[TR24][OF] Petru Iuga & Oliver Triendl - Schubert, Weinberg & Others: Double Bass Works - 2021 (Classical)

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ЯОR · 01-Июл-21 15:23 (4 года 2 месяца назад)



Petru Iuga & Oliver Triendl

Schubert, Weinberg & Others: Double Bass Works



Формат записи | Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания релиза: 2021
Жанр: Classical
Лейбл: Solo Musica
Продолжительность: 01:12:28
Источник: internet
WEB релиз: ссылка
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: WAV (flac.ape.wv)
Количество каналов: 2.0
Наличие сканов: front + booklet
Tracklist:
Schubert Arpeggione Sonata in A Minor, D. 821 (Arr. for Double Bass)
01 - I. Allegro moderato (00:12:09)
02 - II. Adagio (00:04:14)
03 - III. Allegretto (00:09:19)
Weinberg Double Bass Sonata, Op. 108
04 - I. Adagio (00:04:17)
05 - II. Allegretto (00:02:43)
06 - III. Allegro moderato (00:02:38)
07 - IV. Allegretto (00:01:31)
08 - V. Lento (00:03:27)
09 - VI. Allegro molto (00:06:39)
Levitin Double Bass Sonata, Op. 58
10 - I. Moderato (00:05:18)
11 - II. Allegretto (00:03:02)
12 - III. Allegro (00:04:26)
Hindemith Double Bass Sonata
13 - I. Allegretto (00:02:33)
14 - II. Scherzo (00:01:47)
15 - III. Molto adagio - IV. Lied. Allegretto grazioso (00:08:18)


• Замер динамического диапазона - DR ~ 12 •

foobar2000 1.4.2 / Dynamic Range Meter 1.1.1
log date: 2021-07-01 08:42:23
--------------------------------------------------------------------------------
Analyzed: Petru Iuga & Oliver Triendl / Schubert, Weinberg & Others: Double Bass Works
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -0.10 dB -17.86 dB 8:19 01-Hindemith: Double Bass Sonata: III. Molto adagio - IV. Lied. Allegretto grazioso
DR11 -0.91 dB -16.33 dB 1:48 02-Hindemith: Double Bass Sonata: II. Scherzo
DR13 -0.98 dB -18.21 dB 2:34 03-Hindemith: Double Bass Sonata: I. Allegretto
DR12 -0.10 dB -15.84 dB 4:27 04-Levitin: Double Bass Sonata, Op. 58: III. Allegro
DR13 -0.10 dB -16.92 dB 3:02 05-Levitin: Double Bass Sonata, Op. 58: II. Allegretto
DR11 -1.36 dB -18.01 dB 5:18 06-Levitin: Double Bass Sonata, Op. 58: I. Moderato
DR12 -0.74 dB -17.77 dB 6:39 07-Weinberg: Double Bass Sonata, Op. 108: VI. Allegro molto
DR11 -0.69 dB -16.12 dB 3:27 08-Weinberg: Double Bass Sonata, Op. 108: V. Lento
DR11 -2.21 dB -19.60 dB 1:32 09-Weinberg: Double Bass Sonata, Op. 108: IV. Allegretto
DR12 -0.10 dB -14.69 dB 2:38 10-Weinberg: Double Bass Sonata, Op. 108: III. Allegro moderato
DR12 -4.17 dB -20.17 dB 2:44 11-Weinberg: Double Bass Sonata, Op. 108: II. Allegretto
DR13 -0.10 dB -18.15 dB 4:18 12-Weinberg: Double Bass Sonata, Op. 108: I. Adagio
DR14 -0.10 dB -18.62 dB 9:20 13-Schubert: Arpeggione Sonata in A Minor, D. 821 (Arr. for Double Bass): III. Allegretto
DR13 -4.32 dB -22.81 dB 4:15 14-Schubert: Arpeggione Sonata in A Minor, D. 821 (Arr. for Double Bass): II. Adagio
DR13 -0.10 dB -17.33 dB 12:09 15-Schubert: Arpeggione Sonata in A Minor, D. 821 (Arr. for Double Bass): I. Allegro moderato
--------------------------------------------------------------------------------
Number of tracks: 15
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2527 kbps
Codec: FLAC
================================================================================

• Info •

The double bass is an instrument that can all too often be misunderstood and is often lightly dismissed: due to its impressive size it is assumed that the instrument is only capable of ponderous, heavy, grumpy sounds. The fact that there is not a grain of truth in either of these urban myths is borne out by the double bass sonatas on the present album and the soloist, Romanian double bassist Petru Iuga: music is innate to this instrument that is anything but cumbersome; it is in fact capable of producing sensuous melodies, virtuoso forms of expression suit it just as well as contemplative ones do, and its spectrum ranges from the deepest gruff growl to the brightest, most heartfelt burst of laughter. And (as with all other musical instruments) it requires a fully trained, experienced and attentive performer to elicit all of those characteristics from the instrument. What’s more, it requires a repertoire that makes demands both on the musician and the musical instrument and inspires them to give their very best – only then can those ethereal sounds be heard, even on a double bass.
The Romanian double bassist Petru Iuga is one of the most successful classical musicians of his generation. During his musical training in his homeland, the 20-year-old student came to the attention of Yehudi Menuhin, who enlisted him for his International Menuhin Music Academy in Gstaad (Switzerland). One can hardly imagine a more devoted champion of neglected and rarely played composers than pianist Oliver Triendl. His tireless commitment – primarily to romantic and contemporary music – is reflected in more than 100 recordings. The scope of his repertoire is surely unique, comprising some 90 piano concertos and hundreds of chamber music pieces. © Solo Musica

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