Strelnikoff Vladimir I · 13-Июл-25 13:57(2 дня 17 часов назад)
PulciPerla
"Tatekieto" . •Pulcinella (formed):2004, France (Toulouse, Midi-Pyrénées) •La Perla (formed):2014, Colombia (Bogotá, Distrito Capital) •Жанры: Latin Alternative, Tropicanibalismo***, Latin Jazz •Издатель: Prado Records (France) •Номер по каталогу: PR009 •Дата релиза:04.01.2025 •Аудиокодек: FLAC (*flac) •Битрейт аудио: lossless •Тип рипа: tracks •Источник: Deezer •Формат: WEB | Album, Collaboration . •TRACK LISTING 01..Tatekieto.(03:55) 02..Tabogo.(03:03) 03..Pájaro.(04:11) 04..Croissant.(05:05) 05..Chicharachera.(04:24) 06..Espuma del mar.(06:55) 07..Grand Hôtel.(04:19) 08..El gran Godzilla.(04:13) 09..El Sol / L'eclipse.(06:20) 10..Fortuna.(05:16)
total length [00:47:37]
Лог проверки качества:
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) ———————————————————————————————————————————————————————————————————————— --- / Tatekieto Folder: PulciPerla - 2025 - Tatekieto (web) Audio files: 01. Tatekieto.flac [03:54.089; FLAC • 876 kbps • 16 bit \ 44100 Hz • stereo; 24.45 MB (25 640 701 B)] 02. Tabogo.flac [03:02.441; FLAC • 964 kbps • 16 bit \ 44100 Hz • stereo; 20.97 MB (21 984 158 B)] 03. Pájaro.flac [04:10.068; FLAC • 876 kbps • 16 bit \ 44100 Hz • stereo; 26.12 MB (27 387 473 B)] 04. Croissant.flac [05:04.781; FLAC • 879 kbps • 16 bit \ 44100 Hz • stereo; 31.94 MB (33 495 485 B)] 05. Chicharachera.flac [04:23.721; FLAC • 910 kbps • 16 bit \ 44100 Hz • stereo; 28.62 MB (30 011 958 B)] 06. Espuma del mar.flac [06:54.969; FLAC • 830 kbps • 16 bit \ 44100 Hz • stereo; 41.06 MB (43 053 921 B)] 07. Grand Hôtel.flac [04:18.772; FLAC • 897 kbps • 16 bit \ 44100 Hz • stereo; 27.69 MB (29 039 862 B)] 08. El gran Godzilla.flac [04:12.514; FLAC • 874 kbps • 16 bit \ 44100 Hz • stereo; 26.33 MB (27 610 457 B)] 09. El Sol _ L'eclipse.flac [06:19.219; FLAC • 850 kbps • 16 bit \ 44100 Hz • stereo; 38.45 MB (40 319 546 B)] 10. Fortuna.flac [05:15.500; FLAC • 834 kbps • 16 bit \ 44100 Hz • stereo; 31.40 MB (32 928 901 B)] Accuracy: -m0 File 01. Tatekieto - 99% CDDA [03:54:07] File 02. Tabogo - 100% CDDA [03:02:33] File 03. Pájaro - 100% CDDA [04:10:05] File 04. Croissant - 100% CDDA [05:04:59] File 05. Chicharachera - 100% CDDA [04:23:54] File 06. Espuma del mar - 100% CDDA [06:54:73] File 07. Grand Hôtel - 100% CDDA [04:18:58] File 08. El gran Godzilla - 95% MPEG [04:12:39] File 09. El Sol _ L'eclipse - 100% CDDA [06:19:16] File 10. Fortuna - 95% MPEG [05:15:37] ————— Summary: ————— These tracks looks like CDDA with probability 100%. ———————————————————————————————————————————————————————————————————————— ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. Time elapsed: 1 m 03 s Log created at July 10, 2025 14:56:06 === DC8AC938E8904A1A4BCD8924A6257AE480B929CDC32ADCCBEE518283433D808E ===
Динамический отчет (DR):
Cue Corrector v. 10.2.3 / b. 2109 (Feb. 07, 2024) log date: 2025-07-10 14:54:57 -------------------------------------------------------------------------------- Album : Tatekieto Year : 2025 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR10 -0.52 dB -12.14 dB 3:54 01 - Tatekieto / PulciPerla DR8 -0.10 dB -9.60 dB 3:02 02 - Tabogo / PulciPerla DR10 -0.14 dB -11.91 dB 4:10 03 - Pájaro / PulciPerla DR9 -0.09 dB -12.12 dB 5:05 04 - Croissant / PulciPerla DR10 -0.12 dB -12.00 dB 4:24 05 - Chicharachera / PulciPerla DR8 -0.07 dB -11.93 dB 6:55 06 - Espuma del mar / PulciPerla DR9 -0.13 dB -9.93 dB 4:19 07 - Grand Hôtel / PulciPerla DR9 -0.11 dB -10.82 dB 4:13 08 - El gran Godzilla / PulciPerla DR9 -0.15 dB -12.20 dB 6:19 09 - El Sol / L'eclipse / PulciPerla DR9 -0.34 dB -11.94 dB 5:15 10 - Fortuna / PulciPerla -------------------------------------------------------------------------------- Number of tracks : 10 Official DR Value: DR9 Samplerate : 44100 Hz Channels : 2 Bits per sample : 16 Average bitrate : 872 kbps Codec : FLAC ================================================================================
Скриншоты спектров частот:
об альбоме
Take an iconoclastic and energetic quartet from Toulouse, combine it with a female power trio from Bogotá, shake it up, and you will get PulciPerla! After an explosive encounter in Colombia in 2019, the fiery trio La Perla and the unclassifiable Pulcinella decided to create an original repertoire: a hybrid, swaying, and sensual music where vocals, saxophone, keyboards, double bass, and percussion blend generously, driving a powerful trance-like pulse. A quirky and striking repertoire infused with bullerengue, reggaeton, funk, and champeta influences, which stirs the fire and gets you moving. The tribal music of La Perla's percussionist singers merges with Pulcinella's explosive groove to electrify the audience and awaken their primal instincts!
***
Tropicanibalismo was born in Bogotá, with several university bands. It tends towards an electronic and experimental sound based on traditional Colombian tropical music. It was born from a group of students who formed Ensamble Polifónico Vallenato in 1999, mixing traditional genres with a dissonant interpretation, and laid the foundations of the scene with 'Fiesta, que viva la'. The movement was spearheaded by music students who would take inspiration in Colombia's folklore and participated in university concerts. There is an extensive use of synthesizers, and it is strongly influenced by Colombian Atlantic coast music like Cumbia, Vallenato, Salsa, and Champeta. Pioneers of the genre include artists such as Mario Galeano Toro, Eblis Álvarez, and Pedro Ojeda (all of whom were part of Ensamble Polifónico Vallenato), as well as several notable groups including Frente Cumbiero, Meridian Brothers, Chúpame el Dedo, and Los Pirañas. Tropicanibalismo generally emulates Colombian tropical music in its songwriting as well as its lyrics, which tend to describe modern problems in a mostly sarcastic tone. Purely instrumental works are also common. Usually, bands develop their own interpretations of Tropicanibalismo by mixing various musical genres to create their own sound which can range from traditional acoustic works to shrill electronic experiments.
