Kamikaze Palm Tree
Mint Chip
• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2022
• Жанр: Experimental | Noise Rock
• Лейбл: Drag City
• Продолжительность:00:31:36
• Источник: internet
• WEB релиз: ссылка
• Контейнер: FLAC (*.flac)
• Тип рипа: tracks
• Разрядность: 24/96
• Формат: PCM
• Количество каналов: 2.0
• Наличие сканов: front
Tracklist:
✧ 01 - Flamingo (00:02:10)
✧ 02 - In The Sand (00:01:39)
✧ 03 - Bongo's Lament (00:00:48)
✧ 04 - Predicament (00:03:10)
✧ 05 - Club Banger (00:02:20)
✧ 06 - West Side Syncopation (00:01:19)
✧ 07 - Y so K (00:02:41)
✧ 08 - Cole's Milk (00:01:12)
✧ 09 - Smoke On The Milk, But My War (00:03:09)
✧ 10 - Mint Chip (00:01:29)
✧ 11 - Come In Alone (00:03:12)
✧ 12 - Chariot On Top (00:01:55)
✧ 13 - The Hit (00:03:59)
✧ 14 - Stabilo (00:02:28)
• Лог DRM •
foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2022-08-15 14:26:40
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Analyzed: Kamikaze Palm Tree / Mint Chip
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR9 -0.47 dB -11.31 dB 2:10 01-Flamingo
DR10 -0.61 dB -11.97 dB 1:39 02-In The Sand
DR11 -0.95 dB -13.48 dB 0:49 03-Bongo's Lament
DR11 -0.47 dB -12.19 dB 3:10 04-Predicament
DR10 -1.54 dB -14.47 dB 2:20 05-Club Banger
DR11 -0.52 dB -13.87 dB 1:19 06-West Side Syncopation
DR10 -0.48 dB -12.49 dB 2:42 07-Y so K
DR10 -0.47 dB -12.61 dB 1:13 08-Cole’s Milk
DR10 -0.47 dB -12.40 dB 3:09 09-Smoke On The Milk, But My War
DR11 -0.47 dB -13.64 dB 1:29 10-Mint Chip
DR9 -0.47 dB -10.53 dB 3:13 11-Come In Alone
DR12 -0.47 dB -14.39 dB 1:55 12-Chariot On Top
DR10 -0.47 dB -11.43 dB 4:00 13-The Hit
DR11 -0.58 dB -13.29 dB 2:29 14-Stabilo
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Number of tracks: 14
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2452 kbps
Codec: FLAC
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• Information •
Making 'Mint Chip', Dylan Hadley and Cole Berliner reach deeper into their bag of tricks than ever before, dialoguing with an absurd shared intent they haven't yet paused to question. The off-centre pieces gathered together for 'Good Boy' have given way to pulsing aquatic compositions. Cole's guitar tones, wire thin, bell-like, bluesily downtuned, slinky and sliding elegantly, arc purposeful around their peripherals. Dylan's kit work, effortless yet precise, grounded with heavy bottom, drives and interacts organically with all the emerging structure, nailing down finely detailed frames and canvases to backdrop her singing and the unremitting landing of melodies and songs. All strung together in the foothills of Altadena's Wiggle World Studios with Hartling back in the engineer's seat and Tim Presley producing the proceedings.
