2d2d2d · 16-Сен-07 22:40(17 лет 2 месяца назад, ред. 23-Сен-07 07:35)
Miles Davis - Miles in Paris (1989) DVD-5 Год выпуска: 2001 Жанр: Jazz Продолжительность: 78 min Режиссер: Frank Cassenti В ролях: Miles Davis - trumpet
Benjamin Rietveld - bass
Foley McCreary - lead bass
Ricky Wellman - drums
John Bigham - electric percussion
Kenny Garrett - saxophone & flute
Kei Akagi - keyboards Описание: Майлс Дэвис - одна из бесспорных легенд джазовой музыки. Этот прекрасный концерт снят в Париже в конце 80-х годов, ближе к концу его жизни и блистательной творческой карьеры. Снят на Парижском джазовом фестивале в ноябре 1989 года. Tracks: Human Nature
Jilli
Hannibal
Don't Stop Me Now
Amandla
Tutu
Wrinkle
New Blues
Mr. Pastorius + интервью с Майлсом Дэвисом Доп. информация: Pal 4:3
Size: 768 x 576
Main Language: English
Subtitle Language: English, French, German, Italian Качество: DVD5 Формат: DVD Video Видео кодек: MPEG2 Аудио кодек: PCM Видео: MPEG2 Video 720x576 (4:3) 25.00fps 8000Kbps Аудио: Linear PCM 48000Hz stereo 1536Kbps
Спасибо, однако, при записи на диск при помощи НЕРО возникли проблемы: неверный дескриптор; 'VTS_02_0.BUP' должен соответствовать 'VTS_02_0.IFO'
После записи диск не воспроизводится ни на DVD плеере, ни на РС.
В чем причина: ошибка при скачивании или поврежденный файл, или еще чего?
Как быть? Подскажите, пожалуйста.
Спасибо, однако, при записи на диск при помощи НЕРО возникли проблемыВ чем причина: ошибка при скачивании или поврежденный файл, или еще чего?
Как быть? Подскажите, пожалуйста.
Ответ прост - удалить NERO, желательно навсегда и записывать диски ImgBurn ' ом - этот просто заранее откажется писать дефективное, а если уж записал, то все воспроизводится 100%. О двухслойных болванках и говорить нечего - здесь у ImgBurn нет конкурентов вообще - то, что может он, не может ни одна известная мне прога. Нерой сам пользовался более 4х лет, но, попробовав ImgBurn... даже нечего сравнивать.
Конечно, есть вариант, что с файлами что-то не так, но "торрент скачан 325 раз" - уже бы засыпали вопросами
Спасибо большое. Звук и видео на высоте. Саунд концерта показался немного менее авангардным и чуть более доступным уху, чем некоторые другие концерты Дэвиса, которые довелось услышать. Отдельный респект за вставленное в концерт интервью с Майлзом и за наличие 4-х разных субтитров. Jappi27
У меня концерт прописался и просмотрелся без проблем (Винда7 - Неро7 - 2 разных железных DVD-плеера).
народ, кто-нибудь может адекватно перевести сабы интервью?
скрытый текст
п>ї1
00:09:18,240 --> 00:09:19,992
This is your night. 2
00:17:03,240 --> 00:17:09,077
I think people like to hear the music
and think what they want to think - 3
00:17:09,160 --> 00:17:13,996
but when you play like we play
you can think whatever you want, 4
00:17:14,080 --> 00:17:16,754
or you can just relax. 5
00:23:02,480 --> 00:23:05,836
The media fucked up everybody,
you know? 6
00:23:05,920 --> 00:23:07,957
You can't do anything any more. 7
00:23:10,360 --> 00:23:15,070
No more jam sessions
and sharing musical ideas, 8
00:23:15,160 --> 00:23:19,279
unless you have a group, like mine, 9
00:23:19,360 --> 00:23:23,593
you know, and try to... 10
00:23:23,680 --> 00:23:25,671
play what we think 11
00:23:25,760 --> 00:23:29,469
and have it there
so you can touch it every time. 12
00:23:29,560 --> 00:23:31,153
Or a little bit. 13
00:27:31,480 --> 00:27:34,518
Years ago, I used to say... 14
00:27:36,960 --> 00:27:40,237
if, like, you see
a painting or a sculpture... 15
00:27:40,320 --> 00:27:42,709
if they can do that, 16
00:27:42,800 --> 00:27:48,637
then you can have no trouble playing
in different keys against keys. 17
00:27:48,720 --> 00:27:53,317
You know, like you see a painting
like a Picasso and his balance, 18
00:27:53,400 --> 00:27:55,550
or Kandinsky, his balance, 19
00:27:55,640 --> 00:27:58,871
you know, it makes your music better. 20
00:27:58,960 --> 00:28:04,592
You have no fear and like these
different keys and the sounds, 21
00:28:04,680 --> 00:28:07,877
like John has the street sounds. 22
00:28:09,480 --> 00:28:11,915
Well, I like that street sound. 23
00:28:13,000 --> 00:28:15,355
I don't like a perfect sound. 24
00:30:46,240 --> 00:30:49,278
I used to practise against... 25
00:30:51,400 --> 00:30:52,913
my father... 26
00:30:53,000 --> 00:30:57,358
We had a lake
and horses and a lot of land. 27
00:30:57,440 --> 00:31:02,674
I used to practice
on the edge of the lake 28
00:31:02,760 --> 00:31:05,593
and open my sound up. 29
00:31:08,040 --> 00:31:12,113
Instead of tin sound
I'd get this round, like... 30
00:31:12,200 --> 00:31:14,919
round sound. 31
00:31:15,000 --> 00:31:18,391
Cos I hear in the middle register, 32
00:31:19,880 --> 00:31:26,115
you know, like Wagner...
Prez Quartet... 33
00:31:27,320 --> 00:31:30,870
You know, I hear this sound
like a cornet sound. 34
00:31:30,960 --> 00:31:33,474
You know, I hear that. 35
00:31:33,560 --> 00:31:35,836
And the voice. 36
00:31:37,400 --> 00:31:39,038
You know what I mean? 37
00:31:39,120 --> 00:31:42,078
You put that extra thing
on every note, 38
00:31:42,880 --> 00:31:48,193
you just don't...just do it like...
it has to be important to you 39
00:31:48,280 --> 00:31:52,433
or a melody,
you know, you have to treat it 40
00:31:52,520 --> 00:31:54,955
like you don't waste any phrases. 41
00:34:44,240 --> 00:34:50,350
After spending almost five years
without touching a trumpet 42
00:34:50,440 --> 00:34:54,229
it must have been
very difficult physically 43
00:34:54,320 --> 00:34:56,550
to come back to this sound. 44
00:34:56,640 --> 00:35:00,599
It took me three years
to get the sound again. 45
00:35:02,760 --> 00:35:05,274
It makes you... 46
00:35:05,360 --> 00:35:09,069
Some days I'd feel lousy, 47
00:35:10,640 --> 00:35:12,631
but it came back. 48
00:42:15,960 --> 00:42:17,917
- South Africa?
- Yes. 49
00:42:19,200 --> 00:42:21,032
I wouldn't go there, 50
00:42:21,120 --> 00:42:23,680
unless it was, you know... 51
00:42:25,760 --> 00:42:30,391
unless it was cool, if it's not cool
I can't go down there, 52
00:42:30,480 --> 00:42:33,393
meaning if it's not... 53
00:42:37,160 --> 00:42:41,631
I would go there for...
I would play for Bishop Tutu 54
00:42:41,720 --> 00:42:44,360
but I'm not going to play for... 55
00:42:44,440 --> 00:42:46,033
For the whites? 56
00:42:46,120 --> 00:42:49,750
For the white,
prejudiced people, racists... 57
00:42:50,840 --> 00:42:55,073
I wouldn't be able to play one note,
you know? 58
00:42:55,160 --> 00:42:58,198
The only thing I do is to... 59
00:43:00,040 --> 00:43:06,639
to kind of help things
is to name a record Tutu or Amandla. 60
00:48:19,600 --> 00:48:23,070
You have to be born into a... 61
00:48:23,160 --> 00:48:26,437
different sounds,
like in South Africa 62
00:48:26,520 --> 00:48:29,353
or in Africa in general
you hear music 63
00:48:29,440 --> 00:48:33,195
and you see them dance, you know? 64
00:48:33,280 --> 00:48:37,160
I'm not African, I'm just black,
you know what I mean. 65
00:48:37,240 --> 00:48:40,995
But you have to...
You see kids like this... 66
00:48:41,080 --> 00:48:46,553
They have to be born into it,
you're raised up and... 67
00:48:46,640 --> 00:48:50,395
you know,
they play in between the beat. 68
00:48:50,480 --> 00:48:57,079
They play 5:8 time,
they play 5:4, 6:4... 69
00:48:57,160 --> 00:49:01,040
But it's in them, you know,
they don't label it. 70
00:49:01,120 --> 00:49:04,272
When you see them dance
you can't copy it. 71
00:50:53,800 --> 00:50:55,791
There's something
very mysterious in it. 72
00:50:55,880 --> 00:51:00,716
And it's in your voice and in the way
you play over the other people. 73
00:51:00,800 --> 00:51:03,189
I suppose you are aware of it but... 74
00:51:03,280 --> 00:51:07,831
Burt Bacharach told me that,
he said... 75
00:51:07,920 --> 00:51:11,436
And Foley plays like that. 76
00:51:11,520 --> 00:51:16,993
When you play
against the orchestra... 77
00:51:17,080 --> 00:51:18,559
<i>'Wu May over.</i> 78
00:51:19,960 --> 00:51:20,916
Burt told me, he said, 79
00:51:21,280 --> 00:51:27,390
"I love it when you play against
a counter-melody to a melody." 80
00:51:28,480 --> 00:51:30,278
You know? 81
00:51:30,360 --> 00:51:32,351
But, you know, I tell... 82
00:51:34,800 --> 00:51:39,715
musicians I have,
it's always a melody within a melody. 83
00:51:40,960 --> 00:51:43,554
You can just go on and on. 84
00:53:46,240 --> 00:53:47,958
All of a sudden 85
00:53:49,880 --> 00:53:54,033
things that you play...
that you're playing, become old, 86
00:53:54,120 --> 00:53:58,318
you know, you can't...
you can't hear it any more. 87
00:53:58,400 --> 00:54:00,357
It doesn't work. 88
00:54:00,440 --> 00:54:02,670
That's the reason I got john. 89
00:54:03,920 --> 00:54:05,672
John Bigham. 90
00:54:09,600 --> 00:54:11,830
I want that street sound 91
00:54:11,920 --> 00:54:15,311
and john has it
because he's not a drummer. 92
00:54:15,400 --> 00:54:20,713
You know, he knows...
He hears what'll fit when we play, 93
00:54:20,800 --> 00:54:22,438
and he does it. 94
00:54:26,640 --> 00:54:28,790
You know, his electric drums... 95
00:54:29,920 --> 00:54:33,038
He's gonna sample my voice and stuff. 96
00:54:33,120 --> 00:54:36,192
I don't even ask him
what he's gonna do. 97
00:54:36,280 --> 00:54:38,715
I let him do what he does. 98
00:56:09,240 --> 00:56:12,312
The reason I like john... 99
00:56:12,400 --> 00:56:15,950
is because he doesn't know
that much about theory. 100
00:56:17,280 --> 00:56:21,274
I told him, I said, "Don't worry
about it. I'll show you." 101
00:56:24,880 --> 00:56:27,235
I don't have that many friends 102
00:56:27,320 --> 00:56:30,073
because I don't know
what to say to them... 103
00:56:30,160 --> 00:56:33,516
if I had a lot of friends, you know? 104
00:56:33,600 --> 00:56:38,674
It's usually... The band
that I'm associated with, 105
00:56:38,760 --> 00:56:40,990
musicians in the band, 106
00:56:41,080 --> 00:56:44,835
they become my best friends
or friends right there, 107
00:56:44,920 --> 00:56:49,278
but...l don't have a lot of friends. 108
01:00:46,800 --> 01:00:49,189
Are you concerned with posterity, 109
01:00:49,280 --> 01:00:51,237
with what will be left of you, 110
01:00:51,320 --> 01:00:53,789
of your works, of the things? 111
01:00:53,880 --> 01:00:57,236
You think back
in those terms, or not? 112
01:00:57,320 --> 01:01:01,598
I wouldn't have gotten into music
unless I thought like that. 113
01:01:01,680 --> 01:01:06,914
You know, as a man I wouldn't want to
be here if I couldn't contribute. 114
01:01:07,000 --> 01:01:08,354
You know? 115
01:01:08,440 --> 01:01:14,152
I can't see a person who doesn't
want to contribute to society 116
01:01:14,240 --> 01:01:17,756
in any form,
being a doctor, lawyer, whatever, 117
01:01:17,840 --> 01:01:20,036
especially an art form, you know? 118
01:01:20,120 --> 01:01:25,559
If you can't put something in
why get out... why get in it? 119
01:01:27,040 --> 01:01:29,839
You know, I always thought like that. 120
01:14:44,600 --> 01:14:49,629
I never had any, like,
"I wanna be famous". 121
01:14:49,720 --> 01:14:51,677
I didn't have that. 122
01:14:51,760 --> 01:14:55,833
I always wanted
to be able to be around the musicians 123
01:14:55,920 --> 01:14:58,719
that were the best at what they did, 124
01:14:58,800 --> 01:15:00,950
and to be accepted, you know? 125
01:15:01,040 --> 01:15:03,839
And the more you do that
the more you learn. 126
01:15:03,920 --> 01:15:05,479
I don't care what the people think. 127
01:15:06,320 --> 01:15:09,278
Well, you know,
I'm giving, all the time. 128
01:15:10,640 --> 01:15:14,429
MILES DAVIS
Trumpet 129
01:15:20,120 --> 01:15:23,636
KEY AKAGI
Keyboards 130
01:15:25,840 --> 01:15:29,390
JOHN BIGHAM
Electronic percussion 131
01:15:31,160 --> 01:15:33,549
FOLEY
Lead bass 132
01:15:35,920 --> 01:15:38,196
KENNY GARRETT
Saxophones and flute 133
01:15:40,480 --> 01:15:43,199
BENNY RIETVELD
Bass 134
01:15:45,800 --> 01:15:48,189
RICKY WELLMAN
Drums
