Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger - XXXX Жанр: Post-Bop, Contemporary Jazz, Free Improvisation Носитель: CD Страна-производитель диска (релиза): Германия Год издания: 2021 Издатель (лейбл): ACT Music Номер по каталогу: ACT 9924-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:44:46 Источник: turbomandoll Наличие сканов в содержимом раздачи: pdf Треклист:
01. Somewhere Around Barstow (4:15)
02. Dick Laurent Is Dead (4:48)
03. Too Bright in Here (5:33)
04. Grandmother's Hammer (2:00)
05. The Haul (5:03)
06. Find the Fish (3:05)
07. Doppler FX (4:00)
08. Michael vs. Michael (6:51)
09. Norvenich Lounge (3:48)
10. Nostalgia for the Light (5:23) Состав:
Michael Wollny - synthesizer, Rhodes, piano
Emile Parisien - soprano saxophone
Tim Lefebvre - electric bass, electronics
Christian Lillinger - drums, percussion Recorded live at A-Trane, Berlin in December 2019.
Лог создания рипа
Exact Audio Copy V1.6 from 23. October 2020 EAC extraction logfile from 25. January 2022, 12:39 Michael Wollny, Emile Parisien, Tim Lefebvre & Christian Lillinger / XXXX Used drive : HL-DT-STDVDRAM GP65NB60 Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:14.68 | 0 | 19117 2 | 4:14.68 | 4:47.41 | 19118 | 40683 3 | 9:02.34 | 5:33.10 | 40684 | 65668 4 | 14:35.44 | 1:59.50 | 65669 | 74643 5 | 16:35.19 | 5:03.08 | 74644 | 97376 6 | 21:38.27 | 3:05.16 | 97377 | 111267 7 | 24:43.43 | 3:59.67 | 111268 | 129259 8 | 28:43.35 | 6:50.45 | 129260 | 160054 9 | 35:34.05 | 3:47.74 | 160055 | 177153 10 | 39:22.04 | 5:22.56 | 177154 | 201359 Track 1 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\01 - Somewhere Around Barstow.wav Pre-gap length 0:00:02.00 Peak level 95.5 % Extraction speed 1.1 X Track quality 100.0 % Test CRC EC7DE594 Copy CRC EC7DE594 Accurately ripped (confidence 13) [3A1E7F4E] (AR v2) Copy OK Track 2 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\02 - Dick Laurent Is Dead.wav Peak level 93.4 % Extraction speed 1.3 X Track quality 100.0 % Test CRC 2D1C509C Copy CRC 2D1C509C Accurately ripped (confidence 13) [F5816EEC] (AR v2) Copy OK Track 3 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\03 - Too Bright In Here.wav Peak level 93.0 % Extraction speed 1.5 X Track quality 100.0 % Test CRC 43E8A1F4 Copy CRC 43E8A1F4 Accurately ripped (confidence 13) [A55092F9] (AR v2) Copy OK Track 4 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\04 - Grandmother's Hammer.wav Peak level 93.0 % Extraction speed 1.4 X Track quality 100.0 % Test CRC 08EFB69D Copy CRC 08EFB69D Accurately ripped (confidence 13) [DE587B8B] (AR v2) Copy OK Track 5 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\05 - The Haul.wav Peak level 93.5 % Extraction speed 1.5 X Track quality 99.9 % Test CRC DC674AE7 Copy CRC DC674AE7 Accurately ripped (confidence 13) [B07FA7CC] (AR v2) Copy OK Track 6 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\06 - Find The Fish.wav Peak level 93.1 % Extraction speed 1.7 X Track quality 100.0 % Test CRC BFF921BC Copy CRC BFF921BC Accurately ripped (confidence 13) [1E07A122] (AR v2) Copy OK Track 7 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\07 - Doppler Fx.wav Peak level 94.1 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 4429EC09 Copy CRC 4429EC09 Accurately ripped (confidence 13) [0C069674] (AR v2) Copy OK Track 8 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\08 - Michael Vs. Michael.wav Peak level 96.7 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 87064205 Copy CRC 87064205 Accurately ripped (confidence 13) [5620A64C] (AR v2) Copy OK Track 9 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\09 - Nörvenich Lounge.wav Peak level 93.4 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 5D465C27 Copy CRC 5D465C27 Accurately ripped (confidence 13) [CBC8ED2B] (AR v2) Copy OK Track 10 Filename D:\EAC\XXXX (2021) {ACT 9924-2} [CD FLAC]\10 - Nostalgia For The Light.wav Peak level 93.2 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 754167DD Copy CRC 754167DD Accurately ripped (confidence 13) [E9A88078] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: EvEMG205Up53ROEgWUrgAUG_1EU-] found Submit result: EvEMG205Up53ROEgWUrgAUG_1EU- has been confirmed Track | CTDB Status 1 | (59/59) Accurately ripped 2 | (59/59) Accurately ripped 3 | (59/59) Accurately ripped 4 | (59/59) Accurately ripped 5 | (58/59) Accurately ripped 6 | (59/59) Accurately ripped 7 | (59/59) Accurately ripped 8 | (59/59) Accurately ripped 9 | (58/59) Accurately ripped 10 | (59/59) Accurately ripped ==== Log checksum 75F0D0BC7DB3FB48AE12F2D2E79058045B2C63FBC87EFA8AE3659860441ED990 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz REM DATE 2021 REM DISCID 8B0A7C0A REM COMMENT "ExactAudioCopy v1.6" CATALOG 0614427992420 PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" TITLE "XXXX" FILE "01 - Somewhere Around Barstow.wav" WAVE TRACK 01 AUDIO TITLE "Somewhere Around Barstow" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100100 INDEX 01 00:00:00 FILE "02 - Dick Laurent Is Dead.wav" WAVE TRACK 02 AUDIO TITLE "Dick Laurent Is Dead" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100101 INDEX 01 00:00:00 FILE "03 - Too Bright in Here.wav" WAVE TRACK 03 AUDIO TITLE "Too Bright in Here" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100102 INDEX 01 00:00:00 FILE "04 - Grandmother's Hammer.wav" WAVE TRACK 04 AUDIO TITLE "Grandmother's Hammer" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100103 INDEX 01 00:00:00 FILE "05 - The Haul.wav" WAVE TRACK 05 AUDIO TITLE "The Haul" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100104 INDEX 01 00:00:00 FILE "06 - Find the Fish.wav" WAVE TRACK 06 AUDIO TITLE "Find the Fish" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100105 INDEX 01 00:00:00 FILE "07 - Doppler FX.wav" WAVE TRACK 07 AUDIO TITLE "Doppler FX" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100106 INDEX 01 00:00:00 FILE "08 - Michael vs. Michael.wav" WAVE TRACK 08 AUDIO TITLE "Michael vs. Michael" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100107 INDEX 01 00:00:00 FILE "09 - Norvenich Lounge.wav" WAVE TRACK 09 AUDIO TITLE "Norvenich Lounge" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100108 INDEX 01 00:00:00 FILE "10 - Nostalgia for the Light.wav" WAVE TRACK 10 AUDIO TITLE "Nostalgia for the Light" PERFORMER "Michael Wollny, Emile Parisien, Tim Lefebvre, Christian Lillinger" ISRC DEA892100109 INDEX 01 00:00:00
This unique group effort by a progressive team of virtuoso improvisers doesn't always hit the mark of inspired mastery, but the project certainly expands such possibilities. The album is culled from a four-night stand at Berlin's well-known A-Trane club which produced around eight hours of recorded material. The intriguing, unpredictable package presented here clocks in at around 45 minutes.
The opening track "Somewhere Around Barstow" pops with multiple-sourced seeds which literally set a stage for the chaotic chops soon to follow. Drummer Christian Lillinger sounds off first with snapping tones, ranging from wooden to metallic. Pianist Michael Wollny and saxophonist Emile Parisien meld into common ground, spelled GRUND (Pirouet, 2015), considering certain similarities to passages from Lillinger's album of that name. Wollny's percolating keys are distinctly fresh on his first-listed, solely electronic focus. Tim Lefebvre drives the sonic spectrum hard behind static bass.
There are traces of current bands such as Tonbruket on "Grandmother's Hammer," a bug-like brief preceding "The Haul," an ominous jaunt cast over deep thuds into violin-like tones that most likely came from Parisien's sax.
It is difficult to determine exactly what instrument some sounds might come from. One consistently valuable point of origin is creative cohesion, but there are also times when the music is more "simply stirred" than truly stirring. Still, the formula leads to numerous dynamic phrases. "Doppler Effect" resurrects primal, pre-fame Alice Cooper, and on "Norvenich Lounge" subterranean synths offer hints of Roxy Music's For Your Pleasure (Island, 1973) while Lefebvre cranks up the buzz timbre for the album's most rocking moments.
All but Lillinger have recorded together before, and he may be the wild card in play here. Perhaps the drummer softly applied a mallet or two during "Nostalgia for the Light," but it sounds mostly like Wollny's solo keys wrap up the album. That song is the only one credited to a singular composer. Whether or not it actually came last sequentially during one of the sets, it is a good closing track.
Much of the record segues directly from title to title like sections of a suite. It would be interesting to find out more about the editing process. Where song titles were derived from is another interesting question the album inspires. Production notes indicate that the musicians performed under an agreement that, other than showing up at gigs with their instruments and recording devices, there would be absolutely no songwriting, preparation or planning, in order to achieve the truest improvisational spontaneity possible.
Production work here is excellent, actual unique instrumentation less so. Cover artwork features the chemical formula for psilocybin; a clue to the project's scope and intent? It remains to be heard whether or not this congregation reunites in the future or releases other parts of their shows, but there is enough here to make those possibilities sound worthwhile.
