Ragnhild Hemsing & Tor Espen Aspaas - Beethoven's Testaments of 1802
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): 2L
Продолжительность: 00:59:30
Наличие сканов в содержимом раздачи: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/176,4
Формат: PCM
Количество каналов: 2.0
Источник (релизер):
highresaudio.com
Треклист
Ludwig van Beethoven
Violin Sonata No.8 in G Major, Op. 30 No. 3
01. I. Allegro assai
02. II. Tempo di Minuetto, ma molto moderato e grazioso
03. III. Allegro vivace
Violin Sonata No. 9 in A Major, Op. 47 (Kreutzer Sonata)
04. I. Adagio sostenuto – Presto
05. II. Andante con Variazioni
06. III. Presto (Kreutzer Sonata)
Ragnhild Hemsing, violin
Tor Espen Aspaas, piano
Лог проверки качества
foobar2000 1.4.8 / Dynamic Range Meter 1.1.1
log date: 2021-05-08 15:40:45
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Analyzed: Ragnhild Hemsing & Tor Espen Aspaas / Beethoven's Testaments of 1802
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DR Peak RMS Duration Track
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DR13 -0.32 dB -18.16 dB 6:40 01-Sonata No. 8 for Violin and Piano in G Major, Op. 30 No. 3: I. Allegro assai
DR15 -0.50 dB -21.48 dB 8:09 02-Sonata No. 8 for Violin and Piano in G Major, Op. 30 No. 3: II. Tempo di Minuetto, ma molto moderato e grazioso
DR13 -0.37 dB -17.65 dB 3:51 03-Sonata No. 8 for Violin and Piano in G Major, Op. 30 No. 3: III. Allegro vivace
DR12 -0.23 dB -16.21 dB 14:42 04-Sonata No. 9 for Violin and Piano in A Major, Op. 47 «Kreutzer»: I. Adagio sostenuto - Presto
DR15 -0.97 dB -21.49 dB 16:41 05-Sonata No. 9 for Violin and Piano in A Major, Op. 47 «Kreutzer»: II. Andante con Variazioni
DR13 -0.25 dB -17.08 dB 9:27 06-Sonata No. 9 for Violin and Piano in A Major, Op. 47 «Kreutzer»: III. Presto
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Number of tracks: 6
Official DR value: DR14
Samplerate: 176400 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3870 kbps
Codec: FLAC
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Об альбоме (сборнике)
1802 was the crisis year in which Beethoven the artist committed Beethoven the man to fate – and became immortal. He was beset with mounting problems: progressive deafness, strong feelings of alienation and the conviction that he was being excluded from social and official life in Vienna. During his stay at Heiligenstadt in the summer and autumn of 1802 he writes testaments in words and in music that show his path ahead to his middle period, often called "the heroic". His Sonata no. 9 for violin and piano, the Kreutzer, is a defining work for the year 1802 and for Beethoven's heroic style. In sharp contrast is the high-spirited Sonata no. 8, but together – and particularly when considered in light of the so-called Heiligenstadt Testament – these two sonatas reveal something of the creative and existential struggle he was enduring. 1802: the year when Beethoven became Beethoven.
