(Fusion, Jazz-Funk) [LP] [24/192] Medeski Martin & Wood - Last Chance to Dance Trance (Perhaps): Best Of (1991-1996) (2 LP) - 1999, FLAC (tracks)

Lineage:
Degritter RCM > Rega P10 Turntable with Rega P10 PSU > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +4 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2021 x64 -> 8bit 600DPI PNG.

foobar2000 1.6.16 / Dynamic Range Meter 1.1.1
log date: 2024-10-19 16:37:51
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Analyzed: Medeski Martin & Wood / Last Chance to Dance Trance (Perhaps)
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DR Peak RMS Duration Track
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DR10 -2.05 dB -13.43 dB 5:22 01-Chubb Sub
DR12 -0.84 dB -15.28 dB 4:28 02-Bubblehouse
DR14 -1.35 dB -17.97 dB 7:37 03-Last Chance to Dance Trance (Perhaps)
DR13 -0.89 dB -18.44 dB 7:11 04-Hermeto's Daydream
DR10 -1.55 dB -14.19 dB 4:27 05-Is There Anybody Here That Love My Jesus
DR11 -1.86 dB -14.73 dB 6:47 06-The Lover
DR12 -0.90 dB -15.14 dB 5:34 07-Where's Sly?
DR12 -3.41 dB -18.30 dB 5:54 08-Strance of the Spirit Red Gator
DR12 -3.13 dB -17.96 dB 3:19 09-Macha
DR13 -2.76 dB -18.46 dB 6:57 10-Beaah
DR13 -1.55 dB -16.44 dB 5:40 11-Bemsha Swing/Lively Up Yourself
DR13 -0.91 dB -17.40 dB 4:16 12-Dracula
DR12 -3.20 dB -18.47 dB 7:35 13-Night Marchers
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Number of tracks: 13
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4361 kbps
Codec: FLAC
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13 songs from the funk-jazz period of Medeski, Martin & Wood's career before their move from Grammavision to the Blue Note label, Last Chance to Dance Trance documents the period when the trio was building their fan base both in and out of the jazz world. Irresistibly catchy, this album is pure organ-bubble-jam-pop. John Medeski consistently steals the show with his frantic massaging of the Hammond B-3, while Billy Martin and Chris Wood give the whole thing some backbone. Though their later mixing of jazz and sampling on Combustication and other albums would boldly go where no one had gone before, this album may very well represent the best portion of their career.