Caterina Sforza · 28-Янв-19 21:06(5 лет 4 месяца назад, ред. 29-Янв-19 15:52)
Antoine & Jean-Baptiste Forqueray: Les Tourments de l'âme/The Torments of the Soul Жанр: Classical chamber Страна-производитель диска: Made in Germany Год издания диска: 2017/2018 Издатель (лейбл): Harmonia Mundi Номер по каталогу: HMM905286.89 Дата записи: 2014, 2015 Аудиокодек: FLAC Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 64'01 + 61'14 + 51'52 + 66'47 + 52'07 / 295:29 / 04:55:29 Источник: релизер сайт-источник/ник/другое: Bodtje, подарок; Caterina Sforza - тяжелейшая работа с cue, доп. сканы Наличие сканов в содержимом раздачи: да
Треклист
CD1
Troisième Suite in D major 1 I. La Ferrand - Détaché et d'une belle exécution 5'03 2 II. La Régente - Noblement et soutenu 4'38 3 III. La Tronchin - Mouvement aisé 4'42 4 IV. La Angrave - Très vivement 3'17 5 V. La Du Vaucel - Très tendrement 3'50 6 VI. La Du Vaucel - Très tendrement 4'55 7 VII. La Eynaud - Fièrement 3'17 8 VIII. La Morangis ou La Plissay - Mouvement de chaconne 8'10 Deuxième Suite in G major 9 I. La Bouron - Vivement et détaché 3'56 10 II. La Mandoline - Point trop vite et d'aplomb 5'40 11 III. La Du Breüil - Louré 6'24 12 IV. La Leclair - Très vivement et détaché 3'39 13 V. La Buisson - Chaconne. Gratieusement 6'2
CD2
Première Suite in D minor 1 I. La Laborde - Noblement et avec Sentiment 5'00 2 II. La Forqueray - Vivement et d'aplomb 5'34 3 III. La Cottin - Galamment sans lenteur 3'36 4 IV. La Bellemont - Avec goût et sans lenteur 4'27 5 V. La Portugaise - Marqué et d'aplomb 4'11 6 VI. La Couperin - Noblement et marqué 4'47 Quatrième Suite in G minor 7 I. La Marella - Vivement et marqué 4'11 8 II. La Clément - Noblement et détaché 5'15 9 III. La D'Aubonne - Sarabande 5'15 10 IV. La Bournonville - Mouvement élevé 2'51 11 V. Sainscy - Gracieusement et avec esprit 3'48 12 VI. Le Carillon de Passy -Légèrement sans vitesse - La Latour - D'un mouvement un peu plus vite que la précédente pièce - Retour du carillon - on ne jouera les couplets qu'une fois 12'15
CD3
Cinquième Suite in C minor 1 I. La Rameau - Majestueusement 4'42 2 II. La Guignon - Vivement et détaché 3'37 3 III. La Léon - Sarabande. Tendrement 3'50 4 IV. La Boisson - Vivement, les pincés bien soutenus 4'11 5 V. La Montigni - Galamment sans lenteur 3'35 6 VI. La Sylva - Très tendrement 6'29 7 VII. Jupiter - Modérément 4'59 Manuscrit de Lille in G major 8 Allemande 5'01 9 Courante 2'39 10 Sarabande 3'01 Recueil de pièces de violle avec la basse tirée des meilleurs autheurs 11 Bransle in G major 1'29 12 Allemande in D minor 2'31 13 La Girouette in G minor 3'14 14 Musette in A major 2'3
CD4
Jean-Philippe Rameau [1683-1764] 1 La Forqueray 4'40 Ana Giurgiu-Bondue 2 Carillons pour Forqueray 3'34 Charles-François Clément 3 Allegro ma non troppo 3'44 François Couperin [1668-1733] 4 La Forqueray 5'21 Charles-François Clément Sixième Sonate for violin and harpsichord 5 I. Allegro ma non troppo 3'48 6 II. Aria Grazioso 3'08 7 III. Allegro 4'24 8 Arias I et II 4'35 Josse Boutmy [1697-1779] 9 La Forcroy 3'00 Charles-François Clément Première Sonate for violin and harpsichord 10 I. Allegro ma non troppo 4'57 11 II. Aria affettuoso 2'13 12 III. Allegro 4'15 Louis-Antoine Dornel [1680-1756] La Forcroy 13 I. Prélude - Un peu lent 1'58 14 II. Chaconne 3'21 Pierre-Alain Braye-Weppe 15 Tombeau de Forqueray for hapsichord 4'12 Jacques Duphly [1715-1789] 16 La Forqueray for hapsichord in F minor 7'44 Claude-François Rameau [1727-1788] 17 La Forcray for hapsichord in D major 1'44
CD5 - Bonus CD
01. Prologue [0:01:35.01] 02. À la gloire des ancêtres [0:01:48.00] 03. Antoine, l’enfant prodige [0:07:07.12] 04. La mort du Régent [0:02:07.23] 05. Forqueray: petites et grandes histoires [0:03:16.24] 06. Des princes de la viole de gambe, Antoine et Jean-Baptist le fils [0:10:40.08] 07. Démêlés familiaux [0:08:04.11] 08. Un homme parfait [0:03:38.50] 09. Antoine et Les Divertissements de Sceaux [0:13:50.37]
Исполнители
Antoine Forqueray (1672-1745) Jean-Baptiste Forqueray (1699-1782) Les Tourments de l'âme The Torments of the Soul Michèle Dévérité (clavecin) Kaori Uemura (viole de gambe) Ryo Terakado (violon) Ricardo Rodriguez (viole de gambe - continuo) Robert Kohnen (clavecin) Jean-Pierre Nicolas (flûtes) Nicolas Lormeau (récitant) Recording Date: September, 2014 & May, 2015 Recording Location: Bra-sur-Lienne, Belgique Release Date: November 24, 2017
Лог создания рипа
CD1
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 27. January 2019, 13:00 Michèle Devérité, Kaori Uemura And Ricardo Rodriguez / The Forquerays, or the Torments of the Soul, Vol. 1 (Disc 1) Used drive : TSSTcorpDVD+-RW TS-H653H Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 697 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:01.02 | 0 | 22576 2 | 5:01.02 | 4:38.60 | 22577 | 43486 3 | 9:39.62 | 4:42.13 | 43487 | 64649 4 | 14:22.00 | 3:17.12 | 64650 | 79436 5 | 17:39.12 | 3:50.55 | 79437 | 96741 6 | 21:29.67 | 4:56.30 | 96742 | 118971 7 | 26:26.22 | 3:16.53 | 118972 | 133724 8 | 29:43.00 | 8:20.65 | 133725 | 171289 9 | 38:03.65 | 3:46.42 | 171290 | 188281 10 | 41:50.32 | 5:41.10 | 188282 | 213866 11 | 47:31.42 | 6:23.55 | 213867 | 242646 12 | 53:55.22 | 3:39.53 | 242647 | 259124 13 | 57:35.00 | 6:26.02 | 259125 | 288076 Range status and errors Selected range Filename K:\Rips\Forqueray ou les tourments de l'âme - Michèle Dévérité\CD1\Michèle Devérité, Kaori Uemura And Ricardo Rodriguez - The Forquerays, or the Torments of the Soul, Vol. 1 (Disc 1).wav Peak level 79.7 % Extraction speed 4.8 X Range quality 100.0 % Test CRC 123006C5 Copy CRC 123006C5 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 3) [437A865F] (AR v2) Track 2 accurately ripped (confidence 3) [5F8E883C] (AR v2) Track 3 accurately ripped (confidence 3) [90BEAD8A] (AR v2) Track 4 accurately ripped (confidence 3) [881E22EE] (AR v2) Track 5 accurately ripped (confidence 3) [096AC06A] (AR v2) Track 6 accurately ripped (confidence 3) [5709BAA7] (AR v2) Track 7 accurately ripped (confidence 3) [A63FC76C] (AR v2) Track 8 accurately ripped (confidence 3) [1EDCF654] (AR v2) Track 9 accurately ripped (confidence 3) [727A518A] (AR v2) Track 10 accurately ripped (confidence 3) [607E1315] (AR v2) Track 11 accurately ripped (confidence 3) [3C93BD5B] (AR v2) Track 12 accurately ripped (confidence 3) [B434B42D] (AR v2) Track 13 accurately ripped (confidence 3) [C35E820F] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: ZnYP00TB5PjzDKnikkfk.uRpiO0-] found Submit result: ZnYP00TB5PjzDKnikkfk.uRpiO0- has been confirmed Track | CTDB Status 1 | (13/13) Accurately ripped 2 | (13/13) Accurately ripped 3 | (13/13) Accurately ripped 4 | (13/13) Accurately ripped 5 | (13/13) Accurately ripped 6 | (13/13) Accurately ripped 7 | (13/13) Accurately ripped 8 | (13/13) Accurately ripped 9 | (13/13) Accurately ripped 10 | (13/13) Accurately ripped 11 | (13/13) Accurately ripped 12 | (13/13) Accurately ripped 13 | (13/13) Accurately ripped ==== Log checksum 71B6DC13F25575E99AB01BAB9C119B5199810EC9984FEF7F8231895BF54822AB ====
CD2
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 27. January 2019, 16:00 Michèle Devérité, Kaori Uemura And Ricardo Rodriguez / The Forquerays, or the Torments of the Soul, Vol. 1 (Disc 2) Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:58.70 | 0 | 22419 2 | 4:58.70 | 5:34.35 | 22420 | 47504 3 | 10:33.30 | 3:36.37 | 47505 | 63741 4 | 14:09.67 | 4:27.28 | 63742 | 83794 5 | 18:37.20 | 4:11.37 | 83795 | 102656 6 | 22:48.57 | 4:57.58 | 102657 | 124989 7 | 27:46.40 | 4:00.67 | 124990 | 143056 8 | 31:47.32 | 5:15.55 | 143057 | 166736 9 | 37:03.12 | 5:15.08 | 166737 | 190369 10 | 42:18.20 | 2:51.57 | 190370 | 203251 11 | 45:10.02 | 3:48.28 | 203252 | 220379 12 | 48:58.30 | 12:15.47 | 220380 | 275551 Range status and errors Selected range Filename K:\Rips\Forqueray ou les tourments de l'âme - Michèle Dévérité\CD2\Michèle Devérité, Kaori Uemura And Ricardo Rodriguez - The Forquerays, or the Torments of the Soul, Vol. 1 (Disc 2).wav Peak level 70.3 % Extraction speed 2.0 X Range quality 100.0 % Test CRC 85C0840E Copy CRC 85C0840E Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 3) [50A8964A] (AR v2) Track 2 accurately ripped (confidence 3) [8CADCBF0] (AR v2) Track 3 accurately ripped (confidence 3) [92F4E2B3] (AR v2) Track 4 accurately ripped (confidence 3) [99167AB5] (AR v2) Track 5 accurately ripped (confidence 3) [4324A2F8] (AR v2) Track 6 accurately ripped (confidence 3) [08D47F76] (AR v2) Track 7 accurately ripped (confidence 3) [955B985F] (AR v2) Track 8 accurately ripped (confidence 3) [A8D36D30] (AR v2) Track 9 accurately ripped (confidence 3) [0763F92B] (AR v2) Track 10 accurately ripped (confidence 3) [14FAC1DE] (AR v2) Track 11 accurately ripped (confidence 3) [9111654D] (AR v2) Track 12 accurately ripped (confidence 3) [4BA031F4] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: POn4BYfY7ciQ7H5jbp37YY1GHNo-] found Submit result: POn4BYfY7ciQ7H5jbp37YY1GHNo- has been confirmed Track | CTDB Status 1 | (12/12) Accurately ripped 2 | (12/12) Accurately ripped 3 | (12/12) Accurately ripped 4 | (12/12) Accurately ripped 5 | (12/12) Accurately ripped 6 | (12/12) Accurately ripped 7 | (12/12) Accurately ripped 8 | (12/12) Accurately ripped 9 | (12/12) Accurately ripped 10 | (12/12) Accurately ripped 11 | (12/12) Accurately ripped 12 | (12/12) Accurately ripped ==== Log checksum 509CA7AE511649F2556ACC06D3C3472364F3E7023CD3A09A85461C6D3F964C2B ====
CD3
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 27. January 2019, 17:59 Michèle Devérité, Kaori Uemura, Ricardo Rodriguez And Ryo Terakado / The Forquerays, or the Torments of the Soul, Vol. 2 (Disc 1) Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:40.15 | 0 | 21014 2 | 4:40.15 | 3:37.40 | 21015 | 37329 3 | 8:17.55 | 3:50.22 | 37330 | 54601 4 | 12:08.02 | 4:11.50 | 54602 | 73476 5 | 16:19.52 | 3:35.03 | 73477 | 89604 6 | 19:54.55 | 6:29.00 | 89605 | 118779 7 | 26:23.55 | 5:09.60 | 118780 | 142014 8 | 31:33.40 | 4:51.30 | 142015 | 163869 9 | 36:24.70 | 2:39.52 | 163870 | 175846 10 | 39:04.47 | 3:08.63 | 175847 | 190009 11 | 42:13.35 | 1:21.62 | 190010 | 196146 12 | 43:35.22 | 2:31.05 | 196147 | 207476 13 | 46:06.27 | 3:18.05 | 207477 | 222331 14 | 49:24.32 | 2:27.45 | 222332 | 233401 Range status and errors Selected range Filename K:\Rips\Forqueray ou les tourments de l'âme - Michèle Dévérité\CD3\Michèle Devérité, Kaori Uemura, Ricardo Rodriguez And Ryo Terakado - The Forquerays, or the Torments of the Soul, Vol. 2 (Disc 1).wav Peak level 98.1 % Extraction speed 3.2 X Range quality 100.0 % Test CRC 8C83B6E0 Copy CRC 8C83B6E0 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 3) [00BEE82B] (AR v2) Track 2 accurately ripped (confidence 3) [BE7E88F2] (AR v2) Track 3 accurately ripped (confidence 3) [7E2A2B6C] (AR v2) Track 4 accurately ripped (confidence 3) [FFBF852B] (AR v2) Track 5 accurately ripped (confidence 3) [B60AA19E] (AR v2) Track 6 accurately ripped (confidence 3) [00B46413] (AR v2) Track 7 accurately ripped (confidence 3) [7BCB28AE] (AR v2) Track 8 accurately ripped (confidence 3) [99E3BEA9] (AR v2) Track 9 accurately ripped (confidence 3) [E26D4F16] (AR v2) Track 10 accurately ripped (confidence 3) [D630BBFC] (AR v2) Track 11 accurately ripped (confidence 3) [B142BD58] (AR v2) Track 12 accurately ripped (confidence 3) [5C7F65C1] (AR v2) Track 13 accurately ripped (confidence 3) [D2EB0520] (AR v2) Track 14 accurately ripped (confidence 3) [D2C92EEE] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: yhD9KifPytJ42aDXF8jIyyUIhdw-] found Submit result: yhD9KifPytJ42aDXF8jIyyUIhdw- has been confirmed Track | CTDB Status 1 | (11/11) Accurately ripped 2 | (11/11) Accurately ripped 3 | (11/11) Accurately ripped 4 | (11/11) Accurately ripped 5 | (11/11) Accurately ripped 6 | (11/11) Accurately ripped 7 | (11/11) Accurately ripped 8 | (11/11) Accurately ripped 9 | (11/11) Accurately ripped 10 | (11/11) Accurately ripped 11 | (11/11) Accurately ripped 12 | (11/11) Accurately ripped 13 | (11/11) Accurately ripped 14 | (11/11) Accurately ripped ==== Log checksum C6040C487B285A8CDA8AD69F9117776F95A212D71DB247D91C4466F5E3F94982 ====
CD4
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 27. January 2019, 19:23 Michèle Dévérité / Forqueray Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:41.05 | 0 | 21079 2 | 4:41.05 | 3:35.12 | 21080 | 37216 3 | 8:16.17 | 3:43.00 | 37217 | 53941 4 | 11:59.17 | 5:20.00 | 53942 | 77941 5 | 17:19.17 | 3:48.38 | 77942 | 95079 6 | 21:07.55 | 3:08.30 | 95080 | 109209 7 | 24:16.10 | 4:27.15 | 109210 | 129249 8 | 28:43.25 | 4:38.30 | 129250 | 150129 9 | 33:21.55 | 2:54.57 | 150130 | 163236 10 | 36:16.37 | 4:57.15 | 163237 | 185526 11 | 41:13.52 | 2:13.63 | 185527 | 195564 12 | 43:27.40 | 4:21.70 | 195565 | 215209 13 | 47:49.35 | 1:51.70 | 215210 | 223604 14 | 49:41.30 | 3:26.67 | 223605 | 239121 15 | 53:08.22 | 4:10.23 | 239122 | 257894 16 | 57:18.45 | 7:59.35 | 257895 | 293854 17 | 65:18.05 | 1:29.40 | 293855 | 300569 Range status and errors Selected range Filename K:\Rips\Forqueray ou les tourments de l'âme - Michèle Dévérité\CD4\Michèle Dévérité - Forqueray.wav Peak level 94.8 % Extraction speed 3.9 X Range quality 99.9 % Test CRC 6A01A351 Copy CRC 6A01A351 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 3) [A0A293E8] (AR v2) Track 2 accurately ripped (confidence 3) [5A21F5AC] (AR v2) Track 3 accurately ripped (confidence 3) [1DFE1F31] (AR v2) Track 4 accurately ripped (confidence 3) [88C9E581] (AR v2) Track 5 accurately ripped (confidence 3) [C51D45D8] (AR v2) Track 6 accurately ripped (confidence 3) [FA1615D8] (AR v2) Track 7 accurately ripped (confidence 3) [42D97E27] (AR v2) Track 8 accurately ripped (confidence 3) [328D8579] (AR v2) Track 9 accurately ripped (confidence 3) [BFFF5D60] (AR v2) Track 10 accurately ripped (confidence 3) [C5FBA56A] (AR v2) Track 11 accurately ripped (confidence 3) [122FC921] (AR v2) Track 12 accurately ripped (confidence 3) [AD93E20E] (AR v2) Track 13 accurately ripped (confidence 3) [39ACBE1D] (AR v2) Track 14 accurately ripped (confidence 3) [F5B2101A] (AR v2) Track 15 accurately ripped (confidence 3) [EF12685E] (AR v2) Track 16 accurately ripped (confidence 3) [4AB162B4] (AR v2) Track 17 accurately ripped (confidence 3) [C9C0AB8A] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: 9KK45b6oOjimlfxpxn45odw4Y1g-] found Submit result: 9KK45b6oOjimlfxpxn45odw4Y1g- has been confirmed Track | CTDB Status 1 | (11/11) Accurately ripped 2 | (11/11) Accurately ripped 3 | (11/11) Accurately ripped 4 | (11/11) Accurately ripped 5 | (11/11) Accurately ripped 6 | (11/11) Accurately ripped 7 | (11/11) Accurately ripped 8 | (11/11) Accurately ripped 9 | (11/11) Accurately ripped 10 | (11/11) Accurately ripped 11 | (11/11) Accurately ripped 12 | (11/11) Accurately ripped 13 | (11/11) Accurately ripped 14 | (11/11) Accurately ripped 15 | (11/11) Accurately ripped 16 | (11/11) Accurately ripped 17 | (11/11) Accurately ripped ==== Log checksum FC29FD931A3D1DE0C3E66FCF6DDBE6EAB5F27B88C2851BD8057024F038D23A94 ====
CD5
Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 27. January 2019, 22:22 Michèle Dévérité / Les Forqueray à l'épreuve des tourments Used drive : TSSTcorpDVDWBD SE-406AB Adapter: 1 ID: 2 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 1:35.01 | 0 | 7125 2 | 1:35.01 | 1:48.00 | 7126 | 15225 3 | 3:23.01 | 7:07.12 | 15226 | 47262 4 | 10:30.13 | 2:07.23 | 47263 | 56810 5 | 12:37.36 | 3:16.24 | 56811 | 71534 6 | 15:53.60 | 10:40.08 | 71535 | 119542 7 | 26:33.68 | 8:04.11 | 119543 | 155853 8 | 34:38.04 | 3:38.50 | 155854 | 172253 9 | 38:16.54 | 13:50.37 | 172254 | 234540 Range status and errors Selected range Filename K:\Rips\Forqueray ou les tourments de l'âme - Michèle Dévérité\Bonus CD\Michèle Dévérité - Les Forqueray à l'épreuve des tourments.wav Peak level 98.9 % Extraction speed 1.9 X Range quality 100.0 % Test CRC D88FA40C Copy CRC D88FA40C Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 2) [DE313E2B] (AR v2) Track 2 accurately ripped (confidence 2) [196DA705] (AR v2) Track 3 accurately ripped (confidence 2) [ECFCBCAE] (AR v2) Track 4 accurately ripped (confidence 2) [1976A253] (AR v2) Track 5 accurately ripped (confidence 2) [A16D2EA3] (AR v2) Track 6 accurately ripped (confidence 2) [CF12C657] (AR v2) Track 7 accurately ripped (confidence 2) [AD8F4393] (AR v2) Track 8 accurately ripped (confidence 2) [D99E401B] (AR v2) Track 9 accurately ripped (confidence 2) [1852EE65] (AR v2) All tracks accurately ripped End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: cshaRfgQzT.00QSyT5.z7ItZK0c-] found Submit result: cshaRfgQzT.00QSyT5.z7ItZK0c- has been confirmed Track | CTDB Status 1 | (11/11) Accurately ripped 2 | (11/11) Accurately ripped 3 | (11/11) Accurately ripped 4 | (11/11) Accurately ripped 5 | (11/11) Accurately ripped 6 | (11/11) Accurately ripped 7 | (11/11) Accurately ripped 8 | (11/11) Accurately ripped 9 | (11/11) Accurately ripped ==== Log checksum 4C3C541CFEDED3F04E01266645A044A868E20FAA7EFE50FA728FB50DB7EBA528 ====
Содержание индексной карты (.CUE)
CD1
REM GENRE Classical REM DATE 2018 REM DISCID B70F010D REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michèle Dévérité (clavecin), Kaori Uemura (viole de gambe), Ricardo Rodriguez (viole de gambe - continuo)" TITLE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l’âme (Disc 1)" REM COMPOSER "Antoine Forqueray (1672-1745), Jean-Baptiste Forqueray (1699-1782)" FILE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l’âme (Disc 1).flac" WAVE TRACK 01 AUDIO TITLE "Troisième Suite, en Ré majeur: I. La Ferrand - Détaché et d’une belle exécution (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Troisième Suite, en Ré majeur: II. La Régente - Noblement et soutenu (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" REM INDEX 00 02:53:09 INDEX 01 05:01:02 TRACK 03 AUDIO TITLE "Troisième Suite, en Ré majeur: III. La Tronchin - Mouvement aisé (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 09:39:62 TRACK 04 AUDIO TITLE "Troisième Suite, en Ré majeur: IV. La Angrave - Très vivement (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 14:22:00 TRACK 05 AUDIO TITLE "Troisième Suite, en Ré majeur: V. La Du Vaucel - Très tendrement (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura And Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" REM INDEX 00 94:05:09 INDEX 01 17:39:12 TRACK 06 AUDIO TITLE "Troisième Suite, en Ré majeur: VI. La Du Vaucel - Très tendrement (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" REM INDEX 00 82:05:41 INDEX 01 21:29:67 TRACK 07 AUDIO TITLE "Troisième Suite, en Ré majeur: VII. La Eynaud - Fièrement (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 26:26:22 TRACK 08 AUDIO TITLE "Troisième Suite, en Ré majeur: VIII. La Morangis ou La Plissay - Mouvement de chaconne (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura And Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" REM INDEX 00 57:30:42 INDEX 01 29:43:00 TRACK 09 AUDIO TITLE "Deuxième Suite, en Sol majeur: I. La Bouron - Vivement et détaché (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 38:03:65 TRACK 10 AUDIO TITLE "Deuxième Suite, en Sol majeur: II. La Mandoline - Point trop vite et d’aplomb (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 41:50:32 TRACK 11 AUDIO TITLE "Deuxième Suite, en Sol majeur: III. La Du Breüil - Louré (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" REM INDEX 00 81:55:71 INDEX 01 47:31:42 TRACK 12 AUDIO TITLE "Deuxième Suite, en Sol majeur: IV. La Leclair - Très vivement et détaché (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura And Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" REM INDEX 00 39:25:41 INDEX 01 53:55:22 TRACK 13 AUDIO TITLE "Deuxième Suite, en Sol majeur: V. La Buisson - Chaconne. Gratieusement (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 57:35:00
CD2
REM GENRE Classical REM DATE 2018 REM DISCID 910E5A0C REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michèle Dévérité (clavecin), Kaori Uemura (viole de gambe), Ricardo Rodriguez (viole de gambe - continuo)" TITLE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l’âme (Disc 2)" REM COMPOSER "Antoine Forqueray (1672-1745), Jean-Baptiste Forqueray (1699-1782)" FILE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l’âme (Disc 2).flac" WAVE TRACK 01 AUDIO TITLE "Première Suite in D Minor: I. La Laborde - Noblement et avec Sentiment (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Première Suite in D Minor: II. La Forqueray - Vivement et d’aplomb (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 04:58:70 TRACK 03 AUDIO TITLE "Première Suite in D Minor: III. La Cottin - Galamment sans lenteur (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 10:33:30 TRACK 04 AUDIO TITLE "Première Suite in D Minor: IV. La Bellemont - Avec goût et sans lenteur (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 14:09:67 TRACK 05 AUDIO TITLE "Première Suite in D Minor: V. La Portugaise - Marqué et d’aplomb (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 18:37:20 TRACK 06 AUDIO TITLE "Première Suite in D Minor: VI. La Couperin - Noblement et marqué (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 22:48:57 TRACK 07 AUDIO TITLE "Quatrième Suite in G Minor: I. La Marella - Vivement et marqué (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 27:36:17 INDEX 01 27:46:40 TRACK 08 AUDIO TITLE "Quatrième Suite in G Minor: II. La Clément - Noblement et détaché (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 31:47:32 TRACK 09 AUDIO TITLE "Quatrième Suite in G Minor: III. La D’Aubonne - Sarabande (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 37:03:12 TRACK 10 AUDIO TITLE "Quatrième Suite in G Minor: IV. La Bournonville - Mouvement élevé (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 42:18:20 TRACK 11 AUDIO TITLE "Quatrième Suite in G Minor: V. Sainscy - Gracieusement et avec esprit (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 45:10:02 TRACK 12 AUDIO TITLE "Quatrième Suite in G Minor: VI. Le Carillon de Passy - Légèrement sans vitesse ; La Latour (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 48:58:30
CD3
REM GENRE Classical REM DATE 2018 REM DISCID E80C280E REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michèle Dévérité (clavecin), Robert Kohnen (clavecin), Kaori Uemura (viole de gambe), Ricardo Rodriguez (viole de gambe - continuo)" TITLE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l'âme (Disc 3)" REM COMPOSER "Antoine Forqueray (1672-1745), Jean-Baptiste Forqueray (1699-1782)" FILE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l'âme (Disc 3).flac" WAVE TRACK 01 AUDIO TITLE "Cinquième Suite, en ut mineur: La Rameau - Majestueusement (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Cinquième Suite, en ut mineur: La Guignon - Vivement et détaché (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 04:40:15 TRACK 03 AUDIO TITLE "Cinquième Suite, en ut mineur: La Léon - Sarabande. Tendrement (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 08:17:55 TRACK 04 AUDIO TITLE "Cinquième Suite, en ut mineur: La Boisson - Vivement, les pincés bien soutenus (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 12:08:02 TRACK 05 AUDIO TITLE "Cinquième Suite, en ut mineur: La Montigni - Galamment sans lenteur (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 16:19:52 TRACK 06 AUDIO TITLE "Cinquième Suite, en ut mineur: La Sylva - Très tendrement (clavecin)" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 19:54:55 TRACK 07 AUDIO TITLE "Cinquième Suite, en ut mineur: Jupiter - Modérément (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 26:23:55 TRACK 08 AUDIO TITLE "Manuscrit de Lille, en Sol majeur: Allemande (deux clavecins)" PERFORMER "Michèle Devérité, Robert Kohnen" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 31:23:20 INDEX 01 31:33:40 TRACK 09 AUDIO TITLE "Manuscrit de Lille, en Sol majeur: Courante (deux clavecins)" PERFORMER "Michèle Devérité, Robert Kohnen" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 36:24:70 TRACK 10 AUDIO TITLE "Manuscrit de Lille, en Sol majeur: Sarabande (deux clavecins)" PERFORMER "Michèle Devérité, Robert Kohnen" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 39:04:47 TRACK 11 AUDIO TITLE "Recueil de pièces de violle avec la basse tiré des meilleurs autheurs: Bransle, en Sol majeur (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 42:06:22 INDEX 01 42:13:35 TRACK 12 AUDIO TITLE "Recueil de pièces de violle avec la basse tiré des meilleurs autheurs: Allemande, en ré mineur (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 43:35:22 TRACK 13 AUDIO TITLE "Recueil de pièces de violle avec la basse tiré des meilleurs autheurs: La Girouette, en sol mineur (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 46:06:27 TRACK 14 AUDIO TITLE "Recueil de pièces de violle avec la basse tiré des meilleurs autheurs: Musette, en La majeur (viole et b.c.)" PERFORMER "Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 49:20:30 INDEX 01 49:24:32
CD4
REM GENRE Baroque REM DISCID EF0FA711 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Michèle Dévérité (clavecin), Kaori Uemura (viole de gambe), Ryo Terakado (violon)" TITLE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l'âme (Disc 4)" REM COMPOSER "Jean-Philippe Rameau (1683-1764), Ana Giurgiu-Bondue (1977-), Charles-François Clément (c.1720-après 1789), François Couperin (1668-1733), Josse Boutmy (1697-1779), Antoine Dornel (c.1680-après 1756), Pierre-Alain Braye-Weppe (1981-), Jacques Duphly (1715-1789), Claude-François Rameau (1727-1788)" FILE "Antoine & Jean-Baptiste Forqueray ... ou Les Tourments de l'âme (Disc 4).flac" WAVE TRACK 01 AUDIO TITLE "La Forqueray - Fugue (clavecin, violone, viole de gambe)" PERFORMER "Michèle Dévérité, Kaori Uemura, Ryo Terakado" REM COMPOSER "Jean-Philippe Rameau" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Carillons pour Forqueray (clavecin)" PERFORMER "Michèle Dévérité" REM COMPOSER "Ana Giurgiu-Bondue" INDEX 00 04:38:05 INDEX 01 04:41:05 TRACK 03 AUDIO TITLE "Allegro ma non troppo (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 00 08:12:42 INDEX 01 08:16:17 TRACK 04 AUDIO TITLE "La Forqueray - Fièrement sans lenteur (clavecin)" PERFORMER "Michèle Dévérité" REM COMPOSER "François Couperin" INDEX 00 11:57:30 INDEX 01 11:59:17 TRACK 05 AUDIO TITLE "Sixième Sonate pour violon et clavecin - I. Allegro ma non troppo (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 01 17:19:17 TRACK 06 AUDIO TITLE "Sixième Sonate pour violon et clavecin - II. Aria Grazioso (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 01 21:07:55 TRACK 07 AUDIO TITLE "Sixième Sonate pour violon et clavecin - III. Allegro (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 01 24:16:10 TRACK 08 AUDIO TITLE "Quatrième Sonate pour violon et clavecin - Arie I & II (violone et clavecin)" PERFORMER "Michèle Dévérité, Kaori Uemura, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 00 28:40:55 INDEX 01 28:43:25 TRACK 09 AUDIO TITLE "La Forcroy - Largo (clavecin)" PERFORMER "Michèle Dévérité" REM COMPOSER "Josse Boutmy" INDEX 00 33:16:27 INDEX 01 33:21:55 TRACK 10 AUDIO TITLE "Première Sonate pour violon et clavecin - I. Allegro ma non troppo (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 01 36:16:37 TRACK 11 AUDIO TITLE "Première Sonate pour violon et clavecin - II. Aria affettuoso (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 01 41:13:52 TRACK 12 AUDIO TITLE "Première Sonate pour violon et clavecin - III. Adagio (violone et clavecin)" PERFORMER "Michèle Dévérité, Ryo Terakado" REM COMPOSER "Charles-François Clément" INDEX 01 43:27:40 TRACK 13 AUDIO TITLE "La Forcroy - Prélude - Un peu lent (violone et b.c.)" PERFORMER "Michèle Dévérité, Kaori Uemura, Ryo Terakado" REM COMPOSER "Antoine Dornel" INDEX 00 47:43:25 INDEX 01 47:49:35 TRACK 14 AUDIO TITLE "La Forcroy - Chaconne (violone et b.c.)" PERFORMER "Michèle Dévérité, Kaori Uemura, Ryo Terakado" REM COMPOSER "Antoine Dornel" INDEX 01 49:41:30 TRACK 15 AUDIO TITLE "Tombeau de Forqueray pour clavecin (clavecin)" PERFORMER "Michèle Dévérité" REM COMPOSER "Pierre-Alain Braye-Weppe" INDEX 00 53:02:72 INDEX 01 53:08:22 TRACK 16 AUDIO TITLE "La Forqueray, pour clavecin en fa mineur (clavecin)" PERFORMER "Michèle Dévérité" REM COMPOSER "Jacques Duphly" INDEX 00 57:15:02 INDEX 01 57:18:45 TRACK 17 AUDIO TITLE "La Forcroy pour clavecin en Ré majeur (clavecin)" PERFORMER "Michèle Dévérité" REM COMPOSER "Claude-François Rameau" INDEX 00 64:59:70 INDEX 01 65:18:05
CD5
REM GENRE Classical REM DATE 2017 REM DISCID 7F0C3709 REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Nicolas Lormeau (récitant), Michèle Dévérité (clavecin), Kaori Uemura (viole de gambe sur les pistes 3, 5, 8), Ricardo Rodriguez (viole de gambe - continuo sur les pistes 3, 5, 8), Ryo Terakado (violon sur la piste 8), Jean-Pierre Nicolas (flûtes sur les pistes 2, 9)" TITLE "Les Forqueray à l’épreuve des tourments - CD Bonus" REM COMPOSER "Antoine Forqueray (1672-1745), Jean-Baptiste Forqueray (1699-1782)" FILE "Les Forqueray à l’épreuve des tourments - CD Bonus.flac" WAVE TRACK 01 AUDIO TITLE "Prologue" PERFORMER "Nicolas Lormeau, Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "А la gloire des ancêtres" PERFORMER "Nicolas Lormeau, Michèle Devérité, Jean-Pierre Nicolas" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 01:33:01 INDEX 01 01:35:01 TRACK 03 AUDIO TITLE "Antoine, l’enfant prodige" PERFORMER "Nicolas Lormeau, Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 03:21:01 INDEX 01 03:23:01 TRACK 04 AUDIO TITLE "Nicolas Lormeau, La mort du Régent" PERFORMER "Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 10:28:13 INDEX 01 10:30:13 TRACK 05 AUDIO TITLE "Forqueray: petites et grandes histoires" PERFORMER "Nicolas Lormeau, Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 12:35:36 INDEX 01 12:37:36 TRACK 06 AUDIO TITLE "Des princes de la viole de gambe, Antoine et Jean-Baptist le fils" PERFORMER "Nicolas Lormeau, Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 15:51:60 INDEX 01 15:53:60 TRACK 07 AUDIO TITLE "Démêlés familiaux, au plus profond des ténèbres intérieures" PERFORMER "Nicolas Lormeau, Michèle Devérité" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 26:31:69 INDEX 01 26:33:68 TRACK 08 AUDIO TITLE "Un homme parfait" PERFORMER "Nicolas Lormeau, Michèle Devérité, Kaori Uemura, Ricardo Rodriguez" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 34:36:04 INDEX 01 34:38:04 TRACK 09 AUDIO TITLE "Antoine et Les Divertissements de Sceaux" PERFORMER "Nicolas Lormeau, Michèle Devérité, Jean-Pierre Nicolas" REM COMPOSER "Antoine Forqueray, Jean-Baptiste Forqueray" INDEX 00 38:14:54 INDEX 01 38:16:54
Review
Had La famille Forqueray been around today, some three centuries after they graced the French court, it seems inconceivable that they wouldn’t be the subject of some must-see fly-on-the-wall reality TV series (presumably produced by Canal Plus), so dysfunctional were they. The antics of Dad (Antoine), Mum (Henriette-Angélique) and elder son (Jean-Baptiste) would doubtless enthral a global audience, be chewed over in lurid detail in the gossip columns of tabloid and broadsheet alike, possibly even be earnestly discussed by students on the ‘Freudian analysis and its role in pre-revolutionary France’ module at the Sorbonne. I am certain their musical ability would have eclipsed that of the Osbornes, while their couture and innate sense of style would have given the Kardashians a run for their money. For those of you who haven’t been watching this imaginary series (or couldn’t follow Canal’s subtitles) this, in a nutshell, is what you missed: the boy Antoine is a prodigy on the viol, and at the age of ten plays before Louis XIV; the king pays for his further tuition on the bass viol and signs him up to be official court musician at the age of 17 – a role he (somehow) manages to keep until the end of his life. A few years later he meets lovely claveciniste Henriette-Angélique Houssou, he marries her and two years later they produce their first son Jean-Baptiste. Neighbours on the estate soon become aware that the jolly sounds of the infant frequently intermingle with the less agreeable noise of bickering parents. Soon after the birth of second son Nicolas, the old king gets to hear five-year-old Jean-Baptiste play the viola da gamba. The king is deeply impressed as the boy is clearly a chip off the old block, but as time passes and his marriage goes stale, increasingly embittered dad Antoine becomes possessed by the green-eyed monster to the point where he has Jean-Baptiste, by now 15 years old, flung into jail. Over time the envy deepens further, so dad organises a lettre de cachet with court big-wigs and thus has his (possibly more) talented son exiled from France, by this fait accomplis (worse than death), on dubious grounds of alleged “excessive debauchery” . This is short-lived, however. After Dad dies Jean-Baptiste seemingly forgives him by publishing transcriptions of 32 of his remaining works over five suites in two different versions; one for solo harpsichord and the other for viola da gamba with basso continuo. While those five suites in their harpsichord guise form the backbone of this sumptuously produced set, my flippant prelude is not as misplaced as it may seem at first sight, as among the five discs containing the Forquerays’ complete extant oeuvre is a recited programme of contemporary accounts, reflections and vignettes concerning these extraordinary, if little-known figures. Alas my French isn’t nearly remotely good enough to make any sense of it whatsoever but it’s nonetheless heartening to think that the serious folk at Harmonia Mundi feel that these lives merit this sort of treatment. It’s billed as a bonus – although it will certainly not be the main reason enthusiasts buy this disc. There is inevitably much fervent debate about the actual provenance of this music. The young French harpsichord player Justin Taylor released a much admired disc of music by the Forquerays on Alpha in 2016 (ALPHA CLASSICS 247 -it includes the First and Fifth Suites and you can read its MWI review here) to which he also contributed a scholarly note. While Jean-Baptiste’s own preface to these editions unambiguously states that these are pieces by his father, stylistically they seem to share traits with the music by the next generation of composers - ie Jean-Baptiste’s contemporaries. Moreover, Jean-Baptiste also admitted to including some of his own work, although the addition of the name Forcroy to each manuscript makes it impossible to deduce who composed what, as it were. In fact as I understand it, some commentators believe that La Angrave, La Du Vaucel, and La Morangis ou la Plissay (all from Suite No 3) are the Jean-Baptiste originals; while Justin Taylor seems convinced that La Forqueray from the Suite No 1 is the son’s portrait of his mad old dad. Another interesting point is that Jean-Baptiste apparently claimed to have added the bass notation to his father’s work in the viola da gamba with continuo version, yet made no attempt whatsoever to transpose this music in its harpsichord guise, which contributes to its uniquely bass-heavy character. This is really apparent when playing disc 4 in this set, a miscellany series of pieces dedicated to the Forquerays by contemporaries and successors such as Couperin, Duphly and Rameau père et fils. Some of the pieces included seem to lie much higher on the instrument than the pieces in the Forqueray suites. An attractive feature of this disc is the inclusion of two brief but fascinating tributes by living French composers, Ana Giurgiu-Bondue and Pierre-Alain Braye-Weppe whose Tombeau de Forqueray is especially touching and unusual. So what of the five suites- and their performances here? The 32 individual pieces that constitute them are sometimes character portraits of significant glitterati from the Forquerays’ circle; pieces such as La Couperin (Suite No 1), La Leclair (Suite No 2) or La Rameau (Suite No 5) depict the traits and personalities of leading composers, they are thus affectionate sonic vignettes frozen in time. Their tempo indications provide clues in themselves to the listener, for instance La Couperin is instructed to be played Noblement et marqué whereas La Rameau merits the yet more regal Majesteusement. Michèle Dévérité’s magnificent playing brings these characters into fully-formed three-dimensional life. And not just composers: there are tributes to instrumentalists: the violists La Bellemont (Suite No 1) and La Guignon (No 5) are portrayed in terms that synthesise their virtuosity and their characters; the music-historian Jean-Benjamin de La Borde is immortalised in La Laborde (Suite No 1). In this piece, austere and dissonant chords and weird harmonies collide here and there; elements of it sound strangely modern (it’s one of the few items involving the viol/basso continuo combination – unlike the starker but no less interesting solo harpsichord account on the Justin Taylor disc). It turns out that La Borde also invented a chromatic harpsichord with twenty-one notes within the octave. He was clearly an early 18th century Harry Partch. La Tronchin (Suite 3) pays homage to a renowned Swiss surgeon; La Montigni (no 5) to a watchmaker, Dévérité emphasising a ticking rhythm which at once evokes the atmosphere of a horological workshop. Other pieces namecheck contemporary racial stereotypes (La Portugais – Suite No 1); newly fashionable (ie Italian) musical instruments at the Paris court (La Mandoline –No 2); towns and places (La Morangis ou la Plissay, a superb extended chaconne in Suite No 3) even gods in the brilliant Jupiter (No 5) – this is dark, angry, visceral music, vividly and lovingly performed; Ms. Dévérité’s note points out that the real fury here is actually and unexpectedly depicted by the viola da gamba. These picturesque scenes and affectionate homages and caricatures reveal that Les Forquerays were effectively musical social historians – the range of content covered and the variety of styles involved in its dissemination is utterly dizzying and Dévérité’s flexibility of approach ensures each particular piece inhabits its own unique world. Her instrumental collaborators here, notably the violist Kaori Uembra provide magnificent support (and leadership where necessary). Moreover she has three very different sounding harpsichords at her disposal which greatly increases the range of colour and timbre available, and thus multiplies the pleasure for the listener. The recorded sound is faithfully conveyed, detailed but never over-analytical. Dévérité’s booklet notes are pithy and epitomise great humanity as well as academic rigour, while the former quality consistently illuminates her playing across all five suites. To be honest, on receiving this extensive set I was rather daunted by the prospect of listening to four or so hours of La famille Forqueray three times in a concentrated period of time, let alone by writing about it. I needn’t have worried – the real variety of sound and style from piece to piece utterly engrossed and captivated me. While I enjoyed Justin Taylor’s disc greatly, this splendid edition from Harmonia Mundi has really extended my burgeoning appreciation of the achievement of these feisty Forquerays. Richard Hanlon
