(Score) [LP] [24/192] Последнее падение / The Final Comedown (by Grant Green) - 1972/2004, FLAC (tracks)

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fiks22 · 20-Янв-22 16:38 (3 года 6 месяцев назад, ред. 20-Янв-22 16:38)

Последнее падение / The Final Comedown
Жанр: Score
Исполнитель: Grant Green
Носитель: LP
Год выпуска: 1972/2004
Лейбл: Pure Pleasure Records (BST 84415)
Страна-производитель: Великобритания
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/192
Формат раздачи: 24/192
Продолжительность: 00:35:36
Треклист:
01. Past, Present and Future (5:16)
02. The Final Comedown (3:29)
03. Father's Lament (2:50)
04. Fountain Scene (3:01)
05. Soul Food - African Shop (2:53)
06. Slight Fear and Terror (1:16)
07. Afro Party (4:11)
08. Luanna's Theme (2:30)
09. Battle Scene (6:48)
10. Traveling to Get to Doc (1:40)
11. One Second After Death (1:42)
Источник оцифровки: thezabs
Код класса состояния винила: Mint
Устройство воспроизведения: Rega P10 Turntable with Rega P10 PSU
Головка звукоснимателя: Rega Apheta 3 Cartridge
Предварительный усилитель: PS Audio NuWave Phono Converter ADC
Программа-оцифровщик: Audition CC 2019
Обработка: Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +1.2 DB > Remove DC Bias
Условия оцифровки
Lineage:
Rega P10 Turntable with Rega P10 PSU > Virgin Vinyl > Rega Apheta 3 Cartridge > PS Audio NuWave Phono Converter ADC > AudioQuest Carbon USB Cable > USB-IN > Audition CC 2019 @ 24bit float, 192kHz capture.
Processing:
24bit wav > Run through Click Repair 3.9.9 at 10/0 on DeClick > Volume Boost +1.2 DB > Remove DC Bias > Saved as 24bit,192kHz WAV > FLAC > Tagged with Discogs tagger through Foobar.
Scans:
Epson Expression 11000XL -> 16bit 600 DPI with Unsharp Mask -> Color Correction in Photoshop CC 2019 x64 -> 8bit 600DPI PNG.
Спектры
Замер динамического диапазона
foobar2000 1.6.9 / Dynamic Range Meter 1.1.1
log date: 2022-01-20 16:26:53
--------------------------------------------------------------------------------
Analyzed: Grant Green / The Final Comedown
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -3.03 dB -17.31 dB 5:16 01-Past, Present and Future
DR12 -2.47 dB -15.87 dB 3:29 02-The Final Comedown
DR12 -4.87 dB -19.36 dB 2:50 03-Father's Lament
DR12 -3.59 dB -18.04 dB 3:01 04-Fountain Scene
DR12 -3.40 dB -17.82 dB 2:53 05-Soul Food - African Shop
DR10 -4.27 dB -17.93 dB 1:16 06-Slight Fear and Terror
DR12 -2.59 dB -16.73 dB 4:11 07-Afro Party
DR12 -5.20 dB -20.29 dB 2:30 08-Luanna's Theme
DR12 -2.57 dB -17.37 dB 6:48 09-Battle Scene
DR13 -3.34 dB -17.87 dB 1:40 10-Traveling to Get to Doc
DR13 -3.63 dB -19.36 dB 1:42 11-One Second After Death
--------------------------------------------------------------------------------
Number of tracks: 11
Official DR value: DR12
Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4284 kbps
Codec: FLAC
================================================================================
Review by Brandon Burke
The Final Comedown was Blue Note's first film soundtrack and a departure for both the label and Grant Green. True, many of Green's sessions from this period dipped into funk and R&B, but most of the tracks heard here are pensive mood pieces, conceived as the backing tracks to the blaxploitation film of the same name. As can be expected, there are a handful of cuts -- "Past, Present and Future," "Slight Fear and Terror," "Battle Scene" -- featuring things like staccato horn punches, dramatic tympani, and little in the way of instrumental soloing -- standard fare for the genre. Others, like the fantastic title track, showcase Green in a setting much more akin to his previous funk dates (Alive, etc.). Like any film score, The Final Comedown shifts moods as often as it revisits themes, so one should expect to hear a wide variety of styles held together by only a few common motifs. The most puzzling thing about this release, perhaps, is the fact that it was credited to Green at all. Wade Marcus composed and conducted every track and at least a few of them feature Green in nothing more than a supporting role. Recommended for fans of blaxploitation soundtracks and early-'70s jazz-funk.
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