karap_an · 11-Дек-24 00:02(9 месяцев назад, ред. 11-Дек-24 00:47)
Karl Davydov - Cello Concertos 1,2 - Tarasova, Krimetz Жанр: Classical Страна-производитель диска: England Год издания: 1996 Издатель (лейбл): Olympia Номер по каталогу: OCD 571 Дата записи: Recorded at Studio No. 5, Moscow Radio, In June and August 1995 Аудиокодек: OGG Битрейт аудио: 320 kbps Продолжительность: 01:13:29 Источник: WEB Наличие сканов в содержимом раздачи: да Треклист: Cello Concerto No.1 in B minor, Op.5
01. I. Allegro moderato - II. Cantilena - III. Allegretto Cello Concerto No.2 in A minor, Op.14
02. I. Allegro
03. II. Andante
04. III. Allegro Con Brio Drei Salonstucke, for Cello & Piano Op.30
05. No.1
06. No.2
07. No.3
08. Barcarola Op.17 No.2
09. Adieu Op.17 No.1 Исполнители: Marina Tarasova, Alexander Polezhaev, Davydov Symphony Orchestra, Konstantin Krimetz Доп. информация:
Remarkable works for cello and orchestra are not very common. Those unsuspected Cello Concertos by Karl Davidov are very good value to listen, indeed. Davidov was heralded by none other than Tchaikovsky as being the greatest cellist of the 19th century. We can evidence this statement through the incredible technical demands in his original compositions for his instrument that further demonstrate the remarkable technique that the so-called father of the Russian cello school must have possessed. This great CD features the first two (out of a total of four) cello concerti, as well as five shorter character pieces. Neither of the concertos is particularly "Russian-sounding", furthermore they are very suggestive of Schumann's own Cello Concerto, so they are very melodic, romantic and compelling works. The soloist, Marina Tarasova, absolutely possesses the archetypal Russian cello sound passed down from Davidov himself.
She plays deep in the string with an intense, almost frenetic vibrato that demands listeners' attention. Like Davidov, Tarasova is a remarkably skilled technical performer, tossing off even the most demanding passages as if just playing scales. She is equally capable of producing long, singing lines and soaring musical phrases. With no doubt, this is a wonderful discovery in music by neglected composers.
