO 30 (63:53) Quartet for Piano, Violin, Viola and Cello in E-flat, WoO 36 no. 1 (1785) 01. I. Adagio assai - attacca: [6:54] 02. II. Allegro con spirito [5:23] 03. III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto [10:37] Quartet for Piano, Violin, Viola and Cello in D, WoO 36 no. 2 (1785) 04. I. Allegro moderato [7:52] 05. II. Andante con moto [6:42] 06. III. Rondo. Allegro [5:23] Quartet for Piano, Violin, Viola and Cello in C, WoO 36 no. 3 (1785) 07. I. Allegro vivace [6:01] 08. II. Adagio con espressione [6:47] 09. III. Rondo. Allegro [3:39] [01-09] producer: Wolfgang Lohse string quartet: Amadeus Quartet = cello: Martin Lovett; piano: Christoph Eschenbach; viola: Peter Schidlof; violin: Norbert Brainin balance engineer: Hans-Peter Schweigmann recorded at: Michaelsheim in Berlin, Germany, VI.1969 3 Equali for 4 Trombones, WoO 30 (XI.1812) 10. no. 1 Andante in d [1:50] 11. no. 2 Poco adagio in D [1:03] 12. no. 3 Poco sostenuto in B-flat [1:36] producer: Michael Woolcock trombone: Roger Brenner, Raymond Brown, John Iveson and Ray Premru orchestra: Philip Jones Brass Ensemble balance engineer: James Lock recorded at: St John’s, Smith Square in London (Greater London, which includes the City of London), England, United Kingdom, II.1970 IV-28: CD 079: Quintets opp. 16, 29, 137, WoO 208, Hess 38 & Unv 7 (78:33) Quintet for 2 Violins, 2 Violas and Cello in C, op. 29 (1801) 01. I. Allegro [10:38] 02. II. Adagio molto espressivo [9:13] 03. III. Scherzo. Allegro [3:42] 04. IV. Presto [7:22] executive producer: Wolfgang Mitlehner producer: Klaus Behrens cello: Martin Lovett string quartet: Amadeus Quartet viola [viola I]: Peter Schidlof; viola [viola II]: Cecil Aronowitz; violin [violin I]: Norbert Brainin; violin [violin II]: Siegmund Nissel balance engineer: Wolfgang Mitlehner recorded at: UFA-Tonstudio in Berlin, Germany, I.1969 05. Fugue for String Quintet in D, op. 137 (1817) [2:21] producer: Rainer Brock cello: Adalbert Skocic;viola: Edward Kudlak and Rudolf Streng; violin: Gerhart Hetzel and Wilhelm Hübner performer: Wiener Philharmonisches Kammerensemble balance engineer: Wolfgang Mitlehner recorded at: Palais Schönburg in Wien, Austria, XI.1975 06. Prelude for String Quintet in d, Unv 7 [Hess 40] (1817) [3:12] recording engineer: Neil Hutchinson producer: Anna Barry string quartet: Endellion Quartet = cello: David Waterman; viola: David Adams and Garfield Jackson; violin: Ralph de Souza and Andrew Watkinson recorded at: Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom, IV.2008 07. Fugue in b-flat for String Quintet, Hess 38 (Arranged from Bach's “Well-Tempered Clavier”) (1817) [1:59] producer: Johannes Kammann orchestra: Die Kölner Akademie conductor: Michael Alexander Willens balance engineer: Johannes Kammann and Gunther Rose recorded at: Deutschlandfunk Kammermusiksaal in Cologne, Nordrhein-Westfalen, Germany, I.2018 Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 (1796)) 08. I. Grave - Allegro, ma non troppo [13:41] 09. II. Andante cantabile [7:31] 10. III. Rondo. Allegro, ma non troppo [6:00] producer: Michael Haas bassoon: Brian Pollard; clarinet: George Pieterson; French horn: Vicente Zarzo; oboe: Han de Vries; piano: Radu Lupu balance engineer: Colin Moorfoot recorded at: Concertgebouw: Kleine Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands, VI.1984 Quintet for Oboe, 3 Horns and Bassoon in E-flat, WoO 208 [Hess 19] (Fragment, completed by Leopold Zellner) 11. I. Allegro [7:26] 12. II. Adagio mesto [3:38] 13. III. Menuetto [1:43] orchestra: Nederlands Blazers Ensemble (in 1975) IV-29: CD 080: String Quintets opp. 4 & 104 / Wind Sextets op. 71 & WoO 29 (81:13) String Quintet in E-flat, op. 4 01. I. Allegro con brio [10:36] 02. II. Andante [7:33] 03. III. Menuetto Allegretto [5:45] 04. IV. Presto [5:51] recording engineer: Neil Hutchinson producer: Anna Barry cello: David Waterman; string quartet: Endellion Quartet viola: David Adams and Garfield Jackson violin: Ralph de Souza and Andrew Watkinson recorded at: Wyastone Concert Hall in Monmouth, Monmouthshire, Wales, United Kingdom, IV.2008 String Quintet in c, op. 104 (Arrangement of Piano Trio op. 1 no. 3; revised 1817) 05. I. Allegro con brio [9:05] 06. II. Andante cantabile con Variazioni [7:59] 07. III. Menuetto. Quasi Allegro [3:56] 08. IV. Finale. Prestissimo [8:14] producer: Jeremy Hayes cello: Bernard Gregor-Smith string quartet: Lindsay String Quartet (aka The Lindsays) viola: Robin Ireland and Louise Williams violin: Ronald Birks and Peter Cropper balance engineer: Martin Haskell recorded at: Holy Trinity Church (Wentworth) in Rotherham, South Yorkshire, England, United Kingdom, IX.2002 Sextet for 2 Clarinets, 2 Bassoons and 2 Horns in E-flat, op. 71 (1792-1796) 09. I. Adagio - Allegro [9:30] 10. II. Adagio [4:24] 11. III. Menuetto. Quasi Allegretto [2:55] 12. IV. Rondo. Allegro [3:56] 13. March for 2 Clarinets, 2 Bassoons and 2 Horns in B-flat, WoO 29 (1797-1798) [1:22] [09-13] producer: Hansjoachim Reiser clarinet: Peter Geisler and Karl Leister horn: Manfred Klier and Gerd Seifert oboe: Lothar Koch and Gerhard Stempnik balance engineer: Harald Baudis recorded at: UFA-Tonstudio in Berlin, Germany, II.1969 IV-30: CD 081: Sextet op. 81b / Septet op. 20 / Octets op. 103 & WoO 25 (84:38) Sextet for 2 Horns, 2 Violins, Viola and Cello in E-flat, op. 81b (1795) 01. I. Allegro con brio [7:46] 02. II. Adagio [3:38] 03. III. Rondo. Allegro [5:31] recording engineer: Willem van Leeuwen producer: Ursula Singer cello: Jürnjakob Timm; horn: Hermann Baumann and Vladimir Dshambasov; string quartet: Gewandhaus-Quartett viola: Dietmar Hallmann; violin: Conrad Suske and Karl Suske recorded in: Leipzig, Sachsen, Germany, I.1992 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello and Double Bass in E-flat, op. 20 (1799) 04. I. Adagio - Allegro con brio [9:41] 05. II. Adagio cantabile [9:11] 06. III. Tempo di Menuetto [3:21] 07. IV. Tema (Andante) con Variazioni [7:21] 08. V. Scherzo. Allegro molto e vivace [3:12] 09. VI. Andante con moto alla Marcia - Presto [7:13] producer: Christopher Raeburn bassoon: Stepan Turnovsk; cello: Fritz Dolezal; clarinet: Peter Schmidl; double bass: Johannes Auersperg; horn: Willibald Janezic instruments: Stepan Turnovsky viola: Klaus Peisteiner; violin: Werner Hink balance engineer: Simon Eadon recorded at: Konzerthaus: Mozartsaal in Wien, Austria, XI.1991 Octet for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, op. 103 (1792) 10. I. Allegro [7:24] 11. II. Andante [6:30] 12. III. Menuetto [3:39] 13. IV. Finale. Presto [3:39] Rondo for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons in E-flat, WoO 25 (Rondino) (1793) 14. Andante [6:26] [10-14] producer: Wilhelm Hellweg orchestra: Nederlands Blazers Ensemble (in 1975)
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ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 18-Дек-20 22:47 (спустя 2 часа 32 мин., ред. 13-Окт-22 07:51) [Цитировать] V - LIEDER & PARTSONGS (4 CDs, 4:51:55) V-01: CD 082: Lieder (I) (75:45) (599 kbps) 01. An die Hoffnung, op. 32 (1805): “Die du so gern in heil'gen Nächten feierst” [5:21] 02. Adelaide, op. 46 (1794-1796): “Einsam wandelt dein Freund im Frühlingsgarten” [6:29] 6 Lieder, op. 48 (1802-1803) 03. 1. Bitten: “Gott, deine Güte reicht so weit” [2:02] 04. 2. Die Liebe des Nächsten: “So jemand spricht: Ich liebe Gott!” [0:53] 05. 3. Vom Tode: “Meine Lebenzeit verstreicht” [2:10] 06. 4. Die Ehre Gottes aus der Natur: “Die Himmel rühmen des Ewigen Ehre” [2:27] 07. 5. Gottes Macht und Vorsehung: “Gott ist mein Lied!” [0:40] 08. 6. Bußlied: “An dir allein, an dir hab'ich gesündigt” [4:59] 3 Gesänge, op. 83 (1810) 09. 1. Wonne der Wehmut: “Trocknet nicht, trocknet nicht, Tränen der ewigen Liebe!” [2:51] 10. 2. Sehnsucht: “Was zieht mir das Herz so?” [2:03] 11. 3. Mit einem gemalten Band: “Kleine Blumen, kleine Blätter” [1:49] 12. Vita felice, op. 88 (1803): “Beato quei che fмdo amor” [2:20] 13. An die Hoffnung, op. 94 (1815): “Ob ein Gott sei?” [7:46] An die ferne Geliebte, op. 98 (1816) 14. 1. Auf dem Hügel sitz' ich, spähend [2:40] 15. 2. Wo die Berge so blau [1:43] 16. 3. Leichte Segler in den Höhen [1:37] 17. 4. Diese Wolken in den Höhen [1:11] 18. 5. Es kehret der Maien, es blühet die Au [2:11] 19. 6. Nimm sie hin denn, diese Lieder [4:14] 20. Der Kuss, op. 128 (1798-1822): “Ich war bei Cloen ganz allein” [1:52] 21. Schilderung eines Mädchens, WoO 107 (1783): “Schildern, willst du, Freund!” [0:35] 22. Seufzer eines Ungeliebten - Gegenliebe, WoO 118: “Hast due nicht Liebe zugemessen” / “Wüsst' ich, wüsst' ich, dass du mich” [5:47] 23. Zärtliche Liebe, WoO 123 (1795): “Ich liebe dich, so wie du mich” [2:17] 24. La partenza, WoO 124 (1795, 1803): “Ecco quel fмero istante” [1:02] 25. Opferlied, WoO 126: “Die Flamme lodert, milder Schein” [3:01] 26. Der Wachtelschlag, WoO 129 (IV.1803): “Horch, wie schallt's dorten so lieblich hervor!” [3:51] 27. Als die Geliebte sich trennen wollte, WoO 132 (V.1806-XI.1809): “Der Hoffnung letzter Schimmer sinkt dahin!” [1:52] [01-27] producer: Wolfgang Lohse piano: Jörg Demus; baritone vocals: Dietrich Fischer‐Dieskau balance engineer: Hans-Peter Schweigmann recorded at: Jesus-Christus-Kirche (Dahlem) in Berlin, Germany, IV.1966 V-02: CD 083: Lieder (II) (83:13) (559 kbps) 8 Lieder, op. 52 (1792-1793, 1804-1805 01. 1. Urians Reise um die Welt: “Wenn jemand eine Reise tut” [5:11] 02. 2. Feuerfarb': “Ich weiЯ eine Farbe, der bin ich so hold” [3:28] 03. 3. Das Liedchen von der Ruhe: “Im arm der Liebe ruht sich's wohl” [2:43] 04. 4. Maigesang: “Wie herrlich leuchtet mir die Natur!” [2:01] 05. 5. Mollys Abschied: “Lebe wohl, du Mann der Lust und Schmerzen!” [1:28] 06. 6. Die Liebe: “Ohne Liebe lebe, wer da kann” [1:15] 07. 7. Marmotte: “Ich komme schon durch manches Land” [0:32] 08. 8. Dan Blümchen Wunderhold: “Es blüht ein Blümchen irgendwo” [2:02] 09. 6 Gesдnge, op. 75 (1809): 1. Kennst du das Land [00:03:56] 10. 6 Gesänge, op. 75 (1809): 2. Neue Liebe, neues Leben: “Herz, main Herz, was soll das geben” (2nd version) [00:02:49] 11. 6 Gesänge, op. 75 (1809): 3. Aus Goethes Faust (Mephistos Flohlied): “Es war einmail ein König, der hatt' einen großen Floh” [00:02:13] 12. 6 Gesänge, op. 75 (1809): 4. Gretels Warnung: “Mit Liebesblick und Spiel und Sang” [00:02:40] 13. 6 Gesänge, op. 75 (1809): 5. An den fernen Geliebten: “Einst wohnten süße Ruh' und goldner Frieden” (2nd version) [00:03:59] 14. 6 Gesänge, op. 75 (1809): 6. Der Zufriedene: “Zwar schuf das Glück hienieden” [00:01:21] 15. 6 Gesänge, op. 75 (1809): 5. An den fernen Geliebten: “Einst wohnten süße Ruh' und goldner Frieden” (1st version) [00:01:53] 16. 4 Arietten und ein Duett, op. 82: 1. Dimmi, ben mio che m'ami [00:02:02] 17. 4 Arietten und ein Duett, op. 82: 2. T'intendo sì, mio cor [00:02:41] 18. 4 Arietten und ein Duett, op. 82: 3. L'amante impaziente: “Che fa il mio bene?”. Arietta buffa [00:01:41] 19. 4 Arietten und ein Duett, op. 82: 4. L'amante impaziente: “Che fa il mio bene?”. Aretta assai seriosa [00:02:16] 20. 4 Arietten und ein Duett, op. 82: 5. Duet: Odi l'aura che dolce sospira [00:02:39] 21. Der Mann von Wort, op. 99: “Du sagtest, Freund, an diesen Ort komm' ich zurück” [00:00:48] 22. Merkenstein, op. 100 (Lied for 2 voices and piano) (2nd setting) [00:01:38] 23. In questa tomba oscura, WoO 133 (Ariette) [00:03:35] 24. Die laute Klage, WoO 135: “Turteltaube, du klagest so laut” [00:02:34] 25. Andenken, WoO 136: “Ich denke dein” [00:02:55] 26. Gesang aus der Ferne, WoO 137: “Als mir die Träne der Sehnsucht nicht floss” [00:03:51] 27. Der Jüngling in der Fremde, WoO 138: “Der Frühling entblühet dem Schoß der Natur” [00:01:22] 28. Der Liebende, WoO 139: “Welch ein wunderbares Leben” [00:02:24] 29. Der Bardengeist, WoO 142: “Dort auf dem hohen Felsen” [00:01:46] 30. Das Geheimnis, WoO 145: “Wo blüht das Blümchen, das nie verblüht?” [00:01:26] 31. Sehnsucht, WoO 146: “Die stille Nacht umdunkelt erquickend Tal und Höh'” [00:02:21] 32. Ruf vom Berge, WoO 147: “Wenn ich ein Vöglen wär” [00:01:32] 33. Resignation, WoO 149: “Kisch aus, mein Licht!” [00:02:51] 34. Abendlied unterm gestirnten Himmel, WoO 150: “Wenn die Sonne nieder sinket” [00:05:04] 03 - BTHVN 2020: CD 084 Lieder (III) Формат: FLAC (image+cue) Битрейт: 526 kbps Продолжительность: 01:03:06 Отчёт EAC: отсутствует Треклист 01. An einen Säugling, WoO 108: “Noch weißt du nicht, wes Kind du bist” [00:01:53] 02. Trinklied (beim Abschied zu singen), WoO 109: “Erhebt das Glas mit froher Hand” [00:01:32] 03. Elegie auf den Tod eines Pudels, WoO 110: “Stirb immerhin, es welken ja so viele” [00:02:23] 04. Punschliend, WoO 111: “Wer nicht, wenn warm von Hand zu Hand” [00:00:46] 05. An Laura, WoO 112: “Freud' umblühe dich auf allen Wegen” [00:02:55] 06. Klage, WoO 113: “Dein Silber schien durch Eichengrün” [00:02:57] 07. Ein Selbstgespräch, WoO 114: “Ich, der mit flatterndem Sinn” [00:03:51] 08. An Minna, WoO 115: “Nur bei dir, an deinem Herzen” [00:00:43] 09. Que le temps me dure, WoO 116 (1st version, [Hess 129]) [00:01:58] 10. Que le temps me dure, WoO 116 (2nd version, [Hess 130]) [00:02:52] 11. Der freie Mann, WoO 117: “Wer ist ein freier Mann?” [00:01:45] 12. Oh care selve. WoO 119 (Canzonetta) [00:00:57] 13. Man strebt, die Flamme zu verhehlen, WoO 120 [00:03:17] 14. Abschiedsgesang an Wiens Bürger, WoO 121: “Keine Klage soll erschallen” [00:02:38] 15. Kriegslied der Österrecher, WoO 122: “Wir streiten nicht für Ruhm und Sold” [00:01:50] 16. La tiranna, WoO 125: “Ah grief to think! ah woe to name” [00:03:25] 17. Neue Liebe, neues Leben, WoO 127 (1st version): “Herz, mein Herz, was soll das geben?” [00:02:55] 18. Plaisir d'aimer, Woo 128 [00:01:04] 19. Gedenke mein!, WoO 130 [00:01:32] 20. Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 1st setting [00:01:24] 21. Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 2nd setting [00:01:05] 22. Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 3rd setting [00:01:23] 23. Sehnsucht, WoO 134: “Nur wer die Sehnsucht kennt, weiß, was ich leide!”. 4th setting [00:01:44] 24. An die Geliebte, WoO 140 (2nd version): “Oh, dass ich dir vom stillen Auge” [00:01:10] 25. An die Geliebte, WoO 140 (3rd version) [00:01:19] 26. Der Gesang der Nachtigall, WoO 141: “Höre, die Nachtigall singt” [00:01:24] 27. Des Kriegers Abschied, WoO 143: “Ich zieh' ins Feld, von Lieb' entbrannt” [00:01:31] 28. Merkenstein, WoO 144 (1st setting) [00:03:39] 29. So oder so, WoO 148: “Nord oder Süd! Wenn nur im warmen Busen” [00:01:54] 30. Der edle Mensch, WoO 151: “Der edle Mensch sei hülfreich und gut!” [00:00:51] 31. Lied aus der Ferne, WoO 137 (1st version): “Als mir noch die Träne der Sehnsucht nicht floss” [00:02:29] 32. Das liebe Kätzchen, Hess 133: “Unsa Kaz had Kazln g'habt” [00:00:34] 33. Der Knabe auf dem Berge, Hess 134: “Duart ob'n af'm Beargerk gu gu!” [00:01:11] 04 - BTHVN 2020: CD 085 Partsongs: WoO 95, 99 & 102-106 · Canons & Musical Jokes Формат: FLAC (image+cue) Битрейт: 575 kbps Продолжительность: 01:09:50 Отчёт EAC: отсутствует Треклист 01. “Bei labbri, che Amore”, WoO 99/1 [Hess 211] [00:01:20] 02. “Sei mio ben”, WoO 99/4 [Hess 231] [00:00:39] 03. “Scrivo in te”, WoO 99/8 [Hess 215] [00:00:53] 04. “Fra tutte le pene”, WoO 99/11a [Hess 208] [00:01:19] 05. “Salvo tu vuoi lo sposo?”, WoO 99/12b [Hess 228] [00:00:35] 06. “Ma tu tremi”, WoO 99/2 [Hess 212] [00:01:45] 07. “Giura il nocchier”, WoO 99/5a [Hess 227] [00:00:38] 08. “Per te d'amico aprile”, WoO 99/9 [Hess 216] [00:00:47] 09. “Fra tutte le pene”, WoO 99/11b [Hess 225] [00:01:05] 10. “Quella cetra ah pur tu sei”, WoO 99/13a [Hess 218] [00:00:59] 11. “Chi mai di questo core”, WoO 99/7 [Hess 214] [00:01:02] 12. “Giа la notte s'avvicina”, WoO 99/14a [Hess 223] [00:00:38] 13. “Nei campi e nelle selve”, WoO 99/10a [Hess 217] (1st version) [00:01:15] 14. “Nei campi e nelle selve”, WoO 99/10b [Hess 220] (2nd version) [00:01:47] 15. “Fra tutte le pene”, WoO 99/11c [Hess 224] (1st version) [00:01:06] 16. “Fra tutte le pene”, WoO 99/11c [Hess 210] (2nd version) [00:01:17] 17. “Quella cetra ah pur tu sei”, WoO 99/13c [Hess 213] (1st version) [00:00:59] 18. “Quella cetra ah pur tu sei”, WoO 99/13b [Hess 219] (2nd version) [00:00:39] 19. “Giura il nocchier”, WoO 99/5b [Hess 230] (1st version) [00:00:43] 20. “Giura il nocchier”, WoO 99/5c [Hess 221] (2nd version) [00:00:43] 21. “Giа la notte s'avvicina”, WoO 99/14b [Hess 222] [00:00:43] 22. Abschiedsgesang, WoO 102 (for tenor and two basses) [00:04:03] 23. Cantata campestre, WoO 103 (Cantata for four voices and piano): “Un liete brindisi” [00:04:54] 24. Gesang der Mцnche, WoO 104 (from Friedrich von Schiller's Wilhelm Tell for three male voices): “Rasch tritt der Tod den Menschen an” [00:01:08] 25. Hochzeitslied, WoO 105 (for voice, mixed chorus and piano) [00:01:27] 26. Lobkowitz-Kantate, WoO 106 (for soprano, chorus, and piano): “Es lebe unser teurer Fürst!” [00:02:04] 27. Chor auf die verbündeten Fürsten, WoO 95: “Ihr weisen Gründer glücklicher Staaten” [00:01:48] 28. Lob auf den Dicken, WoO 100 (Musical joke for 3 solo voices and chorus): “Schuppanzigh ist ein Lump” [00:00:30] 29. “Graf liebster Graf”, WoO 101 (Musical joke) [00:00:40] 30. “Im Arm der Liebe ruht rich's wohl”, WoO 159 (3-part canon) [00:01:29] 31. “Ewig dein”, WoO 161 (3-part canon) [00:01:12] 32. “Kurz ist der Schmerz”, WoO 163 (3-part canon) (1st setting) [00:01:23] 33. “Freundschaft ist die Quelle wahrer Glückselighkeit”, WoO 164 (3-part canon) [00:00:55] 34. “Glück zem neuen Jahr!”, WoO 165 (4-part canon) [00:00:32] 35. “Kurz ist der Schmerz”, WoO 166 (3-part canon) (2nd setting) [00:02:12] 36. “Brauchle, Linke”, WoO 167 (3-part canon) [00:00:21] 37. Das Schweigen, WoO 168a (Puzzle canon) [00:01:07] 38. Das Reden, WoO 168b (3-part canon) [00:01:14] 39. “Ich küsse Sie”, WoO 169 (2-part puzzle canon) [00:00:15] 40. “Ars longa, vita brevis”, WoO 170 (2-part canon) (1st setting) [00:01:00] 41. “Ich bitt' dich, schreib mir die Es-Scala auf”, WoO 172 (3-part canon) [00:00:28] 42. “Hoi' euch der Teufel! B'hüt' euch Gott!”, WoO 173 (2-part canon) [00:00:15] 43. “Glaube und hoffe!”, WoO 174 (for 4 voices, not canonic) [00:00:29] 44. “Sankt Petrus war ein Fels”, WoO 175 (2-part canon) [00:00:43] 45. “Glück zum neuen Jahr”, WoO 176 (3-part canon) [00:00:51] 46. “Bester Magistrat, Ihr friert”, WoO 177 (4-part canon) [00:00:39] 47. “Signor Abate, WoO 178 (3-part canon)” [00:00:45] 48. “Seiner kaiserlichen Hoheit ... Alles Gute”, WoO 179 (Non-canonic introduction and 4-part canon) [00:01:40] 49. Auf einen, welcher Hoffmann geheißen (“Hoffman, sei ja kein Hoffmann”), WoO 180 (2-part canon) [00:00:40] 50. “O Tobias!”, WoO 182 (3-part canon) [00:00:36] 51. “Bester Graf, Sie sind ein Schaf!”, WoO 183 (4-part canon) [00:00:31] 52. “Falstafferel, lass dich sehen”, WoO 184 (5-part canon) [00:01:02] 53. “Edel sei der Mensch”, WoO 185 (6-part canon) [00:02:36] 54. “Te solo adoro”, WoO 186 (2-part canon) [00:00:41] 55. Auf einen, welcher Schwencke geheißen (“Schwenke dich ohne Schwänke!”), WoO 187 (4-part canon) [00:00:38] 56. “Gott ist eine feste Burg”, WoO 188 (2-part canon) [00:00:18] 57. “Doktor sperrt das Tor dem Tod”, WoO 189 (4-part canon) [00:01:03] 58. “Ich war hier, Doktor, ich war hier”, WoO 190 (2-part canon) [00:00:19] 59. “Kühl, nicht lau”, WoO 191 (3-part canon) [00:00:54] 60. “Ars longa, vita brevis”, WoO 192 (4-part canon) (2nd setting) [00:00:24] 61. “Ars longa, vita brevis”, WoO 193 (Canon) (3rd setting) [00:00:27] 62. “Si non per portas, per muros”, WoO 194 (Puzzle canon) [00:00:36] 63. “Freu dich des Lebens!”, WoO 195 (2-part canon) [00:00:24] 64. “Es muss sein!”, WoO 196 (4-part canon) [00:00:31] 65. “Da ist das Werk”, WoO 197 (5-part canon) [00:00:41] 66. “Wir irren allesamt”, WoO 198 (Puzzle canon) [00:00:30] 67. “Das Schöne zum Guten”, WoO 202 (Non-canonic) [00:00:16] 68. “Das Schöne zu dem Guten”, WoO 203 (Puzzle canon) [00:00:20] 69. “Herr Graf, ich komme zu fragen”, WoO 221 [Hess 276] (3-part canon) [00:00:57] 70. “Esel aller Esel”, WoO 227 [Hess 277] (3-part canon) [00:00:30] VI - FOLKSONG SETTINGS (7 CDs, 7:59:01) 01 - BTHVN 2020: CD 086 Folksong Settings op. 108 Формат: FLAC (image+cue) Битрейт: 538 kbps Продолжительность: 01:16:01 Отчёт EAC: отсутствует Треклист 01. 25 Scottish Songs, op. 108: 9. “Behold, my love, how green the groves” [00:02:16] 02. 25 Scottish Songs, op. 108: 10. Sympathy [00:02:55] 03. 25 Scottish Songs, op. 108: 11. “Oh! thou art the lad of my heart, Willy” [00:02:23] 04. 25 Scottish Songs, op. 108: 12. “Oh, had my fate been join'd with thine” [00:04:46] 05. 25 Scottish Songs, op. 108: 13. “Come fill, fill, my good fellow!” [00:02:12] 06. 25 Scottish Songs, op. 108: 14. “O, how can I be blithe and glad” [00:01:24] 07. 25 Scottish Songs, op. 108: 15. “O cruel was my father” [00:03:38] 08. 25 Scottish Songs, op. 108: 16. “Could this ill world have been contriv'd” [00:02:40] 09. 25 Scottish Songs, op. 108: 1. Music, Love and Wine [00:01:56] 10. 25 Scottish Songs, op. 108: 2. Sunset [00:03:35] 11. 25 Scottish Songs, op. 108: 3. “O sweet were the hours” [00:03:59] 12. 25 Scottish Songs, op. 108: 4. The Maid of Isla [00:03:09] 13. 25 Scottish Songs, op. 108: 5. “The sweetest lad was Jamie” [00:03:00] 14. 25 Scottish Songs, op. 108: 6. “Dim, dim is my eye” [00:02:40] 15. 25 Scottish Songs, op. 108: 7. “Bonny laddie, highland laddie” [00:01:48] 16. 25 Scottish Songs, op. 108: 8. “The lovely lass of Inverness” [00:02:54] 17. 25 Scottish Songs, op. 108: 17. “O Mary, at thy window be” [00:02:29] 18. 25 Scottish Songs, op. 108: 18. “Enchantress, farewell” [00:04:07] 19. 25 Scottish Songs, op. 108: 19. “O swiftly glides the bonny boat” [00:03:11] 20. 25 Scottish Songs, op. 108: 20. Faithfu' Johnie [00:04:19] 21. 25 Scottish Songs, op. 108: 21. Jeanie's Distress [00:03:19] 22. 25 Scottish Songs, op. 108: 22. The Highland Watch [00:03:15] 23. 25 Scottish Songs, op. 108: 23. The Shepherd's Song [00:03:07] 24. 25 Scottish Songs, op. 108: 24. “Again, my Lyre, yet once again” [00:03:28] 25. 25 Scottish Songs, op. 108: 25. Sally in our Alley [00:03:31] 02 - BTHVN 2020: CD 087 Folksong Settings WoO 152 Формат: FLAC (image+cue) Битрейт: 524 kbps Продолжительность: 01:13:39 Отчёт EAC: отсутствует Треклист 01. 25 Irish Songs, WoO 152: 1. The Return to Ulster [00:05:21] 02. 25 Irish Songs, WoO 152: 7. “His boat comes on the sunny tide” [00:02:20] 03. 25 Irish Songs, WoO 152: 4. “The morning air plays on my face” [00:02:54] 04. 25 Irish Songs, WoO 152: 2. “Sweet Power of Song!” [00:03:53] 05. 25 Irish Songs, WoO 152: 5. On the Massacre of Glencoe [00:04:47] 06. 25 Irish Songs, WoO 152: 10. The Deserter [00:01:52] 07. 25 Irish Songs, WoO 152: 12. English Bulls, or The Irishman in London [00:02:37] 08. 25 Irish Songs, WoO 152: 6. “What shall I do to shew how much I love her?” [00:02:34] 09. 25 Irish Songs, WoO 152: 21. “Morning a cruel turmoiler is” [00:02:25] 10. 25 Irish Songs, WoO 152: 3. “Once more I hail thee” [00:04:31] 11. 25 Irish Songs, WoO 152: 8. “Come draw we round a cheerful ring” [00:01:41] 12. 25 Irish Songs, WoO 152: 9. “Our bugles sung truce”, or The Soldier's Dream [00:05:23] 13. 25 Irish Songs, WoO 152: 18. “They bid me slight my Dermot dear” [00:03:22] 14. 25 Irish Songs, WoO 152: 13. “Musing on the roaring ocean” [00:02:20] 15. 25 Irish Songs, WoO 152: 14. Dermot and Shelah [00:02:34] 16. 25 Irish Songs, WoO 152: 25. “O harp of Erin” (1st setting) [00:03:54] 17. 25 Irish Songs, WoO 152: 22. “From Garyone, my happy home” (1st setting) [00:04:11] 18. 25 Irish Songs, WoO 152: 11. “Thou emblem of faith” (Upon returning a ring) [00:04:23] 19. 25 Irish Songs, WoO 152: 15. “Let brain-spinning swains” [00:02:08] 20. 25 Irish Songs, WoO 152: 16. “Hide not thy anguish” [00:03:02] 21. 25 Irish Songs, WoO 152: 19. Wife, Children and Friends [00:03:57] 22. 25 Irish Songs, WoO 152: 17. “In vain to this desert my fate I deplore” [00:03:30] 03 - BTHVN 2020: CD 088 Folksong Settings WoO 152 nos. 20, 23, & 24 / WoO 153 Формат: FLAC (image+cue) Битрейт: 526 kbps Продолжительность: 01:06:56 Отчёт EAC: отсутствует Треклист 01. 25 Irish Songs, WoO 152: 23. “A wand'ring gypsey, Sirs, am I” [00:02:21] 02. 25 Irish Songs, WoO 152: 20. “Farewell bliss and farewell Nancy” [00:02:54] 03. 25 Irish Songs, WoO 152: 24. The Traugh Welcome [00:01:55] 04. 20 Irish Songs, WoO 153: 6. “Sad and luckless was the season” [WoO 153/32] [00:04:00] 05. 20 Irish Songs, WoO 153: 3. The British Light Dragoons, or the Plain of Badajos [WoO 152/28] [00:02:44] 06. 20 Irish Songs, WoO 153: 1. “When eve's last rays in twilight die” [WoO152/26] [00:03:20] 07. 20 Irish Songs, WoO 153: 4. “Since greybeards inform us that youth will decay” [WoO 152/29] [00:01:47] 08. 20 Irish Songs, WoO 153: 2. “No riches from his scanty store” [WoO 152/27] [00:03:17] 09. 20 Irish Songs, WoO 153: 5. “I dream'd I lay where flowr's were springing” [WoO 153/30] [00:02:40] 10. 20 Irish Songs, WoO 153: 9. “The kiss, dear maid, thy lip has left” [WoO 153/36] [00:03:01] 11. 20 Irish Songs, WoO 153: 7. “O soothe my, my lyre” [WoO 153/33] [00:02:42] 12. 20 Irish Songs, WoO 153: 15. “'Tis but in vain, for nothing thrives” [WoO 153/49 (2nd version)] [00:04:12] 13. 20 Irish Songs, WoO 153: 11. “When far from the home” [WoO 153/40] [00:02:39] 14. 20 Irish Songs, WoO 153: 13. Sunshine [WoO 153/44] [00:03:25] 15. 20 Irish Songs, WoO 153: 8. Norah of Balamagairy (“Farewell mirth and hilarity”) [WoO 153/35] [00:03:12] 16. 20 Irish Songs, WoO 153: 19. “Judy, lovely, matchless creature” [WoO 153/57] [00:02:13] 17. 20 Irish Songs, WoO 153: 12. “I'll praise the Saints with early song” [WoO 153/41 (1st version)] [00:04:31] 18. 20 Irish Songs, WoO 153: 18. “No more, my Mary, I sigh for splendour” [WoO 153/56] [00:01:53] 19. 20 Irish Songs, WoO 153: 20. “Thy ship must sail, my Henry dear” [WoO 153/58] [00:02:47] 20. 20 Irish Songs, WoO 153: 14. “Paddy O'Rafferty, merry and vigorous” [WoO 153/47] [00:02:30] 21. 20 Irish Songs, WoO 153: 16. “O might I but my Patrick love!” [WoO 153/53] [00:04:15] 22. 20 Irish Songs, WoO 153: 10. The Hapless Solder [WoO 153/38] [00:02:34] 23. 20 Irish Songs, WoO 153: 17. “Come, Darby dear! easy, be easy!” [WoO 153/54] [00:02:04] 04 - BTHVN 2020: CD 089 Folksong Settings WoO 154 & 157 Формат: FLAC (image+cue) Битрейт: 533 kbps Продолжительность: 01:14:37 Отчёт EAC: отсутствует Треклист 01. 12 Irish Songs, WoO 154 no. 2: “O harp of Erin” [00:04:24] 02. 12 Irish Songs, WoO 154 no. 12: “He promised me at parting” [00:02:00] 03. 12 Irish Songs, WoO 154 no. 4: “The pulse of an Irishman” [00:02:37] 04. 12 Irish Songs, WoO 154 no. 3: “The farewell song” [00:02:41] 05. 12 Irish Songs, WoO 154 no. 8: “Save me from the grave and wise” [00:02:01] 06. 12 Irish Songs, WoO 154 no. 9: “O would I were but that sweet linnet!” [00:03:40] 07. 12 Irish Songs, WoO 154 no. 10: “The hero may perish” [00:02:28] 08. 12 Irish Songs, WoO 154 no. 6: “Put round the bright wine” [00:02:22] 09. 12 Irish Songs, WoO 154 no. 5: “O who, my dear Dermot” [00:02:21] 10. 12 Irish Songs, WoO 154 no. 7: “From Garyone, my happy home” [00:03:56] 11. 12 Irish Songs, WoO 154 no. 11: “The soldier in a foreign land” [00:04:07] 12. 12 Irish Songs, WoO 154 no. 1: “The elfin fairies” [00:02:35] 13. 12 Songs of Various Nationalities, WoO 157 no. 1: “God save the king” [00:04:27] 14. 12 Songs of Various Nationalities, WoO 157 no. 2: “The soldier” [00:03:08] 15. 12 Songs of Various Nationalities, WoO 157 no. 3: “Charlie is my darling” [00:02:04] 16. 12 Songs of Various Nationalities, WoO 157 no. 4: “O Sanctissima” [00:01:37] 17. 12 Songs of Various Nationalities, WoO 157 no. 5: “The miller of Dee” [00:03:11] 18. 12 Songs of Various Nationalities, WoO 157 no. 6: “A health to the brave” [00:02:42] 19. 12 Songs of Various Nationalities, WoO 157 no. 9: “Highlander’s lament” [00:03:52] 20. 12 Songs of Various Nationalities, WoO 157 no. 8: “By the side of the shannon” [00:02:21] 21. 12 Songs of Various Nationalities, WoO 157 no. 11: “The wandering minstrel” [00:03:34] 22. 12 Songs of Various Nationalities, WoO 157 no. 10: “Sir Johnnie Cope” [00:04:40] 23. 12 Songs of Various Nationalities, WoO 157 no. 7: “Robin Adair” [00:04:43] 24. 12 Songs of Various Nationalities, WoO 157 no. 12: “La gondoletta” [00:03:06] 05 - BTHVN 2020: CD 090 Folksong Settings WoO 155 Формат: FLAC (image+cue) Битрейт: 526 kbps Продолжительность: 01:17:18 Отчёт EAC: отсутствует Треклист 01. 26 Welsh Songs, WoO 155: 1. Sion, the Son of Evan [00:04:26] 02. 26 Welsh Songs, WoO 155: 4. Love without Hope [00:02:22] 03. 26 Welsh Songs, WoO 155: 17. The Dairy House [00:02:17] 04. 26 Welsh Songs, WoO 155: 15. “When mortals all to rest retire” [00:03:45] 05. 26 Welsh Songs, WoO 155: 3. The Cottage Maid [00:03:58] 06. 26 Welsh Songs, WoO 155: 14. The Dream [00:03:55] 07. 26 Welsh Songs, WoO 155: 7. “O let the night my blushes hide” [00:02:31] 08. 26 Welsh Songs, WoO 155: 19. The Vale of Clwyd [00:05:09] 09. 26 Welsh Songs, WoO 155: 11. Merch Megan, or Peggy's Daughter [00:02:49] 10. 26 Welsh Songs, WoO 155: 2. The Monks of Bangor's March [00:02:46] 11. 26 Welsh Songs, WoO 155: 10. Ned Pugh's Farewell [00:02:47] 12. 26 Welsh Songs, WoO 155: 13. Helpless Woman [00:02:08] 13. 26 Welsh Songs, WoO 155: 20. To the Blackbird [00:04:00] 14. 26 Welsh Songs, WoO 155: 16. The Damsels of Cardigan [00:03:23] 15. 26 Welsh Songs, WoO 155: 9. To the Aeolian Harp [00:04:33] 16. 26 Welsh Songs, WoO 155: 12. “Waken, lords and ladies gay” [00:03:08] 17. 26 Welsh Songs, WoO 155: 22. Constancy [00:01:22] 18. 26 Welsh Songs, WoO 155: 5. The Golden Robe [00:02:33] 19. 26 Welsh Songs, WoO 155: 6. The Fair Maid of Mona [00:02:48] 20. 26 Welsh Songs, WoO 155: 8. “Farewell, thou noisy town” [00:01:12] 21. 26 Welsh Songs, WoO 155: 18. Sweet Richard [00:02:18] 22. 26 Welsh Songs, WoO 155: 21. Cupid's Kindness [00:01:51] 23. 26 Welsh Songs, WoO 155: 23. The Old Strain [00:03:31] 24. 26 Welsh Songs, WoO 155: 24. Three Hundred Pounds [00:03:19] 25. 26 Welsh Songs, WoO 155: 25. The Parting Kiss [00:02:57] 26. 26 Welsh Songs, WoO 155: 26. Good Night [00:01:30] 06 - BTHVN 2020: CD 091 Folksong Settings WoO 156 & 158bc Формат: FLAC (image+cue) Битрейт: 544 kbps Продолжительность: 01:02:15 Отчёт EAC: отсутствует Треклист 01. 12 Scottish Songs, WoO 156: 4. “Ye shepherds of this pleasant vale” [WoO 156/13 Low down in the broom] [00:02:48] 02. 12 Scottish Songs, WoO 156: 3. “Up! quit thy bower” [WoO 156/17] [00:03:34] 03. 12 Scottish Songs, WoO 156: 7. Polly Stewart [WoO 156/15] [00:01:31] 04. 12 Scottish Songs, WoO 156: 10. Glencoe [WoO 156/18] [00:03:38] 05. 12 Scottish Songs, WoO 156: 2. “Duncan Gray” [WoO 156/9] [00:02:41] 06. 12 Scottish Songs, WoO 156: 8. Womankind [WoO 156/10 She's fair and fause] [00:01:15] 07. 12 Scottish Songs, WoO 156: 1. The Banner of Buccleuch [WoO 156/19] [00:02:53] 08. 12 Scottish Songs, WoO 156: 6. Highland Harry [WoO 156/4] [00:02:02] 09. 12 Scottish Songs, WoO 156: 12. The Quaker's Wife [Dark was the morn] [00:01:58] 10. 12 Scottish Songs, WoO 156: 9. Lochnagar [WoO 156/8 Sweet Annie] [00:04:01] 11. 12 Scottish Songs, WoO 156: 5. “Cease your funning” [WoO 157/2] [00:01:09] 12. 12 Scottish Songs, WoO 156: 11. Auld Lang Syne [00:02:17] 13. 7 British Songs, WoO 158b: 1. “Adieu my lov'd harp” [WoO 154/61] [00:02:25] 14. 7 British Songs, WoO 158b: 7. Lament for Owen Roe O'Neill [WoO 154/60] (piano trio) [00:01:40] 15. 7 British Songs, WoO 158b: 5. Erin, oh Erin [WoO 156/2] [00:03:24] 16. 7 British Songs, WoO 158b: 4. “Red gleams the sun on yon hill tap” [WoO 156/6] [00:01:57] 17. 7 British Songs, WoO 158b: 2. Castle O'Neill [WoO 154/62] (piano trio) [00:01:26] 18. 7 British Songs, WoO 158b: 6. “O Mary, ye's be clad in silk” [WoO ]156/3 [00:02:41] 19. 7 British Songs, WoO 158b: 3. “O was I not a weary wight!” (Oh onochri) [WoO 156/5] [00:04:25] 20. 6 Songs of Various Nationalities, WoO 158c: 3. “Mark yonder pomp of costly fashion” [WoO 156/21] [00:03:29] 21. 6 Songs of Various Nationalities, WoO 158c: 1. “When my hero in court appears” [WoO 157/1] [00:02:53] 22. 6 Songs of Various Nationalities, WoO 158c: 4. “Bonnie wee thing” [WoO 156/22] [00:02:03] 23. 6 Songs of Various Nationalities, WoO 158c: 5. “From thee, Eliza, I must go” [WoO 156/14] [00:02:44] 24. 6 Songs of Various Nationalities, WoO 158c: 6. Untitled [WoO 156/1] (piano trio) [00:01:43] 25. 6 Songs of Various Nationalities, WoO 158c: 2. “Non, non, Colette, n'est point trompeuse” [WoO 158/24] [00:01:38] 07 - BTHVN 2020: CD 092 Folksong Settings WoO 158a Формат: FLAC (image+cue) Битрейт: 547 kbps Продолжительность: 00:48:14 Отчёт EAC: отсутствует Треклист 01. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 6. “A Madel, ja a Madel” [00:02:39] 02. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 21. Tiranilla Española [00:03:52] 03. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 7. “Wer solche Buema afipackt” [00:00:55] 04. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 2. “Horch auf, mein Liebchen” [00:01:55] 05. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 10. “Poszła baba po popiół” [00:00:54] 06. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 16. “Schöne Minka, ich muss scheiden” [00:02:58] 07. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 18. “An ä Bergli bin i gesässe” [00:01:55] 08. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 15. “Kak pošli naši podružki” [00:01:13] 09. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 5. Teppichkrämer-Lied [00:03:56] 10. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 14. “Akh, rečen'ki, rečen'ki” [00:02:08] 11. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 3. “Wegen meiner bleib d'Fräula” [00:02:16] 12. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 13. “Vo lesočke komaročkov mnogo urodilos'” [00:01:35] 13. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 23. “Da brava, Catina” [00:01:29] 14. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 1. Ridder Stigs Runer [00:01:25] 15. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 11. “Yo no quiero embarcarme” [00:01:31] 16. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 17. “Lilla Carl” [00:02:07] 17. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 20. “Como la mariposa soy” [00:01:32] 18. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 9. “Oj, oj upiłem się w karczmie” [00:01:23] 19. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 19. “Una paloma blanca” [00:02:31] 20. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 22. “Édes kinos emlékezet” [00:00:58] 21. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 4. “Wann i in der Früh aufsteh” [00:03:08] 22. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 12. “Seus lindos olhos” [00:02:16] 23. 23 Songs of Various Nationalities, WoO 158a [WoO 158]: 8. “Ih mag di nit nehma” [00:03:38]
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ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 20-Дек-20 18:46 (спустя 1 день 19 часов, ред. 13-Фев-22 12:22) [Цитировать] VII - VOCAL WORKS WITH ORCHESTRA (6 CDs, 7:28:37) 01 - BTHVN 2020: CD 093 Works for Solo Voices with Orchestra opp. 65, 116, 118, 121b, 122 / WoO 89, 90, 92, 92a, 93 Формат: FLAC (image+cue) Битрейт: 545 kbps Продолжительность: 01:19:22 Отчёт EAC: отсутствует Треклист: 01. Elegischer Gesang, op. 118 (for chorus and orchestra) [00:07:06] 02. Opferlied, op. 121b (for soprano with chorus and orchestra) [00:07:51] 03. Bundeslied, op. 122 (2nd version, 1824) (for 2 solo voices, chorus, 2 clarinets, 2 bassoons and 2 horns) [00:04:05] 04. “Ah! perfido”, op. 65 (Scena and aria for soprano and orchestra) [00:13:23] 05. Prüfung des Küssens, WoO 89 (Aria for bass and orchestra) [00:05:40] 06. “Mit Mädeln sich vertragen”, WoO 90 (Aria for bass and orchestra) [00:04:12] 07. “Primo amore”, WoO 92 (Scena and aria for soprano and orchestra) [00:14:06] 08. “No, non turbarti”, WoO 92a (Scena and aria for soprano and string orchestra) [00:06:19] 09. “Ne' giorni tuoi felici”, WoO 93 (Duet for soprano and tenor with orchestra) [00:08:05] 10. “Tremate, empi, tremate”, op. 116 (Trio for soprano, tenor and bass with orchestral accompaniment) [00:08:35] 02 - BTHVN 2020: CD 094 Emperor Cantatas WoO 87 & 88 Формат: FLAC (image+cue) Битрейт: 529 kbps Продолжительность: 01:11:40 Отчёт EAC: отсутствует Треклист: 01. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 1 Chorus: “Tot! Tot, stöhnt es durch die öde Nacht” (chorus, soli) [00:09:48] 02. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 2 Recitative: “Ein Ungeheuer, sein Name Fanatismus” (bass) [00:01:11] 03. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 3 Aria: “Da kam Joseph” (bass) [00:05:05] 04. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 4 Aria with Chorus: “Da stiegen die Menschen an's Licht” (soprano, chorus) [00:06:23] 05. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 5 Recitative: “Er schläft, von den Sorgen seiner Welten entladen” (soprano) [00:02:54] 06. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 6 Aria: “Hier schlummert seinen stillen Frieden der große Dulder” (soprano) [00:08:14] 07. Cantata on the Death of Emperor Joseph II for solo voices, chorus and orchestra, WoO 87: No. 7 Chorus: “Tot! Tot, stöhnt es durch die öde Nacht” (chorus, soli) [00:10:22] 08. Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 1 Recitative: “Er schlummert” (soprano, chorus) [00:04:22] 09. Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 2 Aria: “Fließe, Wonnezähre, fließe!” (soprano) [00:12:08] 10. Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 3 Recitative: “Ihr staunt, Völker der Erde!” (bass) [00:00:50] 11. Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 4 Recitative: “Wie bebt mein Herz vor Wonne!” (tenor) [00:00:55] 12. Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 5 Trio: “Ihr, die Joseph ihren Vater nannten” (tenor, bass, soprano) [00:04:15] 13. Cantata on the Accession of Emperor Leopold II for solo voices, chorus and orchestra, WoO 88: No. 6 Chorus: “Heil! Stürzet nieder, Millionen” (chorus, soli) [00:05:10] 03 - BTHVN 2020: CD 095 Der glorreiche Augenblick / Meeresstille und Glückliche Fahrt / Mass in C Формат: FLAC (image+cue) Битрейт: 607 kbps Продолжительность: 01:23:33 Отчёт EAC: отсутствует Треклист: 01. Der glorreiche Augenblick, op. 136: No. 1 Chorus: “Europa steht!” [00:03:47] 02. Der glorreiche Augenblick, op. 136: No. 2 Recitative and Chorus: “O seht nah und näher treten!” (Führer des Volkes, Genius) / “Vienna!” (chorus) [00:03:32] 03. Der glorreiche Augenblick, op. 136: No. 3 Recitative and Aria with Chorus: “O Himmel, welch' Entzücken!” (Vienna) / “Alle die Herrscher darf ich grüßen” (Vienna, chorus) [00:09:18] 04. Der glorreiche Augenblick, op. 136: No. 4 Recitative and Aria with Chorus: “Das Auge schaut” (Seherin) / “Dem die erste Zähre” (Seherin, chorus) [00:07:10] 05. Der glorreiche Augenblick, op. 136: No. 5 Recitative and Quartet: “Der den Bund im Sturme festgehalten” (Seherin, Vienna, Führer des Volkes, Genius) / “In meinen Mauern bauen sich neue Zeiten auf” (Vienna, Genius, Führer des Volkes, Seherin) [00:06:20] 06. Der glorreiche Augenblick, op. 136: No. 6 Chorus: “Es treten vor die Scharen der Frauen” [00:04:04] 07. Meeresstille und Glückliche Fahrt, op. 112 (Cantata for mixed chorus and orchestra): Meeresstille (Sostenuto): “Tiefe Stille herrscht im Wasser” / Glückliche Fahrt (Allegro vivace): “Die Nebel zerreißen” [00:07:18] 08. Mass in C, op. 86: I. Kyrie (Andante con moto assai vivace quasi Allegretto ma non troppo) [00:05:33] 09. Mass in C, op. 86: II. Gloria (Allegro con brio - Andante mosso - Allegro ma non troppo) [00:08:49] 10. Mass in C, op. 86: III. Credo (Allegro con brio - Adagio - Allegro ma non troppo - Vivace) [00:10:30] 11. Mass in C, op. 86: IV. Sanctus (Adagio - Allegro - Allegretto ma non troppo - Allegro) [00:10:46] 12. Mass in C, op. 86: Agnus Dei (Poco Andante - Allegro ma non troppo - Andante con moto, tempo del Kyrie) [00:06:21] 04 - BTHVN 2020: CD 096 Missa Solemnis (Period instruments) Формат: FLAC (image+cue) Битрейт: 582 kbps Продолжительность: 01:11:40 Отчёт EAC: отсутствует Треклист: 01. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): I. Kyrie (Assai sostenuto. Mit Andacht - Andante assai ben marcato - Tempo I) [00:08:51] 02. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): II. Gloria (Allegro vivace - Allegro maestoso - Allegro, ma non toppo e ben marcato - Poco più allegro - Presto) [00:16:29] 03. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): III. Credo (Allegro ma non troppo - Adagio - Allegro - Allegro molto - Allegro ma non troppo - Allegretto ma non troppo - Grave) [00:17:28] 04. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): IV. Sanctus (Adagio. Mit Andacht - Allegro pesante - Presto - Andante molto cantabile e non troppo mosso) [00:15:16] 05. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): V. Agnus Dei (Adagio - Allegretto vivace - Presto) [00:13:34] 05 - BTHVN 2020: CD 097 Missa solemnis (Modern Instruments) Формат: FLAC (image+cue) Битрейт: 635 kbps Продолжительность: 01:26:07 Отчёт EAC: отсутствует Треклист: 01. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): I. Kyrie (Assai sostenuto. Mit Andacht - Andante assai ben marcato - Tempo I) [00:11:11] 02. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): II. Gloria (Allegro vivace - Allegro maestoso - Allegro, ma non toppo e ben marcato - Poco più allegro - Presto) [00:18:04] 03. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): III. Credo (Allegro ma non troppo - Adagio - Allegro - Allegro molto - Allegro ma non troppo - Allegretto ma non troppo - Grave) [00:22:29] 04. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): IV. Sanctus (Adagio. Mit Andacht - Allegro pesante - Presto - Andante molto cantabile e non troppo mosso) [00:17:44] 05. Mass in D for 4 solo voices, chorus, orchestra and organ, op. 123 (Missa solemnis): V. Agnus Dei (Adagio - Allegretto vivace - Presto) [00:16:36] 06 - BTHVN 2020: CD 098 Christus am Ölberge Формат: FLAC (image+cue) Битрейт: 614 kbps Продолжительность: 00:56:13 Отчёт EAC: отсутствует Треклист: 01. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 1 Introduction. Grave - Adagio [00:06:52] 02. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 1 Recitative: “Jehova, du mein Vater!” (Jesus) [00:04:22] 03. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 1 Aria: “Meine Seele ist erschüttert” (Jesus) [00:05:11] 04. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 2 Recitative: “Erzittre, Erde, Jehovas Sohn liegt hier!” (Seraph) [00:01:48] 05. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 2 Aria: “Priest des Erlösers Güte” (Seraph) / Chorus of Angels: “O Heil euch, ihr Erlösten Seraph” (chorus) [00:08:44] 06. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 3 Recitative: “Verkündet, Seraph, mir dein Mund Erbarmen” (Jesus, Seraph) [00:01:20] 07. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph) [00:06:07] 08. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 4 Recitative: “Willkommen, Tod” (Jesus) [00:01:00] 09. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 4 Chorus of Soldiers: “Wir haben ihn gesehen” [00:02:39] 10. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 5 Recitative: “Die mich zu gangen ausgezogen sind” (Jesus) [00:01:52] 11. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 5 Chorus of Soldiers: “Hier ist er, der Verbannte” / No. 5 Chorus of Disciples: “Was soll der Lärm bedeuten?” [00:02:12] 12. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Recitative: “Nicht ungestraft soll der Verweg'nen Schar” (Petrus, Jesus) [00:01:24] 13. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Trio: “In meinen Adern wühlen gerechter Zorn und Wut” (Petrus, Jesus, Seraph) [00:05:12] 14. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Chorus of Soldiers: “Auf, auf! Ergreifet den Verräter” / Chorus of Disciples: “Ach! wir werden seinetwegen auch gehasst Meine Qual ist bald verschwunden” (Jesus) [00:02:42] 15. Christus am Ölberge, op. 85 (Oratorio for 3 solo voices, chorus and orchestra): No. 6 Chorus of Angels: “Welten singen Dank und Ehre” [00:04:42] VIII - RARITIES (3 CDs, 3:51:44) 01 - BTHVN 2020: CD 099 Solo Piano & Arrangements for Piano Формат: FLAC (image+cue) Битрейт: 499 kbps Продолжительность: 01:12:53 Отчёт EAC: отсутствует Треклист 01. Andante in C, WoO 211 [Biamonti 52] (c. 1790-92) [00:01:05] 02. Anglaise in D, WoO 212 [Hess 61] (1793) [00:00:40] 03. 2 Bagatelles, WoO 216 (Landsberg 7 Sketchbook) (?December 1800): No. 1 in C [Hess 73]. [no tempo marking] [00:00:25] 04. 2 Bagatelles, WoO 216 (Landsberg 7 Sketchbook) (?December 1800): No. 2 in E-flat [Hess 74]. Allegro [00:00:22] 05. Minuet in F, WoO 217 [Biamonti 66] (c. 1794) [00:01:54] 06. Bagatelle in C, Hess 57 (1824) [00:00:51] 07. Piece in f, Kullak Sketchbook f.51/52 (1826) [00:01:17] 08. Bagatelles, WoO 213 'Bagatellen' Portfolio nos. 7, 8, 9 & 11: No. 1 Andante in D-flat [00:01:20] 09. Bagatelles, WoO 213 'Bagatellen' Portfolio nos. 7, 8, 9 & 11: No. 2 Finale in G [00:00:57] 10. Bagatelles, WoO 213 'Bagatellen' Portfolio nos. 7, 8, 9 & 11: No. 3 Allegro in A [00:00:49] 11. Bagatelles, WoO 213 'Bagatellen' Portfolio nos. 7, 8, 9 & 11: No. 4 Rondo in A [00:01:16] 12. Bagatelle in a, WoO 59 (Revised version of “Für Elise”) (1822) 'Bagatellen' Portfolio no. 12 [00:05:06] 13. Waltz in c, WoO 219 [Hess 68], Wielhorsky Sketchbook (1803) [00:00:52] 14. Variations in B-flat “Zur übung der Faust”, Hess 58 Kafka Sketch Miscellany (c. 1792). Theme - Variation I [00:01:26] 15. Allegretto in a/A, Kafka Sketch Miscellany f.47v [00:01:42] 16. Piano Piece in A, Kafka Sketch Miscellany f.160r staves 1-6 [00:00:48] 17. Piano Piece in A, Kafka Sketch Miscellany f.41v staves 13-16 [00:00:28] 18. Piano Piece in C, Kafka Sketch Miscellany f.47v staves 5-8 [00:00:32] 19. Piano Piece (Minuet) in C, Hess 59 (c. 1794-95) [00:02:49] 20. Adagio ma non molto in G, Hess 70 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04) [00:00:26] 21. Molto Adagio in G, Hess 71 Landsberg 6 (Eroica) Sketchbook, Fragment (1803-04) [00:01:24] 22. Theme and Variation in A, Hess 72 Landsberg 6 Sketchbook, Fragment (1803-04) [00:04:25] 23. 2 German Dances, Hess 67 Petter Sketchbook (1812): No. 1 in F / No. 2 in f [00:01:37] 24. Minuet in A-flat, WoO 209 [Hess 88] (1790-92) [00:05:34] 25. Piano Sonata in D/d, Unv 12 [Biamonti 213] (c. 1793), Fragment [00:07:40] 26. On “Dona nobis pacem” (Haydn), Hess Anh. 57: Piano Arrangement by Julia Ronge of a 4-Part Fugue for Voices a cappela (c. 1795) [00:02:41] 27. “O Hoffnung, du stählst die Herzen, du milderst die Schmerzen”, WoO 200 [Hess 75] (Spring 1818) [00:00:26] 28. Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91 Piano Transcription by Beethoven, Hess 97 (1813): Part I: Schlacht. Trommeln und Trompeten an der englischen Seite / Part I: Schlacht. Marcia. “Rule Brittania” / Part I: Schlacht. Trommeln und Trompeten an der franzцsischen Seite / Part I: Schlacht. Marcia. “Marlborough” / Part I: Schlacht. Aufforderung (Trompete an der franzцsischen Seite) / Part I: Schlacht. Gegenruf (Trompete an der englischen Seite) / Part I: Schlacht. Schlacht. Allegro - Sturmmarsch. Allegro assai - Presto - Andante / Part II: Seigessymphonie. Intrada. Allegro, ma non troppo - Allegro con brio - Andante grazioso - Tempo I - Tempo di minuetto moderato - Allegro [00:17:07] 29. Andante maestoso in C, WoO 62 “Letzter musikalischer Gedanke” Arrangement for Piano by Anton Diabelli of Movement I of an incomplete String Quintet in C (1827) [00:03:14] 30. Symphony no. 7 in A, op. 92 Piano Arrangement by Beethoven, Hess 96, Fragment (c. 1814): I. Poco sostenuto [00:03:25] 02 - BTHVN 2020: CD 100 Chamber Music Формат: FLAC (image+cue) Битрейт: 603 kbps Продолжительность: 01:19:58 Отчёт EAC: отсутствует Треклист: 01. Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 Arranged for Piano, Violin, Viola and Cello by Beethoven (1796-1801): I. Grave - Allegro, ma non troppo [00:12:44] 02. Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 Arranged for Piano, Violin, Viola and Cello by Beethoven (1796-1801): II. Andante cantabile [00:07:48] 03. Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16 Arranged for Piano, Violin, Viola and Cello by Beethoven (1796-1801): III. Rondo. Allegro, ma non troppo [00:05:41] 04. 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 1. Air tirolien: “I bin a Tiroler Bua”: Tema. Moderato - Var. I-III - Var. IV. Allegro [00:05:00] 05. 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 3. Volkslied aus Kleinrussland: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I [00:06:00] 06. 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 4. Air écossais “St. Patrick's Day”: Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I [00:05:13] 07. 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 6. Air écossais “Peggy's Daughter”: Tema. Andante comodo - Var. I-III - Var. IV. Vivace [00:04:20] 08. 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 7. Air russe “Schöne Minka”: Tema. Andante - Var.' I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante comodo - Poco vivace [00:06:12] 09. 10 Themes with Variations for Piano and Flute or Violin ad libitum, op. 107 (1818-19): 9. Air écossais “Oh, Thou art the Lad of my Heart”: Tema. Allegretto piщ tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace [00:04:50] 10. Andante maestoso in C for String Quintet, WoO 62 “Letzter musikalischer Gedanke” (1827) [00:03:47] 11. String Quartet Arrangement of the Fugue from the Overture to Handel's “Solomon”, Hess 36 [00:02:34] 12. Violin Sonata in A, Unv 11 [Hess 46] (c. 1791) [00:02:59] 13. Duo for Violin and Cello in E-flat, Unv 8 [Gardi 2] (c. 1791) [00:01:18] 14. Scherzo to String Trio op. 9 no. 1 with Alternative Trio (1797-98): Scherzo - Trio II, Hess 28 - Scherzo [00:02:59] 15. Allegretto for String Quartet in b, WoO 210 (1817) [00:00:40] 16. Minuet in B-flat, Hess 331, Fragment (1799) [00:02:20] 17. Pastorella in D, Hess 332, Fragment (1799) [00:02:02] 18. Menuetto-Scherzo, Hess 333, Fragment (1799) [00:01:42] 19. Allegro in A, Hess 334, Fragment (1799) [00:01:42] 03 - BTHVN 2020: CD 101 Contrapuntal Studies & Doubtful Works Формат: FLAC (image+cue) Битрейт: 535 kbps Продолжительность: 01:18:52 Отчёт EAC: отсутствует Треклист 01. 2-Voice Fugues, Hess 236 (1794): No. 1 in D [00:01:25] 02. 2-Voice Fugues, Hess 236 (1794): No. 2 in E phrygian [00:00:41] 03. 2-Voice Fugues, Hess 236 (1794): No. 3 in F [00:01:22] 04. 2-Voice Fugues, Hess 236 (1794): No. 4 in B-flat [00:00:46] 05. 2-Voice Fugues, Hess 236 (1794): No. 5 in D [00:01:23] 06. 3-Voice Fugues, Hess 237 (1794): No. 1 in G [00:01:02] 07. 3-Voice Fugues, Hess 237 (1794): No. 2 in F [00:00:52] 08. 3-Voice Fugues, Hess 237 (1794): No. 3 in E [00:01:48] 09. 3-Voice Fugues, Hess 237 (1794): No. 4 in D [00:00:51] 10. 4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 1 in E [00:01:47] 11. 4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 2 in D [00:01:39] 12. 4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 3 in C [00:01:04] 13. 4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 4 in A [00:01:12] 14. 4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 5 in B-flat [00:01:18] 15. 4-Voice Fugues, Hess 238 (1794) Transcribed for String Quartet by Albert Willem Holsbergen: No. 6 in A [00:01:28] 16. Chorale Fugues, Hess 239 (1794): No. 2 in D [00:02:44] 17. Chorale Fugues, Hess 239 (1794): No. 3 in G [00:03:22] 18. Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 1 in C [00:00:55] 19. Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 2 in F [00:01:25] 20. Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 3 in C [00:02:54] 21. Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 4 in C [00:01:13] 22. Double Fugues, Hess 243 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 5 in D [00:02:19] 23. Triple Fugues, Hess 244 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 1 in D [00:02:36] 24. Triple Fugues, Hess 244 (1794-95) Transcribed for String Quartet by Albert Willem Holsbergen: No. 2 in F [00:02:26] 25. Fugue for String Quartet in d, Hess 245, Fragment (c. 1794-95) [00:00:43] 26. Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: I. Allegro [00:07:07] 27. Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: II. Polonoise - Trio [00:04:09] 28. Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: III. Largo [00:04:27] 29. Sonata for Piano and Flute in B-flat, Anh. 4 [Hess A11] Probably not Beethoven: IV. Tema [Allegretto] con Variazioni [00:05:25] 30. 2 Sonatinas, Anh. 5: No. 1 in G. I. Moderato / II. Romance [00:05:06] 31. 2 Sonatinas, Anh. 5: No. 2 in F. I. Allegro assai / II. Rondo [00:06:25] 32. 8 Variations for Piano on “Ich hab' ein kleines Hüttchen nur”, Anh. 10 Probably not Beethoven (1790s) [00:06:42]
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ANothing Стаж: 14 лет Сообщений: 1113	ANothing · 21-Дек-20 04:01 (спустя 9 часов, ред. 04-Янв-21 06:33) [Цитировать] IX - CLASSIC PERFORMANCES (12 CDs, 16:14:40) 01 - BTHVN 2020: CD 102 Symphony no. 8 (Scherchen) / Symphonies nos. 3, 5, 7 - Excerpts (Karajan/Nikisch/R. Strauss/van Kempen) / Overtures “Leonore” nos. 2 & 3 (Busch/Klemperer) Формат: FLAC (image+cue) Битрейт: 444 kbps Продолжительность: 01:24:26 Отчёт EAC: отсутствует Треклист: 01. Symphony no. 5 in c, op. 67: I. Allegro con brio [00:06:50] 02. Symphony no. 7 in A, op. 92: IV. Allegro con brio (excerpt) [00:04:31] 03. Overture “Leonore” no. 3, op. 72b: Adagio - Allegro [00:14:06] 04. Symphony no. 7 in A, op. 92: IV. Allegro con brio [00:06:33] 05. Overture “Leonore” no. 2, op. 72a: Adagio - Allegro [00:13:38] 06. Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre. Adagio assai [00:15:24] 07. Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio [00:08:26] 08. Symphony no. 8 in F, op. 93: II. Allegretto scherzando [00:03:54] 09. Symphony no. 8 in F, op. 93: III. Tempo di Menuetto [00:04:36] 10. Symphony no. 8 in F, op. 93: IV. Allegro vivace [00:06:25] 02 - BTHVN 2020: CD 103 Symphony no. 5 / Grosse Fuge / Overtures “Egmont”, “Coriolan” & “Leonore” no. 3 (Fürtwangler) Формат: FLAC (image+cue) Битрейт: 558 kbps Продолжительность: 01:24:11 Отчёт EAC: отсутствует Треклист: 01. Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro [00:09:04] 02. Overture “Leonore” no. 3, op. 72b: Adagio - Allegro [00:14:11] 03. Overture “Coriolan”, op. 62: Allegro con brio [00:09:04] 04. Symphony no. 5 in c, op. 67: I. Allegro con brio [00:08:06] 05. Symphony no. 5 in c, op. 67: II. Andante con moto [00:10:57] 06. Symphony no. 5 in c, op. 67: III. Allegro - [00:05:55] 07. Symphony no. 5 in c, op. 67: IV. Allegro [00:08:13] 08. Grosse Fuge, op. 133: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro [00:18:39] 03 - BTHVN 2020: CD 104 Symphonies nos. 5 & 6 (Erich Kleiber) Формат: FLAC (image+cue) Битрейт: 582 kbps Продолжительность: 01:13:08 Отчёт EAC: отсутствует Треклист: 01. Symphony no. 5 in c, op. 67: I. Allegro con brio [00:07:20] 02. Symphony no. 5 in c, op. 67: II. Andante con moto [00:09:17] 03. Symphony no. 5 in c, op. 67: III. Allegro - [00:05:20] 04. Symphony no. 5 in c, op. 67: IV. Allegro [00:09:32] 05. Symphony no. 6 in F, op. 68 “Pastoral”: I. Allegro ma no troppo “Erwachen heiterer Gefühle bei der Ankunft auf dem Lande” [00:09:13] 06. Symphony no. 6 in F, op. 68 “Pastoral”: II. Andante molto mosso “Szene am Bach” [00:14:09] 07. Symphony no. 6 in F, op. 68 “Pastoral”: III. Allegro “Lustiges Zusammensein der Landleute” [00:05:13] 08. Symphony no. 6 in F, op. 68 “Pastoral”: IV. Allegro “Gewitter. Sturm” [00:03:25] 09. Symphony no. 6 in F, op. 68 “Pastoral”: V. Allegretto “Hirtengesang. Frohe, dankbare Gefühle nach dem Sturm” [00:09:35] 04 - BTHVN 2020: CD 105 Symphony no. 9 / Overture “Egmont” (Fricsay) Формат: FLAC (image+cue) Битрейт: 720 kbps Продолжительность: 01:17:29 Отчёт EAC: отсутствует Треклист: 01. Music to Johann Wolfgang von Goethe's Tragedy “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro [00:09:03] 02. Symphony no. 9 in d, op. 125: I. Allegro ma non troppo, un poco maestoso [00:16:41] 03. Symphony no. 9 in d, op. 125: II. Molto vivace [00:10:31] 04. Symphony no. 9 in d, op. 125: III. Adagio molto e cantabile [00:18:00] 05. Symphony no. 9 in d, op. 125: IV. Presto - Allegro assai - [00:06:13] 06. Symphony no. 9 in d, op. 125: IV. Presto - “O Freunde, nicht diese Töne!” - Allegro assai: “Freude, schöner Götterfunken” - Allegro assai vivace. Alla marcia - Andante maestoso - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo [00:17:00] 05 - BTHVN 2020: CD 106 Piano Concerto no. 3 (A. Fischer) / Violin Concerto (Schneiderhan) Формат: FLAC (image+cue) Битрейт: 648 kbps Продолжительность: 01:21:23 Отчёт EAC: отсутствует Треклист: 01. Piano Concerto no. 3 in c, op. 37: I. Allegro con brio [00:16:12] 02. Piano Concerto no. 3 in c, op. 37: II. Largo [00:09:38] 03. Piano Concerto no. 3 in c, op. 37: III. Rondo. Allegro [00:09:10] 04. Violin Concerto in D, op. 61: I. Allegro ma non troppo [00:24:34] 05. Violin Concerto in D, op. 61: II. Larghetto [00:10:47] 06. Violin Concerto in D, op. 61: III. Rondo. Allegro [00:10:59] 06 - BTHVN 2020: CD 107 Piano Sonatas nos. 8, 23, 30 & 31 (Arrau/Kempff/Schnabel) Формат: FLAC (image+cue) Битрейт: 438 kbps Продолжительность: 01:22:44 Отчёт EAC: отсутствует Треклист: 01. Sonata no. 30 in E, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I [00:03:52] 02. Sonata no. 30 in E, op. 109: II. Prestissimo [00:02:23] 03. Sonata no. 30 in E, op. 109: III. Andante, molto cantabile ed espressivo (Gesangvoll, mit innigster Empfindung) [00:14:17] 04. Sonata no. 8 in c, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio [00:07:37] 05. Sonata no. 8 in c, op. 13 “Pathétique”: II. Adagio cantabile [00:04:50] 06. Sonata no. 8 in c, op. 13 “Pathétique”: III. Rondo. Allegro [00:04:34] 07. Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo [00:06:04] 08. Sonata no. 31 in A-flat, op. 110: II. Allegro molto [00:02:29] 09. Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga [00:09:39] 10. Sonata no. 23 in f, op. 57 “Appassionata”: I. Allegro assai [00:11:16] 11. Sonata no. 23 in f, op. 57 “Appassionata”: II. Andante con moto [00:07:17] 12. Sonata no. 23 in f, op. 57 “Appassionata”: III. Allegro ma non troppo [00:08:20] 07 - BTHVN 2020: CD 108 Piano Sonatas nos. 11, 18, 28 & 31 (Backhaus/Haskil/Richter/Serkin) Формат: FLAC (image+cue) Битрейт: 443 kbps Продолжительность: 01:25:55 Отчёт EAC: отсутствует Треклист: 01. Sonata no. 18 in E-flat, op. 31 no. 3: I. Allegro [00:08:26] 02. Sonata no. 18 in E-flat, op. 31 no. 3: II. Scherzo. Allegretto vivace [00:04:51] 03. Sonata no. 18 in E-flat, op. 31 no. 3: III. Menuetto. Moderato e grazioso [00:04:12] 04. Sonata no. 18 in E-flat, op. 31 no. 3: IV. Presto con fuoco [00:04:37] 05. Sonata no. 11 in B-flat, op. 22: I. Allegro con brio [00:07:27] 06. Sonata no. 11 in B-flat, op. 22: II. Adagio con molta espressione [00:09:06] 07. Sonata no. 11 in B-flat, op. 22: III. Menuetto [00:03:19] 08. Sonata no. 11 in B-flat, op. 22: IV. Rondo. Allegretto [00:05:40] 09. Sonata no. 28 in A, op. 101: I. Erwas lebhaft und mit der innigsten Empfindung (Allegro ma non troppo) [00:03:13] 10. Sonata no. 28 in A, op. 101: II. Lebhaft. Marschmäßig (Vivace all marcia) [00:06:07] 11. Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) - / IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit (Allegro) [00:09:31] 12. Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile, molto espressivo [00:06:13] 13. Sonata no. 31 in A-flat, op. 110: II. Allegro molto [00:05:41] 14. Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Arioso dolente - Fuga. Allegro, ma non troppo - L'istesso tempo di Arioso - L'inversione della Fuga [00:07:27] 08 - BTHVN 2020: CD 109 Piano Sonatas nos. 4, 15 & 32 (Gulda/Michelangeli/Pogorelich) Формат: FLAC (image+cue) Битрейт: 474 kbps Продолжительность: 01:23:30 Отчёт EAC: отсутствует Треклист: 01. Sonata no. 15 in D, op. 28 (“Pastoral”): I. Allegro [00:09:04] 02. Sonata no. 15 in D, op. 28 (“Pastoral”): II. Andante [00:06:11] 03. Sonata no. 15 in D, op. 28 (“Pastoral”): III. Scherzo. Allegro vivace [00:02:01] 04. Sonata no. 15 in D, op. 28 (“Pastoral”): IV. Rondo. Allegro ma non troppo [00:04:52] 05. Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio [00:09:49] 06. Sonata no. 4 in E-flat, op. 7: II. Largo, con gran espressione [00:08:39] 07. Sonata no. 4 in E-flat, op. 7: III. Allegro [00:05:27] 08. Sonata no. 4 in E-flat, op. 7: IV. Rondo. Poco allegretto e grazioso [00:07:45] 09. Sonata no. 32 in c, op. 111: I. Maestoso - Allegro con brio ed appassionato [00:09:53] 10. Sonata no. 32 in c, op. 111: II. Arietta. Adagio molto semplice e cantabile [00:19:45] 09 - BTHVN 2020: CD 110 Cello Sonata nos. 3 & 5 (Fournier/Kempff/Rostropovich/Richter) / Piano Trio no. 7 “Archduke” (Gilels/Kogan/Rostropovich) Формат: FLAC (image+cue) Битрейт: 529 kbps Продолжительность: 01:23:48 Отчёт EAC: отсутствует Треклист: 01. Sonata no. 3 for Piano and Cello in A, op. 69: I. Allegro ma non troppo [00:09:11] 02. Sonata no. 3 for Piano and Cello in A, op. 69: II. Scherzo. Allegro molto [00:05:36] 03. Sonata no. 3 for Piano and Cello in A, op. 69: III. Adagio cantabile - Allegro vivace [00:07:10] 04. Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: I. Allegro con brio [00:06:21] 05. Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - attacca: [00:07:30] 06. Sonata no. 5 for Piano and Cello in D, op. 102 no. 2: III. Allegro - Allegro fugato [00:04:08] 07. Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato [00:12:47] 08. Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo. Allegro [00:11:43] 09. Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - Poco più adagio [00:12:16] 10. Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato [00:07:01] 10 - BTHVN 2020: CD 111 String Quartets nos. 13 & 16 / Grosse Fuge (Busch Quartet, Hollywood String Quartet, The Lindsays) Формат: FLAC (image+cue) Битрейт: 514 kbps Продолжительность: 01:17:06 Отчёт EAC: отсутствует Треклист: 01. String Quartet no. 13 in B-flat, op. 130: I. Adagio ma non troppo - Allegro [00:08:54] 02. String Quartet no. 13 in B-flat, op. 130: II. Presto [00:01:55] 03. String Quartet no. 13 in B-flat, op. 130: III. Andante con moto, ma non troppo [00:05:23] 04. String Quartet no. 13 in B-flat, op. 130: IV. Alla danza tedesca. Allegro assai [00:02:25] 05. String Quartet no. 13 in B-flat, op. 130: V. Cavatina. Adagio molto espressivo [00:07:02] 06. String Quartet no. 13 in B-flat, op. 130: VI. Finale: Allegro [00:08:32] 07. Grosse Fuge, op. 133: Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga: Allegro - Meno mosso e moderato - Allegro molto e con brio - Allegro [00:16:07] 08. String Quartet no. 16 in F, op. 135: I. Allegretto [00:06:41] 09. String Quartet no. 16 in F, op. 135: II. Vivace [00:03:20] 10. String Quartet no. 16 in F, op. 135: III. Lento assai, cantante e tranquillo [00:09:14] 11. String Quartet no. 16 in F, op. 135: IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto (“Muss es sein?”) - Allegro (“Es muss sein!”) - Grave, ma non troppo tratto - Allegro [00:07:28] 11 - BTHVN 2020: CD 112 String Quartets nos. 6 & 15 (Quartetto Italiano) Формат: FLAC (image+cue) Битрейт: 599 kbps Продолжительность: 01:15:00 Отчёт EAC: отсутствует Треклист: 01. String Quartet no. 6 in B-flat, op. 18 no. 6: I. Allegro con brio [00:06:30] 02. String Quartet no. 6 in B-flat, op. 18 no. 6: II. Adagio ma non troppo [00:07:33] 03. String Quartet no. 6 in B-flat, op. 18 no. 6: III. Scherzo. Allegro [00:03:27] 04. String Quartet no. 6 in B-flat, op. 18 no. 6: IV. La Malinconia. Adagio - Allegretto quasi Allegro [00:10:09] 05. String Quartet no. 15 in a, op. 132: I. Assai sostenuto - Allegro [00:10:02] 06. String Quartet no. 15 in a, op. 132: II. Allegro ma non tanto [00:08:23] 07. String Quartet no. 15 in a, op. 132: III. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart. Molto adagio - Neue Kraft fühlend. Andante - Molto adagio (Mit innigster Empfindung) [00:19:35] 08. String Quartet no. 15 in a, op. 132: IV. Alla marcia, assai vivace - Più allegro - attacca: [00:02:18] 09. String Quartet no. 15 in a, op. 132: V. Allegro appassionato - Presto [00:07:00] 12 - BTHVN 2020: CD 113 Lieder (Bartoli/Pavarotti/Schreier) / Fidelio (Böhm/Fricsay/Karajan/Maazel/Solti) Формат: FLAC (image+cue) Битрейт: 578 kbps Продолжительность: 01:25:55 Отчёт EAC: отсутствует Треклист 01. Adelaide, op. 46 “Einsam wandelt dein Freund im Frühlingstagen” [00:05:45] 02. An die ferne Geliebte, op. 98: 1. “Auf dem Hügel sitz' ich, spähend” [00:02:35] 03. An die ferne Geliebte, op. 98: 2. “Wo die Berge so blau” [00:01:38] 04. An die ferne Geliebte, op. 98: 3. “Leichte Segler in den Höhen” [00:01:30] 05. An die ferne Geliebte, op. 98: 4. “Diese Wolken in den Höhen” [00:00:55] 06. An die ferne Geliebte, op. 98: 5. “Es kehret der Maien, es blühet die Au” [00:02:30] 07. An die ferne Geliebte, op. 98: 6. “Nimm sie hin denn, diese Lieder” [00:04:14] 08. La partenza, WoO 124 “Ecco quel fiero istante” [00:00:56] 09. 4 Arietten, op. 82: 3. L'amante impaziente I: “Che fa il mio bene?”. Arietta buffa [00:01:37] 10. 4 Arietten, op. 82: 4. L'amante impaziente II: “Che fa il mio bene?”. Arietta assai seriosa [00:02:06] 11. 4 Arietten, op. 82: 2. “T'intendo sì, mio cor” [00:03:22] 12. 4 Arietten, op. 82: 1. “Dimmi, ben mio, che m'ami” [00:02:06] 13. “In questa tomba oscura”, WoO 133: Ariette [00:03:26] 14. “In questa tomba oscura”, WoO 133: Ariette [00:03:29] 15. Fidelio, op. 72: Act I. No. 3 Quartet: “Mir ist so wunderbar” [00:04:28] 16. Fidelio, op. 72: Act I. No. 7 Aria with Chorus: “Ha! Welch ein Augenblick!” [00:03:03] 17. Fidelio, op. 72: Act I. No. 9 Recitative and Aria: “Abscheulicher! Wo eilst du hin? ... Komm, Hoffnung, lass den letzten Stern der Müden nicht erbleichen!” [00:07:02] 18. Fidelio, op. 72: Act I. No. 10 Finale (Opening Chorus): “O welche Lust, in freier Luft den Atem leicht zu heben!” [00:08:21] 19. Fidelio, op. 72: Act II. No. 11 Introduction and Aria: “Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen” [00:09:25] 20. Fidelio, op. 72: Act II. “Meine Leonore, was hast du ...” / No. 15 Duet: “O namenlose Freude!” [00:03:02] 21. Fidelio, op. 72: Act II. No. 16 Finale: “Heil sei dem Tag ... Des besten Königs Wink und Wille ... Wer ein holdes Weib errungen, stimm in unsern Jubel ein!” [00:14:15] X - PERIOD INSTRUMENT PERFORMANCES (5 CDs, 6:52:51) 01 - BTHVN 2020: CD 114 Piano Concertos nos. 1 & 2 / Piano Rondo WoO 6 (Levin/Gardiner) Формат: FLAC (image+cue) Битрейт: 475 kbps Продолжительность: 01:15:05 Отчёт EAC: отсутствует Треклист: 01. Concerto for Piano and Orchestra no. 2 in B flat major, op. 19: I. Allegro con brio [00:14:07] 02. Concerto for Piano and Orchestra no. 2 in B flat major, op. 19: II. Adagio [00:07:41] 03. Concerto for Piano and Orchestra no. 2 in B flat major, op. 19: III. Rondo: Allegro molto [00:06:20] 04. Rondo for Piano and Orchestra in B flat major, WoO 6 [00:11:06] 05. Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio [00:16:41] 06. Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo [00:10:17] 07. Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo: Allegro [00:08:53] 02 - BTHVN 2020: CD 115 Piano Concerto no. 4 (Levin/Gardiner) / Violin Concerto / Romance no. 2 (Zehetmair/Brüggen) Формат: FLAC (image+cue) Битрейт: 557 kbps Продолжительность: 01:23:13 Отчёт EAC: отсутствует Треклист: 01. Piano Concerto no. 4 in G, op. 58: I. Allegro moderato [00:18:36] 02. Piano Concerto no. 4 in G, op. 58: II. Andante con moto [00:05:24] 03. Piano Concerto no. 4 in G, op. 58: III. Rondo. Vivace [00:10:55] 04. Violin Concerto in D, op. 61: I. Allegro ma non troppo [00:22:16] 05. Violin Concerto in D, op. 61: II. Larghetto [00:09:17] 06. Violin Concerto in D, op. 61: III. Rondo. Allegro [00:09:01] 07. Romance for Violin and Orchestra no. 2 in F, op. 50: Andante cantabile [00:07:40] 03 - BTHVN 2020: CD 116 Piano Sonatas nos. 8, 14 & 17 (Lubin) / Lieder (von Otter/Tan) / Horn Sonata (Halstead/Levin) Формат: FLAC (image+cue) Битрейт: 479 kbps Продолжительность: 01:25:27 Отчёт EAC: отсутствует Треклист: 01. Sonata no. 8 in c, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio [00:07:57] 02. Sonata no. 8 in c, op. 13 “Pathétique”: II. Adagio cantabile [00:05:24] 03. Sonata no. 8 in c, op. 13 “Pathétique”: III. Rondo. Allegro [00:04:19] 04. Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia): I. Adagio sostenuto [00:05:22] 05. Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia): II. Allegretto [00:02:22] 06. Sonata no. 14 in c-sharp, op. 27 no. 2 “Moonlight” (Sonata quasi una fantasia): III. Presto agitato [00:07:23] 07. Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro [00:07:46] 08. Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio [00:06:51] 09. Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto [00:06:09] 10. Seufzer eines Ungeliebten - Gegenliebe, WoO 117: “Hast du nicht Liebe zugemessen” / “Wüßt' ich, wüßt' ich, dass du mich” [00:05:29] 11. Fantasia for Piano, Chorus and Orchestra in c, op. 80 ('Choral Fantasy'): 1st Alternative Improvised Introduction [00:02:23] 12. Der Kuss, op. 128: “Ich war bei Chloen ganz allein” [00:01:58] 13. Als die Geliebte sich trennen wollte, WoO 132: “Der Hoffnung letzter Schimmer sinkt dahin!” [00:01:44] 14. Sehnsucht, WoO 146: “Die stille Nacht umdunkelt erquickend Tal und Höh” [00:02:11] 15. An die Geliebte, WoO 140: “Oh, dass ich dir vom stillen Augen” (2nd version) [00:01:14] 16. Maigesang, op. 52 no. 4: “Wie herrlich leuchtet mir die Natur!” [00:02:13] 17. Sonata for Piano and Horn in F, op. 17: I. Allegro moderato [00:08:16] 18. Sonata for Piano and Horn in F, op. 17: II. Poco Adagio, quasi Andante [00:01:23] 19. Sonata for Piano and Horn in F, op. 17: III. Rondo. Allegro moderato [00:04:55] 04 - BTHVN 2020: CD 117 Piano Trio no. 5 “Ghost” (Queyras/Sepec/Staier) / String Quartet no. 9 (Schuppanzigh-Quartett) / Quintet op. 16 (Levin/AAMCE) Формат: FLAC (image+cue) Битрейт: 592 kbps Продолжительность: 01:22:45 Отчёт EAC: отсутствует Треклист: 01. Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio [00:10:21] 02. Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo [00:08:28] 03. Piano Trio no. 5 in D, op. 70 no. 1 “Ghost”: III. Presto [00:07:56] 04. String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: I. Introduzione. Andante con moto - Allegro vivace [00:09:33] 05. String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: II. Andante con moto, quasi Allegretto [00:08:34] 06. String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: III. Menuetto (grazioso) - attacca: [00:05:05] 07. String Quartet no. 9 in C, op. 59 no. 3 “Razumovsky”: IV. Allegro molto [00:05:44] 08. Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16: I. Grave - Allegro, ma non troppo [00:13:48] 09. Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16: II. Andante cantabile [00:07:27] 10. Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat, op. 16: III. Rondo. Allegretto, ma non troppo [00:05:46] 05 - BTHVN 2020: CD 118 Chamber Versions of Symphony no. 2 & Piano Concerto no. 4 (Levin) / “Ah! perfido” (Tilling/McGreesh) Формат: FLAC (image+cue) Битрейт: 576 kbps Продолжительность: 01:26:20 Отчёт EAC: отсутствует Треклист: 01. Symphony no. 2 for Piano, Violin and Cello in D, op. 36 Version for the Piano Trio by the composer (1805): I. Adagio - Allegro con brio [00:12:10] 02. Symphony no. 2 for Piano, Violin and Cello in D, op. 36 Version for the Piano Trio by the composer (1805): II. Larghetto quasi Andante [00:11:10] 03. Symphony no. 2 for Piano, Violin and Cello in D, op. 36 Version for the Piano Trio by the composer (1805): III. Scherzo. Allegro [00:04:39] 04. Symphony no. 2 for Piano, Violin and Cello in D, op. 36 Version for the Piano Trio by the composer (1805): IV. Allegro molto [00:06:30] 05. Piano Concerto no. 4 for Piano and String Quintet in G, op. 58: I. Allegro moderato [00:17:19] 06. Piano Concerto no. 4 for Piano and String Quintet in G, op. 58: II. Andante con moto [00:05:12] 07. Piano Concerto no. 4 for Piano and String Quintet in G, op. 58: III. Rondo. Vivace [00:10:33] 08. “Ah! perfido”, op. 65: Scena and aria for soprano and orchestra [00:12:31] 09. Die Geschöpfe des Prometheus, op. 43: No. 16 Finale: Allegretto - Allegro molto - Presto [00:06:12]
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 21-Дек-20 09:59 (спустя 5 часов, ред. 21-Дек-20 09:59) [Цитировать] Цитата: перехэшироваться Простите меня за глупый вопрос. Что такое перехэшироваться Цитата: tracks + .cue заменено на image + .cue Это на домашний мафон, в авто я слушать не смогу? потрэково?
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 21-Дек-20 15:22 (спустя 5 часов) [Цитировать] Цитата: первые диски могу раздать - попробуете потрэково? Я уже 90 процентов скачал этого материала.
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romolad Стаж: 11 лет 11 месяцев Сообщений: 14	romolad · 21-Дек-20 17:08 (спустя 1 час 45 мин., ред. 21-Дек-20 17:08) [Цитировать] А мне больше нравилось, как было поначалу. Потреково. Названия длинные, да. И есть нечитаемые знаки. Переименовывать файлы не получается. Хорошо было бы, если бы автор раздачи подправил названия этих нескольких треков и оставил раздачу в прежнем виде. Неразрезанные образы дисков - это неудобно.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 21-Дек-20 18:29 (спустя 1 час 21 мин.) [Цитировать] Цитата: Потреково. Удобно, можно выборочно закачать в машину и слушать. Делать нечего, придется самому флак в мп3 конвертировать. Рассторили меня. Плюс на 88 процентов я скачал потреково. Теперь, фиг поймешь где какой файл НЕДОКАЧЕН.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 21-Дек-20 20:20 (спустя 1 час 51 мин.) [Цитировать] Цитата: хоть один бы сказал по сути. Я сказал по сути, указал на тот факт что есть ошибки в длинных названиях. Помогите их устранить.
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lzlmrf Стаж: 16 лет 1 месяц Сообщений: 39	lzlmrf · 21-Дек-20 23:00 (спустя 2 часа 39 мин.) [Цитировать] ANothing писал(а): 80615413вы не ценители искусства - вы потребители. всё для вас делаешь, стараясь как лучше - а вам всё не так и всё не то хотите, могу вообще не доделывать и уйти с раздачи? ищите сами. на кой мне эта морока? хоть один бы сказал по сути. вам лишь бы грязью облить - доброго слова от вас не услышишь никогда, чёртовы критики ухожу с раздачи - делайте что хотите достали со своим нытьём Никто ни о чем не ныл. Просто пытались разобраться в проблеме, с которой каждый из нас столкнулся впервые. Тем более, что не специалисты-хакеры здесь собрались. Общими усилиями разобрались. Релизера вежливо попросили внести изменения в названия файлов. Описали проблему. Какой смысл в раздаче, если ее нельзя скачать или воспроизвести? Я бы может и изменил сам названия, но я скачать не могу из-за нескольких файлов раздачи. На них раздача останавливается, как я уже писал вам. По крайней мере у меня так в клиенте utorrent 1.8.2. Исключив файлы с огромными названиями, скачал. Но с воспроизведением всё равно есть проблемы в некоторых проигрывателях из-за длинных названий или названий, содержащих диакритические знаки. Вот и всё наше "нытье".
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 09:59 (спустя 10 часов) [Цитировать] Цитата: тема закрыта. ещё вопросы? Странный вы человек. Ну ладно тот жирный тролль. Херню нес. Я наоборот наехал на него. Но тут в раздаче были явные ошибки. Мы просто на них указали.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 13:20 (спустя 3 часа) [Цитировать] [img] и никто даже не поинтересовался, почему он исчез с трекера [/img] Здрасьте приехали. В теме полного собрания Моцарта я очень подробно обсуждал все это причем в личке.
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lzlmrf Стаж: 16 лет 1 месяц Сообщений: 39	lzlmrf · 22-Дек-20 13:53 (спустя 33 мин.) [Цитировать] ANothing писал(а): 80618930Авросий lzlmrf romolad а теперь взгляните сюда: релизов от пользователя ANothing больше не ждите возродить его доброе имя было замечательной, но не оправдавшей надежд идеей в моём сердце соратника он навсегда останется живым светлая ему память R.I.P. ANothing (19.IX.1979-21.XI.2016) этот человечище до последнего вздоха старался для истинных ценителей искусства и отдавал релизерству всего себя 4 года его нет с нами - и никто даже не поинтересовался, почему он исчез с трекера вам всё равно, у какого источника качать - так что дальше ищите сами отвыкайте от того, что кто-то за вас осуществляет ваши мечты без уважения, группа соратников и товарищей ANothing Ну, как-то совсем некрасиво поступаете. Еще и именем хорошего человека прикрываетесь. Он то действительно старался и делал, а вы как-будто ждете, что вам ноги целовать будут... И спасибо вам недостаточно... Тем не менее и на том спасибо, что большую часть успели раздать.
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lzlmrf Стаж: 16 лет 1 месяц Сообщений: 39	lzlmrf · 22-Дек-20 17:03 (спустя 3 часа, ред. 22-Дек-20 17:03) [Цитировать] ANothing писал(а): 80619203я бы и дальше раздал - если бы отношение было не сугубо потребительское поступаю некрасиво по отношению к кому? к вам? а кто вы? и откуда у вас право решать? В первую очередь по отношению к вам самому себе. Какого отношения вы ждете? Восхищения? Аплодисментов? И в чем "потребительское отношение" выражается? И я еще пока ничего не решал. Решили что-то вы, а не я. Я всего лишь обратился с вежливой просьбой исправить ошибки, из-за которых ваша раздача не скачивалась. А хамить и бросаться какашками начали вы, а не я. Если раздача не скачивается, я что, должен был молчать? Тогда бы это было для вас замечательно? Сами то понимаете что пишете? Чем такое вычитывать здесь, найду и скачаю в другом месте. Свет клином на вас не сошелся. А вы оставайтесь со своей обидой. Вы здесь и остаетесь до сих пор чтобы вас начали уговаривать и молить, что бы вы возобновили раздачу. Потешить собственное самолюбие так сказать. Так вот знайте, я этого делать не буду, и извиняться мне совершенно не за что. Вы ведь этого сидите в теме и ждете?
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 17:34 (спустя 30 мин., ред. 22-Дек-20 17:34) [Цитировать] Цитата: Так вот знайте, я этого делать не буду, и извиняться мне совершенно не за что. Вы ведь этого сидите в теме и ждете? Я тоже, потому как не за что извинятся . я ничего обидного не сказал. Наоборот, хотел данное собрание слушать дома и в машине. а мп3 потрэково. ЭТО СКАЗОЧНО УДОБНО, Цитата: Так вот знайте, я этого делать не буду, и извиняться мне совершенно не за что. Вы ведь этого сидите в теме и ждете? Я тоже, потому как не за что извинятся . я ничего обидного не сказал. Наоборот, хотел данное собрание слушать дома и в машине. а мп3 потрэково. ЭТО СКАЗОЧНО УДОБНО,
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Shest1971 Стаж: 15 лет 5 месяцев Сообщений: 258	Shest1971 · 22-Дек-20 19:13 (спустя 1 час 38 мин., ред. 24-Дек-20 22:59) [Цитировать] Цитата: релизов от пользователя ANothing больше не ждите Эх ребята, как все грустно получилось - только вчера в закладки добавил и на тебе... Отдать должное: наберите в поиске раздачи автора - одуреть можно от изобилия (барокко и классицизма в первую очередь). Я даже не рискую всё это богатство качать - всё равно не прослушаю , выбираю самых известных композиторов. Жизнь ужасно коротка. Я всё ждал от автора когда-нибудь Bach333 в MP3... Грустно всё это и не только из-за привычки халявного качания , а по-человечески что-ли. Люди ведь реально подвижники какие -то (релизеры), а мы привыкли только забрать и всё...
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 19:20 (спустя 7 мин.) [Цитировать] Цитата: мы привыкли только забрать и всё А что надо еще делать то? Автор выложил с ошибками. Мы ему на эти ошибки указали. Он включил психа и закрыл раздачу.
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Shest1971 Стаж: 15 лет 5 месяцев Сообщений: 258	Shest1971 · 22-Дек-20 19:33 (спустя 12 мин., ред. 22-Дек-20 19:33) [Цитировать] Авросий Всё так. Я никого не обвиняю упаси бог - просто пытаюсь как-то осмыслить сам процесс файлобмена. Просто не смог промолчать - размышления вслух и не более. Философское настроение..
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 20:14 (спустя 41 мин., ред. 22-Дек-20 20:14) [Цитировать] Цитата: уроды неблагодарные Да пошел ты. псих. Иди лечись. Цитата: не готов заплатить за этот труд Я посоветуюсь с модератором . Я могу полностью выложить данную раздачу во флаке. Нытики. Вроде взрослые мужики, брюки носите, не юбку. пусть модератор в эту тему включит мою раздачу (правда я не умею , но придется учиться)
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 21:55 (спустя 1 час 41 мин., ред. 22-Дек-20 21:55) [Цитировать] Цитата: чтобы этот акк забанили У тебя часом не обострение? Цитата: мог просто извиниться Просить прощение вещь достойная. Но мне просить не за что Цитата: реально можешь? Если модераторы помогут. то без проблем
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 21:57 (спустя 1 мин.) [Цитировать] Цитата: самому-то не противно от своих слов? алло - гараж. А это чьи слова? Цитата: да мне плевать на вас, уроды неблагодарные
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 21:58 (спустя 58 сек.) [Цитировать] Цитата: точно? Бог свидетель. Я в непонятках. Что происходит?
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 22:06 (спустя 8 мин., ред. 22-Дек-20 22:06) [Цитировать] Цитата: ы похерил труд, занявший две недели моего времени Чем я его похерил? выкладка во флаке проблем не имела. Имелись проблемы в мп3 с длинными названиями, которые не удалялись, не воспроизводились, не переименовывались. Я и еще один товарищ указали на это. И я вежливо написал что хотелось бы иметь эту выкладку ПОТРЭКОВО. И только ты ни с того ни с сего психанул. и закрыл выкладку во флаке, которая рабочая. ГДЕ СМЫСЛ И ЛОГИКА? Цитата: причём упоротый и тупой ты возьми себя в руки. поясни в чем моя вина. Укажи цитаты, где я на твой взгляд чем то тебя обидел. Если это соответствует действительности, я попрошу прощение. И неважно откроешь выкладку или нет. Тут дело принципа. тот мужик, профессор кислых щей, вот тот дааа. Реальный придурок. Который непойми чего хотел нам доказать , кого слушать и какие файлы выкладывать.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 22:21 (спустя 15 мин., ред. 22-Дек-20 22:21) [Цитировать] Цитата: сможешь мне доказать, что я реально неправ Чего доказать? Где цитаты? Покажи цитаты, где я якобы обидел. Цитата: посмотри на происходящее с моей стороны и пойми уже Посмотрел. Кроме слов того мужика, который лучше знает кому что слушать, Тут ни один человек дурного не сделал. тебе всего лишь указали на ошибки. У одного эти файлы НЕ СКАЧИВАЮТСЯ. У меня скачиваются ,но не ИГРАЮТ, НЕ КОПИРУЮТСЯ.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 22:46 (спустя 24 мин.) [Цитировать] Цитата: мире потребителей всегда так Все люди потребители. Искусство - ПИЩА ДЛЯ УМА, КОТОРУЮ МЫ ПОТРЕБЛЯЕМ.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 22:52 (спустя 5 мин.) [Цитировать] Цитата: ВПИТЫВАЮ ДУШОЙ и ПОЛУЧАЮ МОРАЛЬНОЕ УДОВОЛЬСТВИЕ Ну так и я. и то делаю и другое.
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Авросий Стаж: 11 лет 5 месяцев Сообщений: 362	Авросий · 22-Дек-20 22:59 (спустя 7 мин.) [Цитировать] Прослушал тут редкие вещи для фортепиано, и сонату 32. И немного шокирован тем, что он определил музыку будущего. Тут Рег тайм, и джаз и модернизм почти Шенберговский. Многие из его произведений имеют настолько смелые места, что до самого 20 века другие композиторы не брали на вооружение.
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