Smote
Genog
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2023
• Жанр: Psychedelic Rock | Folk | Ambient
• Лейбл: Rocket Recordings
• Продолжительность: 00:43:20
• Источник: qobuz
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks
• Разрядность: 24/44,1 • Количество каналов: 2.0 • Формат: PCM
• Наличие сканов: front
✧ 01 - Genog (00:10:32)
✧ 02 - Hlaf (00:06:47)
✧ 03 - Fenhop (00:05:05)
✧ 04 - Lof (00:09:59)
✧ 05 - Banhus (00:10:56)
• • Лог DRM • •
foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2023-03-10 08:33:47
--------------------------------------------------------------------------------
Analyzed: Smote / Genog
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR7 -0.20 dB -8.94 dB 10:32 01-Genog
DR9 -0.20 dB -10.02 dB 6:48 02-Hlaf
DR7 -0.22 dB -12.51 dB 5:05 03-Fenhop
DR7 -0.20 dB -8.73 dB 9:59 04-Lof
DR6 -0.20 dB -8.20 dB 10:56 05-Banhus
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Number of tracks: 5
Official DR value: DR7
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1570 kbps
Codec: FLAC
================================================================================
• Smote •
Transcendence through repetition beamed via an aesthetic vision steeped in mystery: welcome to the world of Newcastle-Upon-Tyne’s Smote, an entity opening up uncanny new psychic pathways.
‘Genog’ - the outfit’s second release on Rocket Recordings following 2021’s eerie transmission ‘Drommon’, shows that Smote’s elliptical casting of bleak magick is only growing more powerful as it gathers momentum.
The brainchild of Daniel Foggin, Smote has evolved seemingly of
it’s own volition. “I had the idea for years” he relates, “I love
Pärson Sound, Träd, Gräs Och Stenar, Traditional Irish Folk and
all sorts of different Drone and Folk music. It was simply finding the opportunity to sit down and get recording. A very heavy influence that affects Smote is fantasy as a genre, and the atmosphere that can be created via story-telling.”
The five vivid extrapolations on Genog conjure differing spiritual realms, yet the verdant flute-and-drum-driven ‘Fenhop’, the resonant, cryptic ‘Hlaf’ and the overwhelming noise-driven intensity of the closing freakout ‘Banhus’ combine and coalesce to offer one
unified vision, building furious momentum in a manner that unites
the pastoral with the arcane and otherworldy.
The musical approach of Smote may have started out as a resolutely DIY one, yet from the humble origins of bedroom and rehearsal room recordings, the band has now become a full-fledged and powerful live band, whose appearances at festivals like Roadburn, Le Guess Who and Brave Exhibitions have already caused a considerable
stir. Testimony, indeed to the kind of spectacular mental vistas and towering, intimidating sound-worlds which are made manifest on Genog.
“I love world building and folk tales” adds Foggin, who cites the 2013 film ‘Hard To Be A God’ as the single biggest influence on Smote’s aesthetic - “An incredible example of mood and atmosphere throughout, an absolute masterpiece.” True to form, perhaps the centrepiece of Genog is the mighty ‘Lof’. Driven by an ominous and bewitching central riff, this totem of monomania transcends its post-Velvets, folk and ‘70s Swedish Psych influences to thunder forth singularly akin to a ceremonial procession from a place as enigmatic and daunting as the the quasi-medieval pandemonium of the same film.
Inhabiting a landscape where pursuit of the psychedelic is so often hampered by cliche, mannerism and the canonical rulebook. It can be rare to witness a visionary doggedly pursuing their own crooked and idiosyncratic path into the mystic with few co-ordinates apparent. This is where Smote come in. Earthy, ritualistic and richly cinematic in aspect, Genog is an avatar guiding the listener to dark and beguiling imaginary landscapes.
