(Classical piano concerto) Mozart - The Casals Festivals Perpignan 1951 (Volume I, Mozart Piano Concertos) [2 CD's] (Myra Hess, Rudolf Serkin, Eugene Istomin, M.Horszowski, Perpignan Festival Orchestra, Pablo Casals) - 2002, FLAC (image+.cue) lossless

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Caterina Sforza

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Caterina Sforza · 19-Июл-19 20:44 (4 года 10 месяцев назад, ред. 19-Июл-19 20:51)

The Casals Festivals Perpignan 1951 (Perpignan Festival Orchestra, Pablo Casals)
 Жанр: Classical piano concerto
Страна-производитель диска: Made in England
Год издания диска: 2002
Издатель (лейбл): Pearl
Номер по каталогу: GEMS0167
Дата записи: 1951
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 73:42 + 74:59 / 02:29:00
сайт-источник/ник/другое: Maria, подарок; Caterina Sforza - тяжёлая работа с cue
Наличие сканов в содержимом раздачи: да, полный авторский буклет pdf, 7 страниц
Треклист:
Disc: 1
Piano Concerto No.9 In E Flat Major, K.271:
1. Allegro - Dame Myra Hess
2. Andantino - Dame Myra Hess
3. Rondeau (Presto) - Dame Myra Hess
Piano Concerto No.22 In E Flat Major, K.482:
4. Allegro - Rudolf Serkin
5. Andante - Rudolf Serkin
6. Rondo (Allegro) - Rudolf Serkin
Disc: 2
Piano Concerto No.14 In E Flat Major, K.449:
1. Allegro Vivace - Eugene Istomin
2. Andantino - Eugene Istomin
3. Allegro Ma Non Troppo - Eugene Istomin
Piano Concerto No.27 In B Flat Major, K.595:
4. Allegro - Mieczyslaw Horszowski
5. Larghetto - Mieczyslaw Horszowski
6. Allegro - Mieczyslaw Horszowski
Serenade In G Major, K.525 (Eine Kleine Nachtmusik):
7. Allegro - Pablo Casals
8. Romanze (Andante) - Pablo Casals
9. Menuet (Allegretto) - Pablo Casals
10. Rondo (Allegro) - Pablo Casals
Исполнители

Wolfgang Amadeus Mozart (1756-1791)
Volume I – Mozart Piano Concertos
CD1
Piano Concerto No. 9 in E flat major, K 271 "Jeunehomme"¹
Piano Concerto No. 22 in E flat major, K 482²
CD2
Piano Concerto No. 14 in E flat major, K 449³
Piano Concerto No. 27 in B flat major, K 595⁴
Serenade in G major, K 252 "Eine Kleine Nachtmusik"
¹Myra Hess (piano)
²Rudolf Serkin (piano)
³Eugene Istomin (piano)
⁴Mieczysław Horszowski (piano)
Perpignan Festival Orchestra 
Pablo Casals (direction)
Audio CD (11 Mar. 2002)
Лог создания рипа
CD1

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CD2

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Pablo Casals / The Casals festivals Perpignan 1951
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Содержание индексной карты (.CUE)
CD1

REM GENRE Classical
REM DATE 2002
REM DISCID 53114406
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Myra Hess (piano in tracks 01-03), Rudolf Serkin (piano in tracks 04-06), Perpignan Festival Orchestra, Pablo Casals (conductor)"
TITLE "The Casals festivals Perpignan 1951 Volume I (Disc 1)"
REM COMPOSER "Wolfgang Amadeus Mozart (1756-1791)"
FILE "Pablo Casals - The Casals festivals Perpignan 1951 (Disc 1) Volume I.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Piano Concerto No. 9 in E flat major, K.271 “Jeunehomme”: Allegro"
    PERFORMER "Perpignan Festival Orchestra, Myra Hess, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Piano Concerto No. 9 in E flat major, K.271 “Jeunehomme”: Andantino"
    PERFORMER "Perpignan Festival Orchestra, Myra Hess, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 10:54:11
  TRACK 03 AUDIO
    TITLE "Piano Concerto No. 9 in E flat major, K.271 “Jeunehomme”: Rondeau (Presto)"
    PERFORMER "Perpignan Festival Orchestra, Myra Hess, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 24:54:61
  TRACK 04 AUDIO
    TITLE "Piano Concerto No. 22 in E flat major, K.482: Allegro"
    PERFORMER "Perpignan Festival Orchestra, Rudolf Serkin, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 35:30:61
  TRACK 05 AUDIO
    TITLE "Piano Concerto No. 22 in E flat major, K.482: Andante"
    PERFORMER "Perpignan Festival Orchestra, Rudolf Serkin, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 49:14:71
  TRACK 06 AUDIO
    TITLE "Piano Concerto No. 22 in E flat major, K.482: Rondo (Allegro)"
    PERFORMER "Perpignan Festival Orchestra, Rudolf Serkin, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 60:48:62
CD2

REM GENRE Classical
REM DATE 2002
REM DISCID 8511910A
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Eugene Istomin (piano in tracks 01-03), Mieczysław Horszowski (piano in tracks 04-06), Perpignan Festival Orchestra, Pablo Casals (conductor)"
TITLE "The Casals festivals Perpignan 1951 Volume I"
REM COMPOSER "Wolfgang Amadeus Mozart (1756-1791)"
FILE "Pablo Casals - The Casals festivals Perpignan 1951 Volume I (Disc 2).flac" WAVE
  TRACK 01 AUDIO
    TITLE "Piano Concerto No. 14 in E flat major, K.449: Allegro vivace"
    PERFORMER "Perpignan Festival Orchestra, Eugene Istomin, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Piano Concerto No. 14 in E flat major, K.449: Andantino"
    PERFORMER "Perpignan Festival Orchestra, Eugene Istomin, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 08:50:20
  TRACK 03 AUDIO
    TITLE "Piano Concerto No. 14 in E flat major, K.449: Allegro ma non troppo"
    PERFORMER "Perpignan Festival Orchestra, Eugene Istomin, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 17:51:05
  TRACK 04 AUDIO
    TITLE "Piano Concerto No. 27 in B flat major, K.595: Allegro"
    PERFORMER "Perpignan Festival Orchestra, Mieczysław Horszowski, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 23:59:07
  TRACK 05 AUDIO
    TITLE "Piano Concerto No. 27 in B flat major, K.595: Larghetto"
    PERFORMER "Perpignan Festival Orchestra, Mieczysław Horszowski, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 38:23:44
  TRACK 06 AUDIO
    TITLE "Piano Concerto No. 27 in B flat major, K.595: Allegro"
    PERFORMER "Perpignan Festival Orchestra, Mieczysław Horszowski, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 47:59:26
  TRACK 07 AUDIO
    TITLE "Serenade in G major, K.252 “Eine kleine Nachtmusik”: Alegro"
    PERFORMER "Perpignan Festival Orchestra, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 56:14:12
  TRACK 08 AUDIO
    TITLE "Serenade in G major, K.252 “Eine kleine Nachtmusik”: Romanze (Andante)"
    PERFORMER "Perpignan Festival Orchestra, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 62:17:09
  TRACK 09 AUDIO
    TITLE "Serenade in G major, K.252 “Eine kleine Nachtmusik”: Menuet (Alegretto)"
    PERFORMER "Perpignan Festival Orchestra, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 68:36:41
  TRACK 10 AUDIO
    TITLE "Serenade in G major, K.252 “Eine kleine Nachtmusik”: Rondo (Allegro)"
    PERFORMER "Perpignan Festival Orchestra, Pablo Casals"
    REM COMPOSER "Wolfgang Amadeus Mozart"
    INDEX 01 70:44:26
Review

Spanish cellist Pablo Casals ceased performing in 1946 to protest the world's indifference to the oppressive Franco regime then in power in his homeland. The silence of the cellist, then in his 70s, was keenly felt by the millions who loved him. When he returned to concertizing in 1950, at first it was only to honor Bach, who had died two hundred years before. Violinist Alexander Schneider (of the Budapest Quartet) was integral in coaxing Casals out of his silence and in planning what became known as the Prades Bach Festival. (Prades was a Catalan village just on the French side of the French-Spanish border, and Casals's erstwhile home.) Next year, the festival moved to Perpignan, took on the cellist-conductor's name, and added Mozart and Beethoven to the mix. Casals had conducted before, but it was at these Festivals that he became a sort of spiritual leader among leaders, and also a musician's musician.
Columbia Records became associated with the Casals Festivals; the label recorded the performances included here "in the courtyard of the Palace of the Kings of Majorca" during the Festival in July 1951. Originally they were released on four LPs, and these have become highly collectible in the interim. Pearl has done us a great service by transferring them to CD, and three more volumes have been planned.
Few people would argue that Casals's baton technique was highly polished, or that he was a "great" conductor in the usual sense. What makes so many of his recordings memorable is his dedication to the music, the care he took in preparing performances (balance, tempo, and exactitude of rhythms were especially important to him), and the musicians themselves. When Casals conducted a festival orchestra (be it in Prades, Perpignan, or Marlboro), it often included many stars and stars-to-be. For example, these 1951 recordings include cellist Paul Tortelier, flautist John Wummer, and oboist Marcel Tabuteau in the orchestra.
This Pearl release allows us to compare and contrast four great Mozartean pianists. In Concerto #9, Dame Myra Hess reveals how strength can be pretty. She is effervescent in the outer movements and full of pathos (but not wilting) in the Andantino, and her "dialogues" with the orchestra are both intimate and spirited. Rudolf Serkin's account of Concerto #22 is extraverted but not shallow. More forward-looking than Hess, he allows himself expressive effects that are achieved through variations in tone and phrasing. The performance is more symphonic than chamber music-like. In Concerto #14, Serkin's pupil Eugene Istomin shares his mentor's red-blooded outlook on Mozart, and he relishes every opportunity for drama. Horszowski's performance of Concerto #27 caps this collection. He and Casals were long-time collaborators. (He also taught Istomin.) As if in recognition of their previous partnerships, they tease each other, musically speaking; Horszowski establishes a classical tone, and Casals seems almost to mock it, but well within the boundaries of what is stylistically appropriate. In so doing, they highlight the one of the great Mozartean paradoxes: how can music that seems so carefree move us so deeply?
The Eine Kleine Nachtmusik that closes the second disc is a nice bonus, but it doesn't seem as finely shaped as any of the concerto performances. As the discs are well filled, I'm not going to complain too hard. However, I do think it was a miscalculation for Pearl to program three piano concertos in E Flat Major back to back. I needed to take a breather after each concerto.
The excellent transfers are by Roger Beardsley, the set's producer, and the source material sounds to have been in good shape. I am looking forward to Volume II (to be released shortly), and to other transfers of material from early LPs, as copyright law permits.
Copyright © 2002, Raymond Tuttle
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